DOCSLIB.ORG

Honor Code up for Revision

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Honor Code up for Revision Tribe drops fourth The Flat Hat’s Columnist: Vote no on game in last five Oscar picks Honor Code changes SEE BACK PAGE SEE PAGE 6 SEE PAGE 5 The twice-weekly student newspaper of the College of William and Mary — Est. 1911 VOL.98, NO.34 FRIDAY, FEBRUARY 20, 2009 FLATHATNEWS.COM Honor MR. WILLIAM AND MARY State Code charges up for Pilchen Former SA President revision arrested on embezzlement Referendum will be charges in January put to a vote Monday By MILES HILDER Flat Hat News Editor By IAN BRICKEY Flat Hat Staff Writer Former Student Assembly President Zach Pilchen ’10 was arrested last month in connec- Proposed changes to the College of William tion with his widely publicized personal spend- and Mary’s Honor Code are drawing controversy ing spree last September, in which he used an among students, with some calling the alterations off-campus SA account to buy cigarettes, movie significant and damaging. But members of the Hon- tickets and other items. or Council argue that the proposal makes the code A Commonwealth of Vir- AT H clearer and more student friendly. ginia warrant for Pilchen’s ar- LAT LAT Similar alterations failed in a referendum vote rest on a Class 1 Misdemean- F HE last semester after a last-minute push by students or charge was filed Jan. 9 by T and members of the College of William and Mary Student Assembly who Police Lieutenant John Cole- INSIDE argued students were man. Pilchen was arrested by View last semester’s list not fully informed on campus police at 1:40 p.m. Jan. FILE PHOTO — of Honor Council cases the changes. 21. He posted $2,000 bail later Pilchen ’10 and the complete list One policy change that day. of candidates for the that has come under Pilchen resigned from his position as vice Honor Council. harsh criticism is the president of the SA Sept. 2, 2008. His resigna- Page 3 right of the chair to tion came shortly after he admitted to making deny requests for an purchases with the SA off-campus account debit open hearing with card amounting to $138.51 between April 28 and “good cause.” Council of Chairs President Matt Di- May 12 of last year. nan ’09 defended the amendment, stating that the Pilchen declined to comment for this story. “good cause” change is being made at the requests JASLEEN Singh — THE FLAT HAT He allegedly violated Section 18.2-111 of the of the College’s legal counsel and the attorney gen- Greg Collins ’09 was elated to win the title of Mr. William and Mary Wednesday night, beating out contestants Code of Virginia, according to the arrest war- eral of Virginia. The aim of the clause, Dinan said, such as Kevin Dua ’09, Dan Gormally ’09 and Brian Terrill ’12. The contest was judged by Interim Vice rant filed with the state. The warrant describes is to empower the chair to successfully handle indi- President for Student Affairs Ginger Ambler ’88 Ph.D. ’06, government professor Clay Clemens ’80 and Associ- Pilchen’s offense as an embezzlement of money viduals who may be exceedingly disruptive during ate Director of Student Activities Anne Arseneau. The event raised funds for the Alan Bukzin Memorial Bone the course of a trial. Dinan stressed that if a “good Marrow Drive, which will take place April 15. See PILCHEN page 3 cause” decision were invoked during a trial, the de- cision would be open to appeal. Another contentious change is the proposed abolition of student-wide referendums to enact pro- cedural change. These referendums can take as long as two years to successfully be approved and Antique phone system hangs on by wire See HONOR CODE page 3 By AUSTIN WRIGHT The phone system is 20 years old, installed pus that’s always under construction. Flat Hat Editor-in-Chief before many students were born. It’s an energy- Dorm phone lines — now free of charge — guzzler, requiring up to twice the electricity of will likely cost $50 starting next semester. The Last November, the College of William and modern systems. It also costs more to run. College’s Information Technology department Res Life policy Mary’s phone system short-circuited, shutting And the system cannot expand. That’s be- projects that most students will gladly give up down every campus line for about 10 minutes. cause the company that made it discontinued the their campus lines, since the vast majority rely Since then, there have been no more black- product about a decade ago. The system is now on cell phones. The result: new campus build- outs. maxed out, with 7,135 ports. New phone lines ings can use the phone lines students no longer change could Consider the College lucky. cannot be added, which is a problem for a cam- need. The flashy new School of