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Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
Annual Report 2010-11
New Zealand Film Commission G19 Annual Report 2010-2011 PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for Culture and Heritage and by the Lottery Grants Board Director Brendan Donovan, The Hopes and Dreams of Gazza Snell. G19 Report of the New Zealand Film Commission for the year ended 30 June 2011 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2011. Patsy Reddy Andrew Cornwell Chair Board Member Cover: The Orator (O Le Tulafale)/ Love Birds/ Meathead/ Blue/ My Wedding and Other Secrets/ Manurewa/ Predicament. Highlights We committed production funding to nine new feature films (including two documentaries) and also supported the completion of seven low-budget independent digital features. We provided strategic, logistic and financial support in the form of prints and advertising grants for six new NZFC-financed features released in New Zealand cinemas during the year. NZFC-financed shorts achieved success at the Cannes Film Festival in May 2011. Blue won the Cannes Critics’ Week prize for Best Short and Meathead was one of nine films selected for the Main Competition. The 61st Berlin International Film Festival awarded the Crystal Bear to short film Manurewa. Written and directed by Sam Peacocke, the film screened in the Generation 14plus Youth Section of the competition. Boy continued its success in New Zealand cinemas during 2010/11, finally completing its theatrical run with a record-breaking NZ box office total of $9.3M. -
Annual Report 2009-10
New Zealand Film Commission Annual Report 2010 G19 Report of the New Zealand Film Commission for the year ended 30 June 2010 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June, 2010. Patsy Reddy Andrew Cornwell Chair Board Member PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for Culture and Heritage and by the Lottery Grants Board Highlights The NZFC committed production financing to nine new feature films and eight short films during the financial year. It also supported the completion of 16 digital features. The NZFC provided strategic, logistical and financial support in the form of prints and advertising grants for seven new NZ features released in New Zealand cinemas during the year. Taika Waititi’s Contents feature filmBoy premiered at the Sundance Film Festival. It was awarded the Grand Prix award in the Generation Section of the Berlin Film Festival in February 2010 and went on to become the highest grossing NZ film of all time with a box office of more than $9 million. Gaylene Preston’s filmHome By Christmas enjoyed a highly successful cinematic release reaching $1.15 million box office. The film was nominated for 10 Qantas Film Awards. Independently financed feature documentaryThis Way of Life, directed by Tom Burstyn and produced by Sumner Burstyn, received a Special Mention in the Generation Section at the Berlin Film Festival. -
Imago and Nzcs
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ne of the things that most concerns IMAGO is to improve and maintain standards in technological equipment and also the quality of screening in cinemas. Thus ensures that all the work that we, together with the directors and their collaborators, put into making a film, and the resulting quality, may be fully appreciated by movie-goers who, in many instances, are nowadays obliged to watch films which, owing to technical inadequacies and shortcomings, do not come up to the standard of the original. -
NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD
14 NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER Predicament 2010 Vincent Burke Ronald Hugh Jason Stutter Simon Raby John Harding Lesley Burkes-Hard- Jonathan Matt Stutter Sue Rogers Morrieson ing Woodford-Robinson Jamie Selkirk Jason Stutter Tracker 2010 David Burns Nicholas Van Pallandt Ian Sharp Harvey Harrison Rick Kofoed Bob Buck Sean Barton Matthew Gough Trevor Hatsom Wound 2010 Andrew Beattie David Blyth David Blyth Marc Mateo Eddie Larsen Samantha Sperlich Boy 2010 Cliff Curtis Taika Waititi Taika Waititi Adam Clark Shayne Radford Amanda Neale Chris Plummer Tim Prebble Emanuel Michael Yogi Bear-Filming Donald De Line J.R. Venttimilia Eric Brevig Peter James David Sandefur Liz McGregor Kent Beyda Christopher S. Aud 2010 Karen Rosenfelt Joshua Sternin Brad Copeland The Insatiable Moon Pip Piper Mike Riddell Rosemary Riddell Thomas Byrstyn Brent Hargreaves Chantelle Gerrard Paul Maxwell Steve Fnnigan 2010 Rob Taylor Kawa-Nights in the Nicole Hoey Kate McDermott Katie Wolfe Fred Renata Brett Schwieters Dannielle Cormack Lisa Hough Bruno Barrett-Garnier Gardens of Spain Christina Milligan 2010 Only Son 2010 Jarrod Holt Jarrod Holt Jarrod Holt Dave Cameron Nigel McCulloch Ryan Hutchings Ryan Hutchings Ryan Hutchings Josh Thomson Nigel McCulloch Nigel McCulloch Nigel McCulloch Double Happy 2010 Andrew Brettell Shahir Daud Shahir Daud Andrew Stroud Steve Gallagher Shivali Gulab Matthew Lambourn Nic McGowan Licked 2010 Philippa Campbell John Dryden Dan Salmon Natalija Kucija John Bruce Miriam Smith Manurewa 2010 Kristian Eek Sam Peacocke Sam Peacocke Virginia Loane Cathy Pope David Coulson Rowan Watson 14 NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. -
The Topp Twins: Untouchable Girls
PRESENTS THE TOPP TWINS: UNTOUCHABLE GIRLS A film directed by Leanne Pooley PRESS KIT April 2010 Runtime: 84 minutes USA PUBLICITY CONTACT: Jim Dobson, INDIE PR | e: [email protected] | p: (818) 753 0700 | c: (323) 896 6006 PRODUCTION COMPANY CONTACT: Arani Cuthbert, Producer | e: [email protected] | p: +64 9 360 9852 CONTENTS Synopsis 3 Awards 5 Screenings 6 What the Press Say 7 Director‟s Statement 11 Producer‟s Statement 13 About the Filmmakers 14 The Topp Twins‟ Biography 17 Quotes from the Movie 19 The Topp Twins‟ Characters 21 Camp Mother‟s delicious recipe for hot scones 22 How to make Ken Moller‟s fly 23 - The „Camp Mother Wuzzywing, Moist Fly‟ Credits 24 Select Press Reviews 30 (Movie and Topp Twins general) 2 SYNOPSIS Winner of the Cadillac People‟s Choice Award at the Toronto International Film Festival 2009 „The Topp Twins: Untouchable Girls‟ tells the story of the world‟s only comedic, singing, yodelling lesbian twin sisters, Lynda and Jools Topp, whose political activism and unique brand of entertainment has helped change New Zealand‟s social landscape. In the process they have become well-loved cultural icons. This is the first time that the irrepressible Kiwi entertainment double act, Jools and Lynda Topp's extraordinary personal story has been told. As well as rarely seen archive footage and home movies, the film features a series of special interviews with some of the Topp's infamous comedy alter-egos including candid chats with the two Kens, Camp Mother and Camp Leader, the Bowling Ladies and the Posh Socialite sisters, Prue and Dilly. -
19 July – 5 August 2018
AUCKLAND 19 JULY – 5 AUGUST 2018 PLUS ANIMATION NOW! 10 – 12 AUGUST BOOK AT NZIFF.CO.NZ BOOK AT NZIFF.CO.NZ FOOD / SOCIETY / ARTS / POLITICS / SATIRE / BOOKS / URBAN DESIGN Top DINNERS Restaurant Best Schools favourites that won’t break in Auckland the bank CHOOSE THE RIGHT SCHOOL Unique rankings plus expert advice — TE REO LESSONS Desperately seeking teachers — WELCOME TO HIS DRUG NIGHTMARE When Bob Harvey took ayahuasca — DON’T MISS... Our picks of the fi lm festival NEW ISSUE ON SALE NOW MT2018_NZIFF ad.indd 1 12/06/2018 5:13:12 p.m. 50th Auckland International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 19 JULY – 5 AUGUST 2018 CIVIC THEATRE ANIMATION NOW! ASB WATERFRONT