June-August 2019 ARTS MATTERS
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Various the Womeximizer 09 Mp3, Flac, Wma
Various The Womeximizer 09 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Womeximizer 09 Country: Germany Released: 2009 Style: Folk, Neofolk, African MP3 version RAR size: 1434 mb FLAC version RAR size: 1489 mb WMA version RAR size: 1790 mb Rating: 4.7 Votes: 631 Other Formats: VOC AAC TTA DXD AC3 MMF VOX Tracklist 1 –Staff Benda Bilili Je T'aime 5:00 2 –Ale Möller Band Bail 4:41 3 –Ahilea Cafe Svetlana 4:00 4 –Boris Malkovsky Introduction 2:55 5 –Watcha Clan Balkan Quolou 3:49 6 –Chet Nuneta Ayazin 3:09 7 –Oreka TX Lauhazka 4:11 8 –Kayhan Kalhor & Brooklyn Rider Parvaz 4:32 9 –Hasna El Becharia Smaa Smaa 4:43 10 –Gilzene & The Blue Light Mento Band Wings Of A Dove 4:03 11 –Victor Démé Djon' Maya 4:09 12 –Deolinda Fado Toninho 2:06 13 –Lepistö & Lehti Vainajalan Tango 4:25 14 –Mógil Litla Prump 3:32 15 –Hanggai Wuji 2:35 16 –Dulsori Drum Sinawi 4:33 17 –Parno Graszt Rávágok A Zongorára 2:44 18 –Cedric Watson Cedric Zydeco 2:55 19 –Orchestra Popolare Italiana Sia Beneduttu Chi Fichi Lu Munnu 2:29 20 –Yves Lambert Et Le Bébert Orchestra La Fille Du Vigneron/Qui Aurait Cru 4:10 Companies, etc. Phonographic Copyright (p) – Piranha WOMEX AG Copyright (c) – Piranha WOMEX AG Mastered At – Traumton Studios Credits Artwork – www.elephant-castle.de* Barcode and Other Identifiers Label Code: LC 07717 Related Music albums to The Womeximizer 09 by Various Pompeo Stillo - Li Cose Do Munnu Blue Glaze Mento Band - We Will Wait Eugen Cicero, Munich Philharmonic Orchestra, Cedric Dumont - Love's Dream Cedric Phillips - Calypsos Queen Ida And Her Zydeco Band - Caught In The Act! Sonic Options - BB Suite Chet Baker - Big Band Ahilea - Cafe Svetlana Zydeco Party Band - Dancin' On The Levee T-Lou And His Los Angeles Zydeco Band - T-Lou And His Los Angeles Zydeco Band. -
Nick Gaitan Interviewer's Name: Mary Manning Date
Interviewee: Nick Gaitan Interviewer’s Name: Mary Manning Date: August 9, 2015 Length of Interview: 1:23:48 Transcription Conventions: “ . ” after a phrase that is not completed. Repeated words/short phrases and fillers such as “uh”, “um,” and “ah” are usually not transcribed. Pauses and laughter are not noted or transcribed. [0:01] Mary: These numbers will start moving, and they're moving. Today is August 9th 2015, and I'm Mary Manning with the Houston Arts Alliances, Folk Life, and Traditional Arts program. I'm at the home of bass player Nick Gaitan of Umbrella Man, who has kindly agreed to share his knowledge and expertise about different genres of music he performs. Now, did I say your last name right? [0:22] Nick: Yes. [0:26] Mary: Alright, so first question. Describe your first memory of hearing music. [0:32] Nick: My first memory of hearing music, growing up in my house there was a lot of music. There was what would be soul music. Motown. There was country because growing up as a kid in the 80s, we still had a lot of the great 70s country players and some from before that were still around, but you had Willie, you had Waylon, you had George Jones, you still had Emmett. Everybody was there, and then you had these huge ... Not only country music, but the pop music of the time because I was also growing up in the MTV generation. We got to see things like Michael Jackson's stardom after Jackson 5. We got to see all the 80s music be created. -
"World Music" and "World Beat" Designations Brad Klump
Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
Can You Sing Or Play Old-Time Music?': the Johnson City Sessions Ted Olson East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 2013 'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2013. 'Can You Sing Or Play Old-Time Music?': The oJ hnson City Sessions. The Old-Time Herald. Vol.13(6). 10-17. http://www.oldtimeherald.org/archive/back_issues/volume-13/13-6/johnsoncity.html ISSN: 1040-3582 This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. 'Can You Sing Or Play Old-Time Music?': The ohnsonJ City Sessions Copyright Statement © Ted Olson This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1218 «'CAN YOU SING OR PLAY OLD-TIME MUSIC?" THE JOHNSON CITY SESSIONS By Ted Olson n a recent interview, musician Wynton Marsalis said, "I can't tell The idea of transporting recording you how many times I've suggested to musicians to get The Bristol equipment to Appalachia was, to record Sessions—Anglo-American folk music. It's a lot of different types of companies, a shift from their previous music: Appalachian, country, hillbilly. -
