DOCSLIB.ORG

Download The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download The Las formas del duelo: memoria, utopía y visiones apocalípticas en las narrativas de la guerrilla mexicana (1979-2008) by José Feliciano Lara Aguilar B.J., Universidad Nacional Autónoma de México, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Hispanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2016 © José Feliciano Lara Aguilar, 2016 Abstract This study analyzes six literary works of the Mexican contemporary guerrilla that covers the years 1979 to 2008: Al cielo por asalto (1979) by Agustín Ramos, ¿Por qué no dijiste todo? (1980) and La patria celestial (1992) by Salvador Castañeda, Morir de sed junto a la fuente. Sierra de Chihuahua 1968 (2001) by Minerva Armendáriz Ponce, Veinte de cobre (2004) by Fritz Glockner, and Vencer o morir (2008) by Leopoldo Ayala. In both their form and structure, these narratives address the notion of mourning, as well as its inherent categories, such as: work of mourning or grief work, melancholy, loss, grief, remnants, and specters, among others, which call into question and destabilize the generalized social discourse. In this tension, I observe the emergence of aesthetic languages that take place within the post-revolutionary imaginary of the 1960’s, and 1970’s with the exhaustion of revolutionary imaginary that was predominant in the preceding decades. These aesthetic languages provide mourning with new contents, organized in three fields: memory, utopia, and apocalyptic visions, which recreate mourning as a symbolic space where an important social struggle for the reconstruction of the past is still ongoing. ii Prefacio This dissertation is an original, unpublished and independent work conducted by José Feliciano Lara Aguilar. iii Índice Abstract .......................................................................................................................................... ii Prefacio ......................................................................................................................................... iii Índice ............................................................................................................................................. iv Lista de abreviaturas .................................................................................................................. vii Agradecimientos ........................................................................................................................... ix Dedicatoria ..................................................................................................................................... x Capítulo 1: Introducción .............................................................................................................. 1 1.1 El duelo: un huésped oculto asedia el hogar ................................................................. 1 1.2 El guerrillero mexicano contemporáneo: una aproximación a sus orígenes y desarrollo ................................................................................................................................... 6 1.3 La experiencia de la guerrilla en México y su ubicación en el campo intelectual ................................................................................................................................. 11 1.4 Estado de la cuestión .................................................................................................... 15 1.5 Marco teórico-conceptual ............................................................................................. 28 1.6 Organización de la tesis ................................................................................................. 41 Capítulo 2: La reconstrucción de la memoria guerrillera desde el trabajo del duelo en familia ........................................................................................................................................... 45 2.1 El duelo y la memoria .................................................................................................... 45 2.2 Las FLN .......................................................................................................................... 49 iv 2.3 Veinte de cobre: la irrupción del fantasma y su devenir en narración ...................... 51 2.3.1 La relación de las pérdidas y el desandar del yo guerrillero ..................................... 58 2.3.2 Políticas de la amistad y relato de aprendizaje en el marco de la experiencia carcelaria ............................................................................................................................... 66 2.3.3 Trabajo del duelo, deuda y herencia: el reacomodo de la familia a partir de la reelaboración del relato ......................................................................................................... 77 2.4 El GPGAG ...................................................................................................................... 83 2.5 Morir de sed junto a la fuente: la escritura como ritual de duelo .............................. 84 2.5.1 Los sucesos en Madera: señales de un duelo por venir ............................................. 91 2.5.2 “Los trabajos de la memoria” y la articulación de lo fragmentado ........................... 94 2.5.3 La pena y la negociación con el pasado .................................................................. 101 2.5.4 Restricción del duelo y duelo comunitario: del burocratismo a la elegía pastoral .. 105 2.5.5 Los juegos de la memoria: del archivo muerto a la aprehensión de lo perdido ...... 