Summer Dance 2016

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The Royal Academy of Dance Western Australia Regional Advisory Panel and Cecchetti Ballet Australia Inc. - WA Branch are pleased to present Summer Dance 2016 27 - 31 January Western Australian Academy of Performing Arts 2 Bradford St, Mt Lawley Join Queensland Ballet Artistic Associate, Rachael Walsh and Australian Dance Theatre dancer Jake McLarnon among other guest teachers at this year’s summer school for a week of inspired classes in classical ballet, pointe & repertoire, contemporary, hip hop and jazz. Rachael Walsh Rachael Walsh was a Principal Dancer at Queensland Ballet for 13 years of her 17-year professional dance career. Following her retirement from the stage in July 2014, she continues to work with the Company in business development, and as a mentor and coach for dancers in Australia. Rachael graduated from The Australian Ballet School and joined Queensland Ballet in 1998. She was promoted to Principal Dancer in 2003. During her career with the Company, she has performed a diverse range of principal roles in classical and contemporary ballets, and enjoyed many works being created upon her by Australian and international choreographers. Rachael was awarded several scholarships to travel and study overseas, including a Lord Mayor’s Fellowship. Her signature roles have been Carmen, Juliet and Giselle, however highlights have included works by Nils Christe, Natalie Weir, Stephan Thoss, Mario Schroeder, Davide Bombana, Young Soon Hue, Stephen Baynes, Paul Boyd and Kim McCarthy. Rachael has toured internationally with Queensland Ballet to Europe on three occasions, as well as to Japan, China and Singapore. She was also invited to dance at The Asia-Pacific Ballet Festival in Seoul, Korea. Jake McLarnon Born in Perth, Western Australia Jake started dancing at the age of 11 at Valerie Heston School of Dance. Jake attended high school at John Curtin College of the Arts, studying in the specialist contemporary dance and ballet program. He graduated in 2010 with the Western Australian Performing Excellence award. He continued his training at Western Australian Academy of Performing Arts (WAAPA) in the Advanced Diploma course majoring in Ballet. During his time there Jake performed in numerous Contemporary and Ballet shows with works by choreographers such as George Balanchine, Raewyn Hill and Xiaoxing Zhang. After Graduating Jake joined Australian Dance Theatre in 2014 for the European tour of Proximity. Later that year he also performed Be Yourself in Jakarta, Indonesia as a part of the Salihara festival and the return season of Proximity in Adelaide. In June 2015 Jake performed in a national tour of Be Yourself, performing in Perth, Western Australia. Summer Dance 2016 – – Grades 6 & Inter Foundation – Grades 3 & 4 – – Grades 5 & 6 – To conclude the week we will open the doors to parents to watch classes; – – Entry: Latecomers will not be allowed entry. No small children please. No videos or photos. – . EFT payment to Post to: .

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PEAK Richard Alston Dance Company Large Print.Indd
Richard Alston Dance Company Photo by Chris Nash February 20 I 21 I 22 I 23, 2020 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming Richard Alston Dance Company Artistic Director Sir Richard Alston CBE Executive Director Isabel Tamen Associate Choreographer /Rehearsal Director Martin Lawrance Touring Administrator Rebecca Staple Production Manager Kieran Enticknap Lighting Designer/Technical Manager Zeynep Kepekli Sound Engineer Mark Webber Wardrobe Supervisor Inca Jaakson Dancers Elly Braund, Joshua Harriette, Jennifer Hayes, Monique Jonas, Nahum McLean, Nicholas Shikkis, Jason Tucker, Ellen Yilma, Niall Egan, Alejandra Gissler Program Voices and Light Footsteps (US Premiere) Choreography Richard Alston Music Claudio Monteverdi Lighting Martin Lawrance Costumes Peter Todd Music and Dancers: Sinfonia (instrumental) Joshua Harriette Zefiro Torna (madrigal for two tenors) Joshua Harriette, Nicholas Shikkis, Nahum McLean, Jason Tucker, Ellen Yilma, Monique Jonas, Jennifer Hayes Dara La Notte Company Si Dolce e il Tormento (madrigal for solo soprano) Monique Jonas Sinfonia (instrumental from Orfeo) Elly Braund, Nicholas Shikkis Sinfonia (instrumental from Orfeo) Jennifer Hayes, Jason Tucker Ballo (instrumental) Company Tempro La Cetra (madrigal for solo tenor) Ellen Yilma, Joshua Harriette Sinfonia a sei (instrumental) Alejandra Gissler, Nahum McLean, Monique Jonas, Niall Egan Damigella Tutta Bella (madrigal for three voices) Company Voices and Light Footsteps is dedicated to the memory of Belinda Quirey, a formidable authority on historical dance and an utterly inspiring teacher. Credits: Under the title Arrived parts of this dance were originally commissioned by Virginia Arts Festival 2019 and, with extra material created for twenty students from the Governor’s School for the Arts, it was first presented on March 21, 2019, at Chrysler Hall, Norfolk, Virginia.
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Dance Brochure
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Boosey & Hawkes Music Publishers Limited Dance 2010 Edition Also see www.boosey.com/dance Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear the music, free CD samplers are available upon request. Works written as ballets (This list only contains works represented by B&H in all contries; for further works with territorial restrictions, please visit our website.) composer work, duration and scoring background details Adam–Garforth Giselle After over a century of inaccurate reorchestrations, David Garforth’s 2(II=picc).2(I,II=corA).2.2—4.2.2cornet.3.1—harp— edition, commissioned by the Fondazione Teatro alla Scala for timp.perc:tgl/BD/cyms/SD/bells—strings Sylvie Guillem’s production in 2000, provides a welcome return to Adolphe Adam’s exquisite original scoring. It includes much-loved insertions as well as previously unheard sections of the work. Andriessen Odysseus’ Women 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974.
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