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MOANA MAORI VERSION Press Release -FINAL
! CASTING BEGINS ON TE REO MAORI LANGUAGE VERSION OF WALT DISNEY ANIMATION STUDIOS’ MOANA Writer Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) and Moana Actress Rachel House (“Gramma Tala”) Made the Announcement on behalf of the Matewa Media Trust, in Collaboration with The Walt Disney Studios Actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) will Reprise their Roles BURBANK, Calif., June 8, 2017 – Casting has begun on the Te Reo Maori language version of Walt Disney Animations Studios Academy Award®-nominated animated feature Moana. The Maori language version is being created by Taika Waititi’s Matewa Media Trust, in collaboration with The Walt Disney Studios. A Casting announcement was posted by Rachel House and Taika Waititi today on www.adrenalingroup.com/ casting. The recording process will take place over the next few months with actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) reprising their roles. Rob Ruha, multi- award-winning composer and solo artist, has joined the team as both Musical Director and as an integral part of the translation/adaptation team. Release details are to be announced, with the goal to have the film shared both in festivals and on DVD for educational purposes in Aotearoa (New Zealand) and beyond. "It's been a big dream of mine to see mainstream movies translated into te reo Maori,” says Waititi. “For indigenous audiences to hear films in their own language is a huge deal, helping to normalize the native voice and give a sense of identification. -
Course Title
English Literature Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 112 Cultural Encounters: The Literature of Aoteroa New Zealand Trimester 2 2016 11 July to 13 November 2016 20 Points Bill Manhire (1986) - Robert Cross IMPORTANT DATES Teaching dates: 11 July to 16 October 2016 Mid-trimester break: 22 August to 4 September 2016 Study period: 17 – 20 October 2016 Examination/Assessment period: 21 October to 12 November 2016 Note: Students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). 1 School of English, Film, Theatre, & Media Studies ENGLISH LITERATURE PROGRAMME COURSE OUTLINE ENGL 112 CLASS TIMES AND LOCATIONS Lectures Tue, Thu, Fri 3.10 – 4.00 Maclaurin MCLT102 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 112 site on Blackboard: go to “Tutorial instructions” and then follow the instructions carefully. Remember to record your tutorial time, day and room for future reference. Tutorial rooms will be listed on myAllocator, Blackboard and on the noticeboard in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff: Anna Smaill Māori and Pasifika Support Tutor: Trae Te Wiki Email: [email protected] Email: [email protected] Phone: 463 5256 Phone: 463 9599 Room: vZ 806 Room: vZ 807 Office Hours: tba Office Hours: tba COMMUNICATION OF ADDITIONAL INFORMATION Updated information about the course, and all handouts, etc. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Mongrel Media
Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). -
Jim Rowe Key Grip Film Technician
Jim Rowe Key Grip Film Technician Dob: 27/04/1958 Ph (09) 8184016 Ph 0274516927 Email: [email protected] also found on IMDB under College Education – Engineering/Technical/Physics Jim Rowe (III) & (IV) Licences - Car , Motorcycle , Classes 2 & 4 Heavy Trade (1,2,3L,4,5L,6) SKILL BASE, “Film & Television” • Key Grip • Dolly Grip • Best Boy (16 yrs) • Grip Assist • Camera Crane Rigger/Operator • Tracking Vehicle Rigger/Driver • Car Rigs , Specialized Set-ups etc made to order for Specific Jobs • Vehicle Technician/Wrangler • Servicing & Repair of Film Equipment - Technical and Structural • Can Repair nearly anything, on-set, in a hurry! Pressure-on! and - Dig the challenge! Note - Engineering and other skills mentioned below, don’t always come into play on a normal shoot day, However, when they do, I have a lot more to offer and am only too keen to get involved. (I have a reputation for problem solving on-set) “A Grade Mechanic ” (“Advanced Trade Automotive Engineer”) since 25/01/1980 Specialist in, • Alternative Fuels (LPG, CNG) • Brakes (Cars & Trucks) Vacuum Hydraulic, Air over Hydraulic & Full Air. Machining & Radius Grinding • Custom Brake setups for performance cars, Hotrods etc • Tuning, Diagnostic • Prof. Modifications • Component rebuilds – Manual Gearboxes, Diffs etc. etc. “General Engineering/Manufacture/Fabrication/Machining” • Fabrication of Specialized Equipment, Adapters, Mounts, Supports etc. etc. • Welding - Mig, Tig, Arc & Gas • Machining - Turning, Milling, Grinding, Cutting, Polishing etc “Contemporary Jeweller” 30yrs -
Fictional Representations of Māori Women's Identities in Witi Ihimaera's
