DOCSLIB.ORG

Guide to the Anselm Hollo Papers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guide to the Anselm Hollo Papers Yale University Library Beinecke Rare Book and Manuscript Library Guide to the Anselm Hollo Papers GEN MSS 1701 by Emily Komornik July 2021 P. O. Box 208330 New Haven, CT 06520-8330 [email protected] http://beinecke.library.yale.edu/ Last exported at 10:03 p.m. on Monday, September 27th, 2021 Anselm Hollo papers GEN MSS 1701 Table of Contents Collection Overview ....................................................................................................................................................... 3 Requesting Instructions ................................................................................................................................................. 3 Administrative Information ............................................................................................................................................ 4 Immediate Source of Acquisition ................................................................................................................................ 4 Conditions Governing Access ..................................................................................................................................... 4 Conditions Governing Use ......................................................................................................................................... 4 Preferred Citation ....................................................................................................................................................... 4 Processing Information .............................................................................................................................................. 4 Anselm Hollo (1934-2013) .......................................................................................................................................... 4 Scope and Contents ....................................................................................................................................................... 5 Arrangement .................................................................................................................................................................. 5 Collection Contents ....................................................................................................................................................... 6 Series I: Correspondence and Subject Files, 1943–2011 and undated ....................................................................... 6 Correspondence ...................................................................................................................................................... 6 Subject Files ......................................................................................................................................................... 29 Series II: Writings, circa 1943–2016 and undated .................................................................................................. 32 Translations .......................................................................................................................................................... 32 Original Works .................................................................................................................................................... 35 Edited Works ....................................................................................................................................................... 36 Series III: Writings of Others, 1965–2010 and undated ......................................................................................... 38 Series IV: Teaching Files, 1976–2009 and undated ................................................................................................ 42 Course Materials .................................................................................................................................................. 42 Student Works ..................................................................................................................................................... 42 Series V: Personal and Professional Papers, 1934–2013 and undated ...................................................................... 43 General ................................................................................................................................................................. 43 Notebooks ............................................................................................................................................................ 46 Photographs ......................................................................................................................................................... 46 Ephemera ............................................................................................................................................................. 46 Series VI: Artwork, 1950–2008 and undated ......................................................................................................... 48 Series VII: Printed Materials, circa 1907–2013 and undated .................................................................................. 49 Books ................................................................................................................................................................... 49 Serial Publications ................................................................................................................................................ 49 Brochures and Pamphlets ..................................................................................................................................... 50 Broadsides ............................................................................................................................................................ 51 Newspapers .......................................................................................................................................................... 52 Series VIII: Computer and Audiovisual Media, 1960–2011 and undated ................................................................ 54 Computer Media .................................................................................................................................................. 54 Audiovisual Media ............................................................................................................................................... 54 Selected Search Terms ................................................................................................................................................. 