110 Capítulo 3: Las formas del duelo en el marco de la utopía y la (des)esperanza ................. 119 3.1 El duelo y la utopía ...................................................................................................... 119 3.2 Los Lacandones y la Brigada Roja ............................................................................. 126 3.3 Vencer o morir: el duelo como proyección de la utopía ............................................ 127 3.3.1 Duelo y utopía de una madre imaginaria ................................................................ 132 3.3.2 Las voces de la (in)completud ................................................................................. 140 3.3.3 Políticas de la amistad y movilización en el marco de la experiencia carcelaria .... 149 3.3.4 El espectro, el duelo y la utopía .............................................................................. 153 3.3.5 Muerte y conjura: del romanticismo revolucionario a la religiosidad popular ....... 158 3.4 El MAR ......................................................................................................................... 162 v 3.5 ¿Por qué no dijiste todo? Las claves de la novela ....................................................... 165 3.6 El duelo y la utopía desde sitios de exclusión y resistencia ...................................... 170 3.6.1 Epifanías tenebrosas I: el duelo anticipado ............................................................. 175 3.6.2 Epifanías tenebrosas II: angustia y orfandad ........................................................... 178 3.6.3 Epifanías tenebrosas III: los restos de la utopía ...................................................... 184 3.6.4 Huellas de la esperanza utópica .............................................................................. 191 Capítulo 4: Visiones apocalípticas en tiempos de duelo ........................................................ 203 4.1 El duelo y el Apocalipsis .............................................................................................. 203 4.2 Al cielo por asalto: la novela y sus escenarios ............................................................ 207 4.3 Al principio fue el duelo .............................................................................................. 212 4.3.1 Alegoría apocalíptica del 68 mexicano ................................................................... 217 4.3.2 Reflejos del Apocalipsis en el drama de la historia ................................................ 223 4.3.3 Más allá del final, la historia ................................................................................... 231 4.3.4 Las cosas últimas: monólogos del drama fúnebre ................................................... 234 4.4 Poéticas del descenso en La patria celestial ................................................................ 242 4.4.1 Volver al padre: los pasos de un mesías derrotado ................................................. 248 4.4.2 La pérdida más allá de la pérdida ............................................................................ 255 4.4.3 El bien, el mal y otras figuraciones en el contexto de la derrota ............................. 261 4.4.4 El duelo y la contemplación de la catástrofe ........................................................... 269 Conclusiones .............................................................................................................................. 277 Bibliografía ................................................................................................................................ 290 vi Lista de abreviaturas ACNR Asociación Cívica Nacional Revolucionaria AGN Archivo General de la Nación (México) BCA Brigada Campesina de Ajusticiamiento BR Brigada Roja CAP Comandos Armados del Pueblo CEDEMA Centro de Documentación de los Movimientos
Load more

Recommended publications
  • De Ernesto, El “Che” Guevara: Cuatro Miradas Biográficas Y Una Novela*
    Literatura y Lingüística N° 36 ISSN 0716 - 5811 / pp. 121 - 137 La(s) vida(s) de Ernesto, el “Che” Guevara: cuatro miradas biográficas y una novela* Gilda Waldman M.** Resumen La escritura biográfica, como género, alberga en su interior una gran diversidad de métodos, enfoques, miradas y modelos que comparten un rasgo central: se trata de textos interpre- tativos, pues ningún pasado individual se puede reconstruir fielmente. En este sentido, cabe referirse a algunas de las más importantes biografías existentes sobre el Che Guevara, como La vida en rojo, de Jorge G. Castañeda, (Alfaguara 1997); Che Ernesto Guevara. Una leyenda de nuestro siglo, de Pierre Kalfon (Plaza y Janés, 1997); Che Guevara. Una vida revo- lucionaria, de John Lee Anderson (Anagrama, 2006) y Ernesto Guevara, también conocido como el Che, de Paco Ignacio Taibo II (Planeta, 1996). Por otro lado, en la vida del Che, hay silencios oscuros que las biografías no cubren, salvo de manera muy superficial. Algunos de estos vacíos son retomados por la literatura, por ejemplo, a través de la novela de Abel Posse, Los Cuadernos de Praga. Palabras clave: Che Guevara, biografías, interpretación, literatura. Ernesto “Che” Guevara’s Lives. Four Biographies and one Novel Abstract The biographical writing, as a genre, shelters inside a wide diversity of methods, approaches, points of view and models that share a central trait: it is an interpretative text, since no individual past can be faithfully reconstructed. In this sense, it is worth referring to some of the most diverse and important biographies written about Che Guervara, (Jorge G. Castañeda: La vida en rojo, Alfaguara 1997; Pierre Kalfon: Che Ernesto Guevara.
    [Show full text]
  • Press Release Author A.C. Frieden Follows Che Guevara's Trail in Bolivia
    Press Release Author A.C. Frieden Follows Che Guevara’s Trail in Bolivia VALLEGRANDE, Bolivia (Nov. 22, 2007) -- Author A.C. Frieden traveled to Bolivia to research Che Guevara’s 1960s revolutionary movement in order to complete his upcoming novel Where Spies Go To Die. Arriving in Santa Cruz, Bolivia’s largest city and one of the transit points for Che Guevara and his rebels in 1966, Frieden visited many of the city’s key sites and interviewed a number of locals in preparation for his journey south. Above: Monument dedicated to Che Guevara located in the center of the tiny village of La Higuera, in south-central Bolivia, where the guerrilla leader was executed in 1967. After visiting Samaipata, he went on to Vallegrande to see various sites related to Che Guevara. In particular, Frieden visited the Señor de Malta hospital, where Che’s body was flown to after his execution in La Higuera. Frieden toured the airfield and nearby grounds where Che’s remains and those of his most loyal comrades were secretly buried in 1967. For several days Frieden ventured south from Vallegrande across rugged mountain roads to visit remote villages and trails connected to Che Guevara’s doomed rebellion. After visiting the town of Pucara, Frieden arrived in La Higuera and toured the schoolhouse where Che was executed by CIA-backed Bolivian troops shortly after his capture in the nearby canyon called Quebrada de Yuro. In La Higuera, Frieden interviewed a village elder who had witnessed Che’s arrival into the village 40 years earlier. Frieden returned to Samaipata, where he toured El Fuerte, an archeological site (designated a world heritage site by UNESCO) that was inhabited by three populations over several centuries: the Amazonian, Inca and Colonial civilizations.
    [Show full text]
  • Huellas De Tania
    Cuidado de la edición: Tte Cor. Ana Dayamín Montero Díaz Edición: Olivia Diago Izquierdo Diseño de cubierta e interior: Liatmara Santiesteban García Realización: Yudelmis Doce Rodríguez Corrección: Catalina Díaz Martínez Fotos: Cortesía de los autores © Adys Cupull Reyes, 2019 Froilán González García, 2019 © Sobre la presente edición: Casa Editorial Verde Olivo, 2020 ISBN: 978-959-224-478-8 Todos los derechos reservados. Esta publicación no puede ser reproducida, ni en todo ni en parte, en ningún soporte sin la autorización por escrito de la editorial. Casa Editorial Verde Olivo Avenida de Independencia y San Pedro Apartado 6916. CP 10600 Plaza de la Revolución, La Habana [email protected] www.verdeolivo.cu «Lo más valioso que un hombre posee es la vida, se le da a él solo una vez y por ello debe aprovecharla de manera que los años vividos no le pesen, que la vergüenza de un pasado mezquino no le queme y que muriendo pueda decir, he consagrado toda mi vida y mi gran fuerza a lo más hermoso del mundo, a la lucha por la liberación de la humanidad». NICOLÁS OSTROVKI «...es tarea nuestra mantenerla viva en todas las formas». VILMA ESPÍN GUILLOIS Índice NOTA AL LECTOR / 5 UNA MUCHACHA ARGENTINA EN ALEMANIA / 14 UNA ARGENTINA EN CUBA / 27 MISIÓN ESPECIAL / 48 NACE EN PRAGA LAURA GUTIÉRREZ BAUER / 59 VIAJE A MÉXICO Y REGRESO A BOLIVIA / 87 EN LAS SELVAS DE ÑACAHUASÚ / 106 TANIA EN LA RETAGUARDIA GUERRILLERA / 111 UN SOBREVIVIENTE DE LA RETAGUARDIA / 120 POMBO HABLA DE LA RETAGUARDIA / 131 ASESINATOS EN BOLIVIA / 140 TANIA EN VALLEGRANDE / 145 EL POEMA A ITA / 154 PRESENCIA DE TANIA / 161 HOMENAJES DESDE ÑACAHUASÚ / 168 SOLIDARIDAD DE LOS VALLEGRANDINOS / 175 HUELLAS INDELEBLES / 180 ANEXOS / 190 TESTIMONIO GRÁFICO / 198 AGRADECIMIENTOS / 224 BIBLIOGRAFÍA / 227 Nota al lector Huellas de Tania es el título de esta obra para la cual hemos indaga- do y compilado informaciones basadas en la vida de Haydée Tamara Bunke Bíder, Tania la Guerrillera.
    [Show full text]
  • Chapter Template
    Copyright by Cory A. Hahn 2016 The Dissertation Committee for Cory A. Hahn certifies that this is the approved version of the following dissertation: News on Film: Cinematic Historiography in Cuba and Brazil Committee: Cesar Salgado, Co-Supervisor Charles Ramirez-Berg, Co-Supervisor Jason Borge Lorraine Leu Moore Sonia Roncador News on Film: Cinematic Historiography in Cuba and Brazil by Cory A. Hahn, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 News on Film: Cinematic Historiography in Cuba and Brazil Cory A. Hahn, Ph.D. The University of Texas at Austin, 2015 Supervisor: Cesar Salgado, Charles Ramirez-Berg This dissertation is a comparative project that traces the co-evolution of film realism and communications media in Cuba and Brazil. Beginning with the end of Italian Neorealist-inspired movements in both countries in the late 1950s, I examine the ways in which filmmakers from each tradition incorporate radio, print, and televisual journalism into their cinematic narratives. Foundational directors whose bodies of work span and connect the popular filmmaking booms of the 1960s and 1990s—such as Santiago Álvarez, Tomás Gutiérrez Alea, Nelson Pereira dos Santos and Eduardo Coutinho— expose the political and technological systems that form public knowledge and guide civic debate. My research dilates on two internationally celebrated periods of film production concurrent with two shifts in news media paradigms: from radio and print journalism to television and from television to the internet.
    [Show full text]
  • Visual Culture and Us-Cuban Relations, 1945-2000
    University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 9-10-2010 INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000 Blair Woodard Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Woodard, Blair. "INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000." (2010). https://digitalrepository.unm.edu/hist_etds/87 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000 BY BLAIR DEWITT WOODARD B.A., History, University of California, Santa Barbara, 1992 M.A., Latin American Studies, University of New Mexico, 2001 M.C.R.P., Planning, University of New Mexico, 2001 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2010 © 2010, Blair D. Woodard iii ACKNOWLEDGEMENTS The writing of my dissertation has given me the opportunity to meet and work with a multitude of people to whom I owe a debt of gratitude while completing this journey. First and foremost, I wish to thank the members of my committee Linda Hall, Ferenc Szasz, Jason Scott Smith, and Alyosha Goldstein. All of my committee members have provided me with countless insights, continuous support, and encouragement throughout the writing of this dissertation and my time at the University of New Mexico.
    [Show full text]
  • El Che Entre El Ideal Y La Reproducción, (Trayectoria De Una Imagen)..Pdf
    UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO FACULTAD DE CIENCIAS POLÍTICAS Y SOCIALES “EL CHE, ENTREL EL IDEAL Y LA REPRODUCCIÓN” (TRAYECTORIA DE UNA IMAGEN) ENSAYO PARA OBTENER EL TÍTULO DE: LICENCIADA EN COMUNICACIÓN PRESENTA YESABELL RODRÍGUEZ CHIMAL DIRECTOR DE ENSAYO DR. GUSTAVO GARDUÑO OROPEZA TOLUCA, ESTADO DE MÉXICO NOVIEMBRE 2018 1 Agradecimientos Ver un trabajo concluido es más de lo que puede aparentar, tenerlo entre las manos remite el esfuerzo que implicó cada letra y tilde, a su vez remonta a los que hicieron posible esto, gracias a todos los que dieron algo de su luz para vislumbrar este trabajo; a María de Jesús. En memoria de la estrella de la boina del Che… A Xitlali Rodríguez. Índice Presentación..…………………………………………………………………………………………………........3 Capitulo 1. “El Che de la Foto” 1.1 El Che ………....……………………………………………..…………………………................................7 1.2 Chesus………....……………………………………………..…………………………...............................9 1.3 ¿Quién es el Che?………....……………………………………………..………………………………….13 1.3.1 Guevara Ciudadano de América Latina ………………………………………………………………...15 1.4 La revolución y la guerrilla…………………………………………………………………………………..20 1.4.1 La ideología como parte de la guerrilla. …………………………………......................................…21 1.4.2 La comunicación como papel fundamental en la guerrilla…………………………….………………30 1.4.3 Che en Bolivia la última guerrilla……………………………………………………………………..…..33 Capitulo 2. La historia de una fotografía de la revolución y su masificación. 2.1 Historia de un instante…………………………………..…………………………...................................37 2.2 Una retrospectiva a las fotos de Ernesto Guevara de la Serna……..…………………………............40 2.3 La apropiación de la propiedad intelectual y su reproducción masiva………………………..……..... 45 Capitulo 3. El Guerrillero Heroico y la composición fotográfica. 3.1. La importancia de una imagen fotográfica. ………..........……………………………………...............53 3.2 El Guerrillero Heroico y la composición fotográfica……………………………………………………....61 3.2.1 Regla de los tercios……………………………………………………………………………………….
