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Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Winning Fellowship Proposals: Predissertation Fellowship Proposals
SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS Seventh Edition by Cynthia Verba A publication of the Graduate School of Arts and Sciences Harvard University SCHOLARLY PURSUITS: A GUIDE TO PROFESSIONAL DEVELOPMENT DURING THE GRADUATE YEARS SEVENTH EDITION WITH SAMPLE APPLICATION ESSAYS, FELLOWSHIP PROPOSALS, CURRICULUM VITAE AND COVER LETTERS FROM CANDIDATES IN THE GRADUATE SCHOOL OF ARTS AND SCIENCES OF HARVARD UNIVERSITY by Cynthia Verba A Publication of the Graduate School of Arts and Sciences Very special gratitude goes to all the graduate students and PhD’s who shared so generously about their experiences in academe, without whom this booklet could not have been written. Copyright © 2005 by the President & Fellows of Harvard University ABOUT THE AUTHOR Cynthia Verba has been serving as Director of Fellowships in the Graduate School of Arts and Sciences since 1986. Prior to that, she was Associate Director at Harvard’s Office of Career Services, with responsibility for overseeing academic and nonacademic career services for graduate students and PhDs. Her work at Harvard in the area of professional development for PhDs began in 1978. She holds a PhD in musicology from the University of Chicago, and continues to be active as a publishing scholar and teacher. She was a fellow at the Bunting Institute of Radcliffe College in 1987, and received a fellowship from the National Endowment of the Humanities in 1983 to further her research in musicology. She has also served as Chair of the Committee on Academic and Nonacademic Employment of the American Musicological Society from 1979-1985. She has been teaching courses in music history at the Harvard University Extension School since 1977. -
The Trial As Text: Allegory, Myth and Symbol in the Adversarial Criminal Process - a Critique of the Role of the Public Defender and a Proposal for Reform, 32 Am
University of Florida Levin College of Law UF Law Scholarship Repository UF Law Faculty Publications Faculty Scholarship Spring 1995 The rT ial as Text: Allegory, Myth and Symbol in the Adversarial Criminal Process - A Critique of the Role of the Public Defender and a Proposal for Reform Kenneth B. Nunn University of Florida Levin College of Law, [email protected] Follow this and additional works at: http://scholarship.law.ufl.edu/facultypub Part of the Civil Procedure Commons Recommended Citation Kenneth B. Nunn, The Trial as Text: Allegory, Myth and Symbol in the Adversarial Criminal Process - A Critique of the Role of the Public Defender and a Proposal for Reform, 32 Am. Crim. L. Rev. 743 (1995), available at http://scholarship.law.ufl.edu/facultypub/761/ This Article is brought to you for free and open access by the Faculty Scholarship at UF Law Scholarship Repository. It has been accepted for inclusion in UF Law Faculty Publications by an authorized administrator of UF Law Scholarship Repository. For more information, please contact [email protected], [email protected]. THE TRIAL AS TEXT: ALLEGORY, MYTH AND SYMBOL IN THE ADVERSARIAL CRIMINAL PROCESS-A CRITIQUE OF THE ROLE OF THE PUBLIC DEFENDER AND A PROPOSAL FOR REFORM Kenneth B. Nunn* I. FORMAL RIGHTS AND THE PERSISTENCE OF MYTH ........ 747 II. SEMIOTICS AND THE CRIMINAL JUSTICE PROCESS .......... 754 III. CRIME AND THE CREATION OF THE CONSENSUS ............. 759 A. The Consensus ................................... 761 B. The Definition of Crime ............................ 764 IV. MAKING MEANING: THE DEPICTION OF CRIME IN POPULAR CULTURE ......................................... 768 A. Crime on Prime Time Television ..................... -
The Fragments Around Franz Kafka's “A Report to an Academy”
humanities Article Narrative Transformed: The Fragments around Franz Kafka’s “A Report to an Academy” Doreen Densky Department of German, New York University, 19 University Place, 3rd Floor, New York, NY 10003, USA; [email protected] Academic Editor: Joela Jacobs Received: 7 February 2017; Accepted: 6 April 2017; Published: 10 April 2017 Abstract: Franz Kafka’s “A Report to an Academy”, in which the ape-turned-human Rotpeter provides a narrative account of his life, has been scrutinized with regard to its allegorical, scientific, and historical implications. This article shifts the focus toward the narrative set-up by closely reading the transformation that can be traced in the sequence of several narrative attempts found in Kafka’s manuscripts. Analyzing the fragments around this topic, I show how Kafka probes different angles—from a meeting between a first-person narrator and Rotpeter’s impresario and a dialogue between the narrator and Rotpeter, via the well-known “Report” itself, on to a letter by one of Rotpeter’s former teachers—that reveal a narrative transformation equally important as the metamorphosis from animal to human. The focus on the narrative constellations and on the lesser-known constitutive margins of the “Report” help to better understand, moreover, the complex relationship between immediacy and mediation, the ethnological concern of speech for the self and the unknown animal other, and poetological questions of production, representation, and reception. Keywords: animal narrators; human-animal studies; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation 1. Introduction Franz Kafka’s famous text narrated by an ape who has become human, “A Report to an Academy” (“Ein Bericht für eine Akademie”), was penned one hundred years ago, in 1917 [1–5]. -
