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Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
A Publication of the Science Fiction Research Association in This Issue
294 Fall 2010 Editors Karen Hellekson SFRA 16 Rolling Rdg. A publication of the Science Fiction Research Association Jay, ME 04239 Review [email protected] [email protected] Craig Jacobsen English Department Mesa Community College 1833 West Southern Ave. Mesa, AZ 85202 [email protected] In This Issue [email protected] SFRA Review Business Managing Editor Out With the Old, In With the New 2 Janice M. Bogstad SFRA Business McIntyre Library-CD University of Wisconsin-Eau Claire Thanks and Congratulations 2 105 Garfield Ave. 101s and Features Now Available on Website 3 Eau Claire, WI 54702-5010 SFRA Election Results 4 [email protected] SFRA 2011: Poland 4 Nonfiction Editor Features Ed McKnight Feminist SF 101 4 113 Cannon Lane Research Trip to Georgia Tech’s SF Collection 8 Taylors, SC 29687 [email protected] Nonfiction Reviews The Business of $cience Fiction 9 Fiction Editor Selected Letters of Philip K. Dick 9 Edward Carmien Fiction Reviews 29 Sterling Rd. Directive 51 10 Princeton, NJ 08540 Omnitopia Dawn 11 [email protected] The Passage: A Novel 12 Media Editor Dust 14 Ritch Calvin Gateways 14 16A Erland Rd. The Stainless Steel Rat Returns 15 Stony Brook, NY 11790-1114 [email protected] Media Reviews The SFRA Review (ISSN 1068- I’m Here 16 395X) is published four times a year by Alice 17 the Science Fiction Research Association (SFRA), and distributed to SFRA members. Splice 18 Individual issues are not for sale; however, Star Trek: The Key Collection 19 all issues after 256 are published to SFRA’s Website (http://www.sfra.org/) no fewer than The Trial 20 10 weeks after paper publication. -
Hamparian Thesis.Pdf (320.3Kb)
Matt Hamparian 1 Women of Science Fiction in the 1970s Introduction Science fiction is the genre of possibility, and is nearly boundless. The only limitation is that of what the reader and writer can imagine. What drew me to both science fiction, and this research is what draws many to science fiction: exploring new worlds, new ideas, new species, but importantly the depths of the human mind. Science fiction of the 1970s was transformative for the genre, as there was a distinct shift on who was writing best selling and award winning novels. Men had long dominated science fiction, especially during the “golden age,” but during the 1970s published science fiction novels by women gained the attention of those who loved the genre. Women such as Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, and James Tiptree Jr. (Allison B. Sheldon), all wrote award winning science fiction, but their stories also challenged readers with themes of equality. The question then arises, why did so many female authors take to science fiction to express their messages of equality during the 1970s? Author Suzy McKee Charnas, author of The Holdfast Chronicles wrote of this in the Khatru Symposium: Women in Science Fiction: “instead of having to ‘twist’ reality in order to create ‘realistic’ female characters in today’s totally unfree society, the sf writer can create the societies that would produce those characters” (Charnas 4). The women of science fiction in the 1970s were responding to an issue in science fiction: women were not represented accurately in text, nor where they given the same chance as their male counterparts. -
Anna Carey's Eve: Mapping the Utopian Dream of Gender Equality Within Young Adult Dystopian Fiction by KELLI ANNE GUNN Thesis
Anna Carey’s Eve: Mapping the Utopian Dream of Gender Equality Within Young Adult Dystopian Fiction by KELLI ANNE GUNN Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (English) Acadia University Spring Convocation 2017 © by KELLI ANNE GUNN, 2016 This thesis by KELLI ANNE GUNN was defended successfully in an oral examination on 6 December, 2016. The examining committee for the thesis was: ________________________ Dr. Zelda Abramson, Chair ________________________ Dr. Graham Murphy, External Examiner ________________________ Dr. Jon Saklofske, Internal Examiner ________________________ Dr. Andrea Schwenke Wyile, Supervisor _________________________ Dr. Jessica Slights, Head This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree MASTER OF ARTS (ENGLISH) …………………………………………. ii I, KELLI GUNN, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. ______________________________ Author ______________________________ Supervisor ______________________________ Date iii Table of Contents Introduction……………………………………………………………….. 