Alice Notley Papers

Total Page:16

File Type:pdf, Size:1020Kb

Alice Notley Papers http://oac.cdlib.org/findaid/ark:/13030/tf9f59p3dj No online items Alice Notley Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Alice Notley Papers MSS 0319 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Alice Notley Papers Creator: Notley, Alice, 1945- Identifier/Call Number: MSS 0319 Physical Description: 34.35 Linear feet(54 archives boxes, 16 flat boxes, 1 map case folder, and 3 art bin items) Date (inclusive): 1969-2014 Abstract: Papers of Alice Notley (1945-), an American artist and poet. The collection includes manuscripts, notebooks, correspondence, and original artwork. Scope and Content of Collection Papers of Alice Notley (1945-), an American artist and poet involved in the New York poetry scene beginning in the mid-1960s. The collection contains correspondence with other prominent poets and writers, typescripts of published and unpublished literary works, notebooks, and Notley's original artwork, including collages, sketches and watercolors. The collection was processed in five major accessions. ACCESSION PROCESSED IN 1995 This accession is comprised of notebooks filled with manuscript writings, correspondence with poets and editors, and examples of Notley's visual art, such as collages. Most of the material dates from the 1960s through the 1990s. Arranged in three series: 1) MANUSCRIPTS & NOTEBOOKS, 2) CORRESPONDENCE and 3) ARTWORK. ACCESSION PROCESSED IN 1998 Arranged in two series: 4) MANUSCRIPTS & NOTEBOOKS and 5) CORRESPONDENCE. ACCESSION PROCESSED IN 2003 The accession processed in 2003 complements the first portions of the collection and includes additional correspondence, notebooks, manuscripts and artworks. It also contains material related to the production of the literary magazine Gare du Nord. Most of the papers date from the late 1990s through 2001. Arranged in six series: 6) CORRESPONDENCE, 7) WRITINGS, 8) NOTEBOOKS, 9) GARE DU NORD PRODUCTION MATERIALS, 10) ARTWORK and 11) MISCELLANEOUS MATERIALS. ACCESSION PROCESSED IN 2011 Arranged in three series: 12) CORRESPONDENCE, 13) DREAM NOTEBOOKS and 14) WRITINGS. ACCESSION PROCESSED IN 2017 The bulk of this accession dates from 2000 through 2014. Arranged in five series: 15) CORRESPONDENCE, 16) WRITINGS, 17) NOTEBOOKS, 18) ARTWORK and 19) MISCELLANEOUS. Biography Alice Notley was born in 1945 in Bisbee, Arizona. She received a B.A. from Barnard College in 1967, and her M.F.A. from the University of Iowa in 1969. She married the writer Ted Berrigan in 1972, with whom she had two sons, Anselm and Edmund, both poets. After Berrigan's death in 1983, she married the British poet Doug Oliver and relocated to Paris, France. Notley's writing and art responds to a broad spectrum of American culture. Among the numerous collections of verse that Notley has published are Incidental in the Day World (1973), When I was Alive (1980), Waltzing Matilda (1981), Margaret and Dusty (1985), and How Spring Comes (1981), which received a 1982 San Francisco Poetry Center Book Award. Notley has also written a short autobiography entitled Tell Me Again (1982). Notley is also a visual artist, and her collection includes original artworks such as collages, watercolors, and sketches. Many of her collages are composed of everyday objects and images