DOCSLIB.ORG

Torrance Herald

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Torrance Herald THURSDAY, APRIL 4, 1936 Page 4-B TORRANCE HERALD, Torrance, California "David Copperfield" "One More Spring" Opens At Black Outrage Portrayed In * 9 At Lomita Tonigh Deer and Lion Share Dramatic Honors In 'Sequoia Film Play, "dive of India' the Lomita, Sunday, April 7 Above are ahown W. C. Fields and the sensational boy >t«r, Freddie Bartholomew, aa "David Copperfield" in Dickens* Immortal story, which will be seen on the -Jean Parker in. a Scenelfrt>rm",Sequpiii}'' screen at the Lomita- Theatre, to­ The most amazing revelation o night, Friday and Saturday. Other* nature's intimate secrets ever at in the . impressive cast include "Sand Hogs'-Battle the River tempted for the screen IB to b Edna May Oliver, Roland Young, e black crime of the Black tury production starring; Ronald seen In "Sequoia" (pronounced Krank Lawton and Maureen O'Sul- Colman, which comes to Jhe Tor­ "See-Quo-Yah"), startling: outdo Hole of Calcutta is brought to drama featuring Jean Parker and livan. rance Theatre tonight, Friday i ght pn the screen for the first Saturday. showing at .the Torrance Theatre Pontiac Dealer Ime in "Clive of India," Darryl F Not even the Bastille of Fra Sunday and Monday. &AFFLING Call 444 for Ad Service anuck's million-dollar 20th Cen- or the Tower of London hou Nearly -two years In the fllmln! double murder Invites Public to greater horror than that infann the picture deals with a friendshl cell, some 18 feet square, i between a deer and a mountal MYSTERY Ffree Show Tonight which, on June 30, 1756, in the lion, two of nature-'B most deadly city of Calcutta, India. 145 men snemles. Raised together from th Introducing Aline MacMahon and A free movie with sound 'n bottle feeding" age,' the two anl woman were crammed by tiie Uuy Klbbee in entirely different everything will be shown to the soldiers of a cruel potentate and nals are shown fighting the wild left to die in a night of hideou together. ales from those usually associ- public tonight at. 7:80 o'clock a,t luffering. ' In additipn- many other specie ited with them, 'the second of- the the showroom of the Moore Auto NO (ASH Only 23 Survive • American wild life wer :iue Club productions, "While Company, 1912 Carson street. The The Nawab's guards seized all italked" 'with a camera, Includln The Patient Slept," First thews of the ntcture Is. groupejjl off to glee present and carried them coyotes, bears, raccoons, onal's latest and most baffling 1935 Silver Streak ihe Black Hole. Two small iron- lesnakes, baby fawns around tho hew urdor mystery drama, is an- Pontlac and apcordlng to those barred windows admitted the only small lion cubs. junced as the feature attraction ray of light, the only breath of at the Torranco Theatre, tonight, who have seen the "show" it i* air. Crushed together as by a vlsei Film Icicles Made Friday and Saturday. both educational and entortalnlps*. the prisoners were denied even Mr. Cartwrlght, local manager ot ter. The heat of the summer Baaed on a novel by Mignon G. By Studio Experts Sberhart, "While The Patient the Moore Auto Company, Ponttab night added to their torture. Those Alln<v_MacMahon the windows begged the Jleeps," presents dealers, extends a cordial invita­ itlng, laughing guards outside Edmund Lowe and Victor McLaglen play at "the world's iyo inrri,' •experts ua_._>furso Sarah Kcate, detective tion to everyone. Th'o picture will make all the Icicles for First Na^ lc1r6T*I»~.imost amazing .character, require jibout_20 .mtnutea to-s,hwvir. hoot them. Others clutched at ost dangerous game in their new co-starring picture for .work at­ tional Pictures, their latest nd Guy KTbfieil nV~:n " small town r own throats In a pitiful x Film, "Under Pressure," In their latest vehicle the two being in "Living On Velvet," which tempt to end their agony. leuth. .. ' side-splitting' romance between ars are tunnel workers, cheating death beneath the river. es to the Torrance Theatre on Mlsg MacMahon and Kibbce. A Not, until six o|cloek the next While the plot Includes a double iown at the Torrance Theatre Tuesday and Wednesday, Sunday and Monday. urdor, double action .and double e serious romance, that .has morning was the door of the 'snow same happy ending, occurs were pril 9 and 10. Also "Captain Hurricane,'-' starring James Winter' scenes, for which he usual quantity of thrills, the the rison opened. Ho crushed drifts, icicles, frosty windows and between Lyle Talbot and Patricia II the bodies that .It - took 20 Icturo aJoo contains much rare arton and* Helen Mack. ' ylnd effects are necessary ar» umor, hilarious comedy and a Bills, . ' " . ilnutes to sort the living from ,made amazingly realistic. le dead. Twenty-three survivors lanaged to crawl out of the death 10 experts developed a new chamber, among them a young method of making Icicles for "Llv- pride, who was placed in Suraj Ud Wings In the Dark/'Exciting ng On Velvet," using cellophane Dowlah's harem. wax Instead of the old fibre and' plaster. Camphor, applied by Air Film, Stars Loy and Grant men who know all the tricks Jack "Cimarron," Frost plays on the world's win­ dows, provides the frosted glass. 'Kay ! Francis, -Warren William and Geoge Brent form the tri­ PHONE TORRANCE 132 Returns To angle of a most unusual romance in "Living On Velvet," which was Plaza Tomorrow directed by Frank Dorzage. Thursday, Friday, Saturday, April 4-5-6 Five thousand persons made up :he mighty horde- that performed i reenactment of the most, dra- LOMITA natic spectacle" of contemporary THEATRE :ime the Oklahoma Land Rush of •24333 Narbonne Phone 243 CLIVE 1889, for the spectacular highlight Any Seat, 20o; Children, 10o if "Clmarron," RKO-Radio Pic- Poors Open At 6;46 P. M. ure., Flanked by squadrong of motor rhurs., Frl., Sat., April 4-5-6 police with the ' red spotlights W. C. Fields, Freddie -«- italning the highway, oxen and Bartholomew in o: INDUS lorses drew hundreds of covered "DAViD, ELECTRIC vagonu, buggies. Hurries, ox carts COPPERFIELD" ind incongruous vehicles of all AND Icscrlptioiis up In lino for the bis. itampode for government land. Ramon Novarro in RANGES At daybreak a cannon boomed "THE NIGHT ts signal and the record throng IS YOUNG" oared Its way across the' prairie n the mightiest, maddest moment Sun., Mon., Tues., April 7-8-9 ivor recorded on celluloid the and rush sequence in "Cimarron." Janet Gaynor, Warner vhich plays a return engagement "ONE MBORE SPRING" COLMAN 'riday and Saturday, April 5 and i, at the Plaza Theatre,, Haw­ AND withLORETTA YOUNG thorne. George Q'Brlen in "I For only 5{ a day more COIJN CLIVB • FRANCIS LISTER Old-time plainsmen, veterans of "WHEN A MAN'S C. AUBREY SMITH* CESAR ROMBRO •• you can get an Electric ho Oklahoma Run itself, saw the A thrilling, dramatic and suspenseful drama which gives ^_ A MAN" Us Water Healer which drama of their lives re-enacted otion picture audiences a peek into the lives and works 20th CENTURY WCTURB entitles you to,lhe very is the film thousands surged over DISHES FREE . , UNITED ARTISTS he starting line with the name the heroes of the peacetime skyways, Paramount's lowest wholesale to every womjn with adult Ightlng determination of the orijr- iVings In the Dark," comes to the Plaza Theatre, Haw- " ' ANI> domestic rale. nal land-hungry horde. The weird orne, Sunday, Monday and Tuesday, April 7, 8 and 9, admission Wednesday chicles, the live stock, men afoot, til lovely Myrna Loy and hand-" 1 m horseback, and even astrldu "While The Patient Slept" ilcycles swept over the prairie like y Grant co-starred. rater through a broken dam. This exciting drama brings avia- with Aline MacMahon, Guy Klbbee f cUfitfoled fcores of cameras, mounted date and ahead of the w>^n aoy m up to Holding Company iverhead. underfoot and alongside IICH by dealing with Innovations ATALL DEALERS thousands, recorded Sunday, Monday, April 7-8 he milling blind flylne which have not us ivury detail of the mighty charge this or tile fjlm that brought Edna t been perfected. Around epic story to the screen. clinical prcibl. 