The Ukrainian Weekly 1987, No.14
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University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Looking for Film Festival in Ukraine? 52
UKRAINIAN DOCUMENTARY FILMS Introduction 4 Works in Progress 6 Completed Films 24 Contacts 46 Looking for State Film institutions in Ukraine? 47 Looking for Production Service in Ukraine? 48 Want to Distribute Your Film in Ukraine? 51 Looking for Film Festival in Ukraine? 52 Index of English Film Titles 53 Index of Original Film Titles 54 Index of Directors 55 / introduction PYLYP ILLIENKO, GENNADY KOFMAN head of the Ukrainian and the Docudays UA team State Film Agency As a result of society’s demand for information, as well as the overall This year has been a breakthrough for Docudays UA, breaking the record development of the film industry, the social value of documentary film for the number of entries submitted by Ukrainian filmmakers, as well making is growing with each passing year. as the number of films made in co-production with Ukraine. Some of the films have already been recognized by juries of prestigious More and more Ukrainian documentaries are receiving international international film festivals, while others will hopefully get a successful film awards and recognition. For the first time in the history of Ukrainian festival run later on. cinema, the Television Academy Honors special prize was awarded to a film co-produced with Ukraine, Winter on Fire: Ukraine’s Fight for Freedom, This edition of the catalog not only includes innovative documentaries and the Ukrainian submission for the Oscar for Best Foreign Language made in Ukraine in 2016 and films which we expect to see in the near Film, Ukrainian Sheriffs, is also a documentary. future, but also film projects in various stages of production. -
The Ukrainian Weekly, 2020
Part 3 of THE YEAR IN REVIEW pages 7-15 THEPublished U by theKRAINIAN Ukrainian National Association, Inc., celebrating W its 125th anniversaryEEKLY Vol. LXXXVIII No. 5 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 2, 2020 $2.00 Zelenskyy faces challenges of history Oleh Sentsov: The nail that will not bend and diplomacy in Israel and Poland memoration on such terms and told Israeli media that Mr. Putin was spreading lies to conceal the Soviet Union’s responsibility for the war along with that of Nazi Germany. In this highly tricky situation, Mr. Zelenskyy bided his time and did not con- firm whether he would be going to Jerusalem and Warsaw until the last min- ute. While still preoccupied with the after- math of a Ukrainian airliner’s downing in Tehran and the return of the bodies, President Zelenskyy nevertheless made his line known. The Times of Israel reported on January 19, after interviewing him in Kyiv, and on the day he announced he would be going to Israel: “He speaks at length about the Holodomor, the Soviet- imposed deliberate famine of 1932-1933, Olena Blyednova which killed millions, and with great Oleh Sentsov during his presentation on January 25 in New York. The discussion was respect for the victims of the Holocaust – moderated by Razom volunteer Maria Genkin. and the need to bring a belated, honest his- torical account of these events into the by Irene Jarosewich in Switzerland – that he does not consider open. He acknowledges but says less on the himself to be, foremost, a Russian political Presidential Office of Ukraine issue of Ukrainians’ participation in NEW YORK – Ukrainian film director prisoner. -
The National Symphony Orchestra of Ukraine
THE NATIONAL SYMPHONY ORCHESTRA OF UKRAINE 24 CONCERT PROGRAM Yevhen Stankovych Monday, February 13, 2017 Suite from the ballet 8:00pm The Night Before Christmas I. Introduction II. Oksan and Koval Volodymyr Sirenko III. Kozachok conductor Dima Tkachenko Yevhen Stankovych violin Violin Concerto No. 2 I. Largo (Molto espressivo, Rubato) The National Symphony II. Allegro Orchestra of Ukraine III. Largo Intermission This concert is generously Pyotr Ilyich Tchaikovsky supported by the Ihnatowycz Symphony No. 6 in B Minor, Op. 74 “Pathétique” Family Foundation and the Temerty Family Foundation. I. Adagio – Allegro non troppo II. Allegro con grazia III. Allegro molto vivace IV. Finale: Adagio lamentoso MEDIA PARTNER I hope you enjoyed the pre-concert lobby performance of the Toronto-based Ukrainian Art Song Project, with Canadian superstars Krisztina Szabó and Russell Braun, accompanied by Albert Krywolt! On stage, we welcome our guests, The National Symphony Orchestra of Ukraine. This orchestra has a long tradition of music-making, and it is a rare privilege to hear them here in Toronto. Conductor Peter Volodymyr Sirenko is joined by soloist Dima Tkachenko. Yevhen Stankovych is Oundjian perhaps the most distinguished Ukrainian composer of his generation. His ballet Music The Night Before Christmas is a truly colourful work, joyful and celebratory, Director masterfully orchestrated. His Second Violin Concerto is very different— rhapsodic and lyrical, with a dark intensity that builds relentlessly to a passionate and dramatic final section, before closing quietly with a moving hymn. The second half of the concert features Tchaikovsky’s wonderful final symphony, the “Pathétique”. We so often speculate on whether or not the final moments of the finale are a farewell to the world that we can overlook the sheer beauty and sparkling high energy of the rest of the music. -
National Symphony Orchestra of Ukraine
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents NATIONAL SYMPHONY ORCHESTRA OF UKRAINE VOLODYMYR SIRENKO, Artistic Director and Chief Conductor OLGA KERN, piano THURSDAY, NOVEMBER 21 in the Matthews Theatre There will be a 20–minute intermission. The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Made possible by funds from the McCarter’s 2019-2020 Music Series New Jersey State Council on the Arts, a partner sponsored by the Edward T. Cone Foundation agency of the National Endowment of the Arts THE PROGRAM NOTES ON THE PROGRAM By Aaron Grad Polonaise from Eugene Onegin, Op. 24 (1879) PYOTR IL’YICH TCHAIKOVSKY Polonaise from Eugene Onegin, Op. 24 Pyotr Il’yich Tchaikovsky Born May 7, 1840 in Kamsko-Votkinsk, Russia Died November 6, 1893 in Saint Petersburg, Russia Tchaikovsky began working on the op- who professed her love in a letter (just era Eugene Onegin in 1877, during the as Tchaikovsky’s bride did). The loose, Pyotr Il’yich Tchaikovsky Piano Concerto No. 1 in B-flat Minor, Op. 23 build-up to his disastrous marriage to episodic structure of the story allowed a former student. Struggling with his Tchaikovsky ample room to elaborate the Allegro non troppo e molto maestoso – concealed homosexuality, and need- characters and dwell in festive scenes, Allegro con spirito ing the inheritance that his bride would like the ball from the third act where this Andantino semplice – Prestissimo bring into their union, Tchaikovsky went Polonaise appeared. Allegro con fuoco through with the sham wedding, but he soon made the suicidal gesture of wad- Taking its rhythmic template from a Polish Olga Kern, piano ing into the frigid Moscow River, followed folk dance, the Polonaise became one of the by a nervous breakdown and two weeks stylized dances that caught on among French spent unconscious in Saint Petersburg. -
University of California
UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. It proposes Silvestrov as an example of a new direction in Ukrainian music that stands on its own, even as it has a strong connection to deep traditions and historic events. The first and second chapters present an examination of the Sonata’s conceptual elements, its distinctive features, and a performer’s analysis of the practical aspects of its interpretation. -
National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor
National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor Volodymyr Vynnytsky, Piano Wednesday, February 19 Schar Center 7:30 p.m. Program lenth approximately 90 minutes plus intermission (subject to change) Columbia Artists 5 Columbus Circle @1790 Broadway, New York, NY 10019 www.columbia-artists.com PROGRAM Symphony in C Major Maksym Berezovsky Piano Concerto No. 1 in B-flat Minor, Op. 23 Pyotr Il’yich Tchaikovsky Allegro non troppo e molto maestoso – Allegro con spirito Andantino semplice – Prestissimo Allegro con fuoco Volodymyr Vynnytsky, Piano INTERMISSION Symphony No. 3 in F Major, Op. 90 Johannes Brahms Allegro con brio Andante Poco allegretto Allegro Notes on the Program by Aaron Grad Symphony in C Major [c. 1770-73] MAKSYM BEREZOVSKY Born October 16, 1745 in Hlukhiv, Ukraine Died March 24, 1777 in Saint Petersburg, Russia After training as a singer during his childhood in Ukraine, Maksym Berezovsky became a