ROBERT FROST (1874-1963) "I never go down the shoreline [city in King
County, Washington] to New York without
watching the birches to see if they
live up to what I say about them in
the poem.” Robert Frost Elizabeth Shepley Sergeant [American journalist and writer]
Describes – the way in which Robert Frost came to write "Birches” "As for the poet, 'who never saw New
England as clearly as when he was in Old
England,' he could not tie down his
creative moments. It was about this time, early in 1914, while
tramping the muddy yard at the Bungalow
[West Midlands], that he suddenly; he
says, wrote a new poem, not to be included
in North of Boston. This was the now so famous and beloved
'Birches,' with its cold and crystal memories of another kind of wintry world.” in "Birches," even though Frost saw New
England most clearly when he was in Old
England, he re-viewed his wintry New
England scene through Thoreauvian eyes”
○ Robert Frost and the New England Renaissance George Monteiro 100 Henry David Thoreau’s description anticipates
Frost's handling of imagery- ○ “I love Nature partly because she is not man, but a retreat from him. None of his institutions control or pervade her. There a different kind of right prevails. In her midst I can be glad with an entire gladness… ○ If this world were all man, I could not stretch myself, I should lose all hope. He is constraint, she is freedom to me. He makes me wish for another world. She makes me content with this. . . . ○Man, man is the devil,
The source of evil . . ○ I have a room all to myself; it is nature. It
is a place beyond the jurisdiction of human
governments. . . .
○ Henry David Thoreau
BIOGRAPHY
○ Robert Frost was born on March 26, 1874 San Francisco
○ Parents - William Prescott Frost Jr., and Isabelle Moodie. BIOGRAPHY ○ father died -tuberculosis - Frost was eleven years old
○ he moved with his mother and sister to Lawrence, Massachusetts.
○ He became interested in reading and writing poetry during his high school years in Lawrence. ○ Frost drifted through a string of
occupations teacher, cobbler, and editor
○ ○ first published poem, “My Butterfly” November
8, 1894-
○ in the New York newspaper The Independent. ○ In 1895, Frost married Elinor Miriam
○ She was a major inspiration for his poetry until her death in 1938
○ The couple moved to England in 1912
○ Frost met contemporary British poets and was influenced –
○ Edward Thomas, Rupert Brooke, and Robert Graves ○ While in England, Frost also established friendship with the poet Ezra Pound ----
○ helped to promote and publish his work. ○ By the time Frost returned to the United States in 1915
○ published two full-length collections, A Boy’s Will and North of Boston
○ Established - reputation ○ By the 1920s, he was the most celebrated poet
in America, and with each new book—
○ New Hampshire
○ Steeple Bush
○ In the Clearing — his fame and honours increased. ○ Frost’s personal life was filled with tragedy.
○ His wife Elinor died in 1938
○ three of his children also died before him
○ a son committed suicide. ○ He also saw his sister and one of his daughters
institutionalized for mental illness.
○ Frost - suffered from bouts of depression. FROST AS A POET
○ His popularity is unmatched in the annals of American poetry
○ by the end of his life he had achieved the iconic status of living legend
○ initially published in England before it was published in America. FROST AS A POET ○ wrote about familiar subjects- recognizable people - and daily activities.
○ influenced by the emotions and events of everyday life
○ highly regarded for his realistic depictions of rural life
○ command of American colloquial speech ○ Settings - rural life in New England in the early twentieth century
○ He used them to examine complex social and philosophical themes
○ His works are associated with the life and landscape of New England.
○ ○ Frost is a modern poet with regard to his command on colloquial speech and
○ psychological complexity of his portraits
○ his work is infused with layers of ambiguity and irony. ○ significant because of the amount of autobiographical material it contains
○ Frost was not a happy man
○ he suffered from serious bouts of depression and anxiety throughout his life ○ never convinced that his poetry was truly worthwhile
○ obsessive desire to receive a Nobel Prize
○ ○ He suffered through the untimely deaths of his father, mother, and sister, as well as four of his six children and his beloved wife
○ contributed to the melancholic mentality that appears in much of Frost’s work. ○ Received four Pulitzer Prizes for Poetry.
○ became one of America's rare "public literary figures, almost an artistic institution."
