Fairy Tale Bingo Game
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Ing Items Have Been Registered
ACCEPTANCES Page 1 of 37 June 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alrekr Bergsson. Device. Per saltire gules and sable, in pale two wolf’s heads erased and in fess two sheaves of arrows Or. Brahen Lapidario. Name and device. Argent, a lozenge gules between six French-cut gemstones in profile, two, two and two azure, a base gules. The ’French-cut’ is a variant form of the table cut, a precursor to the modern brilliant cut. It dates to the early 15th Century, according to "Diamond Cuts in Historic Jewelry" by Herbert Tillander. There is a step from period practice for gemstones depicted in profile. Hrólfr á Fjárfelli. Device. Argent estencely sable, an ash tree proper issuant from a mountain sable. Isabel Johnston. Device. Per saltire sable and purpure, a saltire argent and overall a winged spur leathered Or. Lisabetta Rossi. Name and device. Per fess vert and chevronelly vert and Or, on a fess Or three apples gules, in chief a bee Or. Nice early 15th century Florentine name! Símon á Fjárfelli. Device. Azure, a drakkar argent and a mountain Or, a chief argent. AN TIR Akornebir, Canton of. Badge for Populace. (Fieldless) A squirrel gules maintaining a stringless hunting horn argent garnished Or. An Tir, Kingdom of. Order name Order of Lions Mane. Submitted as Order of the Lion’s Mane, we found no evidence for a lion’s mane as an independent heraldic charge. We therefore changed the name to Order of _ Lions Mane to follow the pattern of Saint’s Name + Object of Veneration. -
Papa Ogre Roger Schnitzler Mama Ogre Jamie Hope Little Shrek/Dwarf
Papa Ogre Roger Schnitzler Mama Ogre Jamie Hope Little Shrek/Dwarf Avery Taylor Shrek Jackson Baldwin Fiona Kyrstin Eastman Teen Fiona Cali Olshefski Young Fiona Adrianna Kelly Donkey Andrew Lewis Farquaad Ryan Hacek Dragon Isabella Schnitzler Gingy/Sugar Plum Fairy Ashton Grant Pinocchio Kali Gerretse Big Bad Wolf Jacob Bottoms Pig #1 Joey Fitzgerald Pig #2 Kyle Hacek Pig #3 Colin Smith Fairy Godmother Jessica Hurley Peter Pan Colton Holland Wicked Witch Olivia Farley Mama Bear Alexis Blink Papa Bear Frank Salmons Baby Bear Jathan Coster Elf Hailey Easter Captain Daniel Hill Thelonius Michael St. Aubin Guards/Knights/Duloc Dancers/Rats Hannah Kyllonen, Emily Gain, Lizzy Kooy, Harley Rudish, Olivia Brackney Pied Piper Michael St. Aubin Blind Mouse #1 Lizzy Kooy Blind Mouse #2 Harley Rudish Blind Mouse #3 Olivia Brackney Actors in each Scene ACT 1 Scene 1 Shrek, Little Shrek, Mama Ogre, Papa Ogre, Happy People/Mob Scene 2 Guard, Pinocchio, Wolf, 3 Pigs, Fairy Godmother, Peter Pan, Sugar Plum Fairy, Witch, 3 Bears, Shrek, Elf Scene 3 Shrek, Donkey, Captain of the Guard, Guards Scene 4 Guards, Farquaad, Gingy Scene 5 Shrek, Donkey, Farquaad, Greeter, Duloc Dancers Scene 6 Young Fiona, Teen Fiona, Fiona Scene 8 Shrek, Donkey, 4 Knights, Dragon Scene 9 Fiona, Shrek, Donkey, Dragon Scene 10 Shrek, Donkey, Fiona ACT 2 Scene 1 Fiona, Bluebird, Pied Piper, Rats, Donkey, Shrek Scene 2 Farquaad, Captain, Thelonious Scene 3 Fiona, Shrek, Donkey Scene 4 Donkey, 3 Blind Mice, Fiona, Shrek Scene 5 Donkey, Fiona/Ogress, Shrek Scene 6 Fiona, Shrek, Farquaad, Guards Scene 7 Pinocchio, Elf, Peter Pan, Wolf, Sugar Plum Fairy, Gingy, 3 bears, Witch, 3 Pigs, Fairy Godmother Scene 8 Shrek, Donkey Scene 9 Choir, Bishop, Fiona, Farquaad, Shrek, Fairy Tale Characters, Donkey Finale Everyone . -
The Ogre Blinded and the Lord of the Rings
Volume 25 Number 3 Article 12 4-15-2007 The Ogre Blinded and The Lord of the Rings Daniel Peretti Indiana University, Bloomington Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Peretti, Daniel (2007) "The Ogre Blinded and The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 25 : No. 3 , Article 12. Available at: https://dc.swosu.edu/mythlore/vol25/iss3/12 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Applies folk-tale analysis tools to the climactic Mount Doom scene of The Lord of the Rings, finding intriguing roots in the “ogre blinded” motif most familiar to readers from the Polyphemos episode of The Odyssey. Additional Keywords Homer. The Odyssey—Influence on J.R.R. -
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
From Folktale to Fantasy