THEATRE ACADEMY CINEMA 10 – 12 AUGUST 2018 RIALTO CINEMAS NEWMARKET EVENT CINEMAS QUEEN ST EVENT CINEMAS WESTGATE HOLLYWOOD AVONDALE PROUDLY SUPPORTED BY Director: Bill Gosden General Manager: Sharon Byrne Communications Manager: Rebecca McMillan Assistant to the General Manager: Lisa Bomash Auckland Festival Manager: Megan Andrews Auckland Admin/Ticketing Manager: Karen Cartwright Publicist: Sally Woodfield Auckland Communications Assistant: Camila Araos Elevancini Programmer: Sandra Reid Programme Manager: Michael McDonnell Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Programme Consultant: Chris Matthews Online Content Manager: Kailey Carruthers Content -
A Critical Examination of Film Archiving and Curatorial Practices in Aotearoa New Zealand Through the Life and Work of Jonathan Dennis
Emma Jean Kelly A critical examination of film archiving and curatorial practices in Aotearoa New Zealand through the life and work of Jonathan Dennis 2014 Communications School, Faculty of Design and Creative Technology Supervisors: Dr Lorna Piatti‐Farnell (AUT), Dr Sue Abel (University of Auckland) A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy November 2014 1 Table of Contents Abstract ......................................................................................................................................................... 5 Acknowledgements:...................................................................................................................................... 6 Glossary of terms: ......................................................................................................................................... 8 Archival sources and key: ............................................................................................................................ 10 Interviews: .............................................................................................................................................. 10 1 Introduction ............................................................................................................................................. 11 2. Literature Review ................................................................................................................................... -
Annual Report 2017–2018
Annual Report 2017–2018 1 Image: The Breaker Upperers 2 Cover Image: Waru G19 Report of the New Zealand Film Commission for the year ended 30 June 2018 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2018. Kerry Prendergast Tom Greally ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• CHAIR BOARD MEMBER NEW ZEALAND FILM COMMISSION Annual Report – 2017/18 33 Highlights • The New Zealand Film Commission launched its Te Rautaki Māori, a strategy based on developing an ongoing partnership with the Māori screen industry. To support the strategy, new funding opportunities and support for Māori filmmakers were also announced. • Karen Waaka-Tibble became the NZFC’s inaugural Pou Whakahare, a role established to assist in implementing Te Rautaki Māori. • The 125 Fund, a feature film fund for projects where at least two of the key creatives, including the director, are women was launched, and opened for applications in June. • Eleven feature films (including four documentaries) with NZFC production financing were released theatrically in New Zealand in the period. The title which generated the highest box office wasThe Breaker Upperers with a gross of $1,762,706 (to 30 June 2018). • The New Zealand Screen Production Grant (NZSPG) International attracted New Zealand Qualifying Production Expenditure (NZQPE) totalling $693,892,538 in the period, which triggered grant payments of $149,265,574. • 42 final NZSPG certificates were issued, 13 to New Zealand productions and 29 to international productions. -