FACT BOOK 2007-2008 Abridged Version
FACT BOOK 2007-2008 Abridged Version Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Published by the Office of Institutional Research & Evaluation © 2008 Trustees of Tufts College 2 Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Table of Contents Page Preface 5 University Vision Statement 6 HISTORY 7 Highlights of 2007 8 Aspects of Tufts University History 9 Presidents 18 ORGANIZATION 19 Trustees 20 Boards of Overseers 22 Administrative Committees 26 Administrative Organization 27 Department & Program Chairs 31 Faculty Committees 34 Student Government 37 ACADEMIC PROGRAMS & ACTIVITIES 40 Degree Programs & Colleges 41 Continuing Educational Programs 46 Academic Resource Centers 48 Religious Organizations 50 Cultural & Special Interest Programs & Organizations 50 Athletics 54 RESEARCH & EDUCATION CENTERS 55 Arts & Sciences 56 Engineering 59 Dental School 60 Medical School 62 Jean Mayer USDA HNRCA 67 Friedman School 68 The Fletcher School 70 Cummings School 72 University-Wide 75 STUDENTS 78 SAT Scores of Entering Class 79 Admissions Statistics 80 Characteristics of Entering Classes 83 Student Enrollment 86 Students by Program, Sex, & Ethnic Group 89 International Students 93 Enrollments in College of Special Studies 96 Enrollments in Summer Session 2007 96 Student-Faculty Ratio 97 Students by State / Territory 98 3 Tufts ⏐ University ⏐ Fact ⏐ Book⏐ 2007 ⏐ 2008 Table of Contents STUDENTS, continued Page Tuition Rates 100 Undergraduate Charges Relative to Comparison Group 100 Undergraduate Financial Income & Awards 101 Student Financial Aid -
UNIVERSITY of CALIFORNIA Los Angeles the Fabulist in the Fable
UNIVERSITY OF CALIFORNIA Los Angeles The Fabulist in the Fable Book A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Kristin Leilani Mann 2015 © Copyright by Kristin Leilani Mann 2015 ABSTRACT OF THE DISSERETATION The Fabulist in the Fable Book by Kristin Leilani Mann Doctor of Philosophy in Classics University of California, Los Angeles, 2015 Professor Kathryn Anne Morgan, Co-Chair Professor Amy Ellen Richlin, Co-Chair Four fable books survive from Greco-Roman antiquity: (1) the Life and Fables of Aesop (1st-2nd century CE), a collection of Greek prose fables; (2) Phaedrus’s Fabulae Aesopiae (1st century CE), a collection of Latin verse fables; (3) Babrius’s Μυθίαμβοι Αἰσώπειοι (1st century CE), a collection of Greek verse fables; and (4) Avianus’s Fabulae (4th-5th century CE), a collection of Latin verse fables. The thesis of this dissertation is that in each of these fable collections, the fabulist’s presence in the fable book – his biography, his self-characterizations, and his statements of purpose – combine to form a hermeneutic frame through which the fables may be interpreted. Such a frame is necessary because the fable genre is by nature multivalent: fables may be interpreted in many different ways, depending on their context. For embedded fables (that is, fables embedded in a larger narrative or speech), the fable’s immediate context influences the fable’s interpretation. In the fable books, however, there is no literary context; the ii fables stand as isolated narratives. The fabulist himself, I argue, takes the place of this missing context, and thus provides the reader with an interpretive framework. -
The Complete Stories by Franz Kafka
Franz Kafka: The Complete Stories by Franz Kafka Ebook Franz Kafka: The Complete Stories currently available for review only, if you need complete ebook Franz Kafka: The Complete Stories please fill out registration form to access in our databases Download here >> Paperback: 488 pages Publisher: Schocken Books Inc.; Reprint edition (November 14, 1995) Language: English ISBN-10: 0805210555 ISBN-13: 978-0805210552 Product Dimensions:5.2 x 1 x 8 inches ISBN10 0805210555 ISBN13 978-0805210 Download here >> Description: The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. Hello All,I recently purchased this book in faith, though I was also frustrated by the lack of information in the book description. So, I will provide here for you the table of contents so that whoever purchases this book from now on can know exactly what they are getting:(By the way, the book is beautifully new & well designed, with the edges of the pages torn, not cut.)When it says the complete stories, it means it. The foreword assures that the book contains all of the fiction that Kafka committed to publication during his lifetime. That meas his novels, which he did NOT intend to be published but left note in his will to be destroyed, are NOT included: The Trial, America, The Castle. -
