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View Campaign Brochure
CAROLINA BALLET’S Carolina Ballet would like to thank the following supporters for their early Pleaseinvestment visit Carolina in Choreographing Ballet’s website for aCarolina list of all Campaign Ballet’s Gifts Future. through October 31, 2018. $1,000,000+ Mr. and Mrs. Andrew Steidinger Ronald and Maryllen Blum Enviromental Control Judy and Steve Zelnak Synergy Face & Body Hal Bowman and Mercedes Auger Liz and Britt Ferrill Ms. Vera Tayeh Richard Catlin and Associates, Inc. Mrs. Mary A. Fisher $250,000+ Beverly Taylor Dr. Margaret K. Champion Ms. Christina Floyd Anonymous NC Family Mr. and Mrs. Richard A. Thomas Matt and Gina Chapin Fonville Morisey Realty Dr. and Mrs. Malcolm McDougal Brown Rob and Sally Tiller Citrix Mr. and Mrs. Stanley H. Fox The John William Pope Foundation Lars and Elisabeth von Kantzow Mr. Brian Cook Dan Gaugert and Terry Harper Stefanie and Douglas Kahn Robert Weiss and Melissa Podcasy Jacobi Daley Nicholas and Carol Gillham Moise Khayrallah Katherine White and Thomas Urquhart Deloitte Alicia and Sean Gilsenan Martin Marietta Materials Brooklyn and Mike Winters Jamie Drake Danielle Greco and Tony Bryant Ms. Patricia Dube Eileen Greenbaum and Larry Mintz $100,000+ $7,500+ George Evans and Karen Monaco Bob and Laura Gutman Anonymous (1) Anonymous (1) Drs. Richard Felder and Rebecca Brent Annette and Richard Hagopian Capitol Broadcasting Company Mrs. Franc A. Barada, Jr. Finnamore Real Estate Ms. Gayla H. Halbrecht Ms. Ellyn E. Daniels Nancy and Christopher Bolen Sharon and J.C. Garbutt Cheryl and Charles Hall Mrs. Jolene B. McGehee Brigs Restaurants Carolyn Happer and Leonard Graham Dr. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Gothic Riffs Anon., the Secret Tribunal
Gothic Riffs Anon., The Secret Tribunal. courtesy of the sadleir-Black collection, University of Virginia Library Gothic Riffs Secularizing the Uncanny in the European Imaginary, 1780–1820 ) Diane Long hoeveler The OhiO STaTe UniverSiT y Press Columbus Copyright © 2010 by The Ohio State University. all rights reserved. Library of Congress Cataloging-in-Publication Data hoeveler, Diane Long. Gothic riffs : secularizing the uncanny in the european imaginary, 1780–1820 / Diane Long hoeveler. p. cm. includes bibliographical references and index. iSBn-13: 978-0-8142-1131-1 (cloth : alk. paper) iSBn-10: 0-8142-1131-3 (cloth : alk. paper) iSBn-13: 978-0-8142-9230-3 (cd-rom) 1. Gothic revival (Literature)—influence. 2. Gothic revival (Literature)—history and criticism. 3. Gothic fiction (Literary genre)—history and criticism. i. Title. Pn3435.h59 2010 809'.9164—dc22 2009050593 This book is available in the following editions: Cloth (iSBn 978-0-8142-1131-1) CD-rOM (iSBn 978-0-8142-9230-3) Cover design by Jennifer Shoffey Forsythe. Type set in adobe Minion Pro. Printed by Thomson-Shore, inc. The paper used in this publication meets the minimum requirements of the american national Standard for information Sciences—Permanence of Paper for Printed Library Materials. ANSi Z39.48-1992. 9 8 7 6 5 4 3 2 1 This book is for David: January 29, 2010 Riff: A simple musical phrase repeated over and over, often with a strong or syncopated rhythm, and frequently used as background to a solo improvisa- tion. —OED - c o n t e n t s - List of figures xi Preface and Acknowledgments xiii introduction Gothic Riffs: songs in the Key of secularization 1 chapter 1 Gothic Mediations: shakespeare, the sentimental, and the secularization of Virtue 35 chapter 2 Rescue operas” and Providential Deism 74 chapter 3 Ghostly Visitants: the Gothic Drama and the coexistence of immanence and transcendence 103 chapter 4 Entr’acte. -