    [Show full text]
  • From Ascetic to Aesthetic: the Catharsis of Ernesto “Che” Guevara
    From Ascetic to Aesthetic: the Catharsis of Ernesto “Che” Guevara By: William David Almeida Cuban Revolution • 26th of July Movement • Commander of the Fourth Column • Battle of Santa Clara Having originally served as the 26th of July Movement’s medical doctor, “Che” quickly rose to the ranks of commandante after demonstrating implacable fearlessness and resolve on the battlefield. Eventually, he would lead the decisive battle in Santa Clara which terminated the Batista regime. Ascetic Progression • Argentina • Cuba • Bolivia Why is it that such a privileged individual abandoned comfort time and time again to place himself into incredibly austere circumstances, and how is it that he became aestheticized (both photographically and intellectually) as a result? The Guevara Family Guatemalan Coup (1954) Tipping Point: This event concretized “Che’s” belief that armed revolution would be the only realistic catalyst to socioeconomic reform throughout Latin America. Excerpts from Che’s Message to the Tricontinetal Congress (1965) • “Latin America constitutes a more or less homogenous whole, and in almost its entire territory U.S. capital holds absolute primacy.” • “Our every action is a battle cry against imperialism and a call for unity against the great enemy of the human race: the United States of North America.” How ironic is it that the image of an individual who plotted terrorist attacks in sites such as Grand Central Station (NYC) has garnered and maintained such an intransigent following in contemporary, post-911 ‘America?’ Dichotomist
    [Show full text]
  • Fidel Castro and Revolutionary Masculinity
    University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2012 Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity Krissie Butler University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Butler, Krissie, "Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity" (2012). Theses and Dissertations--Hispanic Studies. 10. https://uknowledge.uky.edu/hisp_etds/10 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. I retain all other ownership rights to the copyright of my work.
    [Show full text]
  • ERNESTO CHE GUEVARA Ebook
    ERNESTO CHE GUEVARA PDF, EPUB, EBOOK Dennis Abrams | 128 pages | 30 Sep 2010 | Chelsea House Publishers | 9781604137323 | English | Broomall, United States ERNESTO CHE GUEVARA PDF Book After completing his medical studies at the University of Buenos Aires, Guevara became politically active first in his native Argentina and then in neighboring Bolivia and Guatemala. Che Guevara , byname of Ernesto Guevara de la Serna , born June 14, , Rosario , Argentina—died October 9, , La Higuera, Bolivia , theoretician and tactician of guerrilla warfare , prominent communist figure in the Cuban Revolution —59 , and guerrilla leader in South America. Sign up here to see what happened On This Day , every day in your inbox! Table Of Contents. World War II. But if you see something that doesn't look right, click here to contact us! Read: Hunting Che. Coronavirus U. Locating Guevara's economic analysis at the heart of the research, the thesis examines policies and development strategies formulated to meet this challenge, thereby refuting the mainstream view that his emphasis on consciousness was idealist. Cosa imposible de comprobar, dado el hermetismo oficial de Cuba para con los escritos del Che. In October the guerrilla group that Che Guevara was leading in Bolivia was nearly annihilated by a special detachment of the Bolivian army aided by CIA advisers. Inca The Inca first appeared in the Andes region during the 12th century A. He was almost always referenced simply as Che—like Elvis Presley , so popular an icon that his first name alone was identifier enough. Sign Up. Touhy, who had been framed for kidnapping by his bootlegging rivals with the help of corrupt Chicago officials, was serving a year sentence for a kidnapping he Who was Che Guevara? His movements and whereabouts for the next two years remained secret.
    [Show full text]
  • Che in Bolivia: 1
    " PRO BL.E.1IJ5 oF eo ~ ""VN15111 ,,", VOI..~X"( t J'l)[...Y 1970 (l¡) 1 Che In• Bolivia: The ~~Revolution" That: Failed By Robert F. Lamberg • • Eme.to GUfl'I')ara eOmeJl/from the eouRtry to aims was emphatically and d'ecisively repudiated the cit,,/r..,ith] a "-re and a ......... 1 -Bolivian guerrilla songo -in the much celebrated misldventure of "Che" Guevara in Bolivia. rOur] uolatioR CORtiRUe8 10 be total • • • the There are severaI reasons. wby it is important peaNnt baH i. .ti" undfl'l')elopetl. • • • JF"e ..iU ha_ not recruited aR" pea_u, ..,1aich to examine the Bolivian guerrilla movement. First i. under.tandab'e eo...iderin. the 'itde eon· and foremost, it was the oiUy insurgent fQrce taet _ halle had ..,ith the.... • • • 'refinemeJ,l~}n.. -From Guevara's field diary, organized entirely on the basis Df April and August 1967. guerrilla theory that might be 'described as' the third phase of the Castroite id~Io8f.1 "Secondly, it was the only guerrilla action iJlLatin America ~Oni~hut that yielded a great deaI of firsthaud', documentary I, i. uot untypical of Fidel Ca.tro'. checkered course--that only a few months after • he stage-managed a major demonstration of his .. 1 In the writer's view, it is possible to dilitinauish. three dis· infiuence on the Latin American continent (the tinct phases in the evolution of Castroite ideolOlY. In the first, conference of the "Lati~ American Solidarity Or­ theoretical notions were fonnulated ez post I~ÍfJ to explain and glorify Castro's successful revolution in Cuba; the classic ganization" convened in Havana in August 1967), expression of these theories was Guevara's fawous volume, the strategy of guerrilla warfare by which he and Guerra de Guerrillas, publíshed in Havana ·in ;1960.
    [Show full text]
  • Universidade Federal De Santa Catarina Pós-Graduação Em Inglês: Estudos Linguísticos E Literários
    i UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM INGLÊS: ESTUDOS LINGUÍSTICOS E LITERÁRIOS Olegario da Costa Maya Neto ACTUALIZING CHE'S HISTORY: CHE GUEVARA'S ENDURING RELEVANCE THROUGH FILM Dissertação submetida ao Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários da Universidade Federal de Santa Catarina para obtenção do Grau de Mestre em Letras. Orientadora: Profa. Dra. Anelise Reich Corseuil Florianópolis 2017 ii iii iv v ACKNOWLEDGMENTS First, I would like to thank my parents, Nadia and Ahyr Maya, who have always supported me and stimulated my education. Since the early years of learning how to read and write, I knew I could always rely on them. I would also like to thank my companion and best friend, Ruth Zanini. She patiently listened to me whenever I had a new insight or when I was worried. She gave me advices when I needed them and also took care of my share of the housework when I was busy. In addition, I would like to thank my brother Ahyr, who has always been a source of inspiration and advice for me. And I would like to thank my friends, especially Fabio Coura, Marcelo Barreto and Renato Muchiuti, who were vital in keeping my spirits high during the whole Master's Course. I would also like to thank all teachers and professors who for the past twenty six years have helped me learn. Unfortunately, they are too many to fit in a single page and I do not want to risk forgetting someone. Nonetheless, I would like to acknowledge their contribution.
    [Show full text]
  • Tras La Pista Del Che Guevara
    TRAS LA PISTA DE CHE GUEVARA La ruta que Ernesto Guevara siguió en las últimas semanas de su vida Marcello Musto Vallagrande Una fría y estrellada noche me lleva a Vallagrande. Voy en un viejo y destartalado autobús, como todos los destinados a estos remotos trayectos, y comparto el largo viaje iniciado en Santa Cruz, por una carretera de montaña a ratos sin pavimentar, con lugareños que vuelven a casa después de un fatigoso domingo de mercado. A mi alrededor los rostros curiosos de niños envueltos en coloreados sayos y los rostros de adultos marcados por el cansancio. Todos saben porque estoy allí. He venido a realizar La ruta del Che, los lugares donde Ernesto Guevara transcurrió las últimas semanas de su existencia. Aquellos lugares que yo buscaba en el atlas geográfico de mi abuelo durante el verano en que leí, por primera vez, Diario en Bolivia. A la entrada del pueblo hay una gran estatua de Jesús, bajo la cual, a pesar del enorme retraso del coche de línea y de la temperatura por debajo de cero, me espera Anastasio Kohmann. Alemán de nacimiento, llegó a Paraguay en los años sesenta, cuando entró de muy joven en una orden franciscana. Expulsado del país durante la dictadura fascista de Alfredo Stroessner, por su compromiso social en favor de la comunidad indígena guaraní, vive aquí desde entonces. Nunca más ha abandonado la “opción preferencial por los pobres” de la Teología de la Liberación y, desde hace algunos años, coordina las iniciativas de la Fundación Che Guevara en Vallagrande. Quien conoce América Latina bien sabe que esto no es una contradicción.
    [Show full text]