Zoe Saldana Master Interview
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Kam Williams, “The “12 Years a Slave” Interview: Steve Mcqueen”, the New Journal and Guide, February 03, 2014
Kam Williams, “The “12 Years a Slave” Interview: Steve McQueen”, The new journal and guide, February 03, 2014 Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well- received, thought-provoking drama about addiction and secrecy in the modern world. In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain. His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps. Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which has been nominated for 9 Academy Awards, including Best Picture and Best Director. -
Film & Literature
Name_____________________ Date__________________ Film & Literature Mr. Corbo Film & Literature “Underneath their surfaces, all movies, even the most blatantly commercial ones, contain layers of complexity and meaning that can be studied, analyzed and appreciated.” --Richard Barsam, Looking at Movies Curriculum Outline Form and Function: To equip students, by raising their awareness of the development and complexities of the cinema, to read and write about films as trained and informed viewers. From this base, students can progress to a deeper understanding of film and the proper in-depth study of cinema. By the end of this course, you will have a deeper sense of the major components of film form and function and also an understanding of the “language” of film. You will write essays which will discuss and analyze several of the films we will study using accurate vocabulary and language relating to cinematic methods and techniques. Just as an author uses literary devices to convey ideas in a story or novel, filmmakers use specific techniques to present their ideas on screen in the world of the film. Tentative Film List: The Godfather (dir: Francis Ford Coppola); Rushmore (dir: Wes Anderson); Do the Right Thing (dir: Spike Lee); The Dark Knight (dir: Christopher Nolan); Psycho (dir: Alfred Hitchcock); The Graduate (dir: Mike Nichols); Office Space (dir: Mike Judge); Donnie Darko (dir: Richard Kelly); The Hurt Locker (dir: Kathryn Bigelow); The Ice Storm (dir: Ang Lee); Bicycle Thives (dir: Vittorio di Sica); On the Waterfront (dir: Elia Kazan); Traffic (dir: Steven Soderbergh); Batman (dir: Tim Burton); GoodFellas (dir: Martin Scorsese); Mean Girls (dir: Mark Waters); Pulp Fiction (dir: Quentin Tarantino); The Silence of the Lambs (dir: Jonathan Demme); The Third Man (dir: Carol Reed); The Lord of the Rings trilogy (dir: Peter Jackson); The Wizard of Oz (dir: Victor Fleming); Edward Scissorhands (dir: Tim Burton); Raiders of the Lost Ark (dir: Steven Spielberg); Star Wars trilogy (dirs: George Lucas, et. -
The Italian Art of Dubbing by Chiara Barzini
C RIT I C ISM READ MY LIPS The Italian art of dubbing By Chiara Barzini n the Thirties, when sound !lms Italy. During the !lm’s climax, Garbo dubbers were working-class immi- wereI beginning to circulate, Musso- gave Italians a taste of her warm, hus- grants living near the studio who lini prohibited the use of foreign lan- ky voice with two uncensored words: were called to record in their native guages in all movies shown in Italy. “Padre! Padre!” But other Hollywood languages. But who would want to The Ministry of Popular Culture, !lms passed quietly by. Most Italians hear Marlene Dietrich speak like a which was responsible for overseeing were either illiterate or had dif!culties farmer from Calabria? Hollywood re- the content of newspapers, literature, reading, which made a visit to the thought its approach, using profes- theater, radio, and cinema, censored movies feel more like sitting for a sional theater actors from