Resources and Bibliography

Home , Charles Urban, Cinematograph, Let Me Dream Again, The Kiss in the Tunnel, The Sick Kitten

Archives, Libraries & Museums Barnes Collection, St Ives, Cornwall, England. Barnes Collection, Hove Museum & Art Gallery, Brighton & Hove, England. [concentrates on South Coast of England film-makers and film companies] Brighton Library, Brighton & Hove, England. British Film Institute National Film Library, London, England. [within Special Collections at the BFI is found G. A. Smith’s Cash Book and the Tom Williamson Collection] British Library Newspaper Library, London, England. Charles Urban Collection, National Science & Media Museum, Bradford, England. Hove Reference Library, Brighton & Hove, England. Library of Congress, Washington, USA. Museum of Modern Art, New York, USA. The National Archives, Kew, England. National Park Service, Edison National Historic Site, West Orange, New Jersey. Available online through the site, Thomas A. Edison Papers (Rutgers, the State University of New Jersey. South Archive South East, University of Brighton, Brighton & Hove, England. University of Brighton Library, St Peter’s House, Brighton & Hove, England.

Film Catalogues Paul, Robert. 1898. Animated Photograph Films, List No. 15. London. [London: BFI Library]

———. 1901. Animatograph Films—Robert Paul; Cameras, Projectors & Accessories. London. [Paris: La Cinématheque Française] We Put the World Before you by means of The Bioscope and Urban Films. 1903. London: Charles Urban Trading Company. [New York: Museum of Modern Art; Media History Digital Library] Urban Film Catalogue. 1905. London: Charles Urban Trading Company. Republished in, Stephen Herbert. 2000. A History of Early Film, Volume 1. London: Routledge. The Descriptive List of New Film Subjects. 1898. London: Warwick Trading Company. [London: BFI Library] Warwick Trading Company Catalogue and Supplementary List No. 1. November, 1899. [London: Science Museum] Warwick Trading Company Catalogue. September, 1900. London. [New York: Museum of Modern Art] Warwick Trading Company Catalogue, Supplement No. 1. November/December, 1900. London. [New York: Museum of Modern Art] Warwick Trading Company Catalogue. April, 1901. London. [London: BFI Library] Warwick Trading Company Catalogue Supplement. 1901. London. [London: BFI Library] Blue Book of ‘Warwick’ and ‘Star’—Selected Film Subjects. 1901. London: Warwick Trading Company. [London: BFI Library] Williamson’s Kinematograph Films, Revised to Sept., 1899. 1899. Hove: Emery Press. [Brighton: Screen Archive South East] Williamson’s Kinematograph Films, Revised to Sept., 1902. 1902. Hove. [Brighton: Screen Archive South East] Williamson’s Kinematograph Films, Supplementary List, December 1903. 1903. Hove. [Brighton: Screen Archive South East] Programme of Kinematograph Entertainments. 1908. Hove: Williamson Kinematograph Co. [Brighton: Screen Archive South East].

Newspapers and Periodicals Argus [Brighton]—Morning edition of the Evening Argus Bath Chronicle and Weekly Gazette Birmingham Daily Gazette Bradford Daily Telegraph Bournemouth Guardian Brighton Examiner Brighton Gazette & Sussex Telegraph Brighton Herald RESOURCES AND BIBLIOGRAPHY 281

Brighton & Hove Guardian Brighton Society Daily Graphic Dover Express Edinburgh Evening News Evening Argus [Brighton] Folkestone Herald Gloucestershire Echo Hampshire Advertiser Hastings and St Leonards Observer Hove Echo Hull Daily Mail Nottingham Evening Post South Wales Daily News Stonehaven Journal Surrey Mirror Sussex Daily News Thanet Advertiser The Times Western Daily Press Western Morning News Ally Sloper’s Half Holiday Amateur Photographer The Bioscope Black and White Budget The British Journal of Photography The Century Magazine Chambers’ Journal The Economist The English Mechanic and World of Science The Era The Illustrated London News Kinematograph & Lantern Weekly Kinematograph Weekly The King Optical Magic Lantern Journal and Photographic Enlarger Pearson’s Magazine The Photographic Dealer The Pharmaceutical Journal Punch The Showman The Strand 282 RESOURCES AND BIBLIOGRAPHY

