Looking for Film Festival in Ukraine? 52
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
The Ukrainian Weekly 1987, No.14
www.ukrweekly.com ІЇ5Ье(I by tht Ukrainian National Association Inc.. a fraternal non-profit association| Шrainian WeeI:I V Vol. LV No.14 THE UKRAINIAN WEEKLY SUNDAY, APRIL 5. 1987 25 cent3 Witness has doubts on Trawniki ID Soviet emigre: 15,000 died Special to Svoboda and The Weekly district attorney's office, also stated that she never found evidence that identity in wal(e of Cliornobyl accident JERUSALEM - A German prose cards were issued at the training camp WASH1NGTON - Some 15,000 duals with acute radiation sickness were cutor who spent 21 years preparing for guards and said she was skeptical people in two Kiev hospitals reportedly recorded as suffering from 'vascular cases against alleged Nazi war criminals about the so-called Trawniki ID card died from radiation poisoning over five atonia' (heart disease)." testified that she had never seen the ID that is a key piece of evidence in the months following last year's Chornobyl ''When they died they were dis card purportedly issued to John Dem- prosecution's case against the former nuclear rea tor disaster on April 26, charged from the hospital as those who juk at the Trawniki training camp or Cleveland auto worker. according to 1hor Gerashchenko, hus 'have undergone trea.tment' and 'do not any similar identity documents. She She noted also tha1t in her 21 years of band of the recently freed dissident poet require further treatment.' There will be also said she had never come across the experience as a prosecutor of Nazis 1rina Ratushinskaya. Mr. Gerash many more of those cynically recorded defendant's name. -
The Ukrainian Weekly, 2020
Part 3 of THE YEAR IN REVIEW pages 7-15 THEPublished U by theKRAINIAN Ukrainian National Association, Inc., celebrating W its 125th anniversaryEEKLY Vol. LXXXVIII No. 5 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 2, 2020 $2.00 Zelenskyy faces challenges of history Oleh Sentsov: The nail that will not bend and diplomacy in Israel and Poland memoration on such terms and told Israeli media that Mr. Putin was spreading lies to conceal the Soviet Union’s responsibility for the war along with that of Nazi Germany. In this highly tricky situation, Mr. Zelenskyy bided his time and did not con- firm whether he would be going to Jerusalem and Warsaw until the last min- ute. While still preoccupied with the after- math of a Ukrainian airliner’s downing in Tehran and the return of the bodies, President Zelenskyy nevertheless made his line known. The Times of Israel reported on January 19, after interviewing him in Kyiv, and on the day he announced he would be going to Israel: “He speaks at length about the Holodomor, the Soviet- imposed deliberate famine of 1932-1933, Olena Blyednova which killed millions, and with great Oleh Sentsov during his presentation on January 25 in New York. The discussion was respect for the victims of the Holocaust – moderated by Razom volunteer Maria Genkin. and the need to bring a belated, honest his- torical account of these events into the by Irene Jarosewich in Switzerland – that he does not consider open. He acknowledges but says less on the himself to be, foremost, a Russian political Presidential Office of Ukraine issue of Ukrainians’ participation in NEW YORK – Ukrainian film director prisoner. -
Days of New Music Festival
ADVERTISEMENT NEWNEW EASTERNEASTERN EUROPE ISIS AA COLLABORATIVECOLLABORATIVE PROJECTPROJECT BETWEENBETWEEN THREEFOUR POLISHPOLISH PARTNERS The City of Gdańsk The City of Gdańsk www.gdansk.plLower Silesia www.gdansk.pl www.dolnyslask.pl A city with over a thousand years of history, Gdańsk has been a melting pot of culturesA city with and over ethnic a thousand groups. years The air of tolerance and wealth built onLocated trade has in enabledof history, culture, Gdańsk science, has been and a the arts to flourish in the city for centuries.south-west Today,- Gdańskmelting pot remains of cultures a key and meeting eth- place and major tourist attraction ernin Poland.Poland, nic groups. The air of tolerance Lower Silesia is a region that has historical ties to While the city boasts historic sites of enchanting beauty, it also has a major and wealth built on trade has German, Polish and Czech culture. Throughout historic and socialenabled importance. culture, In science,addition andto its 1000-yearthe centuries, history, the regionthe city has is thebeen place at the where centre the of theSecond arts to World flourish War in broke the city out for as centuries. well as the Today, birthplace significant of Solidarność, historical events the Solidarity such as the movement, Protestant whichGdańsk led remains to the afall key of meeting Communism place andin Central major andReformation, Eastern Europ the Silesiane. Wars, Industrialisation and tourist attraction in Poland. While the city boasts both World Wars. After the Second World War the historic sites of enchanting beauty, it also has a region became part of the territory of Poland. -