Fifty-Second National Folk Festival
FIFTY-SECOND NATIONAL FOLK FESTIVAL PRODUCED BY THE NATIONAL COUNCIL FOR THE TRADITIONAL ARTS, JOHNSTOWN AREA HERITAGE ASSOCIATION, CITY OF JOHNSTOWN, AND THE NATIONAL PARK SERVICE. 'f DEARFRIENDS: -1-----�¥e.te0me t:oti'l�REI -NawR-a-1-Fe-HrFest-iva-l. -J:i·i fes·H-va-1-i-s-ar>f>ea· r-+ftg-f-e>-· t-h fi-rs-t-Hme-rn1-:tcmn-stc)Wlr,-----t+---,,---1 A common theme running through the lyrics of a recent popular song proclaimed, "love in any language, Pennsylvania, but its heart has long been connected to the values and heritage reflected in this town. fluently spoken here." During the days and nights of the 1990 National Folk Festival in Johnstown, that's As the first multi-ethnicfestival, the first National and all its successors have been well acquainted exactly what you'll hear, because here in Johnstown and throughout Pennsylvania, we have retained a vi with the diversity of expressions of culture among the members of communities. Johnstown, with its brant love for the rich legacy of traditions we have inherited from hundreds of diverse national cultures. stunning array of ethnic groups, offers fertile ground for the harvesting of music and dance that have We are intensely proud of our multiethnic heritage and delight in this opportunity to showcase and been kept alive by succeeding generations. The men and women who came here to work brought share those unique gifts with visitors from across the country and, indeed, from around the world. with them the culture of lands from all over the world, and their children now have the opportunity to Founded by German settlers in the early 1800s, Johnstown soon became home to thousands of immi share their music, dance, crafts, and foodways with their neighbors and with neighbors from around grants from all parts of the globe. -
Minutes 7-20-2017.Pdf
PARSIPPANY-TROY HILLS BOARD OF EDUCATION REGULAR MEETING OF Thursday, July 20, 2017 The Parsippany-Troy Hills Board of Education held its Regular Meeting on Thursday, July 20, 2017 at Dr. Frank A. Calabria Education Center, 292 Parsippany Road, Parsippany, NJ 07054. CALL TO ORDER CALL TO ORDER President Mr. Neglia called the meeting to order at 6:30 pm. MEETING NOTICE MEETING NOTICE Mr. Neglia stated that in compliance with Chapter 231, Public Law 1975 entitled Open Public Meetings Act, adequate notice of this meeting has been provided as specified in the Act. A meeting notice was published in the Daily Record on January 10, 2017 and at the district website http://www.pthsd.k12.nj.us. Additionally, the Notice of Meeting was posted at the Municipal building and a copy of Notice filed with the Township Clerk on July 14, 2017. This is an official meeting. FIRE NOTICE FIRE NOTICE The Fire Notice was read by Mr. Neglia. He also reminded everyone to turn off/or silence all electronic devices so as to not disturb the meeting. SALUTE TO THE FLAG SALUTE TO THE FLAG Mr. Neglia asked everyone to stand for the flag salute. ROLL CALL ROLL CALL Present: Mr. Timothy Berrios Mr. George Blair Mr. Joseph Cistaro Mrs. Susy Golderer Mr. Nicholas Kumburis Mrs. Judy Mayer Mr. Andrew Choffo Mr. Frank Neglia Also Present: Dr. Barbara Sargent, Superintendent Mrs. Robin C. Tedesco, Business Administrator/Board Secretary Mrs. Katherine Gilfillan, Esq., Board Attorney Dr. Jeffrey Charney, Int. Asst. Supt./Chief Academic Officer Dr. Robert Sutter, Asst. Superintendent- Human Resources Mrs. -
September-October 2018 from the Editor: Welcome to the September/October Edition of the 2018 AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the AmericanNewsletter Accordionists’ Association September-October 2018 From the Editor: Welcome to the September/October edition of the 2018 AAA Newsletter. As we reflect on the outstanding success of the 80th Anniversary Festival in Alexandria, VA, the summer draws to a close bringing with it a sense of great pride and accomplishment. The array of talent fea- tured during our gala Anniversary festival showcased the accordion at its finest, in a variety of genres and settings. A wonderful review with pictures and videos can be found online at www.ameraccord.com and serves as a lasting souvenir of the spectacular gathering. As always, I would like to offer my sincere thanks to the AAA Past- President, Linda Reed and Board of Director, Rita Davidson for their kind assistance with the AAA Newsletter. We invite you to submit your news items for publication so that your fellow members can see the incredible array of accordion activities happening throughout the country. Items for the 2018 November/December Newsletter can be sent to me at [email protected] or to the official AAA e-mail address at: [email protected]. Please include ‘AAA Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent within the e-mail or as a Word attach- ment. Pictures should be sent as a high quality .jpg file, and the larger the file size the better. We can always reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pictures. -
