SXSW MUSIC FESTIVAL - INITIAL LIST of SHOWCASING ARTISTS ANNOUNCED Genre-Spanning and Genre-Defying Initial Lineup Revealed

Total Page:16

File Type:pdf, Size:1020Kb

SXSW MUSIC FESTIVAL - INITIAL LIST of SHOWCASING ARTISTS ANNOUNCED Genre-Spanning and Genre-Defying Initial Lineup Revealed SXSW MUSIC FESTIVAL - INITIAL LIST OF SHOWCASING ARTISTS ANNOUNCED Genre-spanning and genre-defying initial lineup revealed Austin, Texas - October 16, 2019 - The South by Southwest® Music Festival (SXSW®) has ​ announced an initial list of Showcasing Artists invited to perform at the 34th annual event. The ​ festival takes place where entertainment, technology, and media industries converge, creating a global platform for emerging acts, established artists and industry professionals to expand their horizons. The first essential music event on the industry’s calendar, the SXSW Music Festival occurs March 16 - 22, 2020 in Austin, Texas. Every year, the SXSW Music Festival programmers present a genre-spanning and genre-defying lineup of artists from around the world, with established performers playing alongside bold new acts. The result is a unique live music experience where industry pros and music lovers discover an unparalleled range of artists and styles. A few highlights from this first round of artists include: ANAVITÓRIA (São Paulo BRAZIL), Automelodi (Montreal CANADA), ​ ​ ​ ​ Baker Boy (Melbourne AUSTRALIA), Cassper Nyovest (Mafikeng, SOUTH AFRICA), Declan ​ ​ ​ ​ J Donovan (Essex UK-ENGLAND), GRIP (Atlanta GA), Hachiku (Melbourne AUSTRALIA), ​ ​ ​ ​ ​ HTRK (Melbourne AUSTRALIA), The Jones Family Singers (Houston TX), Just Mustard ​ ​ ​ ​ (Dundalk IRELAND), Kælan Mikla (Reykjavik ICELAND), Kristin Hersh (Providence RI), ​ ​ ​ ​ Martha Wash (New York NY), The Murder Capital (Dublin IRELAND), Nanpa Básico ​ ​ ​ ​ (Medellín COLOMBIA), The Orielles (Manchester UK-ENGLAND), Pigs Pigs Pigs Pigs Pigs ​ ​ ​ Pigs Pigs (Newcastle Upon Tyne UK-ENGLAND), Pom Poko (Oslo NORWAY), Purple ​ ​ ​ ​ Pilgrims (Coromandel NEW ZEALAND), Quinn Christopherson (Anchorage AK), SUMIN ​ ​ ​ ​ (Seoul SOUTH KOREA), Taimane (Honolulu HI), and YAYOI DAIMON (Tokyo JAPAN). ​ ​ ​ ​ This is the first of several announcements revealing the wide array of Showcasing Artists who will perform for the international creative community at SXSW. These showcases give attendees the opportunity to experience tomorrow’s headliners in small-stage performances at unique venues in downtown Austin. Artists invited to perform include: Accü (Carmarthen UK-WALES) Buzzard Buzzard Buzzard (Cardiff ACTORS (Vancouver CANADA) UK-WALES) Adam French (Congleton UK-ENGLAND) Cadence Weapon (Toronto CANADA) Aiming For Enrike (Oslo NORWAY) Campfire Social (Wrexham UK-WALES) AKA (Cape Town SOUTH AFRICA) Candeleros (Madrid SPAIN) Alex the Astronaut (Sydney AUSTRALIA) Cape Weather (Los Angeles CA) Ali Barter (Melbourne AUSTRALIA) Capyac (Austin TX) Alien Tango (Murcia SPAIN) Caracoles (Canary Islands SPAIN) Altre di B (Bologna ITALY) Carla Geneve (Perth AUSTRALIA) Amanda Black (Mthatha SOUTH AFRICA) Casey Neill & The Norway Rats (Portland OR) ANAVITÓRIA (São Paulo BRAZIL) Cassper Nyovest (Mafikeng SOUTH AFRICA) Andrea Cruz (Puerto Rico PUERTO RICO) Ceci Juno (Guayaquil ECUADOR) Angelica Garcia (El Monte CA) The Chairs (Taiwan TAIWAN) Antti Paalanen (Kokkola FINLAND) Charlie Faye & The Fayettes (Austin TX) Approachable Members Of Your Local Chestnut (Los Angeles CA) Community (Melbourne AUSTRALIA) ChihiroYamazaki+ROUTE14band (Tokyo Arre! Arre! (Malmö SWEDEN) JAPAN) Art d'Ecco (Victoria CANADA) Clean Cut Kid (Liverpool UK-ENGLAND) Automelodi (Montreal CANADA) Cloud Rat (Mount Pleasant MI) Bad Waitress (Toronto