1 Chapter 1: Subverting Traditions by Blending Genres…………………… 7 1.1 .Separating Utopia as a Literary Genre from Utopian Desire…… 9 1.2 Young Adult Literature and Utopian Impulses………………… 14 1.3 Fantasy and Speculative Fiction……………………………….. 23 Chapter 2: Mapping Traditions and Progress.................................................. 29 2.1 Revisiting 20th Century Feminist Literary Critique…………….. 32 2.2 Evolution of Gender Representation Within Literary Traditions 50 Chapter 3: Moving Beyond Traditional Gender Binaries…………………. 59 3.1 Heroic Quest……………………………………………................ 61 3.2 Challenging the Male Hero…………………................................ -
American Feminism and Joanna Russ's the Female
This article was downloaded by: [University of Cambridge] On: 22 October 2014, At: 02:08 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Women: A Cultural Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rwcr20 Unnatural acts: American feminism and Joanna Russ's the female man Amanda Boulter a a Lecturer in the School of Cultural Studies , King Alfred's , Winchester Published online: 19 Jun 2008. To cite this article: Amanda Boulter (1999) Unnatural acts: American feminism and Joanna Russ's the female man , Women: A Cultural Review, 10:2, 151-166, DOI: 10.1080/09574049908578385 To link to this article: http://dx.doi.org/10.1080/09574049908578385 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
C Ollections
FEMINISTThe University of Wisconsin System - OLLECTIONS CA QUARTERLYOF WOMEN'S STUDIES RESOURCES TABLE OF CONENTS BOOK REVIEWS............................................................................................... 3 Moving Ahead in the Academy, by Jane Ayer. Visionary Feminist Writing, by Karen Axness. Writing Our Own Lives, by Laura Zlogar. FEMINIST VISIONS ........................................................................................ 9 Activists, Nationalists, Feminists: The Experience of Women of Color in the U.S., by Alejandra Elenes. AN ENCYCLOPEDIC UNDERTAKING ...................................................... 11 An intervew with Helen Tierney, author of the new Women's Studies Encyclopedia. RESEARCH EXCHANGE.............................................................................. 12 WISCONSIN BIBLIOGRAPHIES IN WOMEN'S STUDIES................... 12 A new bibliography on libraries and the new scholarship on gender. FEMINIST PUBLISHING ...............................................................................13 Two feminist book fairs, a lesbian/gay writers conference, two new presses, one press' audio venture, and the closing of a feminist news service. Continued on next page Feminist Collections Page 2 Table of Contents Continued NEW REFERENCE WORKS IN WOMEN'S STUDIES........................... 14 Bibliographies on women writing about Vietnam, U.S. women artists, South American women authors, sex discrimination in education and the professions, German, Austrian, and Swiss women writers, Edith Wharton, -
Afro-Future Females
Afro-Future Females Barr_final.indb 1 4/15/2008 2:52:25 AM Barr_final.indb 2 4/15/2008 2:52:25 AM Afro-Future Females Black Writers Chart Science Fiction’s Newest New-Wave Trajectory Edited by MARLEEN S. BARR T H E O H I O S TAT E U N I V E R S I T Y P R E ss / Columbus Barr_final.indb 3 4/15/2008 2:52:25 AM Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Afro-future females : black writers chart science fiction’s newest new-wave trajectory / edited by Marleen S. Barr. p. cm. Includes bibliographical references. ISBN-13: 978–0–8142–1078–9 (cloth : alk. paper) 1. Science fiction, American. 2. Science fiction, American—History and criticism. 3. American fiction—African American authors—History and criticism. 4. American fic- tion—Women authors—History and criticism. 5. Women and literature—United States— History—20th century. 6. Women and literature—United States—History—21st century. I. Barr, Marleen S. PS648.S3A69 2008 813.’0876209928708996073—dc22 2007050083 This book is available in the following editions: Cloth (ISBN 978–0–8142–1078–9) CD-ROM (ISBN 978–0–8142–9156–6) Cover design by Janna Thompson Chordas. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Minion. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Barr_final.indb 4 4/15/2008 2:52:25 AM Contents PRefAce “All At One Point” Conveys the Point, Period: Or, Black Science Fiction Is Bursting Out All Over ix IntRODUctiOns: “DARK MAtteR” MAtteRS l Imaginative Encounters Hortense J. -