Italy to dub all foreign words adopted into Italian school exam than entertainment. American stars. usage, replacing them with creative or With attendance dropping, the 3,200 In 1933, the Fascists expanded the stunningly literal translations. (The movie theaters in Italy were falling scope of censorship, banning all for- word cocktail, for instance, changed into !nancial ruin. eign !lms dubbed in Italian outside to “bevanda arlecchina,” suggesting a Garbo was not the only actor Amer- Italy—as if nervous that foreign pro- drink as colorful as the commedia ican producers asked to speak in other ducers might put revolutionary mes- dell’arte fool Harlequin; Louis Arm- languages. -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
CSE 132C Database System Implementation
CSE 132C Database System Implementation Spring 2021 Arun Kumar 1 About myself 2009: Bachelors in CSE from IIT Madras Summer: 110F! 2009-16: MS and PhD in CS from UW-Madison Winter: -40F! 2016-Now: Asst. Prof. at UC San Diego CSE 2019-Now: Asst. Prof. at UC San Diego HDSI Ahh… :) 2 What is this course about? Why take it? 3 Large-scale data management systems are the cornerstone of many digital applications, both traditional and modern 4 Our primary focus will be the relational data model and Relational Database Management Systems (RDBMS) 5 Relational model in a nutshell Basically, Relation:Table :: Pilot:Driver (okay, a bit more) RatingID Rating Date UserID MovieID 1 3.5 08/27/15 23294 20 2 4.0 07/20/15 4232 293 3 2.5 08/02/15 54551 846 … … … … … The model formalizes “operations” to manipulate relations 6 Relational model in a nutshell Invented by E. F. Codd in 1970s at IBM Research in CA 7 Relational DBMS in a nutshell First RDBMSs: System R (IBM) and Ingres (Berkeley) in 1970s A rare photo of the original Mike Stonebraker won the Turing System R manual Award in 2015! 8 CSE 132 Database Course Series <latexit sha1_base64="4ffEk4IQP/eG/drN/sd9HAaspz4=">AAAB63icbVBNSwMxEJ2tX7V+VT16CRbBU9kVUY9FLx4r2A9ol5JNs21okg1JVihL/4IXD4p49Q9589+YbfegrQ8GHu/NMDMvUpwZ6/vfXmltfWNzq7xd2dnd2z+oHh61TZJqQlsk4YnuRthQziRtWWY57SpNsYg47USTu9zvPFFtWCIf7VTRUOCRZDEj2OZSn6RqUK35dX8OtEqCgtSgQHNQ/eoPE5IKKi3h2Jhe4CsbZlhbRjidVfqpoQqTCR7RnqMSC2rCbH7rDJ05ZYjiRLuSFs3V3xMZFsZMReQ6BbZjs+zl4n9eL7XxTZgxqVJLJVksilOObILyx9GQaUosnzqCiWbuVkTGWGNiXTwVF0Kw/PIqaV/Ug6u6/3BZa9wWcZThBE7hHAK4hgbcQxNaQGAMz/AKb57wXrx372PRWvKKmWP4A+/zBx+9jks=</latexit> -
The Hire – the Acclaimed Film Series by Bmw – Will End a Four and a Half Year Internet Run October 21St
THE HIRE – THE ACCLAIMED FILM SERIES BY BMW – WILL END A FOUR AND A HALF YEAR INTERNET RUN OCTOBER 21ST Woodcliff Lake, NJ, October 11, 2005…BMW announced today that its award-winning internet short-film series, The Hire, will end its internet run on October 21, 2005. The debut of the first two films in The Hire series was online in 2001. The third film entitled, “The Follow,” by Wong Kar Wai, made its debut at the Cannes Film Festival in May 2001 to international acclaim. The Hire was one of the leading examples of convergence in the media industry – an unprecedented, groundbreaking effort. In total, eight films were created in the series. And, since its debut, The Hire has received more than 100 million film views. BMW took its place alongside the major movie studios with the production of The Hire short-film series on the internet, bringing together high-level talent from a number of diverse fields – a synergistic effort that crossed and pushed boundaries. Key producers included David Fincher, Ridley and Tony Scott. Other prominent directors that made up the dream team included John Frankenheimer, Ang Lee, Wong Kar-Wai, Guy Ritchie, Alejandro González Iñárritu, John Woo, Joe Carnahan. The Hire has been showered with praise. The New York Times said, “The BMW films tingle with zest,” while Time Magazine added, “It surely deserves the attention of discerning movie watchers.” In 2002, the Cannes International Advertising Festival awarded The Hire with the Cyber Lion Grand Prix prize. Additional accolades include the "Best Excuse for Broadband" award at WIRED Magazine's third annual Rave Awards in 2001 and the 2002 Los Angeles International Short Film Festival’s “Best Action Short” award, which was given to director John Woo for Hostage, the sixth film in The Hire. -