May 16, 2013 - Episode Introduction
May 16, 2013 - Episode Introduction French English Translation Bienvenue Welcome notre programme (m) hebdomadaire our weekly program tout le monde (m) everyone nos auditeurs (m) our listeners Cette semaine (f) This week nous parlons we talk about relevés (m) téléphoniques phone records elle a subie she underwent manifestations (f) protests exigences (f) salariales salary demands recettes (f) recipes aident à lutter contre help to fight against réchauffement (m) climatique global warming vont sauver le monde (m) will save the world Je savais I knew te passionnerait would excite you commencera par will start with contenant with premier groupe (m) first group passé simple (m) simple past Ensuite Then terminera par will end with rubrique (f) section sera dédiée à will be dedicated to Mettre to put sur la paille (f) on the straw C'est parti Let's go nourriture (f) food les autres sujets (m) d'actualité the other news stories Le département de la Justice américain obtient secrètement des relevés téléphoniques d'Associated Press French English Translation obtient secrètement secretely obtains relevés (m) téléphoniques phone records agence (f) de presse news agency avait secrètement rassemblé had secretly collected deux mois (m) two months relevés (m) téléphoniques phone records rédacteurs (m) en chef editors incluaient included appels (m) calls à partir de from plusieurs bureaux (m) several offices lignes (f) personnelles personal lines plusieurs membres (m) du personnel several staffers a qualifié called sans précédent (m) without precedent -
Katarina Dalayman Soprano
KATARINA DALAYMAN SOPRANO BIOGRAPHY LONG VERSION Swedish soprano Katarina Dalayman has sustained a long and prestigious international career in the dramatic repertoire and she has enjoyed enduring collaborations with many of today’s foremost conductors. Strong, dramatic interpretations married with impeccable musicianship are her characteristics. Dalayman has performed a wide range of roles including Isolde (Tristan und Isolde), Marie (Wozzeck), Lisa (Queen of Spades), Ariadne (Ariadne auf Naxos), Katarina Ismailova (Lady Macbeth of Mtsensk) and the title role of Elektra. With a particularly strong association to Wagner's Brünnhilde, Dalayman has appeared in Ring cycles at The Metropolitan Opera, Opéra National de Paris, Wiener and Bayerische staatsoper, Teatro alla Scala, Deutsche Oper Berlin, Semperoper Dresden, Salzburger Festspiele and Festival d’Aix en Provence. Looking ahead to the next phase in her career, Katarina Dalayman’s repertoire is now focused on new roles, having recently made her debut as Kundry (Parsifal) in Dresden, Paris and Stockholm, Judith (Duke Bluebeard’s Castle) in Barcelona and London (Royal Opera House), Ortrud (Lohengrin) with Royal Concertgebouw Orchestra, and Brangäne (Tristan und Isolde) at The Metropolitan Opera. She has recently appeared as Herodias (Salome) for Royal Swedish Opera, Foreign Princess (Rusalka) at The Metropolitan Opera, Klytämnestra (Elektra), Amneris (Aida), and Kostelnicka (Jenůfa), all for Royal Swedish Opera. Among recent performances can be mentioned her highly celebrated interpretation of Kundry at the Metropolitan Opera in New York, a production that was broadcasted around the world in the Mets “Live in HD” performance transmissions, an appearance together with Bryn Terfel in Die Walküre at the Tanglewood Festival in USA, an interpretation of Carmen and Elisabetta in Maria Stuarda both at the Royal Swedish Opera and Ortrud in Lohengrin, with the Concertgebouw Orchestra. -
A New Ballet Company Comes to Wake Forest!
A New Ballet Company comes to Wake Forest! My name is Ruth Leney-Midkiff and I am the Co-Founder and Artistic Director of the Wake Forest Civic Ballet (WFCB). Twelve years ago, Patty Ogden, Owner and Director of Destiny Dance Institute (DDI), asked me to develop a high caliber ballet program for young dancers at DDI. We now have what is recognized as one of the top ballet programs in the Triangle area. What began as a single weekly class so long ago has blossomed into a fully-developed, Pre-Professional curriculum. We now have five levels and a permanent faculty of six instructors, who come to us with outstanding credentials from schools and companies worldwide. Our most advanced young dancers attend class five times weekly, and have been invited to study at some of our nation’s most prestigious dance schools including: Pacific Northwest Ballet, Central Pennsylvania Youth Ballet, Richmond Ballet, Charlotte Ballet, and Carolina Ballet. Some have gone on to dance professionally, and many are enthusiastically aspiring to careers as young dance artists. In 2010, we founded the Destiny Dance Institute Ballet Company (DDIBC), which gave our dancers a vehicle to perform both classical and contemporary repertoire. From Tchaikovsky’s Nutcracker and Sleeping Beauty, to Stravinsky’s Firebird and guest artist Bill de Young’s edgy “Slate,” our dancers have leapt and twirled their way into the world of dance. Our success is built upon a commitment to hard work, quality training, and excellence in production. DDIBC has used its resources to foster the arts in our community, not only by hiring instructors and choreographers, but also by engaging local seamstresses, set designers, lighting designers, photographers, actors and more. -
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Bluebeard's Castle
LSO Live Bartók Bluebeard’s Caslte Valery Gergiev Elena Zhidkova Sir Willard White London Symphony Orchestra Béla Bartók (1881–1945) Page Index Bluebeard’s Castle (1911, rev 1912, 1918 and 1921) 3 English notes Valery Gergiev conductor 4 French notes Elena Zhidkova mezzo-soprano (Judith) 5 German notes Sir Willard White bass-baritone (Bluebeard) 6 Opera synopsis London Symphony Orchestra 7 Composer biography 8 Text 17 Conductor biography 1 Prologue and Introduction 15’22’’ 18 Artist biographies 2 First Door: Bluebeard’s Torture Chamber 4’19’’ 20 Orchestra personnel list 3 Second Door: The Armoury 4’16’’ 4 Third Door: The Treasury 2’14’’ 21 LSO biography 5 Fourth Door: The Garden 4’31’’ 6 Fifth Door: Bluebeard’s Vast and Beautiful Kingdom 6’05’’ 7 Sixth Door: The Lake of Tears 13’30’’ 8 Seventh Door: Bluebeard’s Wives 8’29’’ Total Time 58’53’’ Recorded live 27 and 29 January 2009 at the Barbican, London James Mallinson producer Danieli Quilleri casting consultant Classic Sound Ltd recording, editing and mastering facilities Neil Hutchinson and Jonathan Stokes for Classic Sound Ltd balance engineers Ian Watson and Jenni Whiteside for Classic Sound Ltd audio editors Includes multi-channel 5.1 and stereo mixes. Published by Universal Edition AG © 2009 London Symphony Orchestra, London UK P 2009 London Symphony Orchestra, London UK 2 Alberto Venzago Béla Bartók (1881–1945) already been on several collecting expeditions; For all its qualities and near perfection of last conceals the three wives whom Judith Bluebeard’s Castle (1911, rev 1912, Balázs’s deliberate intent to evoke the strength outline, Bluebeard’s Castle is an early work. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
May 19 – June 30, 2021
LOUISVILLE BALLET MAY 19 – JUNE 30, 2021 CHORSHOW Louisville Ballet Studio Company Dancer Louisville Ballet Studio Elizabeth Abbick Company Artist from “The Movement” / Sarah Bradley from “Circadian” / ChorShow 2021 ChorShow 2021 #CHORSHOW 2021 Featuring new works by Danielle Rowe, Justin Michael Hogan, Sanjay Saverimuttu, Natalie Orms, and Brandon Ragland. Cinematography & Post Production by KERTIS: Producers: Aaron Mikel & Sawyer Roque Videographers: Aaron Mikel & Alan Miller Editors: Kaylee Everly, Tobias Van Kleeck, & Wesley Bacon Lighting: Jesse Alford Costume Design: Alexandra Ludwig Stage Manager: Kim Aycock Technical Director: Brian Sherman Louisville Ballet would like to thank our generous donors for making this production possible. Louisville Ballet would also like to thank The Fund for the Arts for its generous investment in our Organization and support for our fellow arts organizations across the state. We also deeply appreciate the Kentucky Arts Council, the state arts agency, which provides operating support to Louisville Ballet with state tax dollars and federal funding from the National Endowment for the Arts, as well as significant advocacy on behalf of Louisville Ballet and our fellow arts organizations across The Commonwealth. 2 NOTES FROM THE ROBERT ARTISTIC DIRECTOR CURRAN Welcome to the final, original film of our fully digital Season of Illumination, Choreographers’ Showcase, fondly known as #ChorShow, a program created by and for our Louisville Ballet dancers. This always popular, often sold out, in-studio production might feel a little different this year, but the process and the intimacy remain. As always the final production features new works by dancers from the Company, as well as a piece by San Francisco-based guest choreographer, Danielle Rowe, this time created remotely, from a screen to our studio.