Business building will be fully equipped with the 1980s phone sys- push frats out tem. Future buildings could be out of luck. “Ultimately, something will have to be done,” said Chris Ward, IT’s director of systems and support. “We’re now just starting to work on a Frats may drop campus request for a proposal so we can get some bids on what a new system would cost.” housing over new rules Officials expect a new phone system to cost around $2 million, plus monthly operational ex- penses. A new system would cut down on energy By KEVIN LIPTAK use by as much as 50 percent, Ward said, and Flat Hat Staff Writer would have more advanced 9-1-1 technology, such as better location information and graphic From the moment he set foot on campus, Brian display capabilities. Apkarian ’11 knew he wanted to be in a fraternity. “Old electronics suck down the power like no- Some of that enthusiasm has been dampened, how- body’s business — it’s very costly from that point ever, by a dilemma he and other fraternity members of view,” Ward said. “This is really old technol- are dealing with: enlisting enough students to fill ogy. You can tell by just looking at it.” on-campus housing units, as dictated by the College He’s right, you can tell. In the College’s switch of William and Mary’s residence standards. room, the technology hub in the basement of “Every semester has been a hassle filling the Blow Hall that houses the College’s phone sys- house,” Apkarian said. “Now they’re taking away tem, Courtney Carpenter has to yell over the buy-outs, and it’s going to make it even harder.” rumble of an industrial air conditioning unit. It’s The task was made more difficult recently, needed to blow cool air at all times on the mas- Apkarian said, after the College’s Residence Life sive machines that make up the College’s phone department ended the popular buy-out policy for system. Greek organizations housed in the Fraternity MARAL NOORI-MOGHADDAM — THE FLAT HAT Without the air conditioning unit, said the The basement of Blow Hall serves as the hub for the College of William and Mary’s telecommunications network. See FRATERNITIES page 3 More than 15,000 telephone wires converge here, in a room cooled with an industrial air conditioner. See PHONES page 4 Page 2 Friday, February 20, 2009 News Editor Alex Guillén News Editor Miles Hilder NEWS INSIGHT [email protected] BEYOND THE ’BURG This Week in Flat Hat History ‘Stabilitas et Fides’ 1925 25 Campus Center, The College of William and Mary, Williamsburg, VA. 23185 Newsroom (757) 221-3281 — Advertising Dept. (757) 221-3283 — Fax (757) 221-3242 John Barton Payne, the THE FLAT HAT — [email protected] NEWS — [email protected] VARIETY — [email protected] president of the American Red SPOrts — [email protected] OPINIONS — [email protected] Cross, contributed $25,000 to ADVERTISING — [email protected] the William Barton Rogers Austin Wright, Editor-in-Chief Science Hall. This was the first Jeff Dooley, Managing Editor — Alice Hahn, Executive Editor Brian Mahoney, Online Editor individual donation made to the Alex Guillén, News Editor Taylor Martindale, Copy Chief new hall. At the time, Rogers Miles Hilder, News Editor Vanessa VanLandingham, Copy Chief Hall was the largest and best- Ashley Morgan, Variety Editor Caitlin Fairchild, Photo Editor Andrew Pike, Sports Editor Maral Noori, Photo Editor equipped building on campus. Russ Zerbo, Opinions Editor Alexander Ely, Chief Staff Writer Kelsey Weissgold, Business Manager Tom MacWright, Web Director Mike Crump, Assoc. News Editor Amanda Goodman, Copy Editor Maggie Reeb, Assoc. News Editor Logan Herries, Copy Editor 1940 Sam Sutton, Assoc. News Editor Megan Keeling, Copy Editor Isshin Teshima, Assoc. News Editor Cory Chapman, Copy Editor Alexander Weddell, the Summer Finck, Assoc. Variety Editor Katie Lee, Copy Editor Rachel Rudebusch, Assoc. Variety Editor Jack Hohman, Chief Photographer U.S. ambassador to Spain, Pam Snyder, Assoc. Variety Editor Liz Horne, Production Assistant founded the Weddell Matt Poms, Assoc. Sports Editor Meredith Nall, Production Assistant Chris Weidman, Assoc. Sports Editor Michael Kirby, Senior Sales Representative Fellowship, which offered a Alexa McClanahan, Assoc. Opinions Editor Reggie Gomez, Local Sales Representative student the chance to go to Ameya Jammi, Insight Editor Matthias Jamora, Local Sales Representative Bertel King, Jr., Insight Editor Jessica Dobis, Accountant Spain and study the political Catherine Anderson, Copy Editor Juae Son, Accountant COURTESY PHOTO — WWW.WIKIPEDIA.ORG atmosphere of the country Chelsea Caumont, Copy Editor Jin Woo, Accountant Leah Fry, Copy Editor St. Williams Hall at Boston College. Recent moves to place crucifixes in all the classrooms have upset professors.
