Platform Sutra of the Sixth Patriarch
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Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’Ichi, at Age 87
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’ichi, at age 87. Photograph taken by the late Professor Hy¯od¯o Sh¯on¯osuke in 1976, at Dr Hisamatsu’s residence in Gifu. Critical Sermons of the Zen Tradition Hisamatsu’s Talks on Linji translated and edited by Christopher Ives and Tokiwa Gishin © Editorial matter and selection © Christopher Ives and Tokiwa Gishin Chapters 1–22 © Palgrave Macmillan Ltd. Softcover reprint of the hardcover 1st edition 2002 978-0-333-96271-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. -
The Wisdom of the Unsayable in the Chinese Tradition Karl-Heinz Pohl
3 The Wisdom of the Unsayable in the Chinese Tradition Karl-Heinz Pohl Concerning Eastern teachings such as Daoism, Buddhism, and Confucianism, there is often widespread confusion about how these are to be classified—as religion or as philosophy. This problem, however, is culturally homemade: the distinction between religion and philosophy based on European cultural tradi- tions often does not apply when we leave our culture behind. Thus, the Eastern teachings, which are often referred to as “wisdom religions” (e.g. by Hans Küng), are either religion and philosophy or neither religion nor philosophy; whichever way you prefer ideologically. As is well known, there is a certain “family resemblance” (as Wittgenstein would put it) between Daoism and Buddhism. There is, however, very little that connects these Asian philosophies and religions with the European tradition emanating from Greco-Roman and Christian thought. This does not mean that their philosophemes would be fundamentally alien to the Europeans: at most they do not belong to the European mainstream. So the family resemblance could certainly be extended to certain European philoso- phers and schools: There is in Europe a tradition—from the pre-Socratics through the apophatic theology and mysticism of the Middle Ages to existen- tialism and philosophy of language of modernity—that has very much in common with Daoism and Buddhism. Hence, a blend of selected passages from Heraclitus (cf. Wohlfart 1998: 24–39), Neo-Pythagoreanism, Sextus Empiricus, Gnosticism, Pseudo-Dionysius the Areopagite, Nicholas of Cusa, Meister Eckhart, Jacob Boehme, Montaigne, Hegel (cf. Wohlfart 1998: 24–39), Heidegger, Wittgenstein, Derrida, et al. -
The Emergence of Essence-Function (Ti-Yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: an Overview
The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: An Overview A. Charles Muller (University of Tokyo) 국문요약 본질-작용(體用, Ch. ti-yong, J. tai-yū; 일본에서 불교학 이외의 연구에서 는 tai-yō) 패러다임은 기원전 5세기부터 근대 시기에 이르기까지 중국, 한국, 일본의 종교・철학적 문헌을 해석할 때에 가장 널리 사용된 해석학적 틀로 볼 수 있다. 먼저 중국에서는 유교, 도교, 불교에 적용되는 과정에서 풍부한 발전 을 이루었는데, 특히 인도 불교의 중국화 과정에서 폭넓게 적용되었다. 그리고 종종 理事(li-shi)와 유사한 형태로 화엄, 천태, 선과 같은 중국 토착 불교 학파 불교학리뷰 (Critical Review for Buddhist Studies) 19권 (2016. 6) 111p~152p 112 불교학리뷰 vol.19 들의 철학을 위한 토대를 형성하였다. 나아가 송대 신유학(新儒學)에서 ‘체용’ 의 용례는 특히 잇따라 나타나는 또 다른 유사형태인 理氣(li-qi)의 형식으로 변화하고 확장되었다. 불교와 신유학 모두 한국에 뿌리를 내리면서 한국 학자 들은 신유교와 불교 각각의 종교에 대한 해석뿐 아니라, 둘 사이에 있었던 대 화와 논쟁에도 체용 패러다임을 폭넓게 적용하였다. 본 논문은 동양과 서양 모 두의 불교학에서 거의 완전히 무시되었던 이 지극히 중요한 철학적 패러다임 에 관한 논의를 되살려 보고자 한다. 그리고 이것을 중국 불교 주석문헌들 초 기의 용례, ≷대승기신론≸속에 나타난 그 역할, 더불어 한국 불교, 특히 원효와 지눌의 저작에서 사용된 몇 가지 용례들을 조사함으로써 시도할 것이다. 주제어: 본질-작용(體用), 이사(理事), 이기(理氣), ≷대승기신론≸, 중국불교, 원효, 지눌 The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism … 113 I. Essence-function 體用: Introduction This examination of the place of the essence-function paradigm 體用 (Ch. ti-yong, K. che-yong, J. -