leading vocal soloist at the imperial court in Saint Petersburg while still a teenager. He was able to study composition there with two Venetian composers who had been lured to Russia by the opera-loving Catherine the Great, and he was later sent to continue his education in Italy, where he become the first known student of East Slavic origins to receive formal music training in Western Europe after he enrolled at the Accademia Filarmonica in Bologna. While in Italy, Berezovsky became the first composer from his part of the world to write an Italian opera seria, using a warhorse of a libretto by Metastasio (more than 70 other composer wrote operas using the same text, including Vivaldi and Gluck). -
National Symphony Orchestra of Ukraine
Sunday, February 16, 2020 NationalNational Symphony Symphony Volodymyr Sirenko, OrchestraOrchestra Chief Conductor ofof UkraineUkraine Natalia Khoma, Cellist As a courtesy to the artists and for the uninterrupted enjoyment of your fellow patrons, please turn off all electronic devices. No portion of this performance may be photographed, recorded, filmed, taped, broadcast or mechanically reproduced without the written consent of the Artist and/ or the Presenter. Mayo Performing Arts Center is not responsible for lost or stolen items. Program subject to change. NATIONAL SYMPHONY ORCHESTRA OF UKRAINE National Symphony Orchestra of Ukraine Volodymyr Sirenko, Artistic Director and Chief Conductor Natalia Khoma, Cello PROGRAM Langsam Victoria Poleva Cello Concerto No. 1 in E-flat Major, Op. 107 Dmitri Shostakovich Allegro Moderato Cadenza – Allegro con moto Natalia Khoma, Cello - INTERMISSION - Symphony No. 4 in D Minor, Op. 120 Robert Schumann Ziemlich langsam (Moderately slow) – Lebhaft (Lively) Romanze: Ziemlich langsam (Moderately slow) Scherzo: Lebhaft (Lively) Langsam (Slowly) – Lebhaft (Lively) *PROGRAM SUBJECT TO CHANGE* Columbia Artists 5 Columbus Circle @ 1790 Broadway, New York, NY 10019 www.columbia-artists.com Sunday, February 16, 2020 NOTES ON THE PROGRAM By Aaron Grad Langsam [1994] VICTORIA POLEVA Born September 11, 1962 in Kyiv Ukraine Victoria Poleva (or Poliova) studied compositions comprising huge layers of composition at the Kyiv Conservatory, dark, rather ambiguous matter. I wanted to following the career path of her father. -
Advance Program Notes National Symphony Orchestra of Ukraine with Alexei Grynyuk, Piano Saturday, February 4, 2017, 7:30 PM
Advance Program Notes National Symphony Orchestra of Ukraine with Alexei Grynyuk, piano Saturday, February 4, 2017, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. National Symphony Orchestra of Ukraine with Alexei Grynyuk, piano Theodore Kuchar, conductor laureate Carnival Overture, op. 92 Antonín Dvořák (b. 1841 in Nelahozeves, d. 1904 in Prague) Piano Concerto no. 3 in C Major, op. 26 Sergei Prokofiev Alexei Grynyuk, piano solist (b. 1865 in Sonstovka, Ukraine; d. 1957 in Järvenpää) INTERMISSION Symphony no. 5, op. 47 Dmitri Shostakovích (b. 1906 in St. Petersburg, d. 1975 in Moscow) National Symphony Orchestra of Ukraine FIRST VIOLIN CELLO HORN Markiyan Hudziy, leader Olena Ikaieva, principal Valentyn Marukhno, principal Gennadiy Pavlov, sub-leader Liliia Demberg Andriy Sokol Olena Pushkarska Sergii Vakulenko Kostiantyn Sokol Svyatoslava Semchuk Tetiana Miastkovska Anton Tkachenko Bogdan Krysa Tamara Semeshko Boris Rudniev Anastasiya Filippochkina Mykola Dorosh Iuliia Shevchenko Roman Polavets Ihor Yarmus Oksana Kot Ievgen Skrypka TRUMPET Olena Poltavets Tetyana Dondakova Viktor Davydenko, principal Valery Kuzik Kostiantyn Povod Yurii Kornilov Tetyana Pavlova Grygorii Kozdoba Viktoriia Trach BASS Dmytro Kovalchuk Volodymyr Grechukh, principal Svetlana Markiv TROMBONES Iurii Stopin Oleksandr Neshchadym Oleksandra Chaikina Andriy Golovko, principal Viktor Andriiichenko -
The Ukrainian Weekly, 2015