From Folktale to Fantasy A Recipe-Based Approach to Creative Writing Michael Fox ABSTRACT In an environment of increasing strategies for creative writing “lessons” with varying degrees of constraints – ideas like the writing prompt, fash fction, and “uncreative” writing – one overlooked idea is to work with folktale types and motifs in order to create a story outline. Tis article sketches how such a lesson might be constructed, beginning with the selection of a tale type for the broad arc of the story, then moving to the range of individual motifs which might be available to populate that arc. Advanced students might further consider using the parallel and chiastic structures of folktale to sophisticate their outline. Te example used here – and suggested for use – is a folktale which informs both Beowulf and Te Hobbit and which, therefore, is likely at least to a certain extent to be familiar to many writers. Even if the outline which this exercise gen- erates were never used to write a full story, the process remains useful in thinking about the building blocks of story and traditional structures such as the archetypal “Hero’s Journey.” Writing in Practice 131 Introduction If the terms “motif” and “folktale” are unfamiliar, I am working with the following defnitions: a motif, I teach on the Writing side of a Department in terms of folklore, is “the smallest element in a tale of English and Writing Studies. I trained as a having a power to persist in tradition. In order to medievalist, but circumstances led me to a unit have this power, it must have something unusual and which teaches a range of courses from introductory striking about it” (Tompson 1977: 415). -
Make Your Own Lion and Unicorn Puppets
Scotland’s historic properties feature lots of lions and unicorns – they’re in Scotland’s royal coat of arms. Lions were thought to represent bravery and strength – the king of the animal world. The unicorn has been a Scottish royal symbol for around 600 years and – believe it or not – is Scotland’s national animal. Unicorns symbolised innocence and power. People considered them wild and untamed, so they’re often shown chained around their neck. When James VI of Scotland unified Scotland and England in 1603, he changed his coat of arms to include one unicorn and one lion either side of a shield. TOP TIPS FOR MAKING YOUR PUPPETS This activity ideally needs a printer and some brass paper fasteners. If you don’t have a printer, why not use the templates as inspiration for drawing your own versions! And if you don’t have paper fasteners (split pins), you could experiment with tying a big knot in some string or wool, threading the string through a small hole in your papers (a hole punch would create too big a hole) and tying another big knot on the other side. If you’ve got beads or buttons you could also use these to secure the wire/string/wool either side of the paper body parts you’re attaching together. The lion that greets The unicorn from visitors arriving at the King’s Fountain Edinburgh Castle. at Linlithgow Palace. Resource created for Historic Environment Scotland by artist Hannah Ayre. 1. Print out the template onto 2. Cut out the shapes card or print onto paper, then glue onto card such as a cereal box, then colour in the shapes. -
Protect Your Horses and Livestock from Toxic Plants
Protect Your Horses and Livestock From Toxic Plants A guide to identifying and controlling common, toxic noxious weeds and other toxic plant species. Protect your horses and livestock from toxic plants: A guide to identifying toxic noxious weeds and other toxic plant species Written by Genyce Hanson, with Alison Halpern, Wendy DesCamp, and Kittanya Locken; further reviewing by Tim Miller, Jennifer Andreas, Tricia MacLaren, Anna Lyon, Joan Mason and Casey Gozart. Layout by Kittanya Locken, with Becca Sotelo. Noxious weed classification in Washington: Class A: are nonnative, invasive plants whose distribution in Washington is still limited. Eradication of all Class A plants is required by law. Class B: are nonnative, invasive plants whose distribution is limited in some regions of Washington State, but widespread in others. Class B noxious weeds are designated for mandatory control in regions where they are still limited or absent. Class C: meet the criteria of noxious weeds but control is not required by the State Weed Board; county weed boards may require control of Class C noxious weeds if they are a local concern. Please check with your county weed board to learn more about the noxious weed control requirements where you live. WSDA Quarantine List: The Washington State Department of Agriculture (WSDA) maintains a quarantine list of plants whose sale or distribution is prohibited in Washington State. On the front cover: A palomino mare grazes in a safe, well-managed pasture with her foal. Photo credit: Sue Bird. On the back cover: Dairy cows enjoy a view of Rainier in a healthy, weed-free pasture. -
Shrek Audition Monologues
Shrek Audition Monologues Shrek: Once upon a time there was a little ogre named Shrek, who lived with his parents in a bog by a tree. It was a pretty nasty place, but he was happy because ogres like nasty. On his 7th birthday the little ogre’s parents sat him down to talk, just as all ogre parents had for hundreds of years before. Ahh, I know it’s sad, very sad, but ogres are used to that – the hardships, the indignities. And so the little ogre went on his way and found a perfectly rancid swamp far away from civilization. And whenever a mob came along to attack him he knew exactly what to do. Rooooooaaaaar! Hahahaha! Fiona: Oh hello! Sorry I’m late! Welcome to Fiona: the Musical! Yay, let’s talk about me. Once upon a time, there was a little princess named Fiona, who lived in a Kingdom far, far away. One fateful day, her parents told her that it was time for her to be locked away in a desolate tower, guarded by a fire-breathing dragon- as so many princesses had for hundreds of years before. Isn’t that the saddest thing you’ve ever heard? A poor little princess hidden away from the world, high in a tower, awaiting her one true love Pinocchio: (Kid or teen) This place is a dump! Yeah, yeah I read Lord Farquaad’s decree. “ All fairytale characters have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” Did that guard just say “Pinocchio the puppet”? I’m not a puppet, I’m a real boy! Man, I tell ya, sometimes being a fairytale creature sucks pine-sap! Settle in, everyone. -
Imperial Ogres
IIMPERIAL OOGRES Design, Illustration, Layout and Writing: Andrew Law Proof reading: Colin Chapman, Lindsay Law Games Workshop, the Games Workshop logo, Warhammer, Warhammer Fantasy Roleplay, the First published 01/05/05 on Andrew Law's World Wide Web site: Warhammer Fantasy Roleplay logo, Black Industries, the Black Industries logo, BL Publishing, the www.hapimeses.com BL Publishing logo and all associated races and race insignia, marks, names, characters, illustrations, and images from the Warhammer universe are either ®, TM, and/or © Games This version was updated on: 09/05/05. Workshop Ltd 2000-2004, variably registered in the UK and other countries around the world. All rights reserved. All enquires about this text, its illustrations, or the author, should be sent to: All material found in this supplement is unofficial and in no way endorsed by Games Workshop Ltd. [email protected] TABLE OF CONTENTS CREATING OGRE CHARACTERS......................................2 Physical Features............................................................................7 Character Creation Overview.............................................................2 Background........................................................................................ 8 The Ogre Race.................................................................................2 Ogre Names.......................................................................................9 Background.............................................................................................2 -
Dragonlance Pathfinder Races Humans
DRAGONLANCE PATHFINDER RACES HUMANS Civilized Humans Civilized humans have all of the human racial traits listed in Chapter 2 of the Pathfinder Roleplaying Game: Core Rulebook except as follows: Languages: Civilized humans begin play speaking Common and a regional language. Please see "Civilized Human Cultures" in Chapter One of Races of Ansalon for the specifics. Nomadic Humans Nomadic humans have all of the human racial traits listed in Chapter 2 of the Pathfinder Roleplaying Game: Core Rulebook except as follows: Languages: See "Nomadic Human Cultures" in Chapter One of Races of Ansalon for the specifics. Ithin'carthians Ithin'carthians have all of the human racial traits listed in Chapter 2 of the