Exploring Alternative Notions of the Heroic in Feminist Science Fiction
Exploring Alternative Notions of the Heroic in Feminist Science Fiction by Elizabeth M Wulff A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Department of English University of Sydney March 2007 ii Abstract In this thesis, I discuss feminist science fiction as a literature that explores a variety of alternative social realities. This provides the site to explore alternative notions of the heroic inspired by feminist critiques of the traditional heroic, which come from feminist philosophical, as well as literary critical sources. Alternative notions of the heroic offer a shift in perspective from a specific fixed heroic identity to the events the characters are involved in. The shift to events is made precisely because that is where the temporal is located and dynamic change occurs. Events are where ‘becoming’ alternatively heroic occurs: in the interaction between a character and the environment. iii This thesis is dedicated to my grandmother, Ivy Jean Pullin, who was a graduate of the University of Sydney in 1934. The twinkle in my grandmother’s eye encouraged in me a love of learning and of life. iv Acknowledgements My sincerest thanks to my supervisor, Associate Professor Rosemary Huisman for her indispensable theoretical and technical wisdom, guidance and support, as well as her gentle optimistic calm and wonderful sense of fun. I am very grateful for all Rosemary has taught me. Thanks also for the wonderful afternoon teas and delightful conversations which often included Tony Blackshield and Rosemary’s four-legged family. My thanks to Dr Margaret Rogerson for her support throughout my candidature, first as post-graduate co-ordinator and more recently as associate supervisor. -
Inclusion and Exclusion in Some Feminist Utopian Fictions Karen F
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@URI University of Rhode Island DigitalCommons@URI English Faculty Publications English 2013 Inclusion and Exclusion in Some Feminist Utopian Fictions Karen F. Stein University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/eng_facpubs Terms of Use All rights reserved under copyright. Citation/Publisher Attribution Stein, Karen F. "Inclusion and Exclusion in Some Feminist Utopian Fictions." Women's Utopian and Dystopian Fiction. Ed. Sharon R. Wilson. Newcastle Upon Tyne, UK: Cambridge Scholars Press, 2013. 112-132. This Book Chapter is brought to you for free and open access by the English at DigitalCommons@URI. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. INCLUSION AND EXCLUSION IN SOME FEMINIST UTOPIAN FICTIONS KAREN F. STEIN "By definition, utopia hinges on [contradiction and] paradox: it is a vision of a better world, but one that does not exist" (Stein, Utopianism 409). 1 Utopian fictions (like their counterparts in society, intentional communities) seek to create places of harmony and well-being. Peter Ruppert asserts Utopias set out to challenge existing social values, to undermine existing norms, to transform existing social beliefs. They engage us in a dialogue between social fact and utopian dream. What initiates this dialogue is the recognition of contradictions and disparities: the non-coincidence between social reality and utopian possibility, the incongruity between “what is” and “what might be” or “what ought to be,” the discrepancy between history and utopia (5). -
Printer-Friendly Bibliography
"Late Bloomer", story. Teeth, ed. Ellen Datlow, Harper Collins, April, 2011. An ambitious young artist, working at his uncle's antiques mall for the summer, meets some vampires from out of town . "Lowland Sea", story. Poe, tales inspired by Edgar Allan Poe, ed. Ellen Datlow, Solaris, 2009. "Lowland Sea" is horror not of the past or the present, but of the all-to-near future. “Heavy Lifting”, story. SCI.FI.COM, 2005, ed. Ellen Datlow. A preppy kid whose family has been broken by trauma finds his true calling in -- the afterlife? "Peregrines", story. SCIFI.COM, January 2004. A boy shaman journeys with his power animal through mystical, dangerous Greenwich Village, in