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BIbLIOGRAPHY Aprahamian, Serouj. “Debunking the Historical Hype: A Look at the True Origins of Wall Writing.” Bombingscience.com. https://www.bombingscience.com/ debunking-­the-­historical-­hype-­a-­look-­into-­the-­true-­origins-­of-­wall-­writing/ (accessed Sept. 2017). Aprahamian, Serouj. “Hip Hop, Gangs, and the Criminalization of African American Culture: A Critical Appraisal of Yes Yes Y’all.” Journal of Black Studies, 50:3 (2019), 298–315. Aprahamian, Serouj. “There Were Females That Danced Too”: Uncovering the Role of Women in Breaking History. Dance Research Journal, 52:2 (August 2020), 41–58. Asante, Jr., M.K. It’s Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation. New York: St. Martin’s, 2008. Badiou, Alain. Ethics: An Essay on the Understanding of Evil, trans. Peter Hallward. London: Verso, 2013. Banes, Sally. “Physical Graffti: Breaking is Hard to Do.” In And It Don’t Stop: The Best American Hip-Hop Journalism of the Last 25 Years, edited by Raquel Cepeda, 7–11. New York: Faber & Faber, 2004. Bayles, Martha. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music. New York: The Free Press, 1994. Bozorgmehr, Cyrus. Once Upon A Time In Shaolin: The Untold Story of Wu-Tang Clan’s Million-Dollar Secret Album, the Devaluation of Music, and America’s New Public Enemy No. 1. New York: Flatiron, 2017. Brewster, Bill and Frank Broughton. The Record Players: DJ Revolutionaries. New York: Black Cat, 2010. © The Author(s), under exclusive license to Springer Nature 121 Switzerland AG 2021 J. Vernon, Sampling, Biting, and the Postmodern Subversion of Hip Hop, https://doi.org/10.1007/978-3-030-74903-3 122 BIBLIOGRAPHY Brewster, Bill and Frank Broughton. Last Night a DJ Saved My Life. New York: Grove, 2014. Burton, Justin Adams. Posthuman Rap. New York: Oxford University Press, 2017. Calcagno, Antonio, Jim Vernon, and Steve Lofts, eds. Intensities and Lines of Flight: Deleuze and Guattari and the Arts. Rowman and Littlefeld, 2014. Castleman, Craig. Getting Up: Subway Graffti in New York. Cambridge: MIT, 1997. Chalfant, Henry and Martha Cooper. Subway Art. New York: Thames and Hudson, 1984. Chang, Jeff. Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation. New York: Picador, 2005. Charnas, Dan. The Big Payback: The History of the Business of Hip-Hop. New York: New American Library, 2010. Cobb, William Jelani. To The Break of Dawn: A Freestyle on the Hip Hop Aesthetic. New York: New York University Press, 2007. Curry, Tommy. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood. Philadelphia: Temple University Press, 2017. Davis, Miles, with Quincy Troupe. Miles: The Autobiography. New York: Simon & Shuster, 1990. Echevarria, Joe. “Judge Finds Biz Markie Guilty of Copyright Infringement”. https://www.xxlmag.com/judge-­finds-­biz-­markie-­guilty-­of-­copyright- ­infringement-­today-­in-­hip-­hop/. Edwards, Paul. The Concise Guide to Hip-Hop Music: A Fresh Look at the Art of Hip-Hop from Old-School Beats to Freestyle Rap. New York: St. Martin’s Griffn, 2015. Ewoodzie, Jr., Joseph C. Break. Beats in the Bronx: Rediscovering Hip-Hop’s Early Years. Chapel Hill: University of North Carolina Press, 2017. Fernandes, Sujatha. Close to the Edge: In Search of the Global Hip Hop Generation. London: Verso, 2011. Flores, Juan. “Puerto Rocks: New York Ricans Stake Their Claims.” In Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture, edited by William Eric Perkins, 85–105. Philadelphia: Temple University Press, 1996. Frank, Thomas. The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago and London: University of Chicago Press, 1997. Frank, Thomas. The People, No!. New York: Metropolitan, 2020. Fricke, Jim and Charlie Ahearn. Yes Yes Y’all: The Experience Music Project Oral History of Hip-Hop’s First Decade. Cambridge: Da Capo, 2002. Gates, Jr., Henry Louis. The Signifying Monkey: A Theory of African American Literary Criticism, 25th-Anniversay Edition. New York: Oxford University Press, 2014. BIBLIOGRAPHY 123 Gates, Jr., Henry Louis. Stony The Road: Reconstruction, White Supremacy, and the Rise of Jim Crow. New York: Penguin, 2019. George, Nelson. Hip Hop America. New York: Viking, 1998. Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press, 1993. Gordon, Lewis. “Grown Folks’ Business: The Problem of Maturity in Hip Hop.” In Hip Hop & Philosophy: Rhyme to Reason, ed. by Derrick Darby and Tommie Shelby. Chicago and LaSalle: Open Court, 2005, 105–16. Gosa, Travis L. “The Fifth Element: Knowledge.” In The Cambridge Companion to Hip-Hop, edited by Justin A. Williams, 56–70. Cambridge: Cambridge University Press, 2015. Grandmaster Caz. Written: The Lyrics of Grandmaster Caz. Godalming, UK: The Lyric Book Company, 2012. Grandmaster Flash, with David Rita. The Adventures of Grandmaster Flash: My Life, My Beats. New York: Broadway Books, 2008. Hager, Steven. Hip Hop. Self-published. Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge: Blackwell, 1989. Harvey, David. A Brief History of Neoliberalism. New York: Oxford University Press, 2005. Hazzard-Donald, Katrina. “Dance in Hip Hop Culture.” In Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture, edited by William Eric Perkins, 220–35. Philadelphia: Temple University Press, 1996. Hegel, G.W.F. Hegel’s Aesthetics: Lectures on Fine Art, trans. T.M. Knox, Vol. I. New York: Oxford University Press, 1975. Hess, Mickey. Is Hip Hop Dead?: The Past, Present, and Future of America’s Most Wanted Music. Westport, Conn.: Praeger, 2007. Houle, Karen and Jim Vernon, eds. Hegel and Deleuze: Together Again for the First Time. Northwestern University Press, 2013. Jameson, Frederic. Postmodernism: Or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991. Jenkins, Sacha. “The Writing on the Wall: Graffti Culture Crumbles into the Violence it Once Escaped.” In And It Don’t Stop: The Best American Hip-hop Journalism of the Last 25 Years, edited by Raquel Cepeda, 288–299. New York: Faber and Faber, 2004. Jonnes, Jill. South Bronx Rising: The Rise, Fall, and Resurrection of an American City. New York: Fordham University Press, 2002. Katz, Mark. Groove Music: The Art and Culture of the Hip-Hop DJ. New York: Oxford University Press, 2012. Keyes, Cheryl. Rap Music and Street Consciousness. Champaign, IL: University of Illinois Press, 2004. 124 BIBLIOGRAPHY Kitwana, Bakari. Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America. New York: Basic Civitas, 2005. Kohl, Herbert, with photos by James Hinton. “Names, Graffti, and Culture.” Urban Review 3 (April 1969), 24–37. Krims, Adam. Rap Music and the Poetics of Identity. New York: Cambridge University Press, 2000. KRS-One. Ruminations. New York: Welcome Rain, 2003. KRS-One. The Gospel of Hip Hop: First Instrument. New York: Powerhouse Books, 2009. Kurlansky Mervyn and Jon Naar, eds. with text by Norman Mailer. The Faith of Graffti. New York: Praeger, 1974. Lebron, Christopher J. The Making of Black Lives Matter: A Brief History of an Idea. New York: Oxford University Press, 2017. Limbong, Andrew. “Both Party and Protest, ‘Alright’ is the Sound of Black Life’s Duality”, 2019. https://www.npr.org/2019/08/26/753511135/kendrick- ­lamar-­alright-­american-­anthem-­party-­protest. Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984. Macdonald, Michael B. Remix and Life Hack in Hip Hop: Towards a Critical Pedagogy of Music. Rotterdam: Sense Publishers, 2016. McGlynn, Aine. “The Infnity Lessons of the Zulu Nation.” In Icons of Hip-Hop: An Encyclopedia of the Movement, Music, and Culture, vol. 1, edited by Mickey Hess, 269–70. Santa Barbara: ABC-CLO, 2007. McQuillar, Tayannah Lee. When Rap Music Had A Conscience: The Artists, Organizations, and Historic Events that Inspired and Infuenced the ‘Golden Age’ of Hip-Hop From 1987–1996. New York: Thunder’s Mouth Press, 2007. McWhorter, John. All About The Beat: Why Hip-Hop Can’t Save Black America. New York: Penguin, 2008. Miller, Ivor R. Aerosol Kingdom: Subway Painters of New York City. Jackson: University of Mississippi, 2002. Miller, Monica R. Religion and Hip Hop. New York: Routledge, 2013. Myrie, Russell. Don’t Rhyme for The Sake of Riddlin’: The Authorized Story of Public Enemy. New York: Canongate, 2009. Naar, Jon. The Birth of Graffti. New York: Prestel, 2007. Neal, Mark Anthony. “Postindustrial Soul: Black Popular Music at the Crossroads”, in That’s The Joint: The Hip-Hop Studies Reader, 2nd Edition, eds. Murray Forman and Mark Anthony Neal. New York: Routledge, 2012, 477–501. Oswald, John. “Plunderphonics, or Audio Piracy as a Compositional Prerogative”. http://www.plunderphonics.com/xhtml/xplunder.html. Perkins, William Eric ed. Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press, 1996. BIBLIOGRAPHY 125 Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Durham, NC: Duke University Press, 2004. Potter, Russell A. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany: SUNY Press, 1995. Powers, Stephen. The Art of Getting Over: Graffti at the Millennium. New York: St. Martin’s Press, 1999. Rakim, with Bakari Kitwana. Sweat the Technique: Revelations on Creativity from the Lyrical Genius. New York: Amistad, 2019. Reed, Adolph. Class Notes: Posing as Politics and Other Thoughts on the American Scene. New York The New Press, 2000. Reed, Touré. “‘Jess La Bombalera and the Pathologies of Racial Authenticity”, 2020. https://jacobinmag.com/2020/09/jess-­la-­bombalera-­and-­the-­ pathologies-­of-­racial-­authenticity?fbclid=IwAR1DZVT08d6LkUZXKVoWOB wdbnRd84BzkJH6xGDGrufQaaQj1Bq7sT36QSo. Reeves, Marcus. Somebody Scream: Rap Music’s Rise to Prominence in the Aftershock of Black Power. New York: Faber and Faber, 2008. Reynolds, Simon. “John Oswald/Greyfolded”, 2014. Available at http://retro- maniabysimonreynolds.blogspot.com/2014/09/remashed.html.
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