CANADA) Colin Gilmore & Nicolette Good: Ladder To Baker Boy (Melbourne AUSTRALIA) The Moon (Austin TX) Bakers Eddy (Melbourne AUSTRALIA) Common Holly (Montreal CANADA) Banditos (Birmingham AL) Como Las Movies (Austin TX) Bang Bang Romeo (Doncaster Con Brio (San Francisco CA) UK-ENGLAND) Corridor (Montreal CANADA) Barbara Nesbitt (Austin TX) Cousin Tony's Brand New Firebird Barbi Recanati (Buenos Aires ARGENTINA) (Melbourne AUSTRALIA) Baseball Gregg (Bologna ITALY) Cromosapiens (Monterrey MEXICO) Beabadoobee (London UK-ENGLAND) Cruz Cafuné (Tacoronte SPAIN) Beachtape (Brighton UK-ENGLAND) Dan García (Mexico City MEXICO) Ben&Ben (Manila PHILIPPINES) Daniel Casimir & Tess Hirst (London Bethlehem Steel (Brooklyn NY) UK-ENGLAND) Better Person (Berlin GERMANY) Dawn Avenue (Tres Marias MEXICO) Bill and the Belles (Johnson City TN) Declan J Donovan (Essex UK-ENGLAND) Birthday Club (Houston TX) Deeper (Chicago IL) Black Country, New Road (Cambridge Devarrow (Halifax CANADA) UK-ENGLAND) Devours (Vancouver CANADA) Blushh (Los Angeles CA) Donna Blue (Amsterdam NETHERLANDS) BLXPLTN (Austin TX) Do Nothing (Nottingham UK-ENGLAND) Bootblacks (New York NY) Drinking Boys and Girls Choir (Daegu SOUTH Borealis Rex (New Orleans LA) KOREA) Bourgeois Mystics (Austin TX) Dry Cleaning (London UK-ENGLAND) DTSQ (Seoul SOUTH KOREA) The Dunts (Glasgow UK-SCOTLAND) Horse Jumper of Love (Boston MA) Early James (Birmingham AL) Housecall (Dallas TX) Easy Wanderlings (Pune INDIA) HTRK (Melbourne AUSTRALIA) eldanidonoso (Santiago CHILE) ings (Seattle WA) El Dorado (Mexico City MEXICO) Islet (Cardiff UK-WALES) Elephant Stone (Montreal CANADA) Jadu Heart (London UK-ENGLAND) Ellis (Hamilton CANADA) Jane Weaver (Manchester UK-ENGLAND) Emma Jean Thackray (London Jan Verstraeten (Sint-Niklaas BELGIUM) UK-ENGLAND) Jason Hawk Harris (Los Angeles CA) Enno Cheng (Taiwan TAIWAN) Jeannel (Berlin GERMANY) Eoin Smith (Dublin IRELAND) Jekyll (Blackpool UK-ENGLAND) eX-Girl (Kichijoji JAPAN) Jeremie Albino (Toronto CANADA) Family Jools (Bristol UK-ENGLAND) The Jones Family Singers (Houston TX) Fanclub (Austin TX) Jordan Mackampa (London UK-ENGLAND) Far Caspian (Leeds UK-ENGLAND) Just Mustard (Dundalk IRELAND) FEET (Coventry UK-ENGLAND) Kae Astra (Austin TX) Ferris & Sylvester (London UK-ENGLAND) Kælan Mikla (Reykjavik ICELAND) The fin. (Kobe JAPAN) KAINA (Chicago IL) Fire EX. (Taiwan TAIWAN) Kate Bollinger (Charlotesville VA) Flyying Colours (Melbourne AUSTRALIA) Kate Clover (Los Angeles CA) The Foreign Resort (Copenhagen KAZKA (Kyiv UKRAINE) DENMARK) Kiki Valera (Seattle WA) FRANKIIE (Vancouver CANADA) Kings of the Beach (Vigo SPAIN) The Frights (San Diego CA) Kiwi Jr. (Toronto CANADA) fuvk (Austin TX) Knife Wife (Washington DC) Gena Rose Bruce (Melbourne AUSTRALIA) Kokoroko (London UK-ENGLAND) Gewalt (Berlin GERMANY) Kristin Hersh (Providence RI) Ghetto Kumbé (Bogotá COLOMBIA) Lady Donli (Abuja NIGERIA) La Glue Trip (João Pessoa BRAZIL) Garfield (Guadalajara MEXICO) Good Morning (Melbourne AUSTRALIA) Laveda (Albany NY) Goon (Los Angeles CA) Leif Vollebekk (Montreal CANADA) GRIP (Atlanta GA) Leon Of Athens (Athens GREECE) Grrrl Gang (Yogyakarta INDONESIA) LET’S MARS (Tel Aviv ISRAEL) Hachiku (Melbourne AUSTRALIA) Lido Pimienta (Toronto CANADA) Hala (Detroit MI) Lilla Vargen (Belfast UK-N. IRELAND) Hardwicke Circus (Carlisle UK-ENGLAND) Lorine Chia (Los Angeles CA) Hater (Malmö SWEDEN) Los Moustros del Espacio Exterior (Culiacán Hedonutopia (Istanbul TURKEY) MEXICO) Henry Brun & The Latin Playerz (San Antonio LOS WILDS (Madrid SPAIN) TX) Louis Prince (Orange County CA) High Heavens (Austin TX) Lower Tar (Los Angeles CA) Hiperson (Chengdu CHINA) Luna Luna (Dallas TX) HMLTD (London UK-ENGLAND) Magnolian (Ulaanbaatar MONGOLIA) Malin Pettersen (Oslo NORWAY) Noya Rao (Leeds UK-ENGLAND) Manifest Destiny's Child (Denton TX) Olivier Cong (Hong Kong HONG KONG) Mapache (Los Angeles CA) Orchards (Brighton UK-ENGLAND) Margaret Glaspy (New York NY) The Orielles (Manchester UK-ENGLAND) Maria y Jose (Tijuana MEXICO) Otha (Oslo NORWAY) Martha Wash (New York NY) Ötzi (Oakland CA) The Mastersons (Los Angeles CA) Pachará (Mexico City MEXICO) Mauskovic Dance Band (Amsterdam Partner (Windsor CANADA) NETHERLANDS) Pearla (Brooklyn NY) Max Chinasky (Cancún MEXICO) Pearl & the Oysters (Gainesville FL) me&you (Sacramento CA) Perfect Son (Warsaw POLAND) Merk (Auckland NEW ZEALAND) Petrol Girls (Graz AUSTRIA) MICHELLE (New York NY) P.H.F (Auckland NEW ZEALAND) Michigander (Kalamazoo MI) Pictish Trail (Isle Of Eigg UK-SCOTLAND) Mikie Rivera (San Juan PUERTO RICO) Pigs Pigs Pigs Pigs Pigs Pigs Pigs Mirella Cesa (Guayaquil ECUADOR) (Newcastle Upon Tyne UK-ENGLAND) Mir Fontane (Camden NJ) Pizzagirl (Liverpool UK-ENGLAND) Mobley (Austin TX) Pom Poko (Oslo NORWAY) Model/Actriz (Boston MA) Porridge Radio (Brighton UK-ENGLAND) Mojo Juju (Melbourne AUSTRALIA) Purple Pilgrims (Coromandel NEW Moonchild Sanelly (Port Elizabeth SOUTH ZEALAND) AFRICA) Qlowski (London UK-ENGLAND) Moon Kissed (New York NY) Quinn Christopherson (Anchorage AK) Moon Panda (Copenhagen DENMARK) Richard Spaven (London UK-ENGLAND) Morena Leraba (Mafeteng LESOTHO) Riders Against the Storm (Austin TX) The Murder Capital (Dublin IRELAND) Roan Yellowthorn (Camden ME) Myylo (Los Angeles CA) Rosehip Teahouse (Cardiff UK-WALES) Nadia Nakai (Johannesburg SOUTH AFRICA) Ruby Boots (Perth AUSTRALIA) Nanpa Básico (Medellín COLOMBIA) Ruth Koleva (Sofia BULGARIA) Natalie McCool (Liverpool UK-ENGLAND) RVG (Melbourne AUSTRALIA) Native Sun (Brooklyn NY) Samba De La Muerte (Caen FRANCE) Necking (Vancouver CANADA) Sammy Brue (Ogden NY) Neck of the Woods (Vancouver CANADA) Samthing Soweto (Johannesburg SOUTH Negative Gemini (Los Angeles CA) AFRICA) NekoJam (Taipei City TAIWAN) San Cha (Los Angeles CA) Neoma (Cuenca ECUADOR) San Mei (Gold Coast AUSTRALIA) Neuza (Fogo CABO VERDE) San Saba County (Austin TX) New Fame (Da Nang VIETNAM) Sarah Klang (Gothenburg SWEDEN) Nico LaOnda (New York NY) Sarah Shook & The Disarmers (Chapel Hill Nicolás Molina (Castillos URUGUAY) NC) Night Dreamer (Los Angeles CA) Savannah Sgro (Nashville TN) Nobody's Girl (Austin TX) Sen Morimoto (Chicago IL) Nonso Amadi (Toronto CANADA) Shady
Recommended publications
  • EUROPEAN COMMISSION Brussels, 15.12.2017 SWD(2017) 607 Final COMMISSION STAFF WORKING DOCUMENT Midterm Evaluation of the Instru
    EUROPEAN COMMISSION Brussels, 15.12.2017 SWD(2017) 607 final COMMISSION STAFF WORKING DOCUMENT Midterm evaluation of the Instrument contributing to Stability and Peace Accompanying the document REPORT FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT AND THE COUNCIL Midterm Review Report on the External Financing Instruments {COM(2017) 720 final} - {SWD(2017) 463 final} - {SWD(2017) 600 final} - {SWD(2017) 601 final} - {SWD(2017) 602 final} - {SWD(2017) 604 final} - {SWD(2017) 605 final} - {SWD(2017) 606 final} - {SWD(2017) 608 final} - {SWD(2017) 609 final} EN EN Contents Executive summary .................................................................................................................... 1 1. Introduction ............................................................................................................................ 2 Purpose of the evaluation ....................................................................................................... 2 Scope of the evaluation .......................................................................................................... 