Books and Articles Adland, David. 1994. Brighton’s Music Halls. Towcester: Baron Birch for Quotes. Adriaensens, Vito, and Steven Jacobs. 2015. The Sculptor’s Dream: Tableaux Vivants and Living Statues in the Films of Méliès and Saturn. Early Popular Visual Culture 13 (1): 41–65. Allister, Ray. 1948. Friese-Greene. Close-Up of an Inventor. London: Marshland Publications. Andersen, Hans. 1902. Fairy Tales from Hans Andersen. London: Wells Gardner, Darton & Co. Arthur Melbourne-Cooper: Discussion. 1995. KINtop 4: 177–189 [Features Contributions by John Barnes and Tony Fletcher to the 1994 article and de Vries’ response]. Arthur Melbourne-Cooper: Discussion Continued. 1996. KINtop 5: 177–189 [Features Gray’s Response to de Vries’ 1994 article, pp. 178–180; de Vries’ Criticism of Gray’s Analysis, pp. 181–183, and Further Responses from Geoffrey Donaldson and Anthony Slide]. Assael, Brenda. 2006. Art or Indecency? Tableaux Vivants on the London Stage and the Failure of Late Victorian Moral Reform. Journal of British Studies 45 (4): 744–758. Bachelard, Gaston. 1969. The Poetics of Space. Boston, MA: Beacon Press. Bailey, Peter. 1986. Introduction: Making Sense of Music Hall. In Music Hall: The Business of Pleasure, ed. Peter Bailey. Milton Keynes: Open University Press. Bakhtin, Mikhail. 1984. Rabelais and His World. Bloomington, IN: Indiana University Press. Bardèche, Maurice, and Robert Brasillach. 1938. History of the Film. London: George Allen & Unwin. Barnes, John. 1982. Pioneers of Cinematography in Brighton—1897. In Cinema: 1900–1906: An Analytical Study by the National Film Archive (London) and the International Federation of Film Archives, ed. Roger Holman (Compiler), 93–99. Brussels: FIAF. ———. 1983. The Rise of the Cinema in Great Britain, The Beginnings of the Cinema in England 1894–1901, Volume Two 1897. Exeter: University of Exeter Press, 1996; first pub.: London: Bishopsgate Press. ———. 1990. Classification of Magic Lantern Slides for Cataloguing and Documentation. In Magic Images: The Art of Hand-Painted and Photographic Lantern Slides, ed. Dennis Crompton, David Henry, and Stephen Herbert. London: Magic Lantern Society of Great Britain. ———. 1992. Filming the Boer War, The Beginnings of the Cinema in England 1894–1901, Volume Four: 1899. Exeter: University of Exeter Press, 1996; first pub.: London: Bishopsgate Press. RESOURCES AND BIBLIOGRAPHY 283

———. 1996. Pioneers of the British Film, The Beginnings of the Cinema in England 1894–1901, Volume Three: 1898. Exeter: University of Exeter Press; first pub.: London: Bishopsgate Press, 1988). [The first edition of 1988 was dated mis- takenly as 1983]. ———. 1997. The Beginnings of the Cinema in England 1894–1901, Volume Five: 1900. Exeter: University of Exeter Press. ———. 1998. The Beginnings of the Cinema in England 1894–1901, Volume One: 1894–1896, 2nd ed. Exeter: University of Exeter Press; 1st edn. London: David & Charles, 1976. Barnouw, Erik. 1981. The Magician and the Cinema. Oxford: Oxford University Press. Bedding, T., ed. 1898. The British Journal Photographic Almanac and Photographer’s Daily Companion, 1898. London: Henry Greenwood. Beevers, David, ed. 1995. Brighton Revealed Through Artist’s Eyes c.1760–c.1960. Brighton: Royal Pavilion, Art Gallery and Museums. Benson, John, and Gareth Shaw, eds. 1992. The Evolution of Retail Systems, c. 1800–1914. Leicester: Leicester University Press. Bettelheim, Bruno. 1978. The Uses of Enchantment, The Meanings and Importance of Fairy Tales. London: Peregrine. Bidgoli, Hossein, ed. 2010. The Handbook of Technology Management: Supply Chain Management, Marketing and Advertising, and Global Management. Vol. 2. Hoboken: John Wiley. Booth, Charles. 1889–1903. Life and Labour of the People in London. Vol. 17. London: Macmillan. Booth, Michael. 1991. Theatre in the Victorian Age. Cambridge: Cambridge University Press. Bordwell, David. 1985. Narration in the Fiction Film. London: Methuen Press. Bordwell, David, and Kristin Thompson. 2002. Film History: An Introduction, 1st ed., 1994; 2nd ed. New York, NY: McGraw-Hill. Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge. Bottomore, Stephen. 1990. Shots in the Dark: The Real Origins of Film Editing. In Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser and Adam Barker. London: British Film Institute. ———. 1998. Book Reviews, ‘A History of the Victorian Cinema: The Barnes Project’. Film History 10 (1): 108–111. ———. 2002. Smith Versus Melbourne-Cooper: An End to the Dispute. Film History 14 (1): 57–73. Brewster, David. 1834. Letters on Natural Magic Addressed to Sir Walter Scott. London: John Murray. 284 RESOURCES AND BIBLIOGRAPHY