and are quite consistent with her poetry in that respect. Notley was co-editor of the literary magazine Gare Du Nord with Douglas Oliver, publishing five issues over two years (1998-1999). Magazine production ceased in the fall of 1999 when Oliver was diagnosed with cancer; he died the following spring. Notley has continued to write both prose and poetry, including an epic poem, The Descent of Alette (1992), and the titles Desamere (1995), Mysteries of Small Houses (1998) (for which Notley was a Pulitzer Prize finalist), Disobedience (2001), Coming After (2005), Alma or the Dead Women (2006), In the Pines (2007), Reason and Other Women (2010), Culture of Alice Notley Papers MSS 0319 2 One (2011), Songs and Stories of the Ghouls (2011), Benediction (2015) and Certain Magical Acts (2016). Notley has been recognized by the Arts and Letters Award from the American Academy of Arts and Letters, the Shelley Memorial Award from the Poetry Society of America, and in 2015 Notley was awarded the Ruth Lilly Poetry Prize. She currently resides in Paris. Publication Rights Publication rights are held by the creator of the collection. Preferred Citation Alice Notley Papers, MSS 319. Special Collections & Archives, UC San Diego. Acquisition Information Acquired 1995-2017. Subjects and Indexing Terms American poetry -- 20th century Women poets -- United States Art, American -- 20th century Myles, Eileen -- Correspondence Foster, Edward Halsey -- Correspondence Messerli, Douglas, 1947- -- Correspondence Notley, Alice, 1945- -- Archives Ginsberg, Allen, 1926-1927 -- Correspondence Codrescu, Andrei, 1946- -- Correspondence Whalen, Philip -- Correspondence Waldman, Anne, 1945- -- Correspondence Scalapino, Leslie -- Correspondence Padgett, Ron, 1942- -- Correspondence Brainard, Joe, 1942-1994 -- Correspondence Accession Processed in 1995 MANUSCRIPTS & NOTEBOOKS Scope and Content of Series Series 1) MANUSCRIPTS & NOTEBOOKS: One manuscript of a three-act play entitled "Twilight Vision" and Notley's notebooks, which are arranged chronologically from 1969 to 1990. Entries contain descriptions of Notley's day-to-day activities, literary writings, drawings, and meditations on others writers such as Dante, Shakespeare, Emily Dickinson, Walt Whitman, and William Carlos Williams. Box 1, Folder 1 Twilight Vision: A Play in Three Acts Box 1, Folder 2-8 Notebooks 1969 June-1970 September Box 2, Folder 1-8 Notebooks 1970 September-1971 October Box 3, Folder 1-7 Notebooks 1971 October-1972 December Box 4, Folder 1-7 Notebooks 1973 June-1976 September Box 5, Folder 1-7 Notebooks 1976 September-1978 November Box 6, Folder 1 Notebooks 1978 November-1979 April Oversize FB-117, Notebook 1979 April-October Folder 1 Box 6, Folder 3-7 Notebooks 1979 August-1980 Box 7, Folder 1-6 Notebooks 1980 March-1981 September Box 8, Folder 1-6 Notebooks 1980 December-1982 July Box 9, Folder 1-7 Notebooks 1982-1983 January Box 10, Folder 1-3 Notebooks 1983 February-November Alice Notley Papers MSS 0319 3 Accession Processed in 1995 MANUSCRIPTS & NOTEBOOKS Oversize FB-117, Notebook 1983 May-November Folder 2 Box 10, Folder 5-7 Notebooks 1983 June-November Box 11, Folder 1-5 Notebooks 1983 November-1984 June Box 12, Folder 1-5 Notebooks 1984 June-1985 January Box 13, Folder 1-5 Notebooks 1984 December-1985 October Box 14, Folder 1-5 