The National Symphony Orchestra of Ukraine
THE NATIONAL SYMPHONY ORCHESTRA OF UKRAINE 24 CONCERT PROGRAM Yevhen Stankovych Monday, February 13, 2017 Suite from the ballet 8:00pm The Night Before Christmas I. Introduction II. Oksan and Koval Volodymyr Sirenko III. Kozachok conductor Dima Tkachenko Yevhen Stankovych violin Violin Concerto No. 2 I. Largo (Molto espressivo, Rubato) The National Symphony II. Allegro Orchestra of Ukraine III. Largo Intermission This concert is generously Pyotr Ilyich Tchaikovsky supported by the Ihnatowycz Symphony No. 6 in B Minor, Op. 74 “Pathétique” Family Foundation and the Temerty Family Foundation. I. Adagio – Allegro non troppo II. Allegro con grazia III. Allegro molto vivace IV. Finale: Adagio lamentoso MEDIA PARTNER I hope you enjoyed the pre-concert lobby performance of the Toronto-based Ukrainian Art Song Project, with Canadian superstars Krisztina Szabó and Russell Braun, accompanied by Albert Krywolt! On stage, we welcome our guests, The National Symphony Orchestra of Ukraine. This orchestra has a long tradition of music-making, and it is a rare privilege to hear them here in Toronto. Conductor Peter Volodymyr Sirenko is joined by soloist Dima Tkachenko. Yevhen Stankovych is Oundjian perhaps the most distinguished Ukrainian composer of his generation. His ballet Music The Night Before Christmas is a truly colourful work, joyful and celebratory, Director masterfully orchestrated. His Second Violin Concerto is very different— rhapsodic and lyrical, with a dark intensity that builds relentlessly to a passionate and dramatic final section, before closing quietly with a moving hymn. The second half of the concert features Tchaikovsky’s wonderful final symphony, the “Pathétique”. We so often speculate on whether or not the final moments of the finale are a farewell to the world that we can overlook the sheer beauty and sparkling high energy of the rest of the music. -
National Symphony Orchestra of Ukraine
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents NATIONAL SYMPHONY ORCHESTRA OF UKRAINE VOLODYMYR SIRENKO, Artistic Director and Chief Conductor OLGA KERN, piano THURSDAY, NOVEMBER 21 in the Matthews Theatre There will be a 20–minute intermission. The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Made possible by funds from the McCarter’s 2019-2020 Music Series New Jersey State Council on the Arts, a partner sponsored by the Edward T. Cone Foundation agency of the National Endowment of the Arts THE PROGRAM NOTES ON THE PROGRAM By Aaron Grad Polonaise from Eugene Onegin, Op. 24 (1879) PYOTR IL’YICH TCHAIKOVSKY Polonaise from Eugene Onegin, Op. 24 Pyotr Il’yich Tchaikovsky Born May 7, 1840 in Kamsko-Votkinsk, Russia Died November 6, 1893 in Saint Petersburg, Russia Tchaikovsky began working on the op- who professed her love in a letter (just era Eugene Onegin in 1877, during the as Tchaikovsky’s bride did). The loose, Pyotr Il’yich Tchaikovsky Piano Concerto No. 1 in B-flat Minor, Op. 23 build-up to his disastrous marriage to episodic structure of the story allowed a former student. Struggling with his Tchaikovsky ample room to elaborate the Allegro non troppo e molto maestoso – concealed homosexuality, and need- characters and dwell in festive scenes, Allegro con spirito ing the inheritance that his bride would like the ball from the third act where this Andantino semplice – Prestissimo bring into their union, Tchaikovsky went Polonaise appeared. Allegro con fuoco through with the sham wedding, but he soon made the suicidal gesture of wad- Taking its rhythmic template from a Polish Olga Kern, piano ing into the frigid Moscow River, followed folk dance, the Polonaise became one of the by a nervous breakdown and two weeks stylized dances that caught on among French spent unconscious in Saint Petersburg. -
19Ththessaloniki Documentary Festival