56 Anselm Hollo papers GEN MSS 1701 Collection Overview REPOSITORY: Beinecke Rare Book and Manuscript Library P. O. Box 208330 New Haven, CT 06520-8330 [email protected] http://beinecke.library.yale.edu/ CALL NUMBER: GEN MSS 1701 CREATOR: Hollo, Anselm, 1934-2013 TITLE: Anselm Hollo papers DATES: circa 1907-2013 PHYSICAL DESCRIPTION: 36.35 linear feet (35 boxes) LANGUAGE: English SUMMARY: The Anselm Hollo Papers contains correspondence, subject files, writings, teaching files, personal and professional papers, artwork, printed materials, computer media, and audiovisual media by or relating to Anselm Hollo. Notable correspondents include John Ashbery, Amiri Baraka (LeRoi Jones), Ted Berrigan, Allen Ginsberg, Robert Grenier, Langston Hughes, Gerrit Lansing, Ron Padgett, and John Taggart. Writings contain Hollo's translations of works by Ginsberg, Pentti Saarikoski, Dylan Thomas, and William Carlos Williams, as well as original poetry, prose, and works edited by Hollo. The collection also contains articles, poems, translations, and complete works of other writers, including Mary Abrams, Jane Wodening, and Laura Wright. Teaching files include syllabi, outlines, class notes, other course materials, and student works. Personal and professional papers contain conference materials, grant applications, awards, additional writings, travel logs, ephemera, notebooks, financial records, and photographs. Artwork consists of collages, some of which are collaborative projects between Hollo and his wife, Jane Dalrymple-Hollo, oil pastel drawings, and sketches. Printed materials contain annotated books, serial publications, brochures, pamphlets, and newspapers. Computer and audiovisual media consist of compact discs, videocassettes, audiocassettes, and film. ONLINE FINDING AID: To cite or bookmark this finding aid, please use the following link: http:// hdl.handle.net/10079/fa/beinecke.hollo Requesting Instructions To request items from this collection for use in the Beinecke Library reading room, please use the request links in the HTML version of this finding aid, available at http://hdl.handle.net/10079/fa/beinecke.hollo. To order reproductions from this collection, please send an email with the call number, box number(s), and folder number(s) to [email protected]. Key to the container abbreviations used in the PDF finding aid: b. box Page 3 of 56 Anselm Hollo papers GEN MSS 1701 f. folder Administrative Information Immediate Source of Acquisition Purchased from Granary Books, Inc. on the Edwin J. Beinecke Book Fund, and the Ezra Pound Archive Fund, 2019. Conditions Governing Access This collection is open for research. Box 34 (digital media): Restricted fragile material. Access copies of digital files may be requested. Consult Access Services for further information. Box 35 (audiovisual media): Restricted
Load more

Recommended publications
  • Roots and Routes Poetics at New College of California
    Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust.
    [Show full text]
  • Finnish Studies
    JOURNAL OF FINNISH STUDIES Volume 16 Number 2 May 2013 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TEXAS 77341-2146, USA Tel. 1.936.294.1402; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Associate Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Assistant Editor, University of Wisconsin; [email protected] Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University, Toronto Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University, New York Anselm Hollo, Professor, Naropa Institute, Boulder, Colorado Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of
    [Show full text]
  • Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture Daniel Kane
    Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture Daniel Kane all those americans here writing about america it’s time to give something back, after all our heroes were always the gangster the outlaw why surprised you act like it now, a place the simplest man was always the most complex you gave me the usual things, comics, music, royal blue drape suits & what they ever give me but unreadable books? Tom Raworth, “I Mean” These opening lines from “I Mean” by British poet Tom Raworth, published in 1967 in Raworth’s fi rst full- length collection, The Relation Ship (Goliard Press),1 stand as a kind of metaphor for a larger problem facing British avant- garde poetry in the 1960s. Put simply, “I Mean” addresses an “American” infl uence on British letters that was to weigh heavily on poets challenging the restrained formalism and hostility to the modernist project characteris- tic of the British “Movement” poets.2 How were the many Beat and Black Mountain– enamored versifi ers of Albion to be innovative on their own terms? The avant- garde, as Raworth seems to have it, is predicated on the aura of the “outlaw,” the “gangster.” Such fi gures are suggestively American, par- ticularly when read within the context of the poem’s opening lines. American signs pointing the way forward for a developing British poetics include an idealized simplicity, comics, and music.3 Raworth’s poem works in part to ask whether the English will be able to “give something back.” What would that “something” sound like? What would it look like? Would it be somehow Framework 52, No.
    [Show full text]
  • A Transnational Reading of Allen Ginsberg and the Soviet Estradny Movement
    Avant­Gardes at the Iron Curtain: A Transnational Reading of Allen Ginsberg and the Soviet Estradny Movement by Gregory M. Dandeles A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2017 Doctoral Committee: Professor John A. Whittier­Ferguson, Chair Associate Professor Julian Arnold Levinson Associate Professor Joshua L. Miller Associate Professor Benjamin B. Paloff Gregory M. Dandeles [email protected] ORCID iD: 0000­0003­4716­2210 © Gregory M. Dandeles 2017 i Table of Contents: List of Figures iii Abstract iv Introduction: Avant­Gardes at the Iron Curtain 1 Chapter I: Transnational Beatnik: Russia in Allen Ginsberg’s Early Poetry 19 Chapter II: Red Cats: Allen Ginsberg in Translation and Propaganda 35 Chapter III: Planet News in 1965: The Estradny Movement’s Impact on Ginsberg’s Poetry 69 Conclusion: Avant­Gardes After the Iron Curtain 114 Appendix 122 Bibliography 130 ii List of Figures Fig. 1. The caption of this Soviet­era propaganda says “Freedom, American Style.” 27 Fig. 2. This Khrushchev­era poster promises “Hybrid seeds are the key to high 47 corn yields!” Fig. 3. The cover of a Russian pamphlet of “Howl” (Вой) depicting the “Moloch” 50 figure Fig. 4. “The Moloch of Totalitarianism,” by Nina Galitskaya 51 Fig. 5. The cover of “Red Cats” painted by Lawrence Ferlinghetti 63 Fig. 6. Andrei Voznesensky, “Portrait of Allen Ginsberg,” hair and open cuffs, 1991 65 Fig. 7. Sheet music for “On Jessore Road,” published with the poem in Collected 109 Poems Fig. 8.