2 2. Background of the initiative ................................................................................................... 3 Description of the initiative and its objectives ....................................................................... 3 Structure ................................................................................................................................. 4 Baseline .................................................................................................................................
    [Show full text]
  • The Anti-Imperial Choice This Page Intentionally Left Blank the Anti-Imperial Choice the Making of the Ukrainian Jew
    the anti-imperial choice This page intentionally left blank The Anti-Imperial Choice The Making of the Ukrainian Jew Yohanan Petrovsky-Shtern Yale University Press new haven & london Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and ex- cept by reviewers for the public press), without written permission from the publishers. Set in Ehrhardt type by The Composing Room of Michigan, Inc. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Petrovskii-Shtern, Iokhanan. The anti-imperial choice : the making of the Ukrainian Jew / Yohanan Petrovsky-Shtern. p. cm. Includes bibliographical references and index. ISBN 978-0-300-13731-6 (hardcover : alk. paper) 1. Jewish literature—Ukraine— History and criticism. 2. Jews in literature. 3. Ukraine—In literature. 4. Jewish authors—Ukraine. 5. Jews— Ukraine—History— 19th century. 6. Ukraine—Ethnic relations. I. Title. PG2988.J4P48 2009 947.7Ј004924—dc22 2008035520 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). It contains 30 percent postconsumer waste (PCW) and is certified by the Forest Stewardship Council (FSC). 10987654321 To my wife, Oxana Hanna Petrovsky This page intentionally left blank Contents Acknowledgments ix Politics of Names and Places: A Note on Transliteration xiii List of Abbreviations xv Introduction 1 chapter 1.
    [Show full text]
  • Ukrainian Literature in English: Articles in Journals and Collections, 1840-1965
    Research Report No. 51 UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 Canadian Institute of Ukrainian Studies Press Occasional Research Reports The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies Press, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, Canada T6G2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies Press. This publication was funded by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. PRINTED IN CANADA 1 Occasional Research Reports UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Research Report No. 5 Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 TABLE OF CONTENTS Introduction v Journals and Collections Included in this Bibliography ix Bibliography 1 General Index 144 Chronological Index 175 INTRODUCTION The general plan Ukrainian Literature in English: Articles in Journals and Collections. 1840-1965 is part of a larger bibliographical project which attempts, for the first time, a comprehensive coverage of translations from and materials about Ukrainian literature published in the English language from the earliest known publications to the present. After it is completed this bibliographical project will include: 1/books and pamphlets, both translations and literary studies; 2/articles and notes published in monthly and quarterly journals, yearbooks, encyclopedias, symposia and other collections; 3/translations of poetry, prose and drama published in monthly and quarterly journals, yearbooks, anthologies etc.; and 4/ book reviews published in journals and collections.