Notebooks 1985 October-1986 October Box 15, Folder 1-5 Notebooks 1986 November-1988 June Box 16, Folder 1-6 Notebooks 1988 June-1989 May Box 17, Folder 1-4 Notebooks 1989 May-1990 Box 18, Folder 1-2 Notebooks 1990 CORRESPONDENCE Scope and Content of Series Series 2) CORRESPONDENCE: The correspondence series is extensive and includes letters from prominent people in contemporary art and literature such as Joe Brainard, Andrei Codrescu, Edward Halsey Foster, Allen Ginsberg, Douglas Messerli, Eileen Myles, Ron Padgett, Leslie Scalapino, Anne Waldman, and Philip Whalen. Most of the material dates from 1988 to 1994. Letters are arranged alphabetically by correspondent. Box 19, Folder 1 Abbott, Steve 1992 Box 19, Folder 2 Alson, Sheila 1992 - 1993 Box 19, Folder 3 Baude, Dawn Michelle 1992 - 1994 Box 19, Folder 4 Berkson, Bill 1985 Box 19, Folder 5 Bernstein, Charles 1994 Box 19, Folder 6 Brainard, Joe 1991 - 1993 Box 19, Folder 7 Burckhardt, Rudy 1992 - 1993 Box 19, Folder 8 Carey, Tom 1980 Box 19, Folder 9 Carville, Daragh Box 19, Folder 10 Castleberry, R. T. 1991 Box 19, Folder 11 Cataldo, Susan Box 19, Folder 12 Clark, Tom 1994 - 1995 Box 19, Folder 13 Codrescu, Andrei 1993 - 1994 Box 19, Folder 14 Collom, Jack 1993 - 1994 Box 19, Folder 15 Daley, John 1992 Box 19, Folder 16 Di Prima, Diane 1992 Box 19, Folder 17 Dorn, B 1988 Box 19, Folder 18 Equi, Elaine 1989 Box 19, Folder 19 Foster, Edward Halsey 1993 - 1994 Box 19, Folder 20 Ginsberg, Allen 1992 Box 19, Folder 21 Gizzi, Peter 1994 Box 19, Folder 22 Glover, A 1991 Box 19, Folder 23 Grapes, Jack 1992 Box 19, Folder 24 Harryman, Carla 1994 Box 19, Folder 25 Hejinian, Lyn 1994 Box 19, Folder 26 Hollo, Anselm 1992 - 1994 Box 19, Folder 27 Holman, Bob 1993 Box 19, Folder 28 Hornick, Lita 1994 Box 19, Folder 29 Killian, Kevin Box 19, Folder 30 Koch, Kenneth 1993 Box 19, Folder 31 Kyger, Joanne 1989 Box 19, Folder 32 Laughlin, James 1992 Box 19, Folder 33 Lewis, Joel 1990 - 1994 Box 19, Folder 34 McNaughton, Duncan 1993 - 1994 Box 19, Folder 35 Messerli, Douglas 1993 - 1994 Box 19, Folder 36 Myles, Eileen 1987 - 1994 Box 19, Folder 37 Nauen, Elinor 1992 - 1994 Alice Notley Papers MSS 0319 4 Accession Processed in 1995 CORRESPONDENCE Box 19, Folder 38 Opstedal, Kevin 1994 Box 19, Folder 39 Padgett, Ron 1992 - 1993 Box 19, Folder 40 Pettet, Simon and Rose 1993 - 1994 Box 19, Folder 41 Prisco, Salvatore 1993 Box 19, Folder 42 Raphael 1993 Box 19, Folder 43 Rosenthal, Robert and Kraut, Rochelle 1994 Box 19, Folder 44 Rothenberg, Jerome 1994 Box 19, Folder 45 Saroyan, Aram 1991 - 1994 Box 19, Folder 46 Savage, Tom 1993 - 1994 Box 19, Folder 47 Scalapino, Leslie 1992 - 1994 Box 19, Folder 48 Schiff, Harris 1992 - 1993 Box 19, Folder 49 Schneeman, Elio 1994 Box 19, Folder 50 Schneeman, George Box 19, Folder 51 Schneidir, David 1991 Box 19, Folder 52 Sparrow, E Carter 1991 - 1994 Box 19, Folder 53 Stanford, David H. (Viking Penguin) 1993 - 1994 Box 19, Folder 54 Stanton, Johnny 1986 - 1994 Box 19, Folder 55 Torregian, Sotere 1994 Box 19, Folder 56 Tranter, John 1993 Box 19, Folder 57 Unidentified 1987 - 1994 Box 19, Folder 58 Waldman, Anne 1991 - 1994 Box 19, Folder 59 Warsh, Lewis Box 19, Folder 60 Weiner, Hannah Box 19, Folder 61 Whalen, Philip 1989 - 1994 Box 19, Folder 62 Young, Geoff 1994 ARTWORK Scope and Content of Series Series 3) ARTWORK.
