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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Duncan, Ralph Randolph II, "Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form." (1990). LSU Historical Dissertations and Theses. 4910. https://digitalcommons.lsu.edu/gradschool_disstheses/4910 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The qualityof this reproduction is dependent upon the quality of the copysubmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Since I Began Reading the Work of Steve Ditko I Wanted to Have a Checklist So I Could Catalogue the Books I Had Read but Most Im
Since I began reading the work of Steve Ditko I wanted to have a checklist so I could catalogue the books I had read but most importantly see what other original works by the illustrator I can find and enjoy. With the help of Brian Franczak’s vast Steve Ditko compendium, Ditko-fever.com, I compiled the following check-list that could be shared, printed, built-on and probably corrected so that the fan’s, whom his work means the most, can have a simple quick reference where they can quickly build their reading list and knowledge of the artist. It has deliberately been simplified with no cover art and information to the contents of the issue. It was my intension with this check-list to be used in accompaniment with ditko-fever.com so more information on each publication can be sought when needed or if you get curious! The checklist only contains the issues where original art is first seen and printed. No reprints, no messing about. All issues in the check-list are original and contain original Steve Ditko illustrations! Although Steve Ditko did many interviews and responded in letters to many fanzines these were not included because the checklist is on the art (or illustration) of Steve Ditko not his responses to it. I hope you get some use out of this check-list! If you think I have missed anything out, made an error, or should consider adding something visit then email me at ditkocultist.com One more thing… share this, and spread the art of Steve Ditko! Regards, R.S. -
Comic Book Film Genre
Copyright by Matthew David Young 2013 The Dissertation Committee for Matthew David Young Certifies that this is the approved version of the following dissertation: Musical Topics in the Comic Book Superhero Film Genre Committee: James Buhler, Supervisor Byron Almén David Neumeyer Eric Drott Charles Berg Musical Topics in the Comic Book Superhero Film Genre by Matthew David Young, B.A.; M.Music Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To my wife, for her support, encouragement, and patience. Acknowledgements Foremost, I would like to thank Dr. Buhler for his support and guidance throughout this project. His insight has been invaluable in helping me to expand the depth and increase the quality of this work. I am also deeply grateful to my committee, Byron Almén, David Neumeyer, Eric Drott, and Charles Ramírez Berg for their inspiration and teachings which helped me to grow as an academic. I would also like to thank Sean Johnston, Cari McDonnell, and Emily Kausalik for providing the peer support network every graduate student needs to give feedback and brainstorm new directions to explore in this project. Finally, I would like to thank my wife and parents, for their support, love, encouragement, and guidance not only throughout graduate school, but throughout life. v Musical Topics in the Comic Book Superhero Film Genre Matthew David Young, Ph.D. The University of Texas at Austin, 2013 Supervisor: James Buhler The comic book superhero film has become a mainstay amongst Hollywood blockbuster films. -
39155 369E8e52840f888dd93c
Age of Ultron (AU) (crossover Amazing Spider-Man Annual, The. Anole 698 series) 698 See Spider-Man, Amazing Spider- Ant-Man (1st) 225, 226, 229, 231, Index Agent X 679 Man Annual, The 235, 236–37, 240–41, 300, 305, Agents of S. H. I. E. L. D. (TV Amazing Spider-Man Special, The. 317, 325, 485, 501–03, 628, 681. Italic numerals refer to pages of the series) 699. See also Captain See Spider-Man, Amazing Spider- See also Giant-Man; Goliath (1st); TASCHEN book 75 Years of Marvel America, Captain America: Man Special, The Henry (Hank) Pym; Wasp, The which include images. The Winter Soldier (movie); Amazing Spider-Man, The (book). See (1st); Yellowjacket (1st) S. H. I. E. L. D. Spider-Man, Amazing Spider- Ant-Man (2nd) 581, 591, 628, 653. A Aggamon 281 Man, The (book) See also Scott Lang “Amazing Case of the Human Torch, Aja, David 685, 697 “Amazing Spider-Man, The” (comic Ant-Man (3rd) 691 The” (short story) 55 Alascia, Vince 29, 63, 68, 100 strip). See Spider-Man, “Amazing Antonioni, Michelangelo 468 A.I.M. (Advanced Idea Alcala, Alfredo 574 Spider-Man, The” (comic strip) Apache Kid 120. See also Western Mechanics) 381 Alderman, Jack 73 Amazing Spider-Man, The (movie). Gunfighters (vols. 1–2) Aaron Stack 596. See also Machine Aldrin, Edwin (“Buzz”) 453 See Spider-Man, Amazing Spider- Apache Kid, The 106 Man Alex Summers 475. See also Havok Man, The (movie) Apocalypse 654 Aaron, Jason 691, 694 Alf 649 Amazing Spider-Man, The (TV Apollo 11 453 ABC (American Broadcasting Alias (live TV version) 699 series) (1977–79). -