Narcotics Anonymous
NARCOTICS ANONYMOUS Fifth Edition Contents NARCOTICS ANONYMOUS ............................................................................................................................................................ 1 OUR SYMBOL ................................................................................................................................................................................ 4 WHO IS AN ADDICT? ..................................................................................................................................................................... 8 WHY ARE WE HERE? ................................................................................................................................................................... 14 HOW IT WORKS .......................................................................................................................................................................... 16 STEP ONE .................................................................................................................................................................................... 17 STEP TWO ................................................................................................................................................................................... 19 STEP THREE ................................................................................................................................................................................. 21 STEP FOUR ................................................................................................................................................................................. -
Siegfried Kracauer
Warning Concerning Copyright Restrictions The Copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish ci photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. THE MASS ORNAMENT WEIMAR ESSAYS • • • SIEGFRIED KRACAUER Translated, Edited, and with an Introduction by Thomas Y. Levin Harvard University Press Cambridge, Massachusetts London, England 1995 For Tl Copyright© 1995 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America This book was originally published as Das Ornament der Masse: Essays, by Suhrkamp Verlag, copyright© 1963 by Suhrkamp Verlag. This book is printed on acid-free paper, and its binding materials have been chosen for strength and durability. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Kracauer, Siegfried, 1889-1966. [Ornament der Masse. English] The mass ornament: Weimar essays I Siegfried Kracauer; translated, edited, and with an introduction by Thomas Y. Levin. p. cm. Originally published as: Das Ornament der Masse: Essays, by Suhrkamp Verlag, cl 963. Includes bibliographical references and index. ~ ISBN 0-674-55162-1. - ISBN 0-674-55163-X (pbk.) I. Levin, Thomas Y. II. Title. AC35.K64613 1995 081-dcZO 94-47397 CIP Fran~ ON H,s Pos A collection of unpublished pr, Franz Kafka has recently appeai China, 1 a volume put together I writer and guardian of his estate Schoeps. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
In That So Clare's Sonnets Green the Requirements for the Degree Of
ne, ne « / +• In That So Gentle Skys A Study of John Clare’s Sonnets Richard L. Gillin A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1971 í» © 1972 Richard Lewis Gillin ALL RIGHTS RESERVED ii ABSTRACT In 1820 John Clare became the most popular literary figure in London following the appearance of his Poems Descriptive of Rural Life and Scenery. By 1827, after the publication of three subse quent volumes of poetry, he was virtually ignored even though his poetic abilities had increased significantly. In this study the nature of John Clare’s achievement as a poet was analyzed in con junction with his sonnets. Clare’s best work appears in his short poems. The sonnets he wrote indicate his concerns and suggest the degree of his maturity as a lyric poet. The significant biographical and historical influences on Clare have been delineated in association with his poetry. An examination of the poems in each volume of poetry published during his lifetime revealed that the sonnets reflect the major impetus of each volume as well as suggesting the direction his later work would take. Experiments with sonnet forms such as the Shakespearian and regular innovative forms of Clare’s own creation are traced and analyzed. As a fledgling poet Clare's greatest problem was to reconcile the various elements of his perception and verse. Often, it has been shown, there is a cleavage between the subject matter and the speaker’s response to the subject in the early sonnets.