Load more

Recommended publications
  • Word Search 'Crisis on Infinite Earths'
    Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • PDF) ISBN 978-0-9931996-4-6 (Epub)
    POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • Selected Timelines of Computer Animation and Visual Effects
    Selected Timelines of Computer Animation and Visual Effects This handout contains a selection Visual Effects Movies of computer animation and effects timelines and milestones between 1970 and 2002. Animated 2D/3D Feature Movies Each of the categories is color-coded. The live action feature movies with computer-generated visual effects appear in green. Independent Shorts Winners of the AMPAS award for visual effects are marked with an asterisk, the runners-up are listed right next to it. In magenta are animated feature movies, most of which include three-dimen- sional computer animation. Independent productions and short computer animations are in blue boxes. (Four additional categories that can be found in the book are not For additional information visit: included here: Video and Computer Games, Computer Technology www.artof3d.com and Industry Events, Related Technologies and Events, and Television Programs.) The Art of 3D Computer Animation and Effects SELECTIONS FROM KERLOW’S “THE ART OF 3D COMPUTER ANIMATION AND EFFECTS” WWW.ARTOF©3 D2004.COM Isaac• ALL Kerlow RIGHTS RESERVED 1970s Timeline of Computer Animation and Visual Effects Page 2 1970 1971 1972 1973 1974 Categories Visual Effects Movies: Visual Effects Movies: Visual Effects Movies: (No AMPAS Visual Visual Effects Movies: Tora! Tora! Tora! * Bedknobs and The Poseidon Effects Award given Earthquake * VFX Movies Patton Broomsticks * Adventure * this year). (only nominee) Other Movies w/VFX: When Dinosaurs (only nominee) Visual Effects Movies: Other Movies w/VFX: Animated Features Airport Ruled the Earth The Exorcist Chinatown Heavy Traffic by Ralph Independent Shorts M*A*S*H Other Movies w/VFX: Westworld The Towering Inferno Silent Running Bakshi Young Frankenstein The Savage Planet by Fritz the Cat by Ralph René Laloux Hunger by Peter Bakshi Foldes, National Film Warner Bros.
    [Show full text]
  • Here Done That
    BEST PICTURE BEST SOUND EDITING SKIP LIEVSAY SERIOUSLY. SUPERVISING SOUND EDITOR BEST SOUND MIXING FEATURES PETER F. KURLAND 2009 Emmy Winners . .14 PRODUCTION SOUND MIXER SKIP LIEVSAY Career Achievement Award . .16 RE-RECORDING MIXER Randy Thom is honored CRAIG BERKEY Filmmaker Award . .18 RE-RECORDING MIXER Mr. Henry Selick gets the nod GREG ORLOFF 16 RE-RECORDING MIXER The Way Back . .20 A League of Nations works together Super Dave’s Spike-Tacular . .24 Daredevil Bob Einstein returns to television Rejouer . .30 The fi rst feature fi lm shot using an HDSLR camera 30 DEPARTMENTS President’s Letter . .4 Awards season is upon us From the Editors . .6 Want to lend a hand? Technically Speaking . .9 John Garrett loves cardioids! Tips & Tricks . .12 24 Embedding audio into QuickTime video fi les Been There Done That . .32 CAS members check in The Lighter Side . .46 “Audaciously funny, original and resonant! A landmark in the Coen universe!” -Owen Gleiberman, ENTERTAINMENT WEEKLY GOTHAM AWARDS NOMINEE 46 Cover: Jon Fasal and Linda Whittlesey recording footsteps. BEST FEATURE BEST ENSEMBLE For up-to-the-minute screening information, go to: Academy.FilmInFocus.com CAS QUARTERLY FALL 2009 3 To read complete rave reviews from across America, visit: FilmInFocus.com ©2009 Focus Features. All Rights Reserved. BEST PICTURE BEST SOUND EDITING SKIP LIEVSAY SERIOUSLY. SUPERVISING SOUND EDITOR BEST SOUND MIXING FEATURES PETER F. KURLAND 2009 Emmy Winners . .14 PRODUCTION SOUND MIXER SKIP LIEVSAY Career Achievement Award . .16 RE-RECORDING MIXER Randy Thom is honored CRAIG BERKEY Filmmaker Award . .18 RE-RECORDING MIXER Mr. Henry Selick gets the nod GREG ORLOFF 16 RE-RECORDING MIXER The Way Back .