19th Thessaloniki Documentary Festival 3–12 March 2017 1 ΔΙΟΙΚΗΤΙΚΟ ΣΥΜΒΟΥΛΙΟ | board of directors TDF 2017 Πρόεδρος President Γιώργος Αρβανίτης Yorgos Arvanitis Αντιπρόεδρος Vice President Αχιλλέας Κυριακίδης Achilleas Kyriakidis Μέλη Members Κυριακή Μάλαμα Kyriaki Malama Σπύρος Πέγκας Spyros Pengas Γιώργος Τούλας Yorgos Toulas Γιώργος Τσεμπερόπουλος Yorgos Tsemperopoulos Γιώργος Χριστιανάκης Yorgos Christianakis Νομικός Σύμβουλος Legal Advisor Μαριάννα Παπαδοπούλου Marianna Papadopoulou Γραμματέας Secretary Μαρία Τζιώλα Maria Tziola Το Φεστιβάλ Κινηματογράφου Θεσσαλονίκης The Thessaloniki International Film Festival εποπτεύεται από το Υπουργείο Πολιτισμού is supervised by the Hellenic Ministry of και Αθλητισμού. Culture and Sports. 4 περΙεχΟΜενα | table of contents 0 Επιτελείο Φεστιβάλ | Festival Staff 6-7 13 Μουσική | Music 163-174 1 Χαιρετισμοί | Greetings 8-14 14 Σινεμά | Cinema 175-185 Κριτικές Επιτροπές και Βραβεία | Ελληνικό Πανόραμα | 2 Juries and Awards 15-23 15 Greek Panorama 186-217 Διεθνές Διαγωνιστικό | Ντοκιμαντέρ για παιδιά | 3 International Competition 24-37 16 Docs for Kids 218-225 4 Καλειδοσκόπιο | Kaleidoscope 38-76 17 Aφιερώματα | Tributes 226-254 Μειονότητες | Minorities 77-82 Βιτάλι Μάνσκι | Vitaly Manski 5 18 226-236 Ανθρώπινα Δικαιώματα | Τζον Μπέρτζερ | John Berger 6 Human Rights 83-100 19 237-241 Μνήμη / Ιστορία | Carte Blanche στον Δημήτρη Εϊπίδη | 7 Memory / History 101-117 20 Carte Blanche to Dimitri Eipides 242-254 Περιβάλλον | Habitat 118-131 8 Παράλληλες εκδηλώσεις | 21 Sidebar Events 255-268 Food vs. Food 132-142 9 22 Αγορά | Doc Market 269-278 10 >>Film Forward 143-162 (*) Ευρετήρια | Indexes 279-287 Short Doc Experiments Oberhausen Ευχαριστίες | Acknowledgements 288 11 147-153 Αφιέρωμα στους Γιερβάντ Τζανικιάν 12 και Άντζελα Ρίτσι Λούκι | Tribute to Angela Ricci Lucchi and Yervant Gianikian 154-162 Doc Market server ID Η παραπάνω ένδειξη αντιστοιχεί στον The above indication refers to the Doc κωδικό της ταινίας στην ψηφιακή βιντεοθήκη Market server ID. -
'Pokemon Go' Craze Kate Bush Fans Re-Enact Wuthering Heights
lifestyle SUNDAY, JULY 17, 2016 Jordy Tshimanga, left, and Brett Sapp look at their phones during a “Pokemon Go” event at Memorial Stadium in This Wednesday, July 13, 2016, photo, shows “Pokemon Go” on a smartphone in front of a church, in San Francisco. Lincoln, Nebraska. — AP photos Hollywood reacts to ‘Pokemon Go’ craze okemon Go” has caught the public’s attention - world, providing digital incentives for players to visit land- Saul” star Bob Odenkirk, who is up for an Emmy in the leading something they’d embrace,” Neame deadpanned. “Star Wars: and Hollywood is no exception. Actors, athletes marks and capture creatures depicted on screen. “I’m killing it,” drama actor category, pointed out the similarities between The Force Awakens” filmmaker JJ Abrams called the craze “fas- “P and musicians are alongside the millions of fans said professional snowboarder Chloe Kim at the ESPYs. “I was the game and a 1997 skit on his sketch comedy series “Mr. cinating,” but he’s not addicted to tracking down Ponyta or searching for Pokemon creatures. Ellen in Oregon recently, and we stayed in a really small town, spent Show.” The bit featured a pair of dumb Americans awkwardly Charmander. “I’m not actively playing,” said Abrams, who also DeGeneres, Chrissy Teigen, Demi Lovato, Steve Aoki and the whole day walking around catching Pokemon because it completing a scavenger hunt in the Anne Frank house. The US produced the upcoming “Star Trek Beyond.” “I had to try it out Soulja Boy are among the celebrities who’ve posted about the was raining, so we couldn’t do anything. -
University of California
UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. It proposes Silvestrov as an example of a new direction in Ukrainian music that stands on its own, even as it has a strong connection to deep traditions and historic events. The first and second chapters present an examination of the Sonata’s conceptual elements, its distinctive features, and a performer’s analysis of the practical aspects of its interpretation. -
Latvian Film Magazine 6 Latvian Film Magazine