56 ‘The auntie’s story’: Fictional representations of Māori women’s identities in Witi Ihimaera’s The uncle’s story (2000) from an intersectional perspective SVENJA BINGEL, VERA KRUTZ, KATHARINA LUH and ANNEKI MÜETZE Abstract While literary analysis of Witi Ihimaera’s The uncle’s story (2005 [2000]) has predominantly focused on the novel’s male, homosexual protagonists Sam and Michael, this article intends to put centre stage the minor, but nonetheless innovative, and highly diverse female characters of Auntie Pat, Roimata and Amiria. The complex negotiations of modern and traditional attitudes, sexualities and ethnicities, Māori heritage and Pākehā ideologies that play out with regard to these fictionalpersonae will be taken into consideration, hence opening up a scholarly space and a potential fictional point of reference for the heterogeneity of Māori women’s life worlds in contempo- rary Aotearoa New Zealand. Implementing the rather novel research paradigm of intersectionality in literary and cultural theory and combining it with New Zealand-specific cultural concepts, this paper aims at spiralling in and out of the complexities and intricacies of fictional representations of Māori women’s identities – focusing thus, on the auntie’s story in The uncle’s story. Keywords Intersectionality, Māori literature and culture, Witi Ihimaera, spiral time, identity, femininity, homo- and hetero- sexuality, ethnicity, takatāpui, generation, family/whānau. ‘Intersecting identities’ – Spiralling in and out of Māori women’s identities Over the course of the last decades, practitioners of literary and cultural studies have continu- ously pointed to the importance and usefulness of an enhanced analytical complexity by means of ‘intersecting’ or ‘interweaving’ identities. -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note. -
Imago and Nzcs
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ne of the things that most concerns IMAGO is to improve and maintain standards in technological equipment and also the quality of screening in cinemas. Thus ensures that all the work that we, together with the directors and their collaborators, put into making a film, and the resulting quality, may be fully appreciated by movie-goers who, in many instances, are nowadays obliged to watch films which, owing to technical inadequacies and shortcomings, do not come up to the standard of the original. -
Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year. -
NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD
14 NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER Predicament 2010 Vincent Burke Ronald Hugh Jason Stutter Simon Raby John Harding Lesley Burkes-Hard- Jonathan Matt Stutter Sue Rogers Morrieson ing Woodford-Robinson Jamie Selkirk Jason Stutter Tracker 2010 David Burns Nicholas Van Pallandt Ian Sharp Harvey Harrison Rick Kofoed Bob Buck Sean Barton Matthew Gough Trevor Hatsom Wound 2010 Andrew Beattie David Blyth David Blyth Marc Mateo Eddie Larsen Samantha Sperlich Boy 2010 Cliff Curtis Taika Waititi Taika Waititi Adam Clark Shayne Radford Amanda Neale Chris Plummer Tim Prebble Emanuel Michael Yogi Bear-Filming Donald De Line J.R. Venttimilia Eric Brevig Peter James David Sandefur Liz McGregor Kent Beyda Christopher S. Aud 2010 Karen Rosenfelt Joshua Sternin Brad Copeland The Insatiable Moon Pip Piper Mike Riddell Rosemary Riddell Thomas Byrstyn Brent Hargreaves Chantelle Gerrard Paul Maxwell Steve Fnnigan 2010 Rob Taylor Kawa-Nights in the Nicole Hoey Kate McDermott Katie Wolfe Fred Renata Brett Schwieters Dannielle Cormack Lisa Hough Bruno Barrett-Garnier Gardens of Spain Christina Milligan 2010 Only Son 2010 Jarrod Holt Jarrod Holt Jarrod Holt Dave Cameron Nigel McCulloch Ryan Hutchings Ryan Hutchings Ryan Hutchings Josh Thomson Nigel McCulloch Nigel McCulloch Nigel McCulloch Double Happy 2010 Andrew Brettell Shahir Daud Shahir Daud Andrew Stroud Steve Gallagher Shivali Gulab Matthew Lambourn Nic McGowan Licked 2010 Philippa Campbell John Dryden Dan Salmon Natalija Kucija John Bruce Miriam Smith Manurewa 2010 Kristian Eek Sam Peacocke Sam Peacocke Virginia Loane Cathy Pope David Coulson Rowan Watson 14 NZ Film Productions, 2010-2014 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. -
The Topp Twins: Untouchable Girls
PRESENTS THE TOPP TWINS: UNTOUCHABLE GIRLS A film directed by Leanne Pooley PRESS KIT April 2010 Runtime: 84 minutes USA PUBLICITY CONTACT: Jim Dobson, INDIE PR | e: [email protected] | p: (818) 753 0700 | c: (323) 896 6006 PRODUCTION COMPANY CONTACT: Arani Cuthbert, Producer | e: [email protected] | p: +64 9 360 9852 CONTENTS Synopsis 3 Awards 5 Screenings 6 What the Press Say 7 Director‟s Statement 11 Producer‟s Statement 13 About the Filmmakers 14 The Topp Twins‟ Biography 17 Quotes from the Movie 19 The Topp Twins‟ Characters 21 Camp Mother‟s delicious recipe for hot scones 22 How to make Ken Moller‟s fly 23 - The „Camp Mother Wuzzywing, Moist Fly‟ Credits 24 Select Press Reviews 30 (Movie and Topp Twins general) 2 SYNOPSIS Winner of the Cadillac People‟s Choice Award at the Toronto International Film Festival 2009 „The Topp Twins: Untouchable Girls‟ tells the story of the world‟s only comedic, singing, yodelling lesbian twin sisters, Lynda and Jools Topp, whose political activism and unique brand of entertainment has helped change New Zealand‟s social landscape. In the process they have become well-loved cultural icons. This is the first time that the irrepressible Kiwi entertainment double act, Jools and Lynda Topp's extraordinary personal story has been told. As well as rarely seen archive footage and home movies, the film features a series of special interviews with some of the Topp's infamous comedy alter-egos including candid chats with the two Kens, Camp Mother and Camp Leader, the Bowling Ladies and the Posh Socialite sisters, Prue and Dilly.