    [Show full text]
  • Annual Report of the Librarian of Congress
    ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I.
    [Show full text]
  • U.S. Scholars and Students in Ukraine 2019-2020
    U.S. Scholars and Students in Ukraine 2019-2020 NEWSLETTER #24 September 2019 1 Fulbright Program in Ukraine Institute of International Education • Kyiv Office 20 Esplanadna Street, Suite 904, Kyiv, 01001, Ukraine Tel.: +380 (44) 287 07 77 [email protected] www.iie.org • www.fulbright.org.ua /Fulbright.Ukraine @fulbrightua /fulbright_ukraine 2 3 Dear Friends and Colleagues: Warm autumn greetings and a heartfelt This year is a banner year for the Institute of welcome to all our U.S. Fulbright scholars, International Education, the administrator fellows, students/researchers and English of the Fulbright Program in Ukraine, which teaching assistants in Ukraine for the 2019- celebrates its centennial as a global 20 academic year. educational institution. We will also toast 100 years of Ukraine’s cultural diplomacy, 2019 was a year of change, as Ukrainians as we mark the centennial of Leontovych’s elected a new president, went to the polls “Shchedryk”, (Carol of the Bells) with a gala to cast their votes for a new parliament concert in October. There will be many more and now have a new government; your events throughout the year which will show year promises to be interesting, as the richness of Ukraine’s history, the wealth Ukraine continues on its path of European and diversity of its culture. We will be happy integration, democracy building and to inform you of all these celebrations. economic reform, and as its citizens continue strengthening civil society, striving We wish you a stimulating and successful to build a better life for themselves and year in your professional endeavors and their children.
    [Show full text]
  • Call Artefact Chornobyl 34
    Date: xx/xx/xxxx Partner search form For Creative Europe project applications Call ARTEFACT CHORNOBYL 2021: A VIRTUAL AND HYBRID EXHIBITION PROPOSAL Strand or category Small Scale Cooperation Projects Cultural operator – who are you? Name of organisation TRANSFERA MEDIA ARTS SL / MADATAC Country Ukraine Organisation website • http://artefact.live/ • www.madatac.es Contact person Iury Lech Polanski: [email protected] Organisation type Private for profit organisation Scale of the organization SME PIC number 937289273 Aims and activities of the This call proposal reunite a series of cultural events in Europe organisation and the world in honor of the 35th anniversary of the Chornobyl accident and the presentation of new modern cultural projects of Chornobyl. The project involves: 1.Virtual exhibition ARTEFACT CHORNOBYL 34. 2.Real exhibition ARTEFACT CHERNOBYL 34, which took place in 2019. 3.Chernobyl.app mobile application with augmented reality and historical documents. 4.Real artifacts from the exposition of the National Museum of Chornobyl. 5.Online meetings on rethinking historical traumas through art, digital art in social projects, lessons from Chornobyl during the COVID19 pandemic. Role of the organisation in Project leader the project Previous EU grants PROJECT ID: 400559226 received LPM 2015 > 2018 - Live Performers Meeting * By answering “yes” you confirm that the information provided can be shared publicly by the Creative Europe Desks in the countries participating in the Creative Europe programme, in order to support your search for partners. Proposed Creative Europe project – to which project are you looking for partners? Sector or field Potential partners sought include cultural and Arts organizations working broadly around New Media Arts, Audio-visual Arts, Arts and Technology, Virtual Reality, including multidisciplinary organisations (e.g.
