The Festive Remembrance of Shakespeare: a Comparative Study Of
THE FESTIVE REMEMBRANCE OF SHAKESPEARE: A COMPARATIVE STUDY OF THE MISSION, IDENTITY, AND RHETORIC OF THREE AMERICAN SHAKESPEARE FESTIVALS by Melissa Rynn Porterfield BFA, Long Island University, C.W. Post Campus, 1996 MA, Miami University, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Melissa Rynn Porterfield It was defended on January 14, 2013 and approved by Dr. Bruce McConachie, Academic Rank, Theatre Arts Department Dr. Kathleen George, Academic Rank, Theatre Arts Department Dr. Marianne Novy, Academic Rank, English Department Dissertation Advisor: Dr. Attilio Favorini, Academic Rank, Theatre Arts Department ii Copyright © by Melissa Rynn Porterfield 2013 iii THE FESTIVE REMEBRANCE OF SHAKESPEARE: A COMPARATIVE STUDY OF THE MISSION, IDENTITY, AND RHETORIC OF THREE AMERICAN SHAKESPEARE FESTIVALS Melissa Rynn Porterfield, PhD University of Pittsburgh, 2013 ABSTRACT Much has been written over the years on the collective memory of Shakespeare and how it continues to be perpetuated centuries after his death, even in places such as America, to which he had no direct connection. Most recently, the intersection of performance studies and memory studies has afforded theatre historians the opportunity to reevaluate the impact of performance on the collective memory of Shakespeare by acknowledging that the embodied performance of a text is no less important than its written words. This dissertation’s examination of three American Shakespeare companies -- Shakespeare & Company in Lenox, Massachusetts, the Three Rivers Shakespeare Festival in Pittsburgh, Pennsylvania, and the American Shakespeare Center in Staunton, Virginia -- explores the shifting sands of this intersection.
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