Latvian Film Magazine 6 Latvian Film Magazine 18 2 Several Dimensions Dita Rietuma 6 Latvia’s “Shooting Star” – Elīna Vaska Daira Āboliņa 12 The Latvian Centenary and Its Femmes Fatales Zane Peneze, Kristīne Matīsa 18 Jānis Nords. Ping Pong Tactic Dārta Ceriņa 24 24 Myth in Our Time. The King’s Ring Dārta Ceriņa 27 Roberts Vinovskis. With Irony and Nostalgia Ilze Auzāne 34 Why Film in Latvia? Zane Peneze 27 38 Animation 2017 Ieva Viese 43 Baltic Sea Docs Zanda Dūdiņa 46 Riga International Film Festival 48 Honouring Director Jānis Streičs Zane Balčus 48 51 World Media on Latvian Films 2017 Cover photo: Agnese Zeltiņa Publisher: National Film Centre of Latvia Editor: Kristīne Matīsa Peitavas 10, Riga, LV-1050, Latvia Translator: Amanda Jātniece Tel: +371 67358878 Proof-reading: Līga Kriķe [email protected] Designer: Arnis Grinbergs www.nkc.gov.lv 2 || 3 Several dimensions of Latvian cinema atvian cinema is allows it to significantly increase the number Dita Rietuma currently experiencing of films being made. Sixteen full-length films Director of the an active period of are currently in the works for the centennial: National Film Centre of Latvia creativity. In fact, this six feature films, two full-length animated is the most intense films and eight documentaries (most of them period of work in recent docudramas, combining elements of feature Latvian cinema history. films and archival material). In addition, half Since independence was of them are directed by women, talented Lrestored in the early 1990s, filmmaking in filmmakers with unique outlooks on the Latvia has gradually picked up speed, and the realities of Latvia’s past and present. -
National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor
National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor Volodymyr Vynnytsky, Piano Wednesday, February 19 Schar Center 7:30 p.m. Program lenth approximately 90 minutes plus intermission (subject to change) Columbia Artists 5 Columbus Circle @1790 Broadway, New York, NY 10019 www.columbia-artists.com PROGRAM Symphony in C Major Maksym Berezovsky Piano Concerto No. 1 in B-flat Minor, Op. 23 Pyotr Il’yich Tchaikovsky Allegro non troppo e molto maestoso – Allegro con spirito Andantino semplice – Prestissimo Allegro con fuoco Volodymyr Vynnytsky, Piano INTERMISSION Symphony No. 3 in F Major, Op. 90 Johannes Brahms Allegro con brio Andante Poco allegretto Allegro Notes on the Program by Aaron Grad Symphony in C Major [c. 1770-73] MAKSYM BEREZOVSKY Born October 16, 1745 in Hlukhiv, Ukraine Died March 24, 1777 in Saint Petersburg, Russia After training as a singer during his childhood in Ukraine, Maksym Berezovsky became a leading vocal soloist at the imperial court in Saint Petersburg while still a teenager. He was able to study composition there with two Venetian composers who had been lured to Russia by the opera-loving Catherine the Great, and he was later sent to continue his education in Italy, where he become the first known student of East Slavic origins to receive formal music training in Western Europe after he enrolled at the Accademia Filarmonica in Bologna. While in Italy, Berezovsky became the first composer from his part of the world to write an Italian opera seria, using a warhorse of a libretto by Metastasio (more than 70 other composer wrote operas using the same text, including Vivaldi and Gluck). -
National Symphony Orchestra of Ukraine
Sunday, February 16, 2020 NationalNational Symphony Symphony Volodymyr Sirenko, OrchestraOrchestra Chief Conductor ofof UkraineUkraine Natalia Khoma, Cellist As a courtesy to the artists and for the uninterrupted enjoyment of your fellow patrons, please turn off all electronic devices. No portion of this performance may be photographed, recorded, filmed, taped, broadcast or mechanically reproduced without the written consent of the Artist and/ or the Presenter. Mayo Performing Arts Center is not responsible for lost or stolen items. Program subject to change. NATIONAL SYMPHONY ORCHESTRA OF UKRAINE National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor Natalia Khoma, Cello PROGRAM Langsam Victoria Poleva Cello Concerto No. 1 in E-flat Major, Op. 107 Dmitri Shostakovich Allegro Moderato Cadenza – Allegro con moto Natalia Khoma, Cello - INTERMISSION - Symphony No. 4 in D Minor, Op. 120 Robert Schumann Ziemlich langsam (Moderately slow) – Lebhaft (Lively) Romanze: Ziemlich langsam (Moderately slow) Scherzo: Lebhaft (Lively) Langsam (Slowly) – Lebhaft (Lively) *PROGRAM SUBJECT TO CHANGE* Columbia Artists 5 Columbus Circle @ 1790 Broadway, New York, NY 10019 www.columbia-artists.com Sunday, February 16, 2020 NOTES ON THE PROGRAM By Aaron Grad Langsam [1994] VICTORIA POLEVA Born September 11, 1962 in Kyiv Ukraine Victoria Poleva (or Poliova) studied compositions comprising huge layers of composition at the Kyiv Conservatory, dark, rather ambiguous matter. I wanted to following the career path of her father.