○ awarded the Congressional Gold Medal in 1960 for his poetical works. THEMES Nature
○ Frost places a great deal of importance on
Nature in all of his collections. THEMES
○ presents the natural world as one that inspires deep metaphysical thought in the individuals who are exposed to it
○ "Birches" and "The Sound of Trees“ THEMES
○ For Frost, Nature is not simply a background for
poetry, but rather a central character in his
works THEMES ○ Birches consists of a series of beautiful pictures of nature and of man-
○ The swinging of the birches tossed by the ice storms, and looked on at by a boy, in the early hours of the day, till
○ …. the sun’s warmth makes them shed crystal shells Shattering and avalanching on the snow crust— Such heaps of broken glass to sweep away You’d think the inner dome of heaven had fallen. ○ It is a striking picture of nature and of man – an imagery that combines both fact and fancy ○ The second picture in the poem – the trees with “their trunks arching in the woods” –
○ It is compared to “…girls on hands and knees that throw their hair Before them over their heads to dry in the sun”. Communication
○ Communication, or the lack thereof, appears as
a significant theme
○ Frost presents it as the only possible escape
from isolation and despair. Communication ○ each character speaks clearly to the reader, but
neither is able to understand the other
○ Frost explores this theme in “Acquainted with
the Night” and “Home Burial” Everyday Life
○ Frost is very interested in the activities of
everyday life - it is this side of humanity that is
the most "real" to him. Everyday Life
○ emphasis on everyday life allows him to communicate with his readers more clearly
○ they can empathize with the struggles and emotions that are expressed in his poems and come to a greater understanding of "Truth" themselves Isolation of the Individual
○ The majority of the characters in Frost's poems are isolated in one way or another
○ Frost suggests that this isolation can be avoided by interactions with other members of society Duty ○ Duty is a very important value in the rural
communities of New England-
○ Frost employs it as one of the primary themes of
his poetry. ○ Frost describes conflicts between desire and
duty –
○ in order to support his family, a farmer must
acknowledge his responsibilities rather
than indulge in his personal desires. ○ This conflict is particularly clear in "Stopping by
Woods on a Snowy Evening,"
○ the narrator expresses his wish to stay in the
woods and watch the snow continue to fall. ○ he is unable to deny his obligation to his family
and his community
○ he cannot remain in the woods because of his
"promises to keep," and so he continues on his
way Rationality versus Imagination
○ It is similar to the theme of duty, the two cannot exist simultaneously
○ The adults in Frost's poetry generally maintain their rationality as a burden of duty Rationality versus Imagination
○ In "Birches," the narrator wishes that he
could climb a birch tree as he did in his
childhood and leave the rational world
behind, if only for a moment. ○ This ability to escape rationality and
indulge in the liberation of imagination
is limited to the years of childhood. ○ After reaching adulthood, the traditions
of New England life require strict
rationality and an acceptance of
responsibility. BIRCHES ○ The silver birch
with its
characteristic white
bark ○ Birches-
○ poet is imaging a life – surrounded by
harshness- wants to move from life- ○ Birches - longing of the author- to
escape from the harness of the reality
○ ode to the West wind – he wants to
escape from the maladies THEMES
○ Swinging birch tree –
a transcendent escape The movement into transcendence is a movement into a realm of radical imaginative freedom – immense possibilities The poem moves from naturalistic description to a fanciful explanation of why the birches are bowed
to a philosophical exploration of a person’s existence in the world. Binary opposites:
○ Earth V.S. Heaven
○ Boy V.S. Man
○ Reality V.S. Transcendence ○ The tension between what has actually happened
○ and what the poet would like to have happened
○ between the real world and the world of the
imagination –
○ Tension runs - throughout poetry - philosophical
dimension Transcendental phase of redemptive consciousness of a person –
a game that one plays alone in life.
The upward swinging of the boy becomes an emblem for imagination's swing away from the tangled, dark wood; a swing away from the "straighter, darker trees";
a swing into the absolute freedom of isolation, the severing (break) of all "considerations."
○ The downward movement of redemptive imagination to earth
○ is a movement into community, engagement, love….
○ the games that two play together: ○ I'd like to get away from earth awhile And then come back to it and begin over. May no fate willfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth's the right place for love: I don't know where it's likely to go better. I'd like to go by climbing a birch tree, And climb black branches up a snow-white trunk, Toward heaven, till the tree could bear no more, But dipped its top and set me down again. That would be good both going and coming back. One could do worse than be a swinger of birches. ○ One really has no choice but to be a swinger of birches.
When transcendence of a person is about
to be complete –
a game that one plays alone in life. ○ then, at that moment,, the blessed pull of the earth is felt again
○ The downward movement of redemptive imagination to earth
○
○ the games that two play together ○“That would be good both going and coming back” ○ C. Day Lewis-
○ “the upward and downward movement of the rhythm fully reflects the going up and coming down of the swinger of birches…” ○ Mr. Bower also thinks that the poem has a perfect rhythmic form:
○ “ The life of the poem, ever fresh, runs through the unbroken span of the verse, which will not be stopped until the end, and which carries the voice through a series of upward and downward swings, re-enacting the movement of thought” ○ The anguish of existence and the burning problems confronting man make him sigh for a brief respite
○ The poet longs to be a swinger of the birches once again, because he is “weary of considerations, and life is too much like a pathless wood” ○ Thus he says “ I’d like to get away from earth awhile and then come to it and begin over”. ○ But his weariness is not a lasting mood –
○ His nostalgia longing for a get-away from the excessive cares of life is only a brief one. ○ He immediately adds – no fate should misunderstand his words and snatch him away from the surface of the earth never to return, for …
○ Earth’s the right place for love, I don’t know where it’s likely to go better. ○ The poem concludes on a note of affirmation a tone of robust optimism.
○ The poet is strengthened in his faith in goodness of life, in the feeling that “all is well with the world” as long as there is the capacity to love. ○ According to C Day Lewis –
○ “This is a poem in which observation and reminiscence, realism and fancy, the light tone and the serious are perfectly blended”
○“That would be good both going and coming back”