Recommended publications
  • 230-Newsletter.Pdf
    $5? The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Macgregor Card Monday Night Talk Series Coordinator: Josef Kaplan Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Brett Price Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Stephen Rosenthal Archivist: Will Edmiston Box Office: Courtney Frederick, Vanessa Garver, Jeffrey Grunthaner Interns/Volunteers: Nina Freeman, Julia Santoli, Alex Duringer, Jim Behrle, Christa Quint, Judah Rubin, Erica Wessmann, Susan Landers, Douglas Rothschild, Alex Abelson, Aria Boutet, Tony Lancosta, Jessie Wheeler, Ariel Bornstein Board of Directors: Gillian McCain (President), Rosemary Carroll (Treasurer), Kimberly Lyons (Secretary), Todd Colby, Mónica de la Torre, Ted Greenwald, Tim Griffin, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Evelyn Reilly, Christopher Stackhouse, Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
    [Show full text]
  • 227-Newsletter.Pdf
    THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 2011 #227 LETTERS POEM NATHANIEL MACKEY INTERVIEW CARLA HARRYMAN & LYN HEJINIAN TALK WITH CORINA COPP CALENDAR PATRICK JAMES DUNAGAN REVIEWS CHAPBOOKS BY ARIEL GOLDBERG, JESSICA FIORINI, JIM CARROLL, ALLI WARREN & NICHOLAS JAMES WHITTINGTON CATHERINE WAGNER REVIEWS ANDREA BRADY CACONRAD REVIEWS SUSIE TIMMONS FARRAH FIELD REVIEWS PAUL LEGAULT CARLEY MOORE REVIEWS EILEEN MYLES ERIK ANDERSON REVIEWS RENEE GLADMAN DAVID BRAZIL REVIEWS MINA PAM DICK STEPHANIE DICKINSON REVIEWS LEWIS WARSH MATT LONGABUCCO REVIEWS MIŁOSZ BIEDRZYCKI JAMIE TOWNSEND REVIEWS PAUL FOSTER JOHNSON ABRAHAM AVNISAN REVIEWS CAROLINE BERGVALL NICOLE TRIGG REVIEWS JULIANA LESLIE ERICA KAUFMAN REVIEWS KARINNE KEITHLEY $5? 02 APR/MAY 11 #227 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Arlo Quint PROGRAM ASSISTANT: Nicole Wallace MONDAY NIGHT COORDINATOR: Macgregor Card MONDAY NIGHT TALK SERIES COORDINATOR: Michael Scharf WEDNESDAY NIGHT COORDINATOR: Joanna Fuhrman FRIDAY NIGHT COORDINATORS: Brett Price SOUND TECHNICIAN: David Vogen VIDEOGRAPHER: Alex Abelson BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Vanessa Garver INTERNS: Nina Freeman, Stephanie Jo Elstro, Rebecca Melnyk VOLUNTEERS: Jim Behrle, Rachel Chatham, Corinne Dekkers, Ivy Johnson, Erica Kaufman, Christine Kelly, Ace McNamara, Annie Paradis, Christa Quint, Judah Rubin, Lauren Russell, Thomas Seely, Erica Wessmann, Alice Whitwham, Dustin Williamson The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international.
    [Show full text]
  • New Director, New Era Begin at Poetry Project by GREG FUCHS He Poetry Project at St
    Issue 10 October 2003 BOOG CITY Free New Director, New Era Begin at Poetry Project BY GREG FUCHS he Poetry Project at St. Mark’s Church in-the-Bowery (131 East 10th St.), legendary for nurturing many radical TAmerican voices, including Kathy Acker, Richard Hell, Ed Sanders, and Patti Smith, has a new artistic director. Quietly this summer, Anselm Berrigan accepted the duties from Ed Friedman, who announced in February that he would step down to spend I’ve got a job to do—keep the place going, extend its good parts, adapt to the 21st century, and figure out exactly what The Poetry Project community is right now. more time with his family and to provide the next generation its opportunity to direct the Project. Following a search that lasted throughout the winter, Berrigan was offered the job by the Project’s board of directors in April. This appointment is logical and refreshing. Like all of the Project’s directors, Berrigan is a charming, iconoclastic, and Anselm Berrigan, St. Mark’s Church courtyard. sophisticated poet. After studying with Allen Ginsberg at Greg Fuchs photo Brooklyn College in the 1990s, Berrigan worked as the program assistant and coordinator of the Monday night reading series at the Project. His readings in New York City have become recently spawned movements like the When was the fire that burned the East Side. One at the 10th Street Café, increasingly popular and he’s published three terrific volumes of independent media renaissance to keep Project? and the other at Les Deux Magots, which poetry with Edge Books of Washington, D.C.
