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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Status of Applications Submitted for B.Ed. Admission Selection Test-2014
NALANDA OPEN UNIVERSITY Status of Applications Submitted for B.Ed Admission Selection Test-2014 Sl. Entry Form Date of Name of Candidate Father/Husband's Name Category Status No. Sl.No. No Birth 1 1047 IF Aakanksha Ajay Kumar Sinha 19-Jan-90 General Pending Provisionally 2 1418 IF Aarati Kumari Ashok Kumar Singh 04-May-84 WBC Selected Provisionally 3 278 0351 Abdul Alim Md. Diljan 02-Feb-69 EBC Selected Provisionally 4 1575 IF Abdul Quadir Abdul Ghafar 30-Nov-82 EBC Selected 5 353 IF Abdul Raqueeb Ansari Badruddin Ansari 02-Jul-78 EBC Pending 6 600 1553 Abdul Salim Md. Mofizuddin Biswas 04-Mar-81 EBC Pending 7 1793 IF Abdul Wadood Md. Hasibur Rahman 05-Jan-86 OBC Pending 8 1003 IF Abdullah Ansari Late Juma Rahim Ansari 31-Dec-82 EBC Pending Provisionally 9 2538 3084 Abdullah Khalid Fariduddin 05-Aug-70 EBC Selected Provisionally 10 418 IF Abdus Sattar Md. Safar Ali 04-Oct-76 General Selected Provisionally 11 186 IF Abhay Kumar Gupta Gopal Sah Gupta 16-Aug-78 OBC Selected Provisionally 12 979 IF Abhay Kumar Mandal Chhavi Nandan Mandal 01-Nov-78 EBC Selected 13 1550 IF Abhilasha Late Narendra Chaturvedi 13-Jan-83 General Pending 14 238 2136 Abhilasha Kumari Prasnn Kumar 21-Dec-91 General Pending Provisionally 15 2222 IF Abhimanyu Kumar Sri. Ganga Prasad 15-Aug-86 OBC Selected 16 2745 0003 Abhinav Kumar Ramashish Prasad Sah 10-Sep-84 OBC Pending Provisionally 17 1186 2022 Abhishek Kumar Birendra Prasad Singh 01-Jul-84 EBC Selected Provisionally 18 982 3067 Abhishek Kumar Jay Prakash Lal Gupta 15-Nov-86 General Selected Provisionally 19 1945 IF Abhishek Kumar Upadhyay Kameshwar Upadhyay 21-Jul-85 General Selected 20 1573 1478 Abid Ali Habibur Rahman 04-Jan-73 EBC Rejected Provisionally 21 1122 IF Abid Kamran Md. -
MUSIC (Lkaxhr) 1. the Sound Used for Music Is Technically Known As (A) Anahat Nada (B) Rava (C) Ahat Nada (D) All of the Above
MUSIC (Lkaxhr) 1. The sound used for music is technically known as (a) Anahat nada (b) Rava (c) Ahat nada (d) All of the above 2. Experiment ‘Sarna Chatushtai’ was done to prove (a) Swara (b) Gram (c) Moorchhana (d) Shruti 3. How many Grams are mentioned by Bharat ? (a) Three (b) Two (c) Four (d) One 4. What are Udatt-Anudatt ? (a) Giti (b) Raga (c) Jati (d) Swara 5. Who defined the Raga for the first time ? (a) Bharat (b) Matang (c) Sharangdeva (d) Narad 6. For which ‘Jhumra Tala’ is used ? (a) Khyal (b) Tappa (c) Dhrupad (d) Thumri 7. Which pair of tala has similar number of Beats and Vibhagas ? (a) Jhaptala – Sultala (b) Adachartala – Deepchandi (c) Kaharva – Dadra (d) Teentala – Jattala 8. What layakari is made when one cycle of Jhaptala is played in to one cycle of Kaharva tala ? (a) Aad (b) Kuaad (c) Biaad (d) Tigun 9. How many leger lines are there in Staff notation ? (a) Five (b) Three (c) Seven (d) Six 10. How many beats are there in Dhruv Tala of Tisra Jati in Carnatak Tala System ? (a) Thirteen (b) Ten (c) Nine (d) Eleven 11. From which matra (beat) Maseetkhani Gat starts ? (a) Seventh (b) Ninth (c) Thirteenth (d) Twelfth Series-A 2 SPU-12 1. ? (a) (b) (c) (d) 2. ‘ ’ ? (a) (b) (c) (d) 3. ? (a) (b) (c) (d) 4. - ? (a) (b) (c) (d) 5. ? (a) (b) (c) (d) 6. ‘ ’ ? (a) (b) (c) (d) 7. ? (a) – (b) – (c) – (d) – 8. ? (a) (b) (c) (d) 9. ? (a) (b) (c) (d) 10. -