Awakening in Dharma – Treasure Platform Sutra of the Six Patriarch and the Structure of Gabriel Garcia Marquez’S Magical Realism Short Stories
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 Awakening in Dharma – Treasure Platform Sutra of the Six Patriarch and the Structure of Gabriel Garcia Marquez’s Magical Realism Short Stories Thanh Trung, Nguyen (HCMUE) Abstract: Applying the structural method, this article examines Gabriel Garcia Marquez's Magical realism short stories from the concept of enlightenment presented in Dharma – Treasure Platform Sutra of the Sixth Patriarch. Thus, the manipulations of structuralism are used to clarify the meaning and content of these short stories; some controversial issues of Magical realism are generalized and explained. Keywords: awake (giácngộ), The Dharma – Treasure Platform Sutra of the Sixth Zen Patriarch (Phápbảođànkinh), magical realism short stories (truyệnngắnHiệnthựchuyềnảo), Gabriel Garcia Marquez. Gabriel Garcia Marquez (1927-2014) is a Colombian writer focusing on the relationship between internal elements, who won the 1982 Nobel Prize for Literature with his novel without regard to external influences. Being developed on Hundred Years of Solitude – a classic of Magical Realism. the basis of Ferdinand de Saussure’s language theory of, Besides novel, his short stories that are about 42 short Roman Jakobson's linguistic communication model and the stories, including 18 rigorous, realistic stories and 23 legendary anthropological works of Claude Levi-Strauss, magical realism stories show a considerable value. etc., Structuralism in literature creates -
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus The seminary class offering for the spring 2014 term will be Chan Buddhism and the Chinese Ancestors. This ten-week class series is scheduled for Tuesday evenings from February 4th through April 15th. During this class series, we will examine the stories and traditional teachings of and about our Chinese Dharma ancestors and other significant Chan masters from the time of Bodhidharma, through the Tang and Sung Dynasties to and including Tiantong Rujing. Through these stories, we experience the particular way in which we hold the memory of our lineage tradition. We will also follow the development of Chan as it gains color and additional meaning through the authenticity and uniqueness of each generation to become an important cultural force in Chinese and other East Asian societies. The primary text for the reading assignments for each class (listed below) is Zen's Chinese Heritage: The Masters and their Teachings by Andy Ferguson either the first (2000) edition or the expanded (2011) edition. Optional, supplemental text materials will include sections from (1) The Platform Sutra: The Zen Teaching of Hui-neng by Red Pine and (2) Zen Buddhism: A History: Volume 1, India and China by Heinrich Dumoulin. Texts may be purchased; however, copies of all three texts will be placed on reserve for this class in the DRZC library. The classes will be led by Fumyo Mishaga, Genko Rainwater, and Allison Shin'ei Brown. For Seminary credit, each student will be required to complete a written assignment. Also, class attendance will be considered a very important criterion. -
Not One Single Thing,” He Put This True Essence Into Words in an Original Way
