The Trial As Text: Allegory, Myth and Symbol in the Adversarial Criminal Process - a Critique of the Role of the Public Defender and a Proposal for Reform, 32 Am
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The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Winning Fellowship Proposals: Predissertation Fellowship Proposals
SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS Seventh Edition by Cynthia Verba A publication of the Graduate School of Arts and Sciences Harvard University SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS SEVENTH EDITION WITH SAMPLE APPLICATION ESSAYS, FELLOWSHIP PROPOSALS, CURRICULUM VITAE AND COVER LETTERS FROM CANDIDATES IN THE GRADUATE SCHOOL OF ARTS AND SCIENCES OF HARVARD UNIVERSITY by Cynthia Verba A Publication of the Graduate School of Arts and Sciences Very special gratitude goes to all the graduate students and PhD’s who shared so generously about their experiences in academe, without whom this booklet could not have been written. Copyright © 2005 by the President & Fellows of Harvard University ABOUT THE AUTHOR Cynthia Verba has been serving as Director of Fellowships in the Graduate School of Arts and Sciences since 1986. Prior to that, she was Associate Director at Harvard’s Office of Career Services, with responsibility for overseeing academic and nonacademic career services for graduate students and PhDs. Her work at Harvard in the area of professional development for PhDs began in 1978. She holds a PhD in musicology from the University of Chicago, and continues to be active as a publishing scholar and teacher. She was a fellow at the Bunting Institute of Radcliffe College in 1987, and received a fellowship from the National Endowment of the Humanities in 1983 to further her research in musicology. She has also served as Chair of the Committee on Academic and Nonacademic Employment of the American Musicological Society from 1979-1985. She has been teaching courses in music history at the Harvard University Extension School since 1977. -
FACT BOOK 2007-2008 Abridged Version
FACT BOOK 2007-2008 Abridged Version Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Published by the Office of Institutional Research & Evaluation © 2008 Trustees of Tufts College 2 Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Table of Contents Page Preface 5 University Vision Statement 6 HISTORY 7 Highlights of 2007 8 Aspects of Tufts University History 9 Presidents 18 ORGANIZATION 19 Trustees 20 Boards of Overseers 22 Administrative Committees 26 Administrative Organization 27 Department & Program Chairs 31 Faculty Committees 34 Student Government 37 ACADEMIC PROGRAMS & ACTIVITIES 40 Degree Programs & Colleges 41 Continuing Educational Programs 46 Academic Resource Centers 48 Religious Organizations 50 Cultural & Special Interest Programs & Organizations 50 Athletics 54 RESEARCH & EDUCATION CENTERS 55 Arts & Sciences 56 Engineering 59 Dental School 60 Medical School 62 Jean Mayer USDA HNRCA 67 Friedman School 68 The Fletcher School 70 Cummings School 72 University-Wide 75 STUDENTS 78 SAT Scores of Entering Class 79 Admissions Statistics 80 Characteristics of Entering Classes 83 Student Enrollment 86 Students by Program, Sex, & Ethnic Group 89 International Students 93 Enrollments in College of Special Studies 96 Enrollments in Summer Session 2007 96 Student-Faculty Ratio 97 Students by State / Territory 98 3 Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Table of Contents STUDENTS, continued Page Tuition Rates 100 Undergraduate Charges Relative to Comparison Group 100 Undergraduate Financial Income & Awards 101 Student Financial Aid -
UNIVERSITY of CALIFORNIA Los Angeles the Fabulist in the Fable
UNIVERSITY OF CALIFORNIA Los Angeles The Fabulist in the Fable Book A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Kristin Leilani Mann 2015 © Copyright by Kristin Leilani Mann 2015 ABSTRACT OF THE DISSERETATION The Fabulist in the Fable Book by Kristin Leilani Mann Doctor of Philosophy in Classics University of California, Los Angeles, 2015 Professor Kathryn Anne Morgan, Co-Chair Professor Amy Ellen Richlin, Co-Chair Four fable books survive from Greco-Roman antiquity: (1) the Life and Fables of Aesop (1st-2nd century CE), a collection of Greek prose fables; (2) Phaedrus’s Fabulae Aesopiae (1st century CE), a collection of Latin verse fables; (3) Babrius’s Μυθίαμβοι Αἰσώπειοι (1st century CE), a collection of Greek verse fables; and (4) Avianus’s Fabulae (4th-5th century CE), a collection of Latin verse fables. The thesis of this dissertation is that in each of these fable collections, the fabulist’s presence in the fable book – his biography, his self-characterizations, and his statements of purpose – combine to form a hermeneutic frame through which the fables may be interpreted. Such a frame is necessary because the fable genre is by nature multivalent: fables may be interpreted in many different ways, depending on their context. For embedded fables (that is, fables embedded in a larger narrative or speech), the fable’s immediate context influences the fable’s interpretation. In the fable books, however, there is no literary context; the ii fables stand as isolated narratives. The fabulist himself, I argue, takes the place of this missing context, and thus provides the reader with an interpretive framework. -
Narcotics Anonymous