Collecting Comic Books
Comic Book Collecting, A Starting Point Jump Start Your Collection Using Internet Resources By: Dave Gieber And: Johnny Blue Star 1 © 2005 - 2010, Dave Gieber ALL RIGHTS RESERVED All work contained in this book is the copyright of Dave Gieber. No part of this document may be reproduced or transmitted for resale or used by any party without express written permission from the author. LEGAL NOTICE While all attempts have been made to provide effective, verifiable information in this document, neither the Author nor Publisher assumes any responsibility for errors, inaccuracies, or omissions. Any slights of people or organizations are unintentional. The information contained in this package does not make any claims or guarantees. Many variables affect each individual's results. Results will vary. The author does not make any promise of your personal success. The author has no control over what you may or may not do with this information, and therefore cannot accept the responsibility for your results. Any and all references to persons or businesses, whether living or dead, existing or defunct, are purely coincidental. 2 Table of Contents A Gentle Warning to the Reader: Preface ........................................................................ 4 Introduction: The Purpose of this Book ........................................................................... 5 The Origin of Comic Books, Chapter One ....................................................................... 7 The Ten Great Comic Books, Chapter Two .................................................................. -
Kirby Interview Stan Lee Roy Thomas John Romita John Buscema Marie Severin Herb Trimpe Flo Steinberg George Roussos Ant-Man
THE $5.95 In The US CELEBRATING THE LIFE & CAREER OF THE KING! Issue #18, Jan. 1998 A “King”-Size Collector 68- page ISSUE on JAck’s work at Marvel COMICS!! A Rare 1970 Kirby Interview A 1975 Interview With Stan Lee Interviews With Every Bullpenner We could find, Including: Roy Thomas John Romita John Buscema Marie Severin Herb Trimpe Flo Steinberg George Roussos Special Features: Ant-Man The Eternals Black Panther & More Unpublished Art including Pencil . pages Before c n I , They Were Inked, t n And Much More!! e m n i a t r e t n E l 1996 & 1997 e v Eisner r Awards a M Nominee © Best s Comics-Related l e Publication n i t n 1997 Harvey e S Awards Nominee , Best Biographical, Historical n or Journalistic Presentation a M - r e d i p S Issue #18 Contents: The Great Atlas Implosion . .4 (Who really created Marvel Comics?) From The Words & Pictures Museum . .7 (Art from their permanent collection) A Cap Rarity . .8 (The earliest Kirby fan sketch?) The Highs & Lows of Henry Pym . .9 (Why didn’t Ant-Man make it big?) Inking Contest! . .11 (Hurry; the deadline’s January 15th!) 1975 Stan Lee Panel . .12 (Who created the Silver Surfer?) Roy Thomas Interview . .17 (A very candid conversation) Super-Heroes With Super Problems . .26 (The newspaper article that started the rift between Stan and Jack) Lee Or Kirby? . .30 (The never-ending question...) George Roussos Interview . .32 (“Inky” speaks!) Centerfold: Captain America . .34 1997 John Romita Panel . .38 (Romita on Kirby, Spidey, and Ditko) Marie Severin Interview . -
2008 Panel Sessions
2008 Panel Sessions Helping Bookstores Buy and Shelve Comics for KIDS April 18 Panels Should there be a kids comics section in your bookstore/comic bookstore? What should be in it? How should you market it? Retailer Appreciation Breakfast Helping Libraries Buy and Shelve Comics for TEENS On Friday, April 18, the third annual New York Comic Con will kick off with What about the teens? Do you have everything you should in your teen a special Retailer Appreciation Breakfast hosted by Diamond Comic section? Do you have a Teen section? These insiders will convince you Distributors, Dark Horse, DC and Marvel Comics. Members of Diamond’s that this should be a must-have section of your library. John Shableski Upper Management Team and representatives from Dark Horse, DC and moderates a discussion with Christian Zabriskie, Tyler Rosseau, Mike Marvel Comics will be on hand to discuss a variety of topics and have an Pawuk and Robin Brenner. open Q&A session for retailer feedback. Will Eisner: Portrait of a Sequential Artist Steve Rude Art Class As any comic book connoisseur knows, Will Eisner may very well be the Watch and observe Steve Rude’ acrylic demo/workshop as he teaches greatest innovator in the history of the art form. From the beginning in the a group of ten students. He will be teaching fundamental techniques that 1930s and through six revolutionary decades, he stretched the boundaries you can take home and use, taught at each student’s skill level and advocated more sophisticated storytelling techniques, and then reinvented himself as the architect of the graphic novel format. -
Comics and Literature: a Love Story