EXPLORE THE SEMINAL PLATFORM SŪTRA, WITH ONE OF THE GREATEST LIVING ZEN MASTERS AS A GUIDE. A lodestone of Zen Buddhism, the Platform Sūtra presents the life, work, and wisdom of Enō, or Huineng, the fascinating seventh-century Sixth Patriarch of Chinese Zen. He was an illiterate woodcutter who famously attained enlightenment after only hearing a single line of the Diamond Sūtra and who went on to decisively upstage senior monks with a poem that demonstrated the depth and clarity of his insight. His example has demonstrated to generations of students and spiritual seekers worldwide that enlightenment is attainable regardless of education or social standing. His exhortations to directly perceive one’s true nature, right here and now, still reverberate in contemporary Zen. Shodo Harada Rōshi’s fresh reading of the Platform Sūtra offers both the history behind the work and the lived experience of its wisdom. In a plain-English, conversational voice, Shodo Harada brings the sūtra to life for his students, discussing and explaining its central points chapter by chapter and illustrating it with his own beautiful calligraphy. This is an essential Buddhist text brought to life. A Commentary on the Sixth Patriarch’s Platform Sūtra For Jundo, whose vision for this book has made it a reality Contents List of Calligraphies Preface by Jane Shotaku Lago Introduction 1. Autobiography In his first public talk, the Sixth Patriarch tells how he came to be recognized as the successor of the Fifth Patriarch and teaches on how to directly realize buddha nature. 2. On Prajñā The next day, the Sixth Patriarch lectures to the assembly on the nature of wisdom and the importance of directly encountering the true mind. -
The Revival of Tiantai Buddhism in the Late Ming: on the Thought of Youxi Chuandeng 幽溪傳燈 (1554-1628)
The Revival of Tiantai Buddhism in the Late Ming: On the Thought of Youxi Chuandeng 幽溪傳燈 (1554-1628) Yungfen Ma Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Yungfen Ma All Rights Reserved ABSTRACT The Revival of Tiantai Buddhism in the Late Ming: On the Thought of Youxi Chuandeng 幽溪傳燈 (1554-1628) Yungfen Ma This dissertation is a study of Youxi Chuandeng’s (1554-1628) transformation of “Buddha-nature includes good and evil,” also known as “inherent evil,” a unique idea representing Tiantai’s nature-inclusion philosophy in Chinese Buddhism. Focused on his major treatise On Nature Including Good and Evil, this research demonstrates how Chuandeng, in his efforts to regenerate Tiantai, incorporated the important intellectual themes of the late Ming, especially those found in the Śūraṃgama Sūtra. In his treatise, Chuandeng systematically presented his ideas on doctrinal classification, the principle of nature-inclusion, and the practice of the Dharma-gate of inherent evil. Redefining Tiantai doctrinal classification, he legitimized the idea of inherent evil to be the highest Buddhist teaching and proved the superiority of Buddhism over Confucianism. Drawing upon the notions of pure mind and the seven elements found in the Śūraṃgama Sūtra, he reinterpreted nature-inclusion and the Dharma-gate of inherent evil emphasizing inherent evil as pure rather than defiled. Conversely, he reinterpreted the Śūraṃgama Sūtra by nature-inclusion. Chuandeng incorporated Confucianism and the Śūraṃgama Sūtra as a response to the dominating thought of his day, this being the particular manner in which previous Tiantai thinkers upheld, defended and spread Tiantai. -
The Platform Sutra Introduction
Table of Contents Also translated and with commentary by Red Pine Title Page The Platform Sutra Introduction The Platform Sutra with Commentary PART I (SECTIONS 1-11) PART II (SECTIONS 12-37) PART III (SECTIONS 38-44) PART IV (SECTIONS 45-57) Appendix Copyright Page Also translated and with commentary by Red Pine Lao-tzu’s Taoteching The Diamond Sutra The Heart Sutra The Platform Sutra The Mahaprajnaparamita Sutra of the Direct Teaching of the Southern School of the Supreme Mahayana, The Platform Sutra Delivered at Tafan Temple in Shaochou by the Sixth Patriarch, Master Hui-neng, in one volume, compiled and recorded by Fa- hai, recipient of the Formless Precepts and advocate of the Dharma. 