James Tiptree, Jr. Award Cumulative List the James Tiptree, Jr
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III. Discussion Questions A. Individual Stories Nathaniel Hawthorne
III. Discussion Questions a. Individual Stories Nathaniel Hawthorne, “Rappaccini’s Daughter” (1844) 1. As an early sf tale, this story makes important contributions to the sf megatext. What images, situations, plots, characters, settings, and themes do you recognize in Hawthorne’s story that recur in contemporary sf works in various media? 2. In Hawthorne’s The Scarlet Letter, the worst sin is to violate, “in cold blood, the sanctity of the human heart.” In what ways do the male characters of “Rappaccini’s Daughter” commit this sin? 3. In what ways can Beatrice be seen as a pawn of the men, as a strong and intelligent woman, as an alien being? How do these different views interact with one another? 4. Many descriptions in the story lead us to question what is “Actual” and what is “Imaginary”? How do these descriptions function to work both symbolically and literally in the story? 5. What is the attitude toward science in the story? How can it be compared to the attitude toward science in other stories from the anthology? Jules Verne, excerpt from Journey to the Center of the Earth (1864) 1. Who is narrator of this tale? In your opinion, why would Verne choose this particular character to be the narrator? Describe his relationship with the other members of this subterranean expedition. Many of Verne’s early novels feature a trio of protagonists who symbolize the “head,” the “heart,” and the “hand.” Why? How does this notion apply to the protagonists in Verne’s Journey to the Center of the Earth? 2. -
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Small Team, Big Licence SMALL TEAM
Interface Small team, big licence SMALL TEAM 44 / wfmag.cc Interface Small team, big licence SMALL TEAM BIG LICENCE Inside the tiny studios making games based on giant Hollywood properties WRITTEN BY AARON POTTER hile there’s definitely an upside to making a game based on a highly revered film, TV, or comic book, for the longest time, development teams working on licensed video games did so knowing that it came with a certain stigma attached. Known in industry circles for having much tighter production schedules and deadlines, games based on recognisable properties have long been synonymous with poor quality and a broad streak of cynicism. Of course, not all licensed games are bad. Rocksteady’s Arkham series gave players the thrill of being Batman; 2014’s Alien: Isolation recreated the aesthetic of Ridley Scott’s 1979 movie in painstaking (and chilling) detail, and the recently released Fallen Order has been praised in some quarters as the best Star Wars game from EA to date. But for every one of these home runs, there’s a dud like the assorted Iron Man tie-ins from 2008, or the widely derided Aliens: Colonial Marines, released in 2013. Whether they’re good, bad, or indifferent, triple-A licensed games will always exist in some capacity. But as we enter an era of gaming where more and more creatives are breaking away to form smaller studios, we’re now seeing what can happen when tiny teams get to work on some of the most famous IPs in the world. One such team is Illfonic, a Colorado-based developer currently working on the PlayStation exclusive Predator: Hunting Grounds, due out later this year. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
0.GEMATRIA DATABASE.Pages
GEMATRIA - DATABASE ! Bavarian Illuminati Est. May 1st, 1776} 5/01/1776 ! Scottish Rite Est. May 31, 1801 } 5/31/1801 Knights Templar ARRESTED on Oct. 13, 1307 } 10/12/1307 ! Knights Templar FOUNDED in Jerusalem, Israel: 1119 ! Skull & Bones 322 FOUNDED in 1832 at Yale University) (Russell Trust Association - Parent Organization) 322 references 322 BC ! Vatican City Est. February 11, 1929 (109 acres) ! One legend is that the numbers in the society's emblem ("322") represent "founded in '32, 2nd corps", referring to a first Corps in an unknown German university.[22][23] ! Convocation founded in 1539 (3rd Papal Bull) Jesuits founded in 1541 Copernicus of 1543 (Ball Earth) The Council of Trent founded in 1545 ! (Christopher Columbus) America discovered in 1492 (2 Papal Bulls) 1912 = Titanic sank 1913 = Federal Reserve Established 1914 = First World War 1917 = Bolshevik Communist Invasion ! Jewish Bolshevism, also known as Judeo-Bolshevism, is an antisemitic and anti-communist canard [citation needed] which alleges that the Jews were at the origin of the Russian Revolution and held the primary power among Bolsheviks. Similarly, the Jewish Communism theory implies that Jews have been dominating the Communist movements in the world. It is similar to the ZOG conspiracy theory, which asserts that Jews control world politics. The expressions have been used as a catchword for the assertion that Communism is a Jewish conspiracy. ! Hexagram = Star of David ! Pythagoras the Samian or Pythagoras of Samos (570-495 BC) was a mathematician, Ionian Greek -
Revue De Recherche En Civilisation Américaine, 6
Revue de recherche en civilisation américaine 6 | 2016 Les femmes et la bande dessinée: autorialités et représentations Women and Comics, Authorships and Representations Édition électronique URL : http://journals.openedition.org/rrca/723 ISSN : 2101-048X Éditeur David Diallo Référence électronique Revue de recherche en civilisation américaine, 6 | 2016, « Les femmes et la bande dessinée: autorialités et représentations » [En ligne], mis en ligne le 19 décembre 2016, consulté le 16 mars 2020. URL : http://journals.openedition.org/rrca/723 Ce document a été généré automatiquement le 16 mars 2020. © Tous droits réservés 1 SOMMAIRE Editorial Amélie Junqua et Céline Mansanti Women Comics Authors in France and Belgium Before the 1970s: Making Them Invisible Jessica Kohn L’autoreprésentation féminine dans la bande dessinée pornographique Irène Le Roy Ladurie Empowered et le pouvoir du fan service Alexandra Aïn Women W.a.R.P.ing Gender in Comics: Wendy Pini’s Elfquest as mixed power fantasy Isabelle L. Guillaume A 21st Century British Comics Community that Ensures Gender Balance Nicola Streeten Hors thème Book review Sabbagh, Daniel. L’égalité par le droit, les paradoxes de la discrimination positive aux Etats- Unis Paris, Economica, collection « Etudes Politiques », 2003 [2007], 458 p. Laure Gillot-Assayag Revue de recherche en civilisation américaine, 6 | 2016 2 Editorial Amélie Junqua and Céline Mansanti 1 Aux Etats-Unis, les utilisatrices de Facebook représentent aujourd’hui 53% des utilisateurs de Facebook qui lisent de la bande dessinée, 40% de plus qu’il y a trois ans. Pourtant, moins de 30% des personnages et des écrivains de BD sont des femmes, même si ces chiffres progressent également (http://www.ozy.com/acumen/the-rise-of-the- woman-comic-buyer/63314). -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
Proquest Dissertations
Writing in subversive space: Language and the body in feminist science fiction in French and English Item Type text; Dissertation-Reproduction (electronic) Authors Sauble-Otto, Lorie Gwen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 19:58:23 Link to Item http://hdl.handle.net/10150/279786 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographicaliy in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge.