University of Allahabad, Allahabad PGAT Admissions Test 2018
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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
MUSIC (Lkaxhr) 1. the Sound Used for Music Is Technically Known As (A) Anahat Nada (B) Rava (C) Ahat Nada (D) All of the Above
MUSIC (Lkaxhr) 1. The sound used for music is technically known as (a) Anahat nada (b) Rava (c) Ahat nada (d) All of the above 2. Experiment ‘Sarna Chatushtai’ was done to prove (a) Swara (b) Gram (c) Moorchhana (d) Shruti 3. How many Grams are mentioned by Bharat ? (a) Three (b) Two (c) Four (d) One 4. What are Udatt-Anudatt ? (a) Giti (b) Raga (c) Jati (d) Swara 5. Who defined the Raga for the first time ? (a) Bharat (b) Matang (c) Sharangdeva (d) Narad 6. For which ‘Jhumra Tala’ is used ? (a) Khyal (b) Tappa (c) Dhrupad (d) Thumri 7. Which pair of tala has similar number of Beats and Vibhagas ? (a) Jhaptala – Sultala (b) Adachartala – Deepchandi (c) Kaharva – Dadra (d) Teentala – Jattala 8. What layakari is made when one cycle of Jhaptala is played in to one cycle of Kaharva tala ? (a) Aad (b) Kuaad (c) Biaad (d) Tigun 9. How many leger lines are there in Staff notation ? (a) Five (b) Three (c) Seven (d) Six 10. How many beats are there in Dhruv Tala of Tisra Jati in Carnatak Tala System ? (a) Thirteen (b) Ten (c) Nine (d) Eleven 11. From which matra (beat) Maseetkhani Gat starts ? (a) Seventh (b) Ninth (c) Thirteenth (d) Twelfth Series-A 2 SPU-12 1. ? (a) (b) (c) (d) 2. ‘ ’ ? (a) (b) (c) (d) 3. ? (a) (b) (c) (d) 4. - ? (a) (b) (c) (d) 5. ? (a) (b) (c) (d) 6. ‘ ’ ? (a) (b) (c) (d) 7. ? (a) – (b) – (c) – (d) – 8. ? (a) (b) (c) (d) 9. ? (a) (b) (c) (d) 10. -
Banasthali Vidyapith
BANASTHALI VIDYAPITH Bachelor of Arts and Bachelor of Education Curriculum Structure First Semester Examination, December, 2019 Second Semester Examination, April/May, 2020 Third Semester Examination, December, 2020 Fourth Semester Examination, April/May, 2021 Fifth Semester Examination, December, 2021 Sixth Semester Examination, April/May, 2022 Seventh Semester Examination, December, 2022 Eighth Semester Examination, April/May, 2023 BANASTHALI VIDYAPITH P.O. BANASTHALI VIDYAPITH (Rajasthan)-304022 July, 2019 15 2 No. F. 9-6/81-U.3 Government of India Ministry of Education and Culture (Department of Education) New Delhi, the 25th October, 1983 N O T I F I C A T I O N In exercise of the powers conferred by Section 3 of the University Grants Commission Act, 1956 (3 of 1956) the Central Government, on the advice of the Commission, hereby declare that Banasthali Vidyapith, P. O. Banasthali Vidyapith, (Rajasthan) shall be deemed to be a University for the purpose of the aforesaid Act. Sd/- (M. R. Kolhatkar) Joint Secretary of the Government of India N O T I C E Changes in Bye-laws/Syllabi and Books may from time to time be made by amendment or remaking, and a Candidate shall, except in so far as the Vidyapith determines otherwise, comply with any change that applies to years she has not completed at the time of change. © BANASTHALI VIDYAPITH 3 Contents Page Nos. Programme Educational Objectives 4 Programme Outcomes 5 Curriculum Structure 6 Evaluation Scheme and Grading System 36 DISCIPLINARY COURSES Page Nos. 1. Applied Statistics 41 2. Computer Applications 65 3. Dramatic Art (Theatre) 88 4. -
MPA (Master of Performing Arts-Music [Vocal]) Session: 2020