Grammy-Winner Terrance Simien Takes His Audiences on A
Grammy-winner Terrance Simien takes his audiences on a multicultural tour of the world inspired the many countries he’s visited on tour which have informed his musical language. He creates a hypnotic blend of New Orleans funk-reggae-flavored-world-blues-American zydeco roots music that beckons you to your feet and into the groove. Leading his Zydeco Experience band, Simien has become one of the most respected and accomplished artists in American roots music today. He and his band mates have performed over 7000 concerts, toured millions of miles to over 45 countries during their eventful career. “SIMIEN IS A ZYDECO MASTER: HIS VOICE YEARNING LIKE SAM COOKE, HE DELIVERS SOUL WORTHY OF STAX GREATS AND SHOWS CROSSOVER CLASS.” -ROLLING STONE FOR OVER 30 YEARS, 2 TIME GRAMMY AWARD WINNING ARTIST TERRANCE SIMIEN, HAS BEEN SHATTERING THE MYTHS ABOUT INDIGENOUS ZYDECO ROOTS MUSIC, REDEFINING THE GENRE WITH HISTORIC ALBUMS AND PERFORMANCES. THIS 8TH GENERATION LOUISIANA CREOLE IS THE REAL DEAL, WITH A MASSIVELY ENTERTAINING LIVE SHOW THAT INCORPORATES ALL THAT IS GREAT ABOUT LOUISIANA’S DIVERSE MUSICAL HERITAGE. “A RISING ZYDECO STAR, SIMIEN IS MORE THAN JUST A ONE DIMENSIONAL PARTY BAND WHOSE SOULFUL BALLADS COULD HOLD THEIR OWN AGAINST AARON NEVILLE AND SAM COOKE.” - THE LA TIMES BIOGRAPHY Terrance and his loyal and skilled band mates, together have shared studio & stage with Robert Palmer, Stevie Wonder, Los Lobos, Taj Mahal, Dr. John, the Meters, Alan Toussaint, Paul Simon and Dave Matthews Band to name a few. Their music has been featured in TV commercials and a dozen or more films, including the blockbuster “The Big Easy” which changed the game for Louisiana music in the late 80’s. -
Morris Township, New Jersey 07962-1295 Telephone: 973.326.7600 | Fax: 973.644.2726 | TTY Relay: 7-1-1
300 Mendham Road | P.O. Box 1295 | Morris Township, New Jersey 07962-1295 Telephone: 973.326.7600 | Fax: 973.644.2726 | TTY Relay: 7-1-1 www.morrisparks.net THE MORRIS COUNTY PARK COMMISSION DISTRIBUTION OF PARK COMMISSION MAY 24, 2021 MEETING MINUTES 1. President Stuart Lasser 2. Vice President Richard Seabury, III 3. Vacant 4. Commissioner Julie C. Baron 5. Commissioner Betty Cass-Schmidt 6. Commissioner William A. Cogger 7. Commissioner Jonathan Kalafer 8. Commissioner Edward G. McCarthy 9. Commissioner Mathew Tal 10. Executive Director David D. Helmer 11. Board of County Commissioners Liaison Thomas J. Mastrangelo 12. File – 2 THE MORRIS COUNTY PARK COMMISSION MINUTES 300 Mendham Road Morris Township, New Jersey President Lasser called to order the 908th meeting of the Morris County Park Commission at 5:00 p.m. on Monday, May 24, 2021, held “Virtually via WebEx. Executive Director Helmer then read the following notice: PURSUANT TO N.J.S.A. 10:4-6 et seq., adequate notice of this virtual meeting being held at 5:00 p.m. on Monday, May 24, 2021 has been provided by notifying the Daily Record and The Star-Ledger by way of Legal Notice and Sunshine Notice, posting said notice in the Administration Building of the Morris County Park Commission, at the County Courthouse, by filing a copy of the same with the Morris County Clerk, and by posting an Agenda and direction to submit public comments on the Morris County Park Commission website. Each notice provided direction on how to access virtual meeting and also directed people to MCPC website at www.morrisparks.net/commission/public meetings where directions and the Agenda may be viewed. -
Accordion (Music Playing) Narrator: Along with the Argentinean Tango