When Stars Descend on Red Carpet
ACTRESS Jennifer Lawrence (Silver Linings Playbook) WHEN STARS Emmanuelle Riva (Amour) Naomi Watts DESCEND ON Jessica Chastain (The Impossible) (Zero Dark Thirty) RED CARPET Quvenzhané Wallis (Beasts of the Southern Wild) Nominations for the DJANGO 85th Academy Awards, UNCHAINED to be telecast at 6 am BEST PICTURE Beasts of the Southern Wild IST on Monday Amour Silver Linings Life of Pi ACTOR Playbook Argo Daniel Day-Lewis Django Unchained (Lincoln) Lincoln Les Misérables Denzel Washington (Flight) Zero Dark Thirty Hugh Jackman (Les Misérables) DIRECTION Bradley Cooper (Silver Linings Playbook) Benh Zeitlin (Beasts of Joaquin Phoenix (The Master) QUVENZHANÉ the Southern Wild) WALLIS Michael Haneke (Amour) ORIGINAL SCREENPLAY ADAPTED SCREENPLAY Steven Spielberg (Lincoln) Michael Haneke (Amour) Chris Terrio (Argo) Ang Lee (Life of Pi) MICHAEL HANEKE Quentin Tarantino (Django Lucy Alibar & Benh Zeitlin David O Russell Unchained) (Beasts of the Southern Wild) (Silver Linings Playbook) John Gatins (Flight) David Magee (Life of Pi) ParaNorman Wes Anderson & Roman Tony Kushner (Lincoln) ANIMATED FEATURE FILM The Pirates! Band Coppola (Moonrise Kingdom) David O. Russell of Misfits DANIEL DAY-LEWIS Mark Boal (Zero Dark Thirty) (Silver Linings Playbook) Brave Frankenweenie Wreck-It Ralph BEST ACTOR IN SUPPORTING ROLE BEST ACTRESS IN SUPPORTING ROLE FOREIGN FILM BRAVE Alan Arkin (Argo) Amy Adams (The Master) Amour (Austria) Robert De Niro (Silver Linings Playbook) Sally Field (Lincoln) Kon-Tiki (Norway) Philip Seymour Hoffman (The Master) Anne Hathaway (Les Misérables) No (Chile) Tommy Lee Jones (Lincoln) Helen Hunt (The Sessions) A Royal Affair (Denmark) Christoph Waltz (Django Unchained) Jacki Weaver (Silver Linings Playbook) War Witch (Canada) PHOTOS: REUTERS, OSCAR.GO.COM. -
Film Quiz with Answers
30 Film Quiz Questions with Answers (FreePubQuiz.co.uk) 1. Which actor plays Sebastian, a struggling jazz pianist, in La La Land? ANSWER: Ryan Gosling 2. West Sands, Scotland, appears in the opening scene of which film? ANSWER: Chariots of Fire 3. “Saturday night was for wives, but Friday night at the Copa was always for the girlfriends” is a line from which film? ANSWER: Goodfellas 4. What did Andy Davis receive for his 6th birthday? ANSWER: A Buzz Lightyear (in Toy Story) 5. Denis Thatcher is portrayed by which actor in the 2011 film The Iron Lady? ANSWER: Jim Broadbent 6. Who directed both Brokeback Mountain and Life of Pi? ANSWER: Ang Lee 7. Which three films make up what is known as the Three Flavours Cornetto Trilogy? ANSWER: Shaun of the Dead, Hot Fuzz, and The World’s End 8. Which film, based on the 2004 book I Heard You Paint Houses, starred both Robert De Niro and Al Pacino? ANSWER: The Irishman 9. Who portrays Will Turner in the Pirates of the Caribbean film series? ANSWER: Orlando Bloom 10. The Magnificent Seven is a remake of which iconic Japanese film? ANSWER: Seven Samurai 11. Which two actors share the Guinness World Record for "longest career as a live-action Marvel superhero"? ANSWER: Hugh Jackman and Patrick Stewart 12. Which song is the soundtrack to the famous scene of an ear being cut off in the film Reservoir Dogs? ANSWER: Stuck in the Middle with You (by Stealers Wheel) 13. Who played the character Dr Ian Malcolm in Jurassic Park? ANSWER: Jeff Goldblum 14. -