    [Show full text]
  • Selected Poems of Ted Berrigan
    The Selected Poems of Ted Berrigan The publisher gratefully acknowledges the generous support of the Humanities Endowment Fund of the University of California Press Foundation. The publisher also gratefully acknowledges the generous support of Jamie and David Wolf and the Rosenthal Family Foundation as members of the Publisher’s Circle of the University of California Press Foundation. The Selected Poems of Ted Berrigan Edited by Alice Notley, Anselm Berrigan, and Edmund Berrigan University of California Press Berkeley Los Angeles London University of California Press, one of the most distinguished univer- sity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2011 by The Regents of the University of California Poems from The Sonnetsby Ted Berrigan, copyright © 2000 by Alice Notley, Literary Executrix of the Estate of Ted Berrigan. Used by per- mission of Viking Penguin, a division of Penguin Group (USA) Inc. Library of Congress Cataloging-in-Publication Data Berrigan, Ted. [Poems. Selections] The selected poems of Ted Berrigan / edited by Alice Notley, Anselm Berrigan, and Edmund Berrigan. â p. cm. Includes bibliographical references and index. isbn: 978-0-520-26683-4 (cloth : alk. paper) isbn: 978-0-520-26684-1 (pbk. : alk. paper) I. Notley, Alice 1945– II. Berrigan, Anselm. III. Berrigan, Edmund, 1974– IV. Title.
    [Show full text]
  • AH Bibliography 1. Monographs Only (Until We Get to Translations)
    AH Bibliography 1. Monographs only (until we get to translations). Monographs are defined as everything except for serial publications, with a few exceptions, and anthology publications, with a few exceptions. 2. Ordered by year, but not sorted within each year. 3. The translations included are poetry only. 4. McCarthy = Cavan Michael McCarthy Anselm Hollo : a handlist of non-periodical publications. Leeds : The Author, 1966. UNDATED “marveled at the delicate variousness” Postcard n.d., Post World DATED Sateiden Välillä – runoja Otava, Helsinki, 1956 Statement. Anselm Hollo; Gael Turnbull S.l., s.n., 1960. Attributed to Anselm Hollo. [6] unbound leaves ; 33 cm Said to be read : 10 variable pages [London] : [publisher not identified], [1960?] Young poets tentacle, 2 [7] folded leaves ; 21 x 33 cm folded to 21 x 17 cm. Dog, running / Oliver G. Bradbury, Tom Raworth, Anselm Hollo, Pentti Saarikoski, John Morgan [Place of publication not identified] : Published by Joseph Orange, [196-?] [1960 per SUNY- Buffalo) [22] pages, [3] leaves of plates : illustrations (1 color) ; 26 cm Portraits in season without reason London, The author and others, 1962 3 leaves : illustrations ; 26 cm St texts & Finnpoems 27 p Worcester England and Ventura CA, Migrant Press, 1961 Includes 2 folded printed sheets laid in, by Michael Shayer, titled “A Note on Texts and Finnpoems” Wednesday paper. New York, Piero Heliczer [1961] 6 unnumbered pages illustrations, including portraits 22 cm Includes Song of stations, by Anselm Hollo, and It was a happy birthday of Death, by Gregory Corso. The minicab war : the gotla word ; Interview with minicab driver and cabbie ; Bormann ; Eliot ; Betjeman ; Barker ; Russell ; Macmillan.
    [Show full text]
  • Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture
    Wholly communion, literary nationalism, and the sorrows of the counterculture Article (Published Version) Kane, Daniel (2011) Wholly communion, literary nationalism, and the sorrows of the counterculture. Framework, 52 (1). pp. 102-127. ISSN 0306-7661 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/15036/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture Daniel Kane Framework: The Journal of Cinema and Media, Volume 52, Number 1, Spring 2011, pp.