Comics and Literature: A Love Story by Robert Hutton A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Carleton University Ottawa, Ontario © 2017 Robert Hutton Abstract This dissertation investigates the conjunction of comics, literature, prestige, and narratives of development and deviance. Drawing on case studies from the forty-year history of alternative comics, I argue that comics creators and publishers referenced literary figures and characters as a means of developing their ideas of artistic autonomy and development. This tangle of ideas stems from the suspicion and censorship of comics in the 1950s, when the young medium was accused of promoting deviance and maladjustment. Early figures in alternative comics such as Harvey Pekar, Dave Sim, and the critics of The Comics Journal fought this idea by drawing on the prestige of literature to present a vision of comics that adhered to conventional ideas of autonomous elite culture. In doing so, these writers sought to create a new form of comic that could help the medium and its readers out of the maladjustment it found itself in. Later, the writers of "groundlevel" comics referenced canonical literary authors in ways that both reaffirmed and, in the case of Alan Moore, questioned their canonical light. It is here that we begin to see total rejection of the developmental narrative, and a celebration of comics' low cultural status. Finally, I argue that the work of Ariel Schrag and Alison Bechdel takes a step forward in developing a queer idea of reading and writing that disrupt the narrative upheld by earlier authors. -
F48- Holiday 2020 Working Entirely from Home
Featured New Items ILLUSTRATION MAGAZINE #69 On our Cover Our Highest Recommendation. Art by Robert O. Reid, J. F. Kernan, and SPECTRUM Vol 27 Hardcover Neysa McMein. Three successful illus- The Best in Contemporary Fantastic Art. Our Highest trators, two new to us but no less inter- Recommendation. Edited by John Fleskes. 350 esting, and Robert O. Reid, Colliers works by 220 diverse artist extraordinaire, and master of visionaries. Features “cartoon realism.” J. F. Kernan, best include Grand Master: known for his spectacular magazine Teryl Whitlatch; Muse Award: spots and nostalgia covers for The Alex Dos Diaz by Colin and Saturday Evening Post of the 1930s Kristine Poole; Gold Awards and 40s. Neysa McMein is featured, Bartosz Kosowski for The a fantastic female magazine illustrator from the 1930s and Shining (Advertising), Rovina 40s whose pictures of beautiful women dominated McCall’s Cai for Ivywood Manor (Book), covers. Illustrated Press, 2020. Tom Probert for Lightfall 01-- IL69. Magazine, 9x11, 80pg, PC $15.00 Walk in the Woods (Comics), Tooth Wu for Devourer of BATMAN THE DEMON TRILOGY Ghosts (Concept Art), Dug Recommended. By Mike W. Barr & Den- Stanart for Space Madness (Di- nis O’Neil. Art by Jerry Bingham, Tom mensional), Diego Fernandez for Grindberg, and Norm Breyfogle. How 492 (unpublished), Iain McCaig for did Ra’s al Ghul become the villain that Claim the First Born (Institutional), he is? How would a union between his and more. Flesk, 2020. daughter Talia and the Dark Knight ben- SPE27H. HC, 9x12, 304pg, FC efit him? Why would he want to father $49.95 $44.95 an heir? Follow along as Batman lives through and tries to unravel the mystery Coming Soon behind the mind of Ra’s al Ghul! Collects Vol 27 Softcover these three original graphic novels Bat- Flesk, 2020. -
Doctor Strange Collection 11/30/16
Last Updated: 11/30/16 THE HOWARD HALLIS DOCTOR STRANGE COLLECTION Total # of Items: 5308 ITEM NAME TYPE OF ITEM NOTES QUANTITY Ben Cooper Doctor Strange Halloween costume Apparel In TV Comic box with mask and body 1 Buckle Down Seat Belt Doctor Strange Belt A Apparel Eye Of Agamotto design 1 Buckle Down Seat Belt Doctor Strange Belt B Apparel Dr. Strange cast of characters design 1 Buckle Down Seat Belt Doctor Strange Belt C Apparel Dr. Strange comic cover design 1 Buckle Down Wallet Brunner Doctor Stange design Apparel officially licensed 1 Doctor Strange 2016 movie crew hat with silver window design. Given to crew only Apparel Oxford, Peckham, London on side. Embroidered. 1 Doctor Strange black logo beanie with small portrait Apparel 1 Doctor Strange blue logo beanie with dragon crest Apparel Marvel and BioWorld 1 Doctor Strange Floating Premium Sublimated crew socks Apparel Marvel and BioWorld 1 Doctor Strange gumball machine ring Apparel Brunner flying design 1 Doctor Strange Knee High Socks with Blue tips Apparel With blue tips. Target exclusive 1 Doctor Strange Knee High Socks with Red tips Apparel With red tips. Online exclusive 1 Doctor Strange Mini Socks Apparel 3 sock set. Target exclusive 1 Doctor Strange Slippers Apparel WalMart exclusive 1 Doctor Strange wristwatch with black band Apparel 1 Doctor Strange wristwatch with blue band Apparel 1 Doctor Strange wristwatch with green band Apparel 1 Doctor Strange wristwatch with red band Apparel 1 Doctor Strange wristwatch with silver band Apparel 1 Eye of Agamotto Marvel Symbol Pendant Necklace Apparel Point Central Collectibles movie reproduction 1 Grateful Dead Ancient One Backstage Pass Apparel Official vintage tour item 1 Grateful Dead Dr.