    [Show full text]
  • ERENET PROFILE Issue 5
    ISSUE Vol. II, No. 1 January 2007 ERENET PROFILE CONTENT __________________________ NEW YEAR MESSAGE 2 PUBLISHER PAPERS Dr. Péter Szirmai– Editor Dr Antal Szabó – Scientific Director Lessons to be Learn from the Budapest Round Table 3 Attila Petheő – Website Editor Szirmai, Péter – Szabó, Antal Respect for Entrepreneurs in the Society 9 Urbán, László INTERNATIONAL BOARD Social Enterprise and the Budapest Round Table 2oo6: The 11 Dr. Sanja Pfeifer Experience of a Psychology PhD Student University of Osiek Smith, Debbie Dr. Dimitri Matis Development of the SME Sector in Armenia 13 University of Cluj-Napoca Martirossian, Rhstun Dr. Zsuzsanna Szabo The Purpose and Achievements of the SME State Support An- 22 University of Tirgu Mures nual Programme in Armenia Dr. Eric Dejan Petrosyan, Anna University of Belgrade Registration of Enterprises in the Republic of Moldova 28 Iabanji, Iulia Dr. Miroslav Glas Inhouse Adjustment to be Successful Abroad 31 University of Ljubljana Ibielski, Dieter Dr. Toni Brunello Measuring Performance – A Challenge for SMEs 35 Studiocentroveneto Liviu, Ilieş – Emil, Crişan Dr. Renata Vokorokosova Disparities in the Field of Internet Usage within the European 39 University of Kosice Union Fiser Noémi Dr. Sonia Heptonstall UBIS Geneva CONFERENCE PAPERS Dr. Dilek Cetindamar • 3rd EDE on 4-7 October 2006 - Zagreb Memorandum 48 Sabanci University • 16th YES Annual Summit 53 Iulia Iabanji • Memorandum of Budapest Round Table 10 November 2006 55 Ministry of Trade and Economy Chisinau Dr. Gyula Fülöp INSITUTIONAL PROFILE
    [Show full text]
  • KIMEP Outstanding Alumni Stories of Success
    CONTENT Foreword.....................................................................................................................................................3 Outstanding Alumni in Brief.....................................................................................................................4 1. Statistical overview...................................................................................................................................4 2. Alumni messages......................................................................................................................................5 MA...............................................................................................................................................................8 Djarbolova, Saida, 1994 ...............................................................................................................................8 Kalyuzhnova, Yelena, 1994..........................................................................................................................8 Uzbekov, Gani, 1997....................................................................................................................................8 Khalit, Ilshat, 1998.......................................................................................................................................9 Shakirkhanov, Ardak, 1998..........................................................................................................................9 Bekzhanova, Gulnara,
    [Show full text]
  • Iuliia Kysla
    Rethinking the Postwar Era: Soviet Ukrainian Writers Under Late Stalinism, 1945-1949 by Iuliia Kysla A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Iuliia Kysla, 2018 Abstract This dissertation advances the study of late Stalinism, which has until recently been regarded as a bizarre appendage to Stalin’s rule, and aims to answer the question of whether late Stalinism was a rupture with or continuation of its prewar precursor. I analyze the reintegration of Ukrainian writers into the postwar Soviet polity and their adaptation to the new realities following the dramatic upheavals of war. Focusing on two parallel case studies, Lviv and Kyiv, this study explores how the Soviet regime worked with members of the intelligentsia in these two cities after 1945, at a time when both sides were engaged in “identification games.” This dissertation demonstrates that, despite the regime’s obsession with control, there was some room for independent action on the part of Ukrainian writers and other intellectuals. Authors exploited gaps in Soviet discourse to reclaim agency, which they used as a vehicle to promote their own cultural agendas. Unlike the 1930s, when all official writers had to internalize the tropes of Soviet culture, in the postwar years there was some flexibility in an author’s ability to accept or reject the Soviet system. Moreover, this dissertation suggests that Stalin’s postwar cultural policy—unlike the strategies of the 1930s, which relied predominantly on coercive tactics—was defined mainly by discipline by humiliation, which often involved bullying and threatening members of the creative intelligentsia.