    [Show full text]
  • Juha Virtanen Modern and Contemporary Poetry and Poetics
    Modern and Contemporary Poetry and Poetics Poetry and Performance During the British Poetry Revival - Event and Effect Juha Virtanen Modern and Contemporary Poetry and Poetics Series editor Rachel Blau DuPlessis Temple University Philadelphia, PA, USA Modern and Contemporary Poetry and Poetics promotes and pursues topics in the burgeoning field of 20th and 21st century poetics. Critical and scholarly work on poetry and poetics of interest to the series includes social location in its relationships to subjectivity, to the construction of authorship, to oeuvres, and to careers; poetic reception and dissemination (groups, movements, formations, institutions); the intersection of poetry and theory; questions about language, poetic authority, and the goals of writing; claims in poetics, impacts of social life, and the dynamics of the poetic career as these are staged and debated by poets and inside poems. More information about this series at http://www.springer.com/series/14799 Juha Virtanen Poetry and Performance During the British Poetry Revival 1960–1980 Event and Effect Juha Virtanen School of English, Rutherford College University of Kent Canterbury, UK Modern and Contemporary Poetry and Poetics ISBN 978-3-319-58210-8 ISBN 978-3-319-58211-5 (eBook) DOI 10.1007/978-3-319-58211-5 Library of Congress Control Number: 2017940223 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
    [Show full text]
  • Alice Notley Papers
    http://oac.cdlib.org/findaid/ark:/13030/tf9f59p3dj No online items Alice Notley Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Alice Notley Papers MSS 0319 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Alice Notley Papers Creator: Notley, Alice, 1945- Identifier/Call Number: MSS 0319 Physical Description: 34.35 Linear feet(54 archives boxes, 16 flat boxes, 1 map case folder, and 3 art bin items) Date (inclusive): 1969-2014 Abstract: Papers of Alice Notley (1945-), an American artist and poet. The collection includes manuscripts, notebooks, correspondence, and original artwork. Scope and Content of Collection Papers of Alice Notley (1945-), an American artist and poet involved in the New York poetry scene beginning in the mid-1960s. The collection contains correspondence with other prominent poets and writers, typescripts of published and unpublished literary works, notebooks, and Notley's original artwork, including collages, sketches and watercolors. The collection was processed in five major accessions. ACCESSION PROCESSED IN 1995 This accession is comprised of notebooks filled with manuscript writings, correspondence with poets and editors, and examples of Notley's visual art, such as collages. Most of the material dates from the 1960s through the 1990s. Arranged in three series: 1) MANUSCRIPTS & NOTEBOOKS, 2) CORRESPONDENCE and 3) ARTWORK. ACCESSION PROCESSED IN 1998 Arranged in two series: 4) MANUSCRIPTS & NOTEBOOKS and 5) CORRESPONDENCE. ACCESSION PROCESSED IN 2003 The accession processed in 2003 complements the first portions of the collection and includes additional correspondence, notebooks, manuscripts and artworks.
    [Show full text]
  • A Poetics of Contemporary Science Poetry: the Poems of Edwin Morgan, Robert Crawford and David Morley
    Hacettepe University Graduate School of Social Sciences Department of English Language and Literature A POETICS OF CONTEMPORARY SCIENCE POETRY: THE POEMS OF EDWIN MORGAN, ROBERT CRAWFORD AND DAVID MORLEY Merve Sarı Ph. D. Dissertation Ankara, 2016 A POETICS OF CONTEMPORARY SCIENCE POETRY: THE POEMS OF EDWIN MORGAN, ROBERT CRAWFORD AND DAVID MORLEY Merve Sarı Hacettepe University Graduate School Social Sciences Department of English Language and Literature Ph. D. Dissertation Ankara, 2016 iii For Müzeyyen, Bekir and Burcu Sarı iv ACKNOWLEDGEMENTS First and foremost, I must express my deepest gratitude to my adviser Prof. Dr. Burçin Erol who has been a source of inspiration for me ever since my undergraduate years. This work would not have been possible without her dedication, sound instruction, everlasting patience and constant encouragement. Thank you for sharing your deep wisdom with me. My gratefulness must also be extended to my examiners, Prof. Dr. Huriye Reis, Assoc. Prof. Dr. Hande Seber, Assoc. Prof. Dr. Özlem Uzundemir and Assist. Prof. Dr. Margaret Sönmez for reading this work so thoroughly, discussing it meticulously and guiding me every step of the way with their invaluable academic knowledge and support for the betterment of it. I would equally like to acknowledge my thanks to all of my distinguished instructors in the Department of English Language and Literature whose extensive knowledge and guidance has proved to be most helpful in the process of producing this thesis. I am eternally indebted to you for everything you have taught me. I also owe a special word of gratitude to my dear friends Dr. Özlem Aydın Öztürk and Aziz Öztürk for always being there for me whenever I need support and sound advice.