Nahiiin! Face Gallery the Nahiiin! Face Gallery Celebrating the finest Histrionic Achievements in Indian Cinema, One Actor at a Time
The Nahiiin! Face Gallery The Nahiiin! Face Gallery Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. Celebrating the finest histrionic achievements in Indian cinema, one actor at a time. http://memsaabstory.wordpress.com http://memsaabstory.wordpress.com Ajit Amjad Khan Amrish Puri A. Nageswara Rao Anil Kapoor Bindu Biswajeet Brownie Moti Heeralal Pannalal Mooga Manasulu Hare Kanch Ki Teri Meherbaniyan Yaarana (1981) Kasam Paide Karne Bandie (1978) Trishna (1978) (1977) Wale Ki (1984) (1963 - Telugu) Beta (1992) Mastan Dada (1977) Chooriyan (1967) (1985) Anwar Hussein Aruna Irani Asha Parekh Chandramohan Chandrima Bhaduri Chiranjeevi Chiranjeevi Chitra Zindagi Aur Maut Kirathakudu SP Parasuram Trip to Moon (1967) Gaddar (1973) Doodh Ka Karz Shikar (1968) Chirag (1969) Shaheed (1948) Zimbo (1958) (1990) (1965) (1986 - Telugu) (1994 - Telugu) Asha Parekh Ashoo Deepti Naval Dev Kumar Dharmendra Mere Hamdum Mere Kati Patang (1970) Samadhi (1974) Rani Aur Lalpari Kab? Kyon? Aur Yeh Ishq Nahin Yalgaar (1992) Jeevan Mrityu (1971) (1975) Kahaan? (1972) Dhund (1973) Aasaan (1982) Alibaba (1977) Dost (1968) Babita Baby Rani Bindu Dharmendra Dilip Kumar Haseena Maan Jayegi Kab? Kyon? Aur Nanha Farishta Rani Aur Lalpari Ab Kya Hoga Yaadon Ki Baarat Kahani Kismat Ki Badle Ki Aag (1982) Shaheed (1948) Aadmi (1968) (1968) Kahaan? (1972) (1969) (1975) (1977) (1972) (1973) All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. If any copyright has been All content on this page is for informational purposes only, and has been compiled from movies and other sources in my possession. -
University of Allahabad, Allahabad PGAT Admissions Test 2018
University of Allahabad, Allahabad Brochure (Information and Guidelines) Email : [email protected] PGAT Admissions Test 2018 Helpdesk No: +91 6386751871, 72, 73 Faculty of Arts/Commerce/Science University of Allahabad Post Graduate Admission Test (PGAT) Session 2018-2019 Please visit auadmissions.com OR Admission-2018 link of www.allduniv.ac.in for ONLINE application and more details. Important Event Date(s) / Time Opening Date of Online Registration 20th April, 2018 Opening of Online Submission of Application Form 20th April, 2018 Closing of Online Registration 10th May, 2018 Closing of Deposition of Fee 10th May, 2018 Closing of Online Submission of Application Form 10th May, 2018 Opening of Downloading the Admit Cards Online PGAT (I & II): 17th May, 2018 Date of Admission Test PGAT (I & II): 24th, 25th & 26th May, 2018 Post Graduate Admission Test (PGAT)- 2018 University of Allahabad, a premier Institute of learning and research, invites applications for following Post Graduate Courses to the students desirous for admissions to the courses for academic session 2018-19. PGAT Test is classified in Two Groups. PGAT-I consisting of List-I to List-IV is for conventional Subjects. PGAT-II consisting of List-V is for Specialized / Non- conventional Subjects. List-I Courses available for graduates in Humanities and Social Sciences Sl. No. Subject 1 Ancient History 2 Economics 3 Education 4 English Literature / Language 5 Hindi 6 Med. & Mod. History 7 Music (Vocal, Sitar and Tabla) 8 Painting 9 Philosophy 10 Political Science 11 Sanskrit Pages : 1/87 University of Allahabad, Allahabad Brochure (Information and Guidelines) Email : [email protected] PGAT Admissions Test 2018 Helpdesk No: +91 6386751871, 72, 73 12 Sociology 13 Urdu List-II Courses available for graduates in Natural Sciences Sl. -