NARCOTICS ANONYMOUS Fifth Edition Contents NARCOTICS ANONYMOUS ............................................................................................................................................................ 1 OUR SYMBOL ................................................................................................................................................................................ 4 WHO IS AN ADDICT? ..................................................................................................................................................................... 8 WHY ARE WE HERE? ................................................................................................................................................................... 14 HOW IT WORKS .......................................................................................................................................................................... 16 STEP ONE .................................................................................................................................................................................... 17 STEP TWO ................................................................................................................................................................................... 19 STEP THREE ................................................................................................................................................................................. 21 STEP FOUR ................................................................................................................................................................................. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
The Fellowship of the Ring
iii THE FELLOWSHIP OF THE RING being the first part of THE LORD OF THE RINGS by J.R.R. TOLKIEN Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In the Land of Mordor where the Shadows lie. CONTENTS Note on the Text ix Note on the 50th Anniversary Edition xviii Foreword to the Second Edition xxiii Prologue Concerning Hobbits, and other matters 1 book one I A Long-expected Party 27 II The Shadow of the Past 55 III Three is Company 85 IV A Short Cut to Mushrooms 112 V A Conspiracy Unmasked 128 VI The Old Forest 143 VII In the House of Tom Bombadil 161 VIII Fog on the Barrow-downs 176 IX At the Sign of The Prancing Pony 195 X Strider 213 XI A Knife in the Dark 230 XII Flight to the Ford 257 book two I Many Meetings 285 II The Council of Elrond 311 III The Ring Goes South 354 viii contents IV A Journey in the Dark 384 V The Bridge of Khazad-duˆm 418 VI Lothlo´rien 433 VII The Mirror of Galadriel 459 VIII Farewell to Lo´rien 478 IX The Great River 495 X The Breaking of the Fellowship 515 Maps 533 Works By J.R.R. -
Washington Irving Oliver Goldsmith
WASHINGTON IRVING OLIVER GOLDSMITH 2008 – All rights reserved Non commercial use permitted OLIVER GOLDSMITH A Biography by Washington Irving PREFACE I. Birth and Parentage--Characteristics of the Goldsmith Race--Poetical Birthplace--Goblin House--Scenes of Boyhood--Lissoy--Picture of a Country Parson--Goldsmith's Schoolmistress--Byrne, the Village Schoolmaster-- Goldsmith's Hornpipe and Epigram--Uncle Contarine--School Studies and School Sports--Mistakes of a Night II. Improvident Marriages in the Goldsmith Family--Goldsmith at the University--Situation of a Sizer--Tyranny of Wilder, the Tutor--Pecuniary Straits--Street Ballads--College Riot--Gallows Walsh--College Prize--A Dance Interrupted III. Goldsmith rejected by the Bishop--Second Sally to see the World--Takes Passage for America--Ship sails without him--Return on Fiddleback--A Hospitable Friend--The Counselor IV. Sallies forth as a Law Student--Stumbles at the Outset--Cousin Jane and the Valentine--A Family Oracle--Sallies forth as a Student of Medicine--Hocus-pocus of a Boarding-house--Transformations of a Leg of Mutton--The Mock Ghost--Sketches of Scotland--Trials of Toryism--A Poet's Purse for a Continental Tour V. The agreeable Fellow-passengers--Risks from Friends picked up by the Wayside--Sketches of Holland and the Dutch--Shifts while a Poor Student at Leyden--The Tulip Speculation--The Provident Flute--Sojourn at Paris-- Sketch of Voltaire--Traveling Shifts of a Philosophic Vagabond VI. Landing In England--Shifts of a Man without Money--The Pestle and Mortar--Theatricals in a Barn--Launch upon London--A City Night Scene--Struggles with Penury--Miseries of a Tutor--A Doctor in the Suburb--Poor Practice and Second-hand Finery--A Tragedy in Embryo--Project of the Written Mountains VII. -
Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 2014 Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process Emily Allison Kile Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the English Language and Literature Commons Recommended Citation Kile, Emily Allison, "Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process" (2014). Undergraduate Honors Thesis Collection. 282. https://digitalcommons.butler.edu/ugtheses/282 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. NON-EXCLUSIVE LICENSE FOR USE OF MATERIALS in the DigitalCornrnons@Butier University This non-exclusive License defines the terms for the deposit of Materials in all formats into the digital repository of Materials collected, preserved, and made available through the DigitalCommons@Butler University. The Contributor hereby grants to Butler University a royalty-free, non-exclusive worldwide License to use, re-use, display, distribute, transmit, publish, republish or copy the Materials, either digitally or in print, or in any other medium, now or hereafter known, for the purpose of including the Materials in the DigitalCommons@Butier University. Butler University will not make any alteration, other than as allowed by this License, to your submission. m~ Copyright and any other intellectual property right in or to the Materials shall not be transferred by this agreement and shall remain with the Contributor or the Copyright holder if different from the Contributor. -