a near future of extended Homeland Insecurity. Reprinted, Stagestruck Vampires and Other Phantasms, Tachyon Books, 2004. Stagestruck Vampires and Other Phantasms, collection, Tachyon Publications, 2004. Nine Stories, two new essays, by Suzy McKee Charnas. My Father's Ghost, Memoir. Jeremy P. Tarcher, 2002. Nonfiction. A wry and uncompromising tribute from an exasperated, bemused, admiring daughter. OOP. Ebook edition, ElectricStory, 2011. Strange Seas, nonfiction. Ebook, Hidden Knowledge, 2001. A personal account of a startling spiritual journey into the hidden nexus between humans and cetaceans. Music of the Night, collection. Ebook, ElectricStory, 2001. Four mythic monster tales: vampire, werewolf, witch, and the true story of the Phantom of the Opera. The Conqueror’s Child, novel. Tor Books, 1999. Book Four of the Holdfast Chronicles. The tumultuous epic of Alldera the Runner concludes amid struggles over parenthood and childhood, the nature of full humanity, and how history is made into myth. -
Table of Contents STORIES Knight, Gordon R
Table of Contents STORIES Knight, Gordon R. Dickson. 1990 W orld Fantasy Awards Nominations............ 4 Reviews by Dan Chow:........... ........................... 21 Gryphon Award W in n er........................................4 Outnumbering the Dead. Frederik Pohl; The Philip K. Dick Award Judges .................................5 Gateway Trip, Frederik Pohl; Bury My Heart at Clarion C a ll............................................................ 5 W.H. Smith’s, Brian Aldiss; Slow Dancing THE NEWSPAPER OF THE SCIENCE FICTION FIELD Chronic Rift: Cable SF Show.................................. 5 Through Time, Gardner Dozois; Isaac Asimov: Ballantine/Warner to Terminate Distribution The Complete Stories, Vol. 1, Isaac Asimov; Agreem en t.......................................................... 5 Lifeline, Kevin J. Anderson & Doug Beason; (ISSN-0047-4959) Disch’s In fern o.......................................................5 The Beast, Robert Stallman. EDITOR & PUBLISHER Aboriginal SF and Interzone to Swap Issues.......... 5 Reviews by Edward Bryant:................................ 25 Charles N. Brown Pulphouse to G o W eek ly........................................ 5 Hollywood Gothic, David J. Skal; W omen of ASSOCIATE EDITOR Starshore D ie s .........................................................5 Darkness II , Kathryn Ptacek, ed.; Borderlands, C O NFICTIO N Faren C. Miller Thomas Monteleone, ed.; Midsummer, Mat Guest o f Honor Speech, Wolfgang Jeschke.......... 6 thew J. Costello; Needing Ghosts, Ramsey ASSOCIATE MANAGER -
The Cambridge Companion to American Science Fiction
Cambridge University Press 978-1-107-05246-8 - The Cambridge Companion to: American Science Fiction Edited by Eric Carl Link and Gerry Canavan Frontmatter More information The Cambridge Companion to American Science Fiction The Cambridge Companion to American Science Fiction explores the relationship between the ideas and themes of American science fi ction and their roots in the American cultural experience. Science fi ction in America has long served to refl ect the country’s hopes, desires, ambitions, and fears. The ideas and conventions associated with science fi ction are pervasive throughout American fi lm and television, comics and visual arts, games and gaming, and fandom, as well as across the culture writ large. Through essays that address not only the history of science fi ction in America but also the infl uence and signifi cance of American science fi ction throughout media and fan culture, this Companion serves as a key resource for scholars, teachers, students, and fans of science fi ction. Eric Carl Link is a professor of American literature and an associate dean of the College of Arts and Sciences at the University of Memphis. He is the author of several books, including Crosscurrents: Readings in the Disciplines , Understanding Philip K. Dick , The Vast and Terrible Drama: American Literary Naturalism in the Late Nineteenth Century , and Neutral Ground: New Traditionalism and the American Romance Controversy . He has also published numerous articles in the fi eld of American literature. Gerry Canavan is an assistant professor of twentieth- and twenty-fi rst-century literature at Marquette University. He is the coeditor, with Kim Stanley Robinson, of Green Planets: Ecology and Science Fiction .