    [Show full text]
  • Jordan Davis on Ted Berrigan
    of the central aesthetic struggles of twentieth-century poetry in English, the attempt to resolve the tension between closed and open forms. Koch admired the poems of William Carlos Williams for being so “odd and exciting;” they “catch the music of a man alive in his time.” Koch’s poems aspire to do the same, and more often than not they achieve that sound. It’s the sound of a man happy to be alive despite the world’s terrors, and who is awake to that feeling. I don’t think readers of poetry will ever tire of it; I suspect it will continue to convey something real about their own experience. It’s the sound of a man reaching into history without embarrassment or sense of piety, to draw forth whatever elements of poetic form are best suited to his occasions—from tight rhyming stanzas, to heroic couplets, to long and short free verse lines, to experimental serial structures—cheerfully ripping out the lining of yesterday’s attitudes and shaking off the lint of a persistent yet tired idiom. The spirit of poetry lives in Koch’s work, but we return to the work because it is alive with the spirit of Koch himself. If he started to write his first real poems by thwarting the expectations of literary convention in 1952, he continued to write into the twenty-first century by escaping the expectations of New York School poetics, in its tertiary generation. I discovered Koch’s work late, in the mid-nineties, with the poem “One Train May Hide Another,” and the book from which it takes its name; finding the single volumes that preceded it, many of them out of print, was no small discovery.
    [Show full text]
  • [Jargon Society]
    OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book.
    [Show full text]
  • The Poetry Project at 50
    The Poetry Project december 2016 / january 2017 Issue #249 The Poetry Project december 2016 / January 2017 Issue #249 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Spring 2017): Lisa Jarnot, Reviews Editor: Sara Jane Stoner Pierre Joris, and Matvei Yankelevich Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Anna Wednesday Night Readings Coordinator: Simone White Kreienberg Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Mehroon Alladin, Mel Elberg, Micaela Foley, Hadley Gitto, Jessica Gonzalez, Olivia Grayson, Cori Hutchinson, Raffi Kiureghian, Anna Kreienberg, Phoebe Lifton, Ashleigh Martin, Dave Morse, Batya Rosenblum, Isabelle Shallcross, Hannah Treasure, Viktorsha Uliyanova, and Shanxing Wang. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith,
    [Show full text]
  • Transatlantica, 1 | 2019 Interview of Alice Notley 2
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2019 Gone With the Wind after Gone With the Wind Interview of Alice Notley David Reckford Electronic version URL: https://journals.openedition.org/transatlantica/13862 DOI: 10.4000/transatlantica.13862 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference David Reckford, “Interview of Alice Notley”, Transatlantica [Online], 1 | 2019, Online since 01 June 2020, connection on 04 May 2021. URL: http://journals.openedition.org/transatlantica/13862 ; DOI: https:// doi.org/10.4000/transatlantica.13862 This text was automatically generated on 4 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Interview of Alice Notley 1 Interview of Alice Notley David Reckford AUTHOR'S NOTE This interview took place in Alice Notley’s apartment in Paris, in June 2018. 1 Alice Notley is a major American poet of our day, who has been living in Paris since the early 1990s, when she moved there with her second husband, the English poet, Doug Oliver (1937-2000), because Paris was where his professorial career was taking him. At that point Alice Notley was finding New York less amenable and was keen to go somewhere else. When he died in 2000, Alice Notley was sufficiently settled into Paris to remain there. 2 Although she is a Parisian now, Alice Notley was also a key figure on the Lower Manhattan poetry scene particularly of the late 1970s and the 1980s. Her first husband, Ted Berrigan, was an equally charismatic figure among an influential group of downtown poets.