    [Show full text]
  • Impressionism in Ukrainian Music Impresionizmas Ukrainos Muzikoje
    Lietuvos muzikologija, t. 16, 2015 Olga KUSHNIRUK Impressionism in Ukrainian Music Impresionizmas Ukrainos muzikoje Abstract Impressionism was the first modern stylistic trend that explicitly defined itself in Ukrainian music. The periodization of this phenomenon was determined: 1900–1910s – the first period (renewal of the means of tonality, harmony and texture in range of romantic tradition), the 1920s – the second one (the interaction between impressionism and other styles – expressionism, neoclassicism, folklorism), from the 1960 to the 1980s – the third one (on the one hand the regeneration of the tradition of the beginning of the century, on the other hand a new phenomenon where the means of traditional impressionism are connected with sonorous music, aleatory music, pointillist music, minimalism). The appearance of impressionism in Ukrainian music featured some elements of the individual style of Juliusz Zarębski, Mykola Lyssenko, Jakiv Stepovyj (emancipated dissonances, ninth chords). During the first period we can observe the features of this style in works by Theodor Akimenko Star( Dreams, The Pages of Fantastic Poetry, Urania) and Vasyl Barvinsky (piano preludes, piano trio, romance In the Wood). This period was an early adoption of means, support of the romantic melody and accuracy of structure. The second one was a mature expression of the impressionistic features, of instrumental character of melody, of mosaic form (vocal cycle The Moon Shadows, piano cycle Reflections by Borys Lyatoshynsky, Symphony No. 2 by Lev Revutsky, Sonata for violin and piano, romance Spring Day by Mykola Kolyada, romance In Dream Time by Antin Rudnytsky). During the third period we can see an interaction of impressionistic features (especially the tendency for static form) with sonorous music, minimalism in the works by Gennadij Glazachov, Youri Shevchenko, Volodymyr Shumejko, Alexander Shchetinsky, Alexander Gugel and Volodymyr Skuratovsky.
    [Show full text]
  • (Kazakhstan) От 11,08.Indd
    Developing village, we operate future! JOINT STOCK COMPANY FUND OF FINANCIAL SUPPORT OF AGRICULTURE ANNUAL REPORT FOR 2014 АSTANA-2015 Developing village, we operate future! 3 Annual Report of Joint Stock Company Fund of Financial Support of Agriculture for 2014 Developing village, we operate future! CONTENT ADDRESS OF THE CHAIRMAN OF THE BOARD OF DIRECTORS......................................................................6 ADDRESS OF THE PRESIDENT OF THE BOARD ...........................................9 KEY PERFORMANCE RESULTS ...................................................................12 COMPANY DEVELOPMENT STRATEGY .......................................................12 The natural environment of Kazakhstan is extremely rich PRIMARY ACTIVITIES .....................................................................................13 and diverse. The country has large reserves of many kinds EVALUATION OF RESULTS OF ACTIVITIES of valuable mineral resources, OF THE COMPANY, DYNAMICS OF DEVELOPMENT.....................................14 vast areas of fertile arable land, extensive pastures and PLACEMENT OF SHARES................................................................................19 hayfields. Moreover, these natural resources are often COMPANY DEVELOPMENT STRATEGY..........................................................20 found together and create a natural foundation for the INFORMATION ABOUT CREDIT PORTFOLIO.................................................21 development of a diversified and large-scale national
    [Show full text]
  • Image in Soviet Press in 1939͵1953Ͳs
    Torun InternaƟonal Studies No. 1 (7) 2014,No. 1pp. (7) 37–45 2014 DOI: hƩp://dx.doi.org/10.12775/TIS.2014.004 Published online May, 2015 (hƩp://wydawnictwoumk.pl/czasopisma/index.php/TSM) Lidiia Sirenko* CONSTRUCTION OF “ENEMY’S” IMAGE IN SOVIET PRESS IN 1939͵1953ͳS ABSTRACT The article presents how in Soviet Union through children’s press government tried to raise new generation of Soviet men, who would be loyal to communists regime. As the main tool was used image of “enemy”, which consisted of two main parts: “external” and “internal enemies”. “Enemy’s” concept was not constant. The article examines evolution of the con- cept and its connection with the geopolitical situation and economic and political processes within the Soviet state. Children were taught how to identify “enemy” among other citizens, where they located, how they looks like, what values they have. And why it was so important for Soviet child to be attentive and report about all suspicious persons. Key words: children’s press, propaganda, image of “enemy” 1. INTRODUCTION In the Soviet Union press was an important tool for making impact on the citizens. Through newspapers and magazines government attempted to give examples of ideal Soviet citizen behaviors, create a list of “friends” and “enemies”. Not exception was children’s periodicals, which had not as entertaining as educational role. Through periodicals authorities formed the desired image of the child. On the pages of periodicals could be found everything that had to be present in the life of Soviet child: politics, ideology, entertainment, educational games, hobbies ( Kolosova, 2007).
    [Show full text]