Central University of Punjab Bathinda M.P.A. (Master of Performing Arts-Music [Vocal]) Session: 2020 - 2022 Department of Performing and Fine Arts . Course Structure SEMESTER-I Course Course Course Name L T P Cr Code Type Principles of Aesthetics and MPM506 Core 4 0 0 4 Critical Study of Ragas Historical Perspective of Indian MPM507 Core 4 0 0 4 Music Skill MPM508 Performance & VIVA-VOCE-I 0 0 12 6 based Skill MPM509 Stage Performance-I 0 0 12 6 based IDIDC (from other disciplines) IDC 2 0 0 2 MPA.511 Theatre and Dance forms of India IDC 2 0 0 2 Total Credits 10 0 24 22 SEMESTER-II Course Course Name Course L T P Cr Code Type MPM.521 Study of Indian Classical Core 4 0 0 4 Music Styles MPM.522 Study of Indian Classical Core 4 0 0 4 Music Instruments MPM.523 Research Methodology Core 4 0 0 4 MPM.524 Skill 0 0 12 6 Performance &Viva-Voce-II based MPM.525 Skill 0 0 12 6 Stage Performance-II based IDC (from other disciplines) IDC 2 0 0 2 MPA.511 Theatre and Dance forms of India IDC 2 0 0 2 Total Credits 10 0 24 26 1 SEMESTER-III Course Course Name Course Type L T P Cr Code MPM.551 Study of Indian Music Core 4 0 0 4 MPM.552 Theory of Raga and Tala Core 4 0 0 4 MPM.553 Legal Basics for Musicians Core 4 0 0 4 MPM.554 Performance & Viva-Voce-III Skill based 0 0 12 6 MPM.555 Stage Performance-III Skill based 0 0 12 6 Value Added Course VAC 0 0 0 1 MPD.504 Values in Dance Education VAC 1 0 0 1 Total Credits 13 0 24 25 SEMESTER-IV Course Paper Course Type L T P Cr Code MPM.571 Modern Trends in Music Core 4 0 0 4 MPM.572 Performance &Viva-Voce-IV -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Llu/109/21 No
llU/109/21 No. of Questions: 100 Time : 2 Hours Full Marks: 300 f1tI7l : 2 eruZ- N:300 Note: (I) Attempt as many questions as you can. Each question carries 3 (Three) marks. On!' mark will be deducudfor each incorrect answer. Zero mark will be awarded for each unattempted questiop.. 31f>mf'l'li -wIT "!iT m'1 "IiT'r 'fiT >!"'!M -.;tl ~ ~ 3 (<iR) 'lion 'fiT ri )Iri/... 7TMrf 'a'ff'( ~ fffi!: l(CIi' 3i<fi 'iiiTCT !i11 j) 1/11 ~ <>1 j~ R~ ~ 'fiT , ~ 1t{j 1'h l'['<T lW1T I (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. <W: ~~ ~'hr(;q'h ~ -mft ~ % f.rf;<:. m, <iT f1'hC~q -mft ~i;, 01. The vadi note of Rag Malkosh is : (1) Ga (2) Ma (3) Ni (4) Dha Wl '11 i.1";1 ~I 'fiT qr?J «R r : (J) l] (2) l] (3) -;# (4) >t 02. Which Rag is a morning Rag? (1 ) Des \-'?) Bhupali (3) Bhairavi (4) Kafi -41 'BT Wl mo: 'IilC'1R i ? ( 1) ~ (2) 'rlR'fi (3) i\<cft (4 ) "hT'iii 3 P.T.O. 110/109/21 03. Jati of Rag Bhimpalasi is : (1) Odav - Sampurna (2) Shadav-Odav (3) Vakra - Sampurna (4) Sampurna-Sampurna <rT .n ~ 4 <'11«1 q,'j ;;rrfu t : (1) ~-~ (3) om;-~ 04. S R M P D M R , I;> S indicates Rag: (1 ) Khamaj (2) Tilak Kamod (3) Tilanga (4) Durga m~l1"1"ll1~ ,~m ,~<wITt: (1 ) <SfllRI (2) fuffi;~ (3) fuWT (4) ~ 05. -
NMMSS 2020 Result Exam Held on 17-11-2019.Xlsx
BIHAR National Means‐cum‐Merit Scholarship Scheme ( NMMSS ) Exam held on November ‐ 2019 Applicant CASTE Applicant_Name NMMSS_Roll_ Date of birth Father_Name Gender Exam_Year Marks_obtained State_name District_Name Category No BHAVABHUTI DEV 320209202106 20/08/2006 NAVIN KUMAR MANDAL EBC MALE 2020 146 BIHAR ARARIA NIRANJAN KUMAR 320209202094 06/01/2005 ASHOK KUMAR MANDAL EBC MALE 2020 139 BIHAR ARARIA ANIL PANDIT 320209202105 06/06/2006 SHANKAR PANDIT EBC MALE 2020 133 BIHAR ARARIA RUPAK PRINCE 320209202098 24/03/2005 DIVYA PRAKASH JHA GENERAL MALE 2020 132 BIHAR ARARIA NIRJALA KUMARI 320209202083 26/06/2006 DHARMENDRA KUMAR KARDAR EBC FEMALE 2020 127 BIHAR ARARIA KUNAL DEEP 320209202097 20/08/2005 JANARDAN PRASAD MANDAL EBC MALE 2020 126 BIHAR ARARIA DHIRAJ KUMAR 320209202113 25/11/2005 SANTOSH YADAV BC MALE 2020 123 BIHAR ARARIA AAYUSH KUMAR MANDAL 320209202115 01/06/2006 AJAY KUMAR MANDAL EBC MALE 2020 121 BIHAR ARARIA ABHISHEK KUMAR 320209202102 31/03/2006 PARMESHWAR YADAV BC MALE 2020 120 BIHAR ARARIA NITISH KUMAR 320209202099 03/12/2006 ARUN KUMAR YADAV BC MALE 2020 120 BIHAR ARARIA ANURAG KUMAR MANDAL 320209202101 02/08/2005 DEVNARAYAN MANDAL EBC MALE 2020 116 BIHAR ARARIA SHIVAM PUSHPARAJ 320209202034 12/08/2007 DINESH THAKUR EBC MALE 2020 116 BIHAR ARARIA ANUPAM KUMAR 320209202015 16/12/2007 BRAHMANAND YADAV BC MALE 2020 109 BIHAR ARARIA GANGA SAGAR JHA 320209202049 08/04/2006 KRISHANAND JHA GENERAL MALE 2020 105 BIHAR ARARIA AMRENDRA KUMAR JHA 320209202068 06/07/2006 AVADHESH JHA GENERAL MALE 2020 105 BIHAR ARARIA SUSHIL KUMAR -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2012 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2012 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles: Cardboard Player Vasant Desai, Bollywood Mine, Ravi Shankar 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year, pay the full membership fee and get a digital copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues on two data DVD’s. -
Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music
Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM S.No. COURSE SEMESTER CREDITS MARKS FULL MARKS Core Course 1 14 Courses I –VI 14X6=84 14X75 1050 08 Courses Practical 06 Courses Theoretical Discipline Specific Elective Course (DSE) 2 04 Courses V- VI 4X6=24 4X75 300 03Courses Practical 01 course Theoretical Generic Elective Course (GEC) 04 Courses I-IV 4X6=24 4X75 300 3 03 Courses Practical 01 Course Theoretical Skill Enhancement Compulsory Course (SECC) 4 III-IV 2X2=4 2X25 50 02 Courses Theoretical Ability Enhancement I-II 2X2=4 2X25 50 Compulsory Course (AECC) 5 02 Courses Theoretical 6 Foundation Course I-II 2X4=8 2X50 100 (Tagore Studies) 02 Courses Theoretical Total: 26+2=28 Courses - - - 1850 1 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) IN HINDUSTHANI CLASSICAL MUSIC (VOCAL) COURSE AND MARKS DISTRIBUTION STRUCTURE Core course AECC SECC DSE GEC TS SEM Total Prac Theo Prac Theo Prac Theo Prac Theo Prac Theo Theo I 75 75 - 25 - - - - 75 - 50 300 II 75 75 - 25 - - - - 75 - 50 300 III 150 75 - - - 25 - - 75 - - 325 IV 150 75 - - - 25 - - - 75 - 325 V 75 75 - - - - 150 - - - - 300 VI 75 75 - - - - 75 75 - - - 300 Total 600 450 - 50 - 50 225 75 225 75 100 1850 2 Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM B.MUS (HONS) IN HINDUSTHANI CLASSICAL MUSIC TABLE OF CONTENTS HINDUSTHANI CLASSICAL MUSIC (VOCAL) 4 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (SITAR) 21 HINDUSTHANI -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR TH MONDAY,THE 26 AUGUST,2013 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 47 2. COMPANY JURISDICTION 48 TO 50 3. ORIGINAL JURISDICTION 51 TO 65 4. REGISTRAR GENERAL/ 66 TO 82 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 26.08.2013 1 (APPELLATE JURISDICTION) 26.08.2013 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE VIBHU BAKHRU FRESH MATTERS & APPLICATIONS 1. CM APPL. 7840/2013 SADHNA SHARMA R K SAINI In LPA 827/2012 Vs. DDA (Disposed-off Case) 2. LPA 407/2013 M/S TOPS SECURITY LTD ATUL TRIPATHI CM APPL. 9186/2013 Vs. TOPS DETECTIVE AND SECURITY, SERVICES LTD, KARAMCHARI UNION (REGD) 3. LPA 419/2013 S.K.BAHL R.M.SINHA CM APPL. 9298/2013 Vs. DELHI DEVELOMENT AUTHORITY AND ORS 4. LPA 596/2013 MR AJAY MADHUSUDAN MARATHE HARIDUTT KUMAR MISHRA CM APPL. 12533/2013 Vs. DEPUTY SECRETARY CPIO AND ANR FOR ADMISSION 5. W.P.(C) 2980/2013 SALES TAX BAR ASSOCIATION AVADH BIHARI KAUSHIK,RUCHI CM APPL. 5634/2013 (REGD.) SINDHWANI,SANJEEV CM APPL. 6450/2013 Vs. MS. NITA BALI AND ORS SAGAR,HARSHBIR SINGH KOHLI AND DINESH,TUSHAR RAO 6. W.P.(C) 3160/2013 TAX TRIBUNAL BAR ASSOCIATION BALRAM SANGAL,HARSHBIR SINGH CM APPL. 6014/2013 (REGD) KOHLI AND DINESH,C. HARI Vs. THE GOVT OF NCT OF DELHI SHANKAR AND ORS 7.