'erber's y ol Htruiwlc and achievement, "SEQUOIA" Mthough the land rush Sequence HAWTHORNE, CALIFORNIA with Jean Parker Electric Range Headquarters inns but a small part of "Cimar- y deals with a young See Our Complete Line! hailed lot wild is an inventor of Instru- Telephone 299 "The Friendly Family Theatre" —AND— in's" action, It has been Adult Admission 20o Logos 25o Children lOc nanimously by critics as the lltB for blind Hying. Aided by General For a beautiful remali- stunt pilot, lie lost outstanding screen ai'hleve- Our Program Appears Daily In the Los Angoles Evening Herald "Living on Velvet" Limited Time:- lent since- the advent of talking runres to Hut nut on a trans- ictures. eanlc hup to prove Ma linen-. with Kay Francis • No cash Dlx and Irene Uunna is, hut an accident blinds him Friday and Saturday, April 5 and 6 great cast In tills drunia Hi.- laat moment. In this state Continuous Saturday from 1:30 payment. conceive* the idea tit prrfiH-ting inuntio West, World's Mightiest Show! No payment same bill tomorrow and instniiiii>nt» so that tevcn In Tuesday, Wednesday, April 9-10 Saturday at the 1'luzn In seen Ills blind condition he can fly the for 30 days. plane. Richard Dix - "CIMARRON" - hue Dunne ge Walsli, one of the biggest AND ( 'ox stars of Uie silent screen, in "Under Pressure," co-blurring with Reserve Captain Hut Record "UNDER PRESSURE" 1'Jdmund I-owe and Victor Mr- DOSTON.
Load more

Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Bvformation to Users
    BVFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tect directly fix>m the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from 1 ^ to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Ifigher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Compaiqr 300 North Zeeb Road, Ann Arbor MI 4S106-1346 USA 313/761-4700 800/521-0600 UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE HACKING AWAY WITH AN AX; HENRY MILLER AND MODERNITY A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By STEPHEN L STARCK Norman, Oklahoma 1999 UMI Number: 9918759 UMI Microform 9918759 Copyright 1999, by UMI Company.
    [Show full text]
  • Vintage Uke Music Revised 2020.Xlsx
    9/20/2020 Title Folder 12 street rag !no covers a fool such as i (now and then there's) A A Lady Loves ‐ 1952 L A Man Never Marries A Wife ‐ 1951 M A Nickel Ain't Worth A Cent Today ‐ 1951 N A Picnic In The Park ‐ 1951 P A Sleepin' Bee ‐ 1954 S a very precious love !no covers a woman in love !no covers A Woman In Love ‐ 1955 W a you're adorable A abdul the bulbul ameer A Abie's Irish Nose ‐ 1925 A About A Quarter To Nine A absence makes heart grow fonder A accent on youth A ac‐cent‐tchu‐ate the positive A Across The Breakfast Table ‐ 1929 A Adam's Apple A Adelaide ‐ 1955 A Adios A Adorable ‐ 1933 A After a million dreams A after all it's you A After All You're All I'm After ‐ 1930 A After All You're All I'm After ‐ 1933 A After Business Hours ‐ 1929 A after i say i'm sorry A after i've called you sweetheart A After My Laughter Came Tears A After Tea ‐ 1925 A after you A After You Get What You Want A After You Get What You Want You Don't Want It ‐ 1920A After You've Gone A after_my_laughter_came_tears A ah but is it love A Ah But It Is Love ‐1933 A ah sweet mystery of life A Ah Wants To Die From Eatin' Possum Pie ‐ 1925 A Ah! The Moon Is Here ‐ 1933 A ah‐ha A ain't gonna rain new verses A Ain't Got A Dime To My Name ‐ 1942 A ain't it cold !no covers ain't misbehavin' A aint misbehavin vintage !no covers aint no flies on auntie A Ain't No Flies On Aunty A ain't no land like dixie A aint she sweet A Ain't That a Grand and Glorious Feeling ‐ 1927 A Ain't we carryin' on A Ain't We Got Fun A Ain't You Baby A ain't_misbehavin' A Ain't‐cha A alabama
    [Show full text]
  • FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park  Hollywood Hills
    Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)
    [Show full text]
  • 2006 Was Another Year of Great Events, New Releases, and Accolades for and About Judy Garland’S Great Talent and Body of Work
    2006 was another year of great events, new releases, and accolades for and about Judy Garland’s great talent and body of work. The biggest news for this past year was the discovery of two of the lost Decca recordings that Judy made in 1935. Thought to be lost forever, these recordings were transferred to digital format and put up for auction (see following page for details). The other big news for the year would have to be the highly successful release of the Judy Garland stamp on what would have been Judy’s 84th birthday, June 10, 2006 (see following page for details) June 2006 could well be remembered as the best “Judy Garland Month” ever! We had the stamp release, two new CDs, over 10 DVDs, the Judy Garland Festival in Minnesota, and more! Plus, The Judy Room has a new look! Beginning in Summer 2006, I began making “vintage magazine covers” the theme of the homepage (see the thumbnails below). These covers reflect the change in seasons and special events or holidays while also fondly looking back to golden age of fan magazines . A BIG THANK YOU to “Alex in Belgium” for his masterful photo colorization. I would like to extend a special thanks and appreciation to Eric Hemphill, Scott Schechter, “tinman”, Donald, and everyone else who has helped to make The Judy Room a success. I hope you all know that I couldn’t do this without you. THANK YOU! Sincerely, Scott Brogan The Judy Room JANUARY 12, 2006: The Recording Industry Association Of America (RIAA) announces their Grammy Hall Of Fame inductees, and the 1956 M-G-M Records soundtrack to The Wizard Of Oz is included.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • ANNA KARENINA on the LARGE and SMALL SCREEN Peter Cochran
    1 ANNA KARENINA ON THE LARGE AND SMALL SCREEN Peter Cochran Edmund Goulding, 1927; Clarence Brown, 1935; Julien Duvivier, 1948; Rudolph Cartier, 1961; Alexandr Zarkhi, 1967; Basil Coleman, 1977; Simon Langton, 1985; Bernard Rose, 1997; David Blair, 2000; Sergei Solovyov, 2005; Joe Wright, 2012 It seems impossible to make a fully-balanced film or television version of Tolstoy’s Anna Karenina . Despite the film-makers’ best intentions, something always goes wrong. The main problem is that the films are, for the most part, two hundred years behind Tolstoy in moral complexity, and in frankness about love, sex, and human relations. Not until the year 2000 do they catch up with him. As a result, most early twentieth-century films represent, not a reaction to Tolstoy, but a deflection of attention away from him. The novel is either a beautiful tale of doomed romance, or a dissection of the way the female sexual impulse wreaks havoc if given too loose a rein … or both. Most films opt for the former interpretation, as more marketable. There are some things which novels can do but which films can’t: At the very moment when Vronsky thought that now was the time to overtake Mahotin, Frou-Frou herself, understanding his thoughts, without any incitement on his part, gained ground considerably, and began getting alongside of Mahotin on the most favorable side, close to the inner cord. Mahotin would not let her pass that side. Vronsky had hardly formed the thought that he could perhaps pass on the outer side, when Frou-Frou shifted her pace and began overtaking him on the other side.