Pathfinder Roleplaying Game: Core Rulebook except as follows: Tarmaks possess the following additional racial traits: Physically Impressive: Tarmaks receive Hulking Brute as a bonus feat. Frenzy: Once per day, whenever a Tarmak takes damage, they fly into a frenzy for 1 minute, gaining a +2 racial bonus to Constitution and Strength, but a –2 penalty to AC. Languages: Tarmaks begin play speaking Tarmakian. Tarmaks with high Intelligence scores can choose from the following: Common, Damjatt, Keena, and Nerakese. Damjatts and Keena have all of the human racial traits listed in Chapter 2 of the Pathfinder Roleplaying Game: Core Rulebook except as follows: Languages: Please see "Ithin'carthian Racial Traits" in Chapter One of Races of Ansalon for the specific languages spoken by both peoples. DWARVES Dwarf Racial Traits Since orcs do not exist in the Dragonlance campaign setting Krynnish dwarves lack the Hatred racial trait typical of the standard Pathfinder dwarf. -
Heraldry in Ireland
Heraldry in Ireland Celebrating 75 years of the Office of the Chief Herald at the NLI Sir John Ainsworth Shield Vert, a chevron between three battle-axes argent Crest A falcon rising proper, beaked, legged and belled gules Motto Surgo et resurgam Did you know? Sir John Ainsworth was the NLI's Surveyor of Records in Private Keeping in the 1940s and 1950s. Roderick More OFerrall Shield Quarterly: 1st, Vert, a lion rampant or (for O Ferrall); 2nd, Vert a lion rampant in chief three estoiles or (for O More); 3rd, Argent, upon a mount vert two lions rampant combatant gules supporting the trunk of an oak tree entwined with a serpent descending proper, (for O Reilly); 4th, Azure, a bend cotised or between six escallops argent (for Cruise) Crest On a ducal coronet or a greyhound springing sable; A dexter hand lying fess-ways proper cuffed or holding a sword in pale hilted of the second pierced through three gory heads of the first Motto Cú re bu; Spes mea Deus Did you know? This four designs on the shield represent four families. Heiress Leticia More of Balyna, county Kildare married Richard Ferrall in 1751. Their grandson Charles Edward More O'Ferrall married Susan O'Reilly in 1849. Susan was the daughter of Dominic O'Reilly of Kildangan Castle, county Kildare who had married heiress Susanna Cruise in 1818. Dublin Stock Exchange Shield Quarterly: 1st, Sable, a tower or; 2nd, Vert, three swords points upwards two and one proper pommelled and hilted or; 3rd, Vert, three anchors erect two and one argent; 4th, Chequy, sable and argent, on a chief argent an escroll proper, inscribed thereon the words Geo. -
Princess Unicorn: Dragon Escape – Fact Sheet
PRINCESS UNICORN: DRAGON ESCAPE – FACT SHEET ABOUT Diving into an exciting adventure running through a fantasy world filled with giant candies, tumbling cookies, enchanted water falls all while dodging fireballs and enormous rubber balls. Along the way you help Uni, a magical PUBLISHER unicorn, with a secret superweapon. Collect items and power ups but watch KRAZYKATZGAMES LLC out for the scary dragons. They will do everything to stop you! DEVELOPER Survive the attacks and capture the dragon’s treasure! KRAZYKATZGAMES LLC 2P Games LTD Inspired by current tried and true popular mobile infinite runners, Princess Unicorn: Dragon Escape LAUNCH DATE fires it up to whole new level! May 2020 FEATURES PRICE FREE Run your way through wafer platforms, jumping across gigantic tumbling cookies and sliding down enormous water slides. All while avoiding being PLATFORMS roasted alive by the dragon’s constant barrage of fireballs. • Power ups are varied and depending on your objective can help you along your journey. CONTACT INFORMATION • Your superpower is a magical unicorn fart that kicks in at points in the [email protected] game when you need it most. Used at the right time during a dragon [email protected] attack, you can repel the dragon and capture all his jewels and coins. • A lightning bolt icon can use your power fart to propel you forward at superspeed. You become invincible at superspeed as you crash through walls, leap across gaps capturing everything in your path. • A super magnet will attract every coin in your vicinity. • Candy multipliers will help increase your score dramatically. • Special Unicorns are available: Piñata inspired Unicorn, A Zonkey that’s a combination of Donkey and Zebra.