1. Master Hui-neng took his seat in the lecture hall of Tafan Temple to expound the teaching of Mahaprajnaparamita and to transmit the Formless Precepts. Seated below him on that occasion were more than ten thousand monks, nuns, and laypeople, along with Magistrate Wei Ch’u of Shaochou and more than thirty officials and thirty scholars. Together they asked the Master to explain the teaching of Mahaprajnaparamita. The magistrate then instructed the Master’s disciple Fa-hai to make a record to pass down to future generations so that students of the Way who carry on its guiding principle and who transmit it to others might have this testament as their authority. 2. When he spoke this Platform Sutra, Master Hui-neng said, “Good friends, purify your minds by reciting the teaching of Mahaprajnaparamita.” Then the Master stopped speaking, while he purified his own mind. -
PACIFIC WORLD Journal of the Institute of Buddhist Studies
PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA FRONT COVER PACIFIC WORLD: Journal of the Institute of Buddhist Studies Third Series, Number 6 Fall 2004 SPINE PACIFIC WORLD Journal of the Institute of Buddhist Studies HALF-TITLE PAGE i REVERSE HALF TITLE ii PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 6 Fall 2004 TWO SPECIAL SECTIONS: ESSAYS CELEBRATING THE THIRTY-FIFTH ANNIVERSARY OF THE INSTITUTE OF BUDDHIST STUDIES, AND SIGN, SYMBOL, AND BODY IN TANTRA TITLE iii Pacific World is an annual journal in English devoted to the dissemination of histori- cal, textual, critical, and interpretive articles on Buddhism generally and Shinshu Buddhism particularly to both academic and lay readerships. The journal is dis- tributed free of charge. Articles for consideration by the Pacific World are welcomed and are to be submitted in English and addressed to the Editor, Pacific World, P.O. Box 390460, Mountain View, CA 94039-0460, USA. Acknowledgment: This annual publication is made possible by the donation of Buddha Dharma Kyokai (Society), Inc. of Berkeley, California. Guidelines for Authors: Manuscripts (approximately 20 standard pages) should be typed double-spaced with 1-inch margins. Notes are to be endnotes with full bibliographic information in the note first mentioning a work, i.e., no separate bibliography. See The Chicago Manual of Style (15th edition), University of Chicago Press, §16.3 ff. Authors are responsible for the accuracy of all quotations and for supplying complete references. -
Pure Land Buddhism: Dialogs with Ancient Masters
PurePure LandLand BuddhismBuddhism DialogsDialogs withwith AncientAncient MastersMasters by Patriach Chih I and Master T'ien Ju translated by Master Thich Thien Tam HAN DD ET U 'S B B O RY eOK LIBRA E-mail: [email protected] Web site: www.buddhanet.net Buddha Dharma Education Association Inc. is book is a translation of two Chinese commentaries from the ripitaka, a compilation of all major texts of the Buddhist Canon. e Chinese titles are hing-t’u hih-i-un and hing-t’u uo-wen. e Vietnamese version, which includes both texts, is entitled inh Đô â p -ghi uâ n. ird dition: S T C U S C harma aster ok o, ireor D A. B, N.Y. (USA) T. () - Reprinted and donated by: T C B B E F F, H C S. R S. T, T R.O.C. T.: -- Other books in the Pure Land series: uddhism of isdom and aith: ure and rinciples and raice ure-and en, en ure-and: etters of a ure and atriarch S T C U S C B A C C S T B A T, O, C LT R B A S F F S S F, C Y M’ B A A D A B, N Y e supreme and endless blessings of amantabhadra’s deeds, now universally transfer. ay every living being, drowning and adrift, oon return to the and of imitless ight! “e ows of amantabhadra” vatamsaka utra. hap. A A C I (P) Also known as T’ien T’ai, Chih K’ai or Chih Che.