Focus on Rice an Sgs Corporate Newsletter for Agricultural Services
FOCUS ON RICE AN SGS CORPORATE NEWSLETTER FOR AGRICULTURAL SERVICES NOVEMBER 2016 Today, the global rice trade is a dynamic SGS provides competitive advantage, to meet you at the TRT World Rice and constantly evolving space. Global drives sustainability and delivers trust. conference 2016, in Chiang Mai. rice stocks are expected to increase, We offer our customers unrivalled Throughout the event, we’ll be available due to record production. Analysts are experience and expertise, the latest to meet you, learn about your specific forecasting that year-end stocks for the technologies, state-of-the-art laboratories requirements, provide customised 2016/17 season will be at their highest with new DNA testing capabilities solutions to tackle challenges, provide level in over a decade, while production through the network as well as local market information and answer your is expected to be up by almost 10 million innovative services and solutions. Our questions. metric tons against the previous year. experienced teams consistently offer Read on to find out more about our However, we still need to consider the clients precise, timely and efficient services, capabilities and local operations dominant features of the complex rice information on compliance with across the region. You’ll also find details market environment, such as high levels regulatory and food safety requirements of local experts and their contact of segmentation and the concentration with their unique standardised global information. of exports; not forgetting strong network. government intervention, state trading, SGS helps customers to make strategic self sufficiency agendas, and large decisions, prevent losses and move their informal flows, amongst others. -
Banasthali Vidyapith
BANASTHALI VIDYAPITH Bachelor of Arts and Bachelor of Education Curriculum Structure First Semester Examination, December, 2019 Second Semester Examination, April/May, 2020 Third Semester Examination, December, 2020 Fourth Semester Examination, April/May, 2021 Fifth Semester Examination, December, 2021 Sixth Semester Examination, April/May, 2022 Seventh Semester Examination, December, 2022 Eighth Semester Examination, April/May, 2023 BANASTHALI VIDYAPITH P.O. BANASTHALI VIDYAPITH (Rajasthan)-304022 July, 2019 15 2 No. F. 9-6/81-U.3 Government of India Ministry of Education and Culture (Department of Education) New Delhi, the 25th October, 1983 N O T I F I C A T I O N In exercise of the powers conferred by Section 3 of the University Grants Commission Act, 1956 (3 of 1956) the Central Government, on the advice of the Commission, hereby declare that Banasthali Vidyapith, P. O. Banasthali Vidyapith, (Rajasthan) shall be deemed to be a University for the purpose of the aforesaid Act. Sd/- (M. R. Kolhatkar) Joint Secretary of the Government of India N O T I C E Changes in Bye-laws/Syllabi and Books may from time to time be made by amendment or remaking, and a Candidate shall, except in so far as the Vidyapith determines otherwise, comply with any change that applies to years she has not completed at the time of change. © BANASTHALI VIDYAPITH 3 Contents Page Nos. Programme Educational Objectives 4 Programme Outcomes 5 Curriculum Structure 6 Evaluation Scheme and Grading System 36 DISCIPLINARY COURSES Page Nos. 1. Applied Statistics 41 2. Computer Applications 65 3. Dramatic Art (Theatre) 88 4. -