    [Show full text]
  • Video-Windows-Grosse
    THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3
    [Show full text]
  • 3.3 the CHORA Line: Reald Incorporated
    3.3 The CHORA Line: RealD Incorporated BY CAETLIN BENSON-ALLOTT What the majority of spectators seem to want and value from animation is not a gloss on “metaphysical effort” but rather . “metaphysical release.” —Vivian Sobchack, “Final Fantasies” Be careful what you wish for. —Coraline Before Avatar (James Cameron, 2009) grossed $2.7 billion in worldwide ticket sales, Henry Selick’s Coraline (2009) was widely hailed as the best 3-D movie ever made (“Avatar”). By offering uncanny adventure “for brave children of all ages,” Coraline bestowed digital stereoscopic filmmaking with artistic and cultural prestige, affirming exhibitors’ and cinemagoers’ growing interest in digital projection. Film distributors were already sold; for the previous eleven years, they had pressured exhibitors to adopt a digital delivery and projection system and abandon expensive celluloid prints. They also wanted exhibitors to pay for this technological overhaul even though the theater-owners did not foresee any recompense in replacing their existing celluloid projectors with digital substitutes. RealD gave theater-owners a reason to convert when early experiments in polarized stereoscopic image projection, including Chicken Little 3D | 1 3.3 The CHORA Line: RealD Incorporated (Mark Dindal, 2005) and Beowulf 3D (Robert Zemeckis, 2007), demonstrated that more viewers would come out—and pay more per ticket—to see movies in digital 3-D.[1] Subsequently Coraline, Up (Pete Docter and Bob Peterson, 2009), Avatar, and Alice in Wonderland (Tim Burton, 2010) launched a genre of high-profile, high-concept digital 3-D movies and confirmed that RealD projection can be exceedingly profitable for all involved. Ironically, the spectatorial pleasures of digital 3-D cinema are nowhere near as clear as the profits, although scholars have now begun to explore what value this third dimension adds to the spectatorial experience (see Elsaesser; Higgins).
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]
  • DECLARATION of Jane Sunderland in Support of Request For
    Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE
    [Show full text]
  • Animation Ken A
    The Advanced Art of © 2011 Course Technology, a part of Cengage Learning. Stop-Motion Animation Ken A. Priebe ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to Publisher and General Manager, photocopying, recording, scanning, digitizing, taping, Web distribution, Course Technology PTR: information networks, or information storage and retrieval systems, except Stacy L. Hiquet as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the publisher. Associate Director of Marketing: Sarah Panella For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support, 1-800-354-9706. Manager of Editorial Services: For permission to use material from this text or product, submit all Heather Talbot requests online at cengage.com/permissions. Further permissions questions can be e-mailed to Marketing Manager: [email protected]. Jordan Castellani Acquisitions Editor: Heather Hurley All trademarks are the property of their respective owners. Cover image from Coraline courtesy of and © Focus Features/The Kobal Project Editor: Dan Foster, Collection. Additional cover images courtesy of and © Lucas Wareing, Scribe Tribe Ron Cole, and Justin and Shel Rasch. Technical Reviewer: Back cover images © Brett Foxwell, Ryan McCulloch, and Ken Priebe. Lionel I. Orozco Author photo by Jeff
    [Show full text]
  • Introduction
    Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
    [Show full text]