Accordion (Music playing) Narrator: Along with the Argentinean tango, French musettes, and German polkas, the accordion is one of the defining sounds of Central Texas conjunto bands, as well as Southeast Texas Cajun and zydeco music, country, and western swing. (Music playing) N: With its roots dating back to China thousands of years ago, the popularity of this instrument took off in the early nineteenth century in Europe. N: By the mid 1800s, immigrants had brought the accordion to Texas, where it became emblematic in the way different ethnic groups have shared their musical heritage and influences. (Music playing) N: Patented in 1829 by an Austrian named Cyrill Demian, the accordion spread quickly throughout Europe. N: From Ireland to Russia, versatility and sheer volume of this instrument attracted folk musicians who adapted it to their own style of music. N: However, it was the Germans, Czechs, and French who forever changed Texas music with their use of the accordion. (Music playing) N: German immigrants began moving to Central Texas in large numbers in the 1840s, settling in what became known as the “German Belt,”areas including New Braunfels, Fredericksburg, and Luckenbach. N: German folk songs, with the polka, waltz, and schottische dance steps, were a fundamental part of these immigrant communities, and the accordion was essential to their music. (Music playing) N: By the turn-of-the-century, German Texans and Tejanos were increasingly exchanging musical influences. N: Santiago Jiménez began playing the accordion in 1921 at the age of eight. N: His father, Patricio, had been a successful accordion player in Eagle Pass, Texas, and he encouraged his son to play. -
The Music of Louisiana: Cajuns, Creoles and Zydeco
The Music of Louisiana: Cajuns, Creoles and Zydeco Carole Poindexter-Sylvers INTRODUCTION The music and cuisine of southern Louisiana experienced a renaissance during the 1980s. Zydeco musicians and recording artists made appearances on morning talk shows, Cajun and Creole restaurants began to spring up across the nation, and celebrity chefs such Paul Prudhomme served as a catalyst for the surge in interest. What was once unknown by the majority of Americans and marginalized within the non-French speaking community in Louisiana had now become a national trend. The Acadians, originally from Acadia, Nova Scotia, were expelled from Canada and gradually became known as Cajuns. These Acadians or Cajuns proudly began teaching the lingua franca in their francophone communities as Cajun French, published children‘s books in Cajun French and school curricula in Cajun French. Courses were offered at local universities in Cajun studies and Cajun professors published scholarly works about Cajuns. Essentially, the once marginalized peasants had become legitimized. Cajuns as a people, as a culture, and as a discipline were deemed worthy of academic study stimulating even more interest. The Creoles of color (referring to light-skinned, French-speaking Negroid people born in Louisiana or the French West Indies), on the other hand, were not acknowledged to the same degree as the Cajuns for their autonomy. It would probably be safe to assume that many people outside of the state of Louisiana do not know that there is a difference between Cajuns and Creoles – that they are a homogeneous ethnic or cultural group. Creoles of color and Louisiana Afro-Francophones have been lumped together with African American culture and folkways or southern folk culture. -
Business and Finance Section
These minutes have not been formally approved and are subject to change or modification by the Board at a following meeting: July 22, 2013 The Regular Public Meeting of the Board of Education was called to order at 7:05 p.m. Monday, July 22, 2013 by President Bustos in the Board Meeting Rooms President Bustos made the following announcement: This meeting is being held in accordance with the “Open Public Meetings Act,” Chapter 231, Laws of 1975. The notice of this meeting listing the agenda items was mailed to the The Herald News the El Diario, The Record, Star Ledger and to the presidents of the five employee groups. A copy of the meeting notice listing the agenda items was delivered to the Office of Municipal Clerk and posted on the bulletin board at the City Hall. A copy was also posted in the Passaic Board of Education Administration Building. On attendance eight members were present: Vice President Diaz, Mr. Carrera, Ms. Flores, Mr. Miller, Mr. Patel, Mr. Rosario, Mr. Van Rensalier and President Bustos. Ms. Capursi was absent. Report from Business Administrator/Board Secretary The following represents communications presented for distribution at the July 22, 2013, Committee of the Whole Meeting: 1. Revised Summary of Bills & Early Release of Vendor Checks July 2013 2. Secretary’s & Treasurer’s Report May 2013 June 2013 3. Interest Earned June 2013 The following represents email communications sent to the Board of Education for the period of July 1, 2013 through July 19, 2013 1. Board Meeting Minutes Committee of the Whole Meeting—June 20, 2013 Closed Session Meeting—June 20, 2013 Regular Public Meeting –June 24, 2013 Closed Session Meeting—June 24, 2013 2.