CC-Film-List
CC’s (incomplete, constantly evolving) list of “must-see” filmmakers and their films Buster Keaton: The General; Sherlock, Jr.; Steamboat Bill, Jr.; The High Sign; Our Hospitality Lucretia Martel: The Swamp; The Holy Girl; The Headless Woman Hirokazu Kore-Eda: Maborosi; Afterlife; Nobody Knows; Still Walking Terence Davies: Distant Voices, Still Lives; The Long Day Closes, The House of Mirth, The Deep Blue Sea Charles Burnett: Killer of Sheep; To Sleep with Anger Agnes Varda: Cleo From Five to Seven, The Vagabond; The Beaches of Agnes; The Gleaners & I Douglas Sirk: Written on the Wind; All That Heaven Allows; The Tarnished Angels Todd Haynes: Safe; Superstar: The Karen Carpenter Story; Far From Heaven John Ford: Stagecoach: My Darling Clementine; The Searchers Vittorio de Sica: Bicycle Thieves; Shoeshine; Umberto D; Roberto Rossellini: Rome, Open City; Paisan; Journey to Italy Luis Buñuel: Un Chien Andalou (with Salvador Dali); Los Olvidados; Illusion Travels by Streetcar: That Obscure Object of Desire; Viridiana; Belle du Jour; The Exterminating Angel Kelly Reichardt: Old Joy; Wendy & Lucy; Meek’s Cut-off; Night Moves John Greyson: Zero Patience; Lillies Sally Potter: Orlando; Yes; Ginger and Rosa Theo Angelopoulos: The Suspended Step of the Stork; Landscape in the Midst Ousmane Sembene: Moolaadé; Faat Kiné; Guelwaar Orson Welles: Citizen Kane; The Magnificent Ambersons; Touch of Evil; The Lady from Shanghai; Chimes at Midnight Zhangke Jia: The World; Still Life; Platform Ken Loach: Riff-Raff; Kes; The Navigators, Raining Stones; My -
And the Ship Sails On
And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation. -
Portraits of America DEMOCRACY on FILM
The Film Foundation’s Story of Movies Presents With support from AFSCME A PROFESSIONAL DEVELOPMENT WORKSHOP ON FILM AND VISUAL LITERACY FOR CLASSROOM EDUCATORS ACROSS ALL DISCIPLINES, GRADES 5 – 12 Portraits of America DEMOCRACY ON FILM 2018 WORKSHOPS August 6 & 7 Breen Center for the Performing Arts, 2008 W 30th Street, Cleveland, OH 44113 August 14 & 15 Lightbox Film Center inside International House Philadelphia 3701 Chestnut Street Philadelphia, PA 19104 October 3 & 4 Detroit Institute of Arts, 5200 Woodward Ave., Detroit, MI 48202 WHO & WHAT This FREE two-day seminar introduces educators to an interdisciplinary curriculum that challenges students to think contextually about the role of film as an expression of American democracy. SCREENING AND DISCUSSION ACTIVITIES FOCUS ON STRATEGIES TO: N Increase civic engagement by developing students’ critical viewing and thinking skills. N Give students the tools to understand the persuasive and universal language of moving images, a significant component ofvisual literacy. N Explore the social issues and diverse points of view represented in films produced in different historical periods. MORNING AND AFTERNOON WORKSHOPS FOCUS ON LEARNING HOW TO READ A FILM, PRINCIPLES OF CINEMA LITERACY, AND INTERPRETING FILM IN HISTORICAL/CULTURAL CONTEXTS. N Handout materials include screening activities and primary source documents to support and enhance students’ critical thinking skills. N Evening screenings showcase award-winning films, deemed historically and culturally significant by the Library of Congress National Film Registry. N Lunch is provided for registered participants. HOW & WHEN TO REGISTER CLASSROOM CAPACITY IS LIMITED, SO EARLY REGISTRATION IS ENCOURAGED. Continuing Education Credits may be supported by local school districts for this program. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter