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Bibliography BIbLIOGRAPHY Aprahamian, Serouj. “Debunking the Historical Hype: A Look at the True Origins of Wall Writing.” Bombingscience.com. https://www.bombingscience.com/ debunking-­the-­historical-­hype-­a-­look-­into-­the-­true-­origins-­of-­wall-­writing/ (accessed Sept. 2017). Aprahamian, Serouj. “Hip Hop, Gangs, and the Criminalization of African American Culture: A Critical Appraisal of Yes Yes Y’all.” Journal of Black Studies, 50:3 (2019), 298–315. Aprahamian, Serouj. “There Were Females That Danced Too”: Uncovering the Role of Women in Breaking History. Dance Research Journal, 52:2 (August 2020), 41–58. Asante, Jr., M.K. It’s Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation. New York: St. Martin’s, 2008. Badiou, Alain. Ethics: An Essay on the Understanding of Evil, trans. Peter Hallward. London: Verso, 2013. 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Echevarria, Joe. “Judge Finds Biz Markie Guilty of Copyright Infringement”. https://www.xxlmag.com/judge-­finds-­biz-­markie-­guilty-­of-­copyright- ­infringement-­today-­in-­hip-­hop/. Edwards, Paul. The Concise Guide to Hip-Hop Music: A Fresh Look at the Art of Hip-Hop from Old-School Beats to Freestyle Rap. New York: St. Martin’s Griffn, 2015. Ewoodzie, Jr., Joseph C. Break. Beats in the Bronx: Rediscovering Hip-Hop’s Early Years. Chapel Hill: University of North Carolina Press, 2017. Fernandes, Sujatha. Close to the Edge: In Search of the Global Hip Hop Generation. London: Verso, 2011. Flores, Juan. “Puerto Rocks: New York Ricans Stake Their Claims.” In Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture, edited by William Eric Perkins, 85–105. Philadelphia: Temple University Press, 1996. Frank, Thomas. The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago and London: University of Chicago Press, 1997. Frank, Thomas. 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Cambridge: Cambridge University Press, 2015. Grandmaster Caz. Written: The Lyrics of Grandmaster Caz. Godalming, UK: The Lyric Book Company, 2012. Grandmaster Flash, with David Rita. The Adventures of Grandmaster Flash: My Life, My Beats. New York: Broadway Books, 2008. Hager, Steven. Hip Hop. Self-published. Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge: Blackwell, 1989. Harvey, David. A Brief History of Neoliberalism. New York: Oxford University Press, 2005. Hazzard-Donald, Katrina. “Dance in Hip Hop Culture.” In Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture, edited by William Eric Perkins, 220–35. Philadelphia: Temple University Press, 1996. Hegel, G.W.F. Hegel’s Aesthetics: Lectures on Fine Art, trans. T.M. Knox, Vol. I. New York: Oxford University Press, 1975. Hess, Mickey. Is Hip Hop Dead?: The Past, Present, and Future of America’s Most Wanted Music. Westport, Conn.: Praeger, 2007. 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Kohl, Herbert, with photos by James Hinton. “Names, Graffti, and Culture.” Urban Review 3 (April 1969), 24–37. Krims, Adam. Rap Music and the Poetics of Identity. New York: Cambridge University Press, 2000. KRS-One. Ruminations. New York: Welcome Rain, 2003. KRS-One. The Gospel of Hip Hop: First Instrument. New York: Powerhouse Books, 2009. Kurlansky Mervyn and Jon Naar, eds. with text by Norman Mailer. The Faith of Graffti. New York: Praeger, 1974. Lebron, Christopher J. The Making of Black Lives Matter: A Brief History of an Idea. New York: Oxford University Press, 2017. Limbong, Andrew. “Both Party and Protest, ‘Alright’ is the Sound of Black Life’s Duality”, 2019. https://www.npr.org/2019/08/26/753511135/kendrick- ­lamar-­alright-­american-­anthem-­party-­protest. Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984. Macdonald, Michael B. Remix and Life Hack in Hip Hop: Towards a Critical Pedagogy of Music. 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