    [Show full text]
  • Beats, Poets, Renegades: a 1960S Northern Poetry Underground and Its Countercultural Impact
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CLoK Beats, Poets, Renegades: A 1960s Northern Poetry Underground and its Countercultural Impact by Bruce Wilkinson A thesis submitted in partial fulfilment for the requirements for the degree of MA (by Research) at the University of Central Lancashire July 2016 Student Declaration Concurrent registration for two or more academic awards I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the university or other academic or professional institution. Material submitted for another award I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work. Signature of Candidate: Type of Award: School: Abstract This thesis considers the 1960s poetry, writing and publishing of Jim Burns, Dave Cunliffe and Tina Morris who produced little poetry magazines Move and Poetmeat from Preston and Blackburn respectively and also the latter’s small press BB Books. It places their work within an influential avant garde literary field which spread new forms of poetry alongside the radical politics of what later became known as the counterculture. This work analyses both their literary and social impact, for the first time linking a northern poetry underground with a radical activism still visible today. 1 Table of Contents Abstract 1 Acknowledgements 3 Introduction: 4 Chapter One: Post War Poetry 6 Chapter Two: Biographies 23 Chapter Three: Analysis 52 Chapter Four: Counterculture 68 Appendices 88 Bibliography 95 2 Acknowledgements My MA supervisor Dr Robin Purves has been a fantastic help during the research and writing of this dissertation, available for friendly advice throughout the two years (even when his bedroom ceiling collapsed).
    [Show full text]
  • Études Finno-Ougriennes, 43 | 2011 Le Dialogue Complexe Entre Le National Et L’International Dans La Poésie D’Av
    Études finno-ougriennes 43 | 2011 Varia Le dialogue complexe entre le national et l’international dans la poésie d’avant-garde finlandaise des années 1960 The complex dialogue between the national and the international in Finnish avant-garde poetry of the 1960s Kansallisen ja kansainvälisen monitahoinen dialogi 1960-luvun suomalaisessa avantgarderunoudessa Harri Veivo Édition électronique URL : https://journals.openedition.org/efo/148 DOI : 10.4000/efo.148 ISSN : 2275-1947 Éditeur INALCO Édition imprimée Date de publication : 1 janvier 2011 ISBN : 978-2-296-96641-3 ISSN : 0071-2051 Référence électronique Harri Veivo, « Le dialogue complexe entre le national et l’international dans la poésie d’avant-garde finlandaise des années 1960 », Études finno-ougriennes [En ligne], 43 | 2011, mis en ligne le 05 mars 2014, consulté le 08 juillet 2021. URL : http://journals.openedition.org/efo/148 ; DOI : https://doi.org/ 10.4000/efo.148 Ce document a été généré automatiquement le 8 juillet 2021. Études finno-ougriennes est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. Le dialogue complexe entre le national et l’international dans la poésie d’av... 1 Le dialogue complexe entre le national et l’international dans la poésie d’avant-garde finlandaise des années 1960 The complex dialogue between the national and the international in Finnish avant-garde poetry of the 1960s Kansallisen ja kansainvälisen monitahoinen dialogi 1960-luvun suomalaisessa avantgarderunoudessa Harri Veivo 1 Selon la légende, le violoniste Arvo Hannikainen aurait été le premier poète dadaïste de Finlande. Vers le début des années vingt, à Paris, dans un bar après minuit, il aurait récité, d’une voix dramatique et retentissante, un poème constitué par la série des nombres de yksi à kymmenen (Paavolainen 2002, p.
    [Show full text]