INSIDE: l Ukraine marks first Day of the Defender – page 5 l “Ukrainian Diaspora: Women Artists, 1908-2015” – page 9 l UACCNJ’s 6th annual festival shines despite rain – page 11 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXIII No. 43 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 25, 2015 $2.00 Freeland, Wrzesnewskyj among Ukrainians Complicated local election rules elected in Liberal Party landslide in Canada draw wide criticism in Ukraine by Zenon Zawada they don’t know anything. The poll was conducted among 2,040 respondents KYIV – Just as Ukrainian President Petro between October 8 and 20 (the poll’s mar- Poroshenko failed to ensure open party list gin of error was 2.3 percent). voting in the 2014 parliamentary elections, “The new election system gives birth to now the local elections to take place on new problems and exacerbated old ones in October 25 will also occur without genuine prior systems. Many unpleasant surprises open party lists, which is widely considered can await us without the appropriate expla- the optimal voting system for Ukraine. nation of the mechanics of an election sys- Instead, Ukraine’s Parliament in July tem,” Mr. Vasylchenko said. approved an election system that is a com- The mutated system was designed by plex mutation of single-mandate voting and the political establishment – aligned with closed party lists, which most voters will the president – to fulfill two goals, observ- not understand when casting their ballots, ers said. To satisfy the West, it wants to be political observers said. -
National Symphony Orchestra of Ukraine – Conductors
Orchestra Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Contents: Orchestra Biography Olivia Stanford Marketing Operations Manager 2014-2015 Programs [email protected] Conductors Musicians Karrah Cambry Discography Opera and Marketing Manager [email protected] Orchestra History Review & Hall Photos Robert Hart Baker YouTube Video Links Webmaster Staff Contacts [email protected] Complete artist information including video, audio Mailing Address: and interviews are available at www.pricerubin.com 1000 South Denver Avenue Suite 2104 Tulsa, OK 74119 Website: http://www.pricerubin.com National Symphony Orchestra of Ukraine – Orchestra Biography Formed by the Council of Ministers of Ukraine in November of 1918, the National Symphony Orchestra of Ukraine is considered to be one of the finest symphony orchestras in Eastern Europe. Its first conductor was Oleksander Horilyj. Natan Rakhlin was the Artistic Director of the Orchestra from 1937 until 1962. Stefan Turchak, Volodymyr Kozhuchar, Fedor Glushchenko, Igor Blazhkov and Theodore Kuchar consequently conducted the Orchestra as its Principal Conductors. Other conductors who worked with the NSOU include Leopold Stokowski, Igor Markevitch, Kurt Sanderling, Evgeny Mravinsky, Kiril Kondrashin, Evgeny Svetlanov, and Gennady Rozhdestvensky. Soloists who performed with the NSOU include Artur Rubinstein, Yehudi Menuhin, Isaac Stern, David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Gidon Kremer, Oleh Krysa, Monserrat Caballe, Jose Carreras, and Juan Diego Flores. The NSOU was entrusted with the premier performances of the works of the following composers: Sergei Prokofiev, Dmitri Shostakovich, Aram Khachaturian, Boris Lyatoshynsky, Valentyn Silvestrov, Myroslav Skoryk, and Evgen Stankovych. -
The Ukrainian Weekly, 2017
Part 3 of THE YEAR IN REVIEW pages 5-16 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXV No. 5 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 29, 2017 $2.00 Petro Matiaszek: promoting Ukraine U.S. Senate confi rms Haley, advocate via “honest dialogue” with investors of Ukraine sovereignty, as U.N. envoy nee for secretary of state, was narrowly by Mark Raczkiewycz RFE/RL approved by the Senate Foreign Relations KYIV – Petro Matiaszek prefers “govern- WASHINGTON – The Senate confirmed Committee on January 23. The vote was ment relations and communications” to the President Donald Trump’s pick to be U.S. 11-10, with all Republicans voting for him streetwise adage of “fixer” to describe his ambassador to the United Nations by a and all Democrats voting against. 23-year illustrious role in Ukraine. For decisive 96-to-4 vote on January 24. Sen. Bob Corker (R-Tenn.) praised Mr. nearly two decades, the New York Law Gov. Nikki Haley of South Carolina won Tillerson for being well-qualified for the School graduate has smoothly navigated support from most Democratic senators post, but Sen. Ben Cardin (D-Md.), the rank- because she testified that she does not sup- among the three sectors of society – public, ing opposition member on the committee, port Republican efforts to slash U.S. fund- private and civil society – with such fluidity said he would oppose the nominee because ing for the U.N. that he could easily build a checklist of “Tillerson’s demonstrated business orien- Sen.