Materialien Für Den Unterricht, Kino Macht Schule
kino macht schule Niki Caro Whale Rider Neuseeland/Deutschland 2002 101 Minuten, Farbe, 35mm/Cinemascope Drehbuch Niki Caro nach dem gleichnamigen Roman von Witi Ihimaera Kamera Leon Narbey Schnitt David Coulson Musik Lisa Gerrard Ton David Madigan Ausstattung Grant Major Grace Mok Kate Highfield Kostüm Kristy Cameron Produktion A the Works Ltd. Apollo Media New Zealand Film Commission New Zealand On Air Pandora Filmproduktion South Pacific Pictures Produzenten John Barnett Frank Hübner Tim Sanders Mit Keisha Castle-Hughes Rawiri Paratene Vicky Haughton Cliff Curtis Rawinia Clarke Tammy Davis Grant Roa Mana Taumaunu Rachel House Taungaroa Emile Mabel Wharekawa Tahei Simpson Roi Taimana Elizabeth Skeen Tyronne White kino macht schule Whale Rider In einer zeitlosen Geschichte um Liebe, „Der Film zeigt sehr einfühlsam den Anerkennung und Ablehnung kämpft ein Kampf eines Maori-Mädchens um die junges Mädchen um die Erfüllung ihres Liebe ihres Großvaters und gegen die Schicksals. tausendjährige Tradition ihres Stammes. Hervorragende Bilder und schau- Die Maori-Bewohner eines kleinen neusee- spielerische Leistungen ergänzen die ländischen Küstenorts führen ihre Herkunft auf Paikea, den Walreiter zurück. Seit über Familiengeschichte mit einer weiblichen tausend Jahren trägt ein männlicher Heldenfigur vor mythologischem Nachfahre aus jeder Generation diesen Titel. Hintergrund.“ (Jugendmedienkommission Nun ist die Zeit für einen neuen Erben beim Bundesministerium für Bildung, gekommen. Als jedoch der Hoffnungsträger Wissenschaft und Kultur) bei der Geburt stirbt und nur dessen Zwillingsschwester überlebt, sieht sich Stammesoberhaupt Koro (Rawiri Paratene) muss sich nun gegen diesen und eine nicht imstande, seine Enkelin Pai(kea) (Keisha tausendjährige Tradition auflehnen, um ihre Castle-Hughes) als zukünftige Anführerin zu Bestimmung zu erfüllen. -
Neuseeland 2002 Regie Und Drehbuch: Niki Caro Kamera: Leon
WHALE RIDER Neuseeland 2002 Regie und Drehbuch: Niki Caro Kamera: Leon Narbey Musik: Lisa Gerrard Darstellerinnen/Darsteller: Keisha Castle-Hughes (Pai), Rawiri Paratene (Koro), Vicki Haughton (Großmutter), Cliff Curtis (Porourangi), Grant Roa (Rawiri), Mana Taumaunu (Hemi), Tyronne White (Jake) u.a. 101 Minuten FSK: ab 6 Empfohlen ab 4. Klasse INHALT Seit mehr als tausend Jahren leben Maori in Whangara, einer Siedlung an der Ostküste Neuseelands. Ihr Ursprungsmythos erzählt von Paikea, der einst auf einem Wal reitend die Küste erreichte. Paikea wurde das Oberhaupt der Maori von Whangara und ohne Unterbrechung gingen seitdem sein Name und sein Amt als Anführer auf den männlichen Erstgeborenen der nächsten Generation über. Bis heute werden die alten Traditionen in Whangara gepflegt. Der jetzige Träger des Paikea-Titels ist Großvater Koro, der sich besonders für die unveränderte Erhaltung der Bräuche einsetzt. Er ist überzeugt, dass Whangara untergeht, wenn die Verbindung zu den Ahnen nicht durch die althergebrachte Erbfolge weitergeführt wird. Doch die Nachfolge Koros ist unsicher, denn der Erbe des Amtes stirbt schon bei der Geburt. Nur die Zwillingsschwester des Babys überlebt und wird gegen den Willen des Großvaters Pai genannt. Aber Großvater Koro hält eisern an der Tradition fest. Für ihn ist es ausgeschlossen, dass ein Mädchen zum Oberhaupt Whangaras wird. Als Pai 12 Jahre alt ist, beginnt ihr Großvater unter den anderen Jungen des Volkes nach einem Erben zu suchen. Pai versucht alles, um ihrem geliebten Koro zu beweisen, dass sie genauso wie jeder Junge für den Titel des Paikea geeignet ist. Doch sie erfährt nur Ablehnung, wird vom Unterricht in den alten Bräuchen ausgeschlossen und schließlich glaubt der Großvater sogar, dass Pais Geburt für die Maori von Whangara Unglück bedeutet.