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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
2006 Was Another Year of Great Events, New Releases, and Accolades for and About Judy Garland’S Great Talent and Body of Work
2006 was another year of great events, new releases, and accolades for and about Judy Garland’s great talent and body of work. The biggest news for this past year was the discovery of two of the lost Decca recordings that Judy made in 1935. Thought to be lost forever, these recordings were transferred to digital format and put up for auction (see following page for details). The other big news for the year would have to be the highly successful release of the Judy Garland stamp on what would have been Judy’s 84th birthday, June 10, 2006 (see following page for details) June 2006 could well be remembered as the best “Judy Garland Month” ever! We had the stamp release, two new CDs, over 10 DVDs, the Judy Garland Festival in Minnesota, and more! Plus, The Judy Room has a new look! Beginning in Summer 2006, I began making “vintage magazine covers” the theme of the homepage (see the thumbnails below). These covers reflect the change in seasons and special events or holidays while also fondly looking back to golden age of fan magazines . A BIG THANK YOU to “Alex in Belgium” for his masterful photo colorization. I would like to extend a special thanks and appreciation to Eric Hemphill, Scott Schechter, “tinman”, Donald, and everyone else who has helped to make The Judy Room a success. I hope you all know that I couldn’t do this without you. THANK YOU! Sincerely, Scott Brogan The Judy Room JANUARY 12, 2006: The Recording Industry Association Of America (RIAA) announces their Grammy Hall Of Fame inductees, and the 1956 M-G-M Records soundtrack to The Wizard Of Oz is included. -
Torrance Herald
THURSDAY, APRIL 4, 1936 Page 4-B TORRANCE HERALD, Torrance, California "David Copperfield" "One More Spring" Opens At Black Outrage Portrayed In * 9 At Lomita Tonigh Deer and Lion Share Dramatic Honors In 'Sequoia Film Play, "dive of India' the Lomita, Sunday, April 7 Above are ahown W. C. Fields and the sensational boy >t«r, Freddie Bartholomew, aa "David Copperfield" in Dickens* Immortal story, which will be seen on the -Jean Parker in. a Scenelfrt>rm",Sequpiii}'' screen at the Lomita- Theatre, to The most amazing revelation o night, Friday and Saturday. Other* nature's intimate secrets ever at in the . impressive cast include "Sand Hogs'-Battle the River tempted for the screen IB to b Edna May Oliver, Roland Young, e black crime of the Black tury production starring; Ronald seen In "Sequoia" (pronounced Krank Lawton and Maureen O'Sul- Colman, which comes to Jhe Tor "See-Quo-Yah"), startling: outdo Hole of Calcutta is brought to drama featuring Jean Parker and livan. rance Theatre tonight, Friday i ght pn the screen for the first Saturday. showing at .the Torrance Theatre Pontiac Dealer Ime in "Clive of India," Darryl F Not even the Bastille of Fra Sunday and Monday. &AFFLING Call 444 for Ad Service anuck's million-dollar 20th Cen- or the Tower of London hou Nearly -two years In the fllmln! double murder Invites Public to greater horror than that infann the picture deals with a friendshl cell, some 18 feet square, i between a deer and a mountal MYSTERY Ffree Show Tonight which, on June 30, 1756, in the lion, two of nature-'B most deadly city of Calcutta, India. -
ANNA KARENINA on the LARGE and SMALL SCREEN Peter Cochran
1 ANNA KARENINA ON THE LARGE AND SMALL SCREEN Peter Cochran Edmund Goulding, 1927; Clarence Brown, 1935; Julien Duvivier, 1948; Rudolph Cartier, 1961; Alexandr Zarkhi, 1967; Basil Coleman, 1977; Simon Langton, 1985; Bernard Rose, 1997; David Blair, 2000; Sergei Solovyov, 2005; Joe Wright, 2012 It seems impossible to make a fully-balanced film or television version of Tolstoy’s Anna Karenina . Despite the film-makers’ best intentions, something always goes wrong. The main problem is that the films are, for the most part, two hundred years behind Tolstoy in moral complexity, and in frankness about love, sex, and human relations. Not until the year 2000 do they catch up with him. As a result, most early twentieth-century films represent, not a reaction to Tolstoy, but a deflection of attention away from him. The novel is either a beautiful tale of doomed romance, or a dissection of the way the female sexual impulse wreaks havoc if given too loose a rein … or both. Most films opt for the former interpretation, as more marketable. There are some things which novels can do but which films can’t: At the very moment when Vronsky thought that now was the time to overtake Mahotin, Frou-Frou herself, understanding his thoughts, without any incitement on his part, gained ground considerably, and began getting alongside of Mahotin on the most favorable side, close to the inner cord. Mahotin would not let her pass that side. Vronsky had hardly formed the thought that he could perhaps pass on the outer side, when Frou-Frou shifted her pace and began overtaking him on the other side. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Interview with Toni Gibson
Interview with Toni Gibson Interview with Toni Gibson By Natasha Barbieri What inspires you to make music? impressed because he asked me if I would want to sign to his Fanfare Record There isn’t any particular ‘thing’ that Label. Fanfare record Label is another inspired me to sing. I Just love to sing part of the Ambition Entertainment label. and always have ever since I was little. It just comes naturally to me, it is part of Once I was signed to the Label, Robert me. suggested some more songs for the album and possibly replacing the new Your debut album, “Echo in my Soul” songs with some previous ones. I really is out now. What was the song selection liked his suggestions and was happy to process like? scratch a few songs that didn’t quite work and flow alongside the rest of the We started working on my album over a songs on the album. couple of years ago. I had a big input with what songs I wanted to have on the I wanted to create something that hasn’t album because the album started out as really been done in the classical- our own project. I have been working crossover world before. I wanted to add with Gray Bartlett (he started Hayley not just light elements to the music, but Westenra’s career) over the last 3-4 also darker elements. To mix them years, and he also suggested some together in such a way and create a songs that would be suitable for the spiritual atmosphere within the music. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Torrance Herald Listed Among the Heirs Are the on the Southeast Corner of 235T|I "Captains Courageous" and "The the I.Omlta News and Pennsylvania
PAOE TORRANCB HERALD, Torranee. California THURSDAY, SEPTEMBER 8, 1938 I Mr. nnd Mrs. Raymond Hoi Files Petition for Oil Boom Moves "PORT OF SEVEN SEAS" AT PLAZA Sr. nnd sons Johnny and Billy BOYS STAR with Mr. and Mrs. Raymond Hog- Probate of Will South and East fURITAS , firs Jr. spent the week-end and IMSTN.I.riPDRlMilMi , Imbor Day at Camp Baldy. Attorney C. T. Rlppy of thl» With Big Rush IN SEA FILM city recently filed a petition for (Continued from Page 1TA> Hollywood, which has search* ill«» Knthcrinr Enjclf, of-Los Grace' Ackley of 2005 Arlington "Lord Jeff," dramatlp story ot Angoles, was .a week-end guest south of 236th for an unestlmat the training pf boys for Britain's the world over for novel nnd In avenue for the probate of will of Mrs. Florence W«lch, 1510 Sn ed yield from 4,901 feet. Free future Merchant Marine, Intro tcresting backgrounds, brings a of the late Josle Gordon. Hear man Holding company Is riggln( DRINK WITH A REASON gracla avenue. duces Freddie Bartholomew and new setting to the screen in "Port ing has been set for Sept. 15. a pump to finish Baxter No. : Mickey Rooney, companions In of Seven Seas," opening tonight torrance Herald Listed among the heirs are the on the southeast corner of 235t|i "Captains Courageous" and "The The I.omlta News and Pennsylvania. McDonald am Devil Is a Sissy," in entertain at thn Torranee theatre, forthl And petitioner,. Will R. Gordon and | Burns navp addc(j Mooro No I0 picture has the colorful and un Published Every Thursday ingly new characterizations al USE WITH A REASON Loulse Gordon of Llndsay. -
(Washington, DC). 1936-03-05
CHEVY CHASE FRANTICS MOVIE LIONESS SLAIN Lift HAS BRIGHT HUMOR Beatrice Lillie Packs Two New Prospector Shoots to Get Contrasting Scenes From Photoplays Spunky $80 State "Who’» Loony Now,” Political Bounty. BAKERSFIELD, Calif., March 8 With Her Melody Satire, Played by Girls’ Alpine CP).—Because a prospector killed a School. frisky animal actress parts of Ken Elevator Maynard’s new picture must be re- .Takes Her Turn at Operating Along 'T'HE Wardman Park Theater last written. Strike night was packed with proud Spunky, the lioness who achieved With Other Tenants During parents and fond friends as the charm- fame in the film, ’’Sequoia," was shot ing young ladles of the Chevy Chase when she wandered away from a in New York. School presented "Who's Loony movie location camp. The prospector Now?” the twelfth edition of the Chevy wanted the State's on BY E. de S. MELCHEB. $80 bounty Chase Fran tics. lions. YORK, March 6.—It’s a quaint world up here right now—what The musical satire, though it ran Officials of the with Beatrice Lillie and Rudy Vallee having to run elevator* and Maynard company overly long, was cleverly staged and said yesterday the scenario Is Fairbanks, jr„ earning weak-kneed matrons up long being Douglas humor was at as to on never the bright times, revised eliminate sequences using NEWflights of stairs. Once you are high up a building you and The strikers are In political parties, policies person- a mountain lion. know whether you are going to have to jump to get down. -
Houston Becoming No. 1 Is As Simple As 1-2-3
20 MANCHESTER HERALD, Friday, November 9,1990 Houston becoming No. 1 is as simple as 1-2-3 SATURDAY “I’m concerned with how we’ll By DICK BRINSTER found them before our ninth game.” (8-1) might be in next week’s poll. the Cougars (8-0) have their own match up,” Holtz said. “We haven’t The Associated Press The Irish offense, led by Rick “It’s on your mind, but you don’t agenda. been able to hold many people to NCAA Football Mirer and Rocket Ismail, is averag want to focus on one thing so mueh “We said, ‘Let’s administer the It’s as easy as 1-2-3. under 20 points, and yet it’ll be dif ing 35.6 points and 434 yards per death penalty every Saturday we FEATURES INSIDE that you lose sight of what you real ficult for us to score many points on No, 1 Notre Dame needs a victory Kansas, No. 15 Auburn vs. Southern game. The offense has scored at ly want to do. We just want to win play,”’ Jenkins said. to retain its loftiest of perches. Tennessee.” Mississippi, No. 17 Dlinois at No. least 30 points five times. our next game.” Houston views its game against No. 2 Washington needs a loss by Should the Irish fail in their quest 19 Michigan, No. 20 Oregon at “This team is richly talented,” Texas (6-1 overall and 4-0 in the ■ New TV listings grids /Pages 12,13 the Irish and a victory of its own to at Knoxville, Tenn., Washington California, No. -
Captains Courageous (1937)
Captains Courageous (1937) Inform the rich brats of the world. At some point they're going to meet real salt of the earth folk who'll teach them the true meaning of life, or at least you might think so from the dozens and dozens of movies built around that theme. Perhaps the best is the 1937 Captains Courageous, based on Rudyard Kipling's novel, which earned Spencer Tracy his first Best Actor Oscar. The story couldn't be more simple: Freddie Bartholomew is Harvey, a spoiled tycoon's son, who always gets his way through buying, whining or simple lying. On a trip to Europe he falls off the luxury ship only to awaken aboard a small Gloucester fishing boat. Naturally Bartholomew immediately starts giving orders only to learn that he's not the boss here and in fact will have to wait until the fishermen finish their haul in another two or three months before he can contact his father. Faced with such unyielding circumstances Bartholomew has little choice but to find out more about Tracy and his life. Spencer Tracy had misgivings about playing Manuel, the fisherman. He was first approached while filming Libeled Lady (1936) and felt that the fisherman was too secondary to the boy's part to be of real interest. It took director Victor Fleming (Red Dust, 1932) and Tracy's wife to convince him to take the role. Tracy still had reservations about getting his hair curled (at the studio, Joan Crawford kidded him for looking like Harpo Marx) and having to sing.