Duke University [email protected] German Studies Department 919-660-3168 (Office) 116 Old Chemistry / Box 90256 / Durham, NC 27708 USA
KATA GELLEN Duke University [email protected] German Studies Department 919-660-3168 (office) 116 Old Chemistry / Box 90256 / Durham, NC 27708 USA EMPLOYMENT Duke University, Durham, NC Associate Professor of German, 2020–present (on leave fall 2020) Core Affiliated Faculty in Jewish Studies, 2014–present Assistant Professor of German, 2012–2019 Lecturer in German, 2011–2012 Post-doctoral Fellow in German, 2009–2011 EDUCATION 2010 PhD, German. Princeton University, Princeton, NJ. Dissertation title: Earwitnesses: Noise in German Modernist Writing. Advisers: Michael Jennings (German) and Daniel Heller-Roazen (Comparative Literature) 2006–2007 DAAD Research Fellow. Humboldt University, Berlin, Germany. 2000–2001 Fulbright Scholar. University of Vienna, Austria. 2000 B.A. magna cum laude. History and Literature. Harvard University, Cambridge, MA. AWARDS AND FELLOWSHIPS DAAD Faculty Summer Seminar. Cornell University, Ithaca, NY (June 17–July 27, 2018) – declined Andrew W. Mellon Assistant Professorship in the Humanities. Duke University (2017–2018) Mellon Grant ($25,000) awarded by the Franklin Humanities Institute and the Center for Philosophy, Arts, and Literature, with Dr. Saskia Ziolkowski. Project title: Whose Kafka? Multiplicity, Reception, and Interpretation. Duke University (2014–2015) Max Kade Prize for the Best Article in the Journal of Austrian Studies for 2011–2012 (awarded 2014) Volkswagen-Mellon Postdoctoral Fellowship in the Humanities. Project title: Eastern Promises? Discovering Modernism in the Eastern European German Jewish Novel. Dahlem Humanities Center, Free University Berlin, Germany (2013–2014) IFK Research Fellowship. Vienna, Austria (spring 2014) – declined Departmental Course Development Mini-Grant for the projecy “Staging Austria,” with Dr. Corinna Kahnke. Duke University (spring 2013) Arts & Sciences Committee on Faculty Research Grant. -
Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process Emily Allison Kile Butler University
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 2014 Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process Emily Allison Kile Butler University Follow this and additional works at: http://digitalcommons.butler.edu/ugtheses Part of the English Language and Literature Commons Recommended Citation Kile, Emily Allison, "Witnesses to Trauma: Kakfa's Trauma Victims and the Working Through Process" (2014). Undergraduate Honors Thesis Collection. Paper 282. This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. NON-EXCLUSIVE LICENSE FOR USE OF MATERIALS in the DigitalCornrnons@Butier University This non-exclusive License defines the terms for the deposit of Materials in all formats into the digital repository of Materials collected, preserved, and made available through the DigitalCommons@Butler University. The Contributor hereby grants to Butler University a royalty-free, non-exclusive worldwide License to use, re-use, display, distribute, transmit, publish, republish or copy the Materials, either digitally or in print, or in any other medium, now or hereafter known, for the purpose of including the Materials in the DigitalCommons@Butier University. Butler University will not make any alteration, other than as allowed by this License, to your submission. m~ Copyright and any other intellectual property right in or to the Materials shall not be transferred by this agreement and shall remain with the Contributor or the Copyright holder if different from the Contributor. -
Kafka's Zoopoetics
2RPP Kafka’s Zoopoetics 2RPP 2RPP Kafka’s Zoopoetics Beyond the Human-Animal Barrier Naama Harel University of Michigan Press Ann Arbor 2RPP Copyright © 2020 by Naama Harel All rights reserved Tis book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published April 2020 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-13179-2 (hardcover : alk. paper) ISBN 978-0-472-12651-4 (ebook) 2RPP It is possible to read Kafka’s animal stories for quite a while without realizing that they are not about human beings at all. When one encounters the name of the creature—monkey, dog, mole—one looks up in fright and realizes that one is already far away from the continent of man. —Walter Benjamin,“Franz Kafka: On the Tenth Anniversary of His Death” 2RPP 2RPP Acknowledgments A part of the research for this book was carried out for my doctoral disser- tation at the University of Haifa. I am thankful to the German Academic Exchange Service (DAAD) for the research fellowship at the Institute for German and Dutch Philology at the Free University of Berlin, and the Bucerius Institute for Contemporary German History and Society at the University of Haifa for the fnancial support during my PhD studies.