MPA (Master of Performing Arts-Music [Vocal]) Session: 2020
Central University of Punjab Bathinda M.P.A. (Master of Performing Arts-Music [Vocal]) Session: 2020 - 2022 Department of Performing and Fine Arts . Course Structure SEMESTER-I Course Course Course Name L T P Cr Code Type Principles of Aesthetics and MPM506 Core 4 0 0 4 Critical Study of Ragas Historical Perspective of Indian MPM507 Core 4 0 0 4 Music Skill MPM508 Performance & VIVA-VOCE-I 0 0 12 6 based Skill MPM509 Stage Performance-I 0 0 12 6 based IDIDC (from other disciplines) IDC 2 0 0 2 MPA.511 Theatre and Dance forms of India IDC 2 0 0 2 Total Credits 10 0 24 22 SEMESTER-II Course Course Name Course L T P Cr Code Type MPM.521 Study of Indian Classical Core 4 0 0 4 Music Styles MPM.522 Study of Indian Classical Core 4 0 0 4 Music Instruments MPM.523 Research Methodology Core 4 0 0 4 MPM.524 Skill 0 0 12 6 Performance &Viva-Voce-II based MPM.525 Skill 0 0 12 6 Stage Performance-II based IDC (from other disciplines) IDC 2 0 0 2 MPA.511 Theatre and Dance forms of India IDC 2 0 0 2 Total Credits 10 0 24 26 1 SEMESTER-III Course Course Name Course Type L T P Cr Code MPM.551 Study of Indian Music Core 4 0 0 4 MPM.552 Theory of Raga and Tala Core 4 0 0 4 MPM.553 Legal Basics for Musicians Core 4 0 0 4 MPM.554 Performance & Viva-Voce-III Skill based 0 0 12 6 MPM.555 Stage Performance-III Skill based 0 0 12 6 Value Added Course VAC 0 0 0 1 MPD.504 Values in Dance Education VAC 1 0 0 1 Total Credits 13 0 24 25 SEMESTER-IV Course Paper Course Type L T P Cr Code MPM.571 Modern Trends in Music Core 4 0 0 4 MPM.572 Performance &Viva-Voce-IV -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Llu/109/21 No
llU/109/21 No. of Questions: 100 Time : 2 Hours Full Marks: 300 f1tI7l : 2 eruZ- N:300 Note: (I) Attempt as many questions as you can. Each question carries 3 (Three) marks. On!' mark will be deducudfor each incorrect answer. Zero mark will be awarded for each unattempted questiop.. 31f>mf'l'li -wIT "!iT m'1 "IiT'r 'fiT >!"'!M -.;tl ~ ~ 3 (<iR) 'lion 'fiT ri )Iri/... 7TMrf 'a'ff'( ~ fffi!: l(CIi' 3i<fi 'iiiTCT !i11 j) 1/11 ~ <>1 j~ R~ ~ 'fiT , ~ 1t{j 1'h l'['<T lW1T I (2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one. <W: ~~ ~'hr(;q'h ~ -mft ~ % f.rf;<:. m, <iT f1'hC~q -mft ~i;, 01. The vadi note of Rag Malkosh is : (1) Ga (2) Ma (3) Ni (4) Dha Wl '11 i.1";1 ~I 'fiT qr?J «R r : (J) l] (2) l] (3) -;# (4) >t 02. Which Rag is a morning Rag? (1 ) Des \-'?) Bhupali (3) Bhairavi (4) Kafi -41 'BT Wl mo: 'IilC'1R i ? ( 1) ~ (2) 'rlR'fi (3) i\<cft (4 ) "hT'iii 3 P.T.O. 110/109/21 03. Jati of Rag Bhimpalasi is : (1) Odav - Sampurna (2) Shadav-Odav (3) Vakra - Sampurna (4) Sampurna-Sampurna <rT .n ~ 4 <'11«1 q,'j ;;rrfu t : (1) ~-~ (3) om;-~ 04. S R M P D M R , I;> S indicates Rag: (1 ) Khamaj (2) Tilak Kamod (3) Tilanga (4) Durga m~l1"1"ll1~ ,~m ,~<wITt: (1 ) <SfllRI (2) fuffi;~ (3) fuWT (4) ~ 05.