    [Show full text]
  • Catalogue 143 ~ Holiday 2008 Contents
    Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80
    [Show full text]
  • Late Modernist Poetics and George Schneeman's Collaborations with the New York School Poets
    Timothy Keane Studies in Visual Arts and Communication: an international journal Vol 1, No 2 (2014) on-line ISSN 2393 - 1221 No Real Assurances: Late Modernist Poetics and George Schneeman’s Collaborations with the New York School Poets Timothy Keane City University of New York Abstract: Painter George Schneeman’s collaborations with the New York School poets represent an under-examined, vast body of visual-textual hybrids that resolve challenges to mid-and-late century American art through an indirect alliance with late modernist literary practices. Schneeman worked with New York poets intermittently from 1966 into the early 2000s. This article examines these collagist works from a formalist perspective, uncovering how they incorporate gestural techniques of abstract art and the poetic use of juxtaposition, vortices, analogies, and pictorial and lexical imagism to generate non-representational, enigmatic assemblages. I argue that these late modernist works represent an authentically experimental form, violating boundaries between art and writing, disrupting the venerated concept of single authorship, and resisting the demands of the marketplace by affirming for their creators a unity between art-making and daily life—ambitions that have underpinned every twentieth century avant-garde movement. On first seeing George Schneeman’s painting in the 1960s, poet Alice Notley asked herself, “Is this [art] new? Or old fashioned?”1 Notley was probably reacting to Schneeman’s unassuming, intimate representations of Tuscan landscape and what she called their “privacy of relationship.” The potential newness Notley detected in Schneeman’s “old-fashioned” art might be explained by how his small-scale and quiet paintings share none of the self-conscious flamboyance in much American painting of the 1960s and 1970s.
    [Show full text]
  • 235-Newsletter.Pdf
    The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.
    [Show full text]
  • Guide to the Anselm Hollo Papers
    Yale University Library Beinecke Rare Book and Manuscript Library Guide to the Anselm Hollo Papers GEN MSS 1701 by Emily Komornik July 2021 P. O. Box 208330 New Haven, CT 06520-8330 [email protected] http://beinecke.library.yale.edu/ Last exported at 10:03 p.m. on Monday, September 27th, 2021 Anselm Hollo papers GEN MSS 1701 Table of Contents Collection Overview ....................................................................................................................................................... 3 Requesting Instructions ................................................................................................................................................. 3 Administrative Information ............................................................................................................................................ 4 Immediate Source of Acquisition ................................................................................................................................ 4 Conditions Governing Access ..................................................................................................................................... 4 Conditions Governing Use ......................................................................................................................................... 4 Preferred Citation ....................................................................................................................................................... 4 Processing Information .............................................................................................................................................
    [Show full text]
  • Part of His History 1944-2020 by Steve Clay Originally Published in the Brooklyn Rail Dec 20 – Jan 21, 2021 Issue
    IN MEMORIAM Lewis Warsh: Part of His History 1944-2020 By Steve Clay Originally published in The Brooklyn Rail Dec 20 – Jan 21, 2021 Issue Working with Lewis Warsh was always an effortless pleasure and indistinguishable from our friendship. I first met him in Brooklyn in 1995, introduced by Mitch Highfill. We spoke about his archive and collection of rare books he wanted to sell, and arranged to meet at his apartment. During that visit I looked at his treasures, among which was a small book he'd assembled by hand when he found a set of black and white photographs taken in 1968, primarily on Bustin's Island, Maine and in Bolinas, California. The photographs were classic family-style vacation snapshots of Lewis and Anne Waldman, Ted, Sandy, and Kate Berrigan, Tom, Angelica, and baby Juliet Clark, Joanne Kyger, Jack Boyce, and others. Lewis had mounted the photos into a store- bought hardcover photo book, then typed captions and placed them across from the pictures: The front cover read Bustin's Island '68. I immediately proposed that Granary Books publish Portrait of Lewis Warsh, pencil on paper by Phong H. Bui. an edition. I was impressed with the spontaneity of the photographs and the sincerity of the writing. They gave me a private glimpse into a community of poets whose work and stories I knew but was now seeing in their formative years as friends and collaborators. It's a remarkably lucid portrait of a time and place. The captions, written 28 years after the fact, brought perspective to the changes during the intervening years.
    [Show full text]