    [Show full text]
  • Diario 81.Pdf
    PROGRAMAZIOA 2 / PROGRAMACIÓN PROGRAMME Astelehena, 2001eko irailaren 24a SECCION OFICIAL …ZABALTEGI 09:00 KURSAAL, 1 16:30 KURSAAL, 2 THE WARRIOR LA STANZA DEL FIGLIO EL GUERRERO • DIR.: ASIF KAPADIA • UK-INDIA• 87 M. • LA HABITACIÓN DEL HIJO • DIR.: NANNI MORETTI • ITALIA- NUEVOS DIRECTORES FRANCIA • 100 M. 12:00 KURSAAL, 1 16:30 ASTORIA, 1 LE VÉLO DE GHISLAIN LAMBERT VIDAS PRIVADAS LA BICICLETA DE GHISLAIN LAMBERT • DIR.: PHILIPPE DIR.: FITO PÁEZ • ARGENTINA-ESPAÑA • 97 M. • NUEVOS HAREL • FRANCIA• 115 M. DIRECTORES 14:00 PRINCIPE, 2 17:00 WARNER, 10 día 24 MAGONIA DIR.: INEKE SMITS • HOLANDA • SOLO PRENSA Y P.O.V.-POINT OF VIEW ACREDITADOS. PRIORIDAD PRENSA • NUEVOS DIR.: TÓMAS GISLASON • DINAMARCA • 107 M. • NUEVOS HOY DIRECTORES • V.O. SUBTITULOS EN INGLÉS • 112 M. DIRECTORES …ZABALTEGI FRANK BORZAGE SPANISH'01 16:00 ASTORIA, 3 18:45 PRINCIPE, 2 SUCEDIÓ AYER THE GREY ZONE LA PIANISTE LA ZONA GRIS • DIR.: TIM BLAKE NELSON • USA• 108 M. LA PIANISTA • DIR.: MICHAEL HANEKE • FRANCIA• 130 M. 24:00 KURSAAL, 2 20:30 PRINCIPE, 3 20:30 PRINCIPE, 1 16:30 PRINCIPE, 1 JE RENTRE À LA MAISON 18:00 KURSAAL, 1 19:00 KURSAAL, 2 THE LADY DIE FÄLSCHUNG UNA CASA CON VISTA AL MAR LE VÉLO DE GHISLAIN LAMBERT VUELVO A CASA • DIR.: MANOEL DE OLIVEIRA • PORTUGAL- UNA GRAN SEÑORA • V.O. CON SUBTÍT. ELECTRÓNICOS EN CÍRCULO DE ENGAÑOS • DIR.: VOLKER SCHLÖNDORFF • DIR.: ALBERTO ARVELO • ESPAÑA-VENEZUELA• 91 M. • V.O. STRANDED (NÁUFRAGOS) FRANCIA • 90 M. • PERLA DEL PÚBLICO LA BICICLETA DE GHISLAIN LAMBERT • DIR.: PHILIPPE CASTELLANO • PELÍCULA MUDA CON ACOMPAÑAMIENTO ALEMANIA-FRANCIA • 106 M.
    [Show full text]
  • Films from the THIRTIES: PART II 1935-39
    t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.
    [Show full text]
  • Interview with Toni Gibson
    Interview with Toni Gibson Interview with Toni Gibson By Natasha Barbieri What inspires you to make music? impressed because he asked me if I would want to sign to his Fanfare Record There isn’t any particular ‘thing’ that Label. Fanfare record Label is another inspired me to sing. I Just love to sing part of the Ambition Entertainment label. and always have ever since I was little. It just comes naturally to me, it is part of Once I was signed to the Label, Robert me. suggested some more songs for the album and possibly replacing the new Your debut album, “Echo in my Soul” songs with some previous ones. I really is out now. What was the song selection liked his suggestions and was happy to process like? scratch a few songs that didn’t quite work and flow alongside the rest of the We started working on my album over a songs on the album. couple of years ago. I had a big input with what songs I wanted to have on the I wanted to create something that hasn’t album because the album started out as really been done in the classical- our own project. I have been working crossover world before. I wanted to add with Gray Bartlett (he started Hayley not just light elements to the music, but Westenra’s career) over the last 3-4 also darker elements. To mix them years, and he also suggested some together in such a way and create a songs that would be suitable for the spiritual atmosphere within the music.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]