Brewster, Ben, and Lea Jacobs. 1997. Theatre to Cinema. Oxford: Oxford University Press. Brown, Harold. 1967. Notes on Film Identification by the Examination of Film Copies. London: British Film Institute. Brown, Richard. 1998. ‘England Is Not Big Enough…’ American Rivalry in the Early English Film Business: The Case of “Warwick v Urban”, 1903. Film History 10 (1): 21–34. ———. 2004. New Century Pictures: Regional Enterprise in Early British Film Exhibition. In The Lost World of Mitchell & Kenyon: Edwardian Britain on Film, ed. Vanessa Toulmin, Simon Popple, and Patrick Russell, 69–82. London: British Film Institute. Brown, Simon. 2016. Cecil Hepworth and the Rise of the British Film Industry 1899–1911. Exeter: University of Exeter Press. Brown, Richard, and Barry Anthony. 1999. A Victorian Film Enterprise: The History of the British Mutoscope and Biograph Company, 1897–1915. Trowbridge: Flicks Books. ———. 2017. The Kinetoscope: A British History. New Barnet: John Libbey. Burch, Noël. 1990. Life to Those Shadows. London: British Film Institute. Burrows, Jon. 2006. When Britain Tried to Join Europe. Early Popular Visual Culture 4 (1): 1–19. ———. 2010. West Is Best!; Or, What We Can Learn from Bournemouth. Early Popular Visual Culture 8 (4): 351–362. Burton, Alan, and Laraine Porter, eds. 2000. Pimple, Pranks and Pratfalls, British Film Comedy Before 1930. Trowbridge: Flicks Books. Butterworth, Mark. 2007. Astronomical Lantern Slides. The Magic Lantern Gazette 19 (2): 3–13. Caldecott, Randolph. 1880. Sing a Song for Sixpence. London: Frederick Warne. Campbell, Thonas, Charles Wolfe, William Collins, et al. 1856. Songs of the Brave. The Soldier’s Dream, and Other Poems and Odes. London: Sampson Low, Son & Co. Carder, Timothy. 1990. The Encyclopaedia of Brighton. Lewes: East Sussex County Libraries. Christie’s. 2001. Motion Picture Cameras, Tuesday 16 October 2001. London: Christie’s. [sales catalogue]. Clair, Jean, ed. 2000. Cosmos, From Goya to de Chirico, from Friedrich to Kiefer, Art in Pursuit of the Infinite. Milan: Bompiani. Connor, Lynne. 1997. Spreading the Gospel of the Modern Dance. Pittsburgh, PA: University of Pittsburgh Press. Cook, Victor. 1900. The Humours of ‘Living Picture’ Making. Chamber’s Journal, 488. Crompton, Dennis, David Henry, and Stephen Herbert, eds. 1990. Magic Images: The Art of Hand-Painted and Photographic Lantern Slides. London: Magic Lantern Society of Great Britain. RESOURCES AND BIBLIOGRAPHY 285

Current, R.N., and M.E. Current. 1997. Loie Fuller, Goddess of Light. Boston, MA: Northeastern University Press. Davis, Tracy. 2007. The Economics of the British Stage 1800–1914. Cambridge: Cambridge University Press. Devant, David. 1931. My Magic Life. London: Hutchinson. Dickson, William Kennedy Laurie, and Antonia Dickson. 1894a. The Life and Inventions of Thomas Alva Edison. London: Chatto & Windus. ———. 1894b. Edison’s Invention of the Kineto-Phonograph. The Century Magazinex 26 (2): 206–214. London. ———. 1895. History of the Kinetograph, Kinetoscope and Kineto-Phonograph. New York, NY: Albert Bunn. Reprinted ed., Arno Press, 1970. Dulac, Nicolas, and André Gaudreault. 2009. Cross-Cutting In The Face Of History: The Case Of Attack On A China Mission. Early Popular Visual Culture 7 (1): 1–8. During, Simon. 2002. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, MA: Harvard University Press. Ellenberger, Henri. 1970. The Discovery of the Unconscious. New York, NY: Basic Books. Elsaesser, Thomas, and Adam Barker, eds. 1990. Early Cinema: Space, Frame, Narrative. London: British Film Institute. Erredge, John. 1862. History of Brighthelmston, or, Brighton as I View It and Others Knew It with a Chronological Table of Events. Brighton: E. Lewis. Eyles, F.A.H., ed. 1889. Popular Poets of the Period. London: Griffith, Farran, Okeden and Welsh. Farmer, John. 1886. ‘Twixt Two Worlds: A Narrative of the Life and Work of William Eglinton. London: The Psychological Press. Fielding, Ray, ed. 1967. A Technological History of the Motion Pictures. Berkeley, CA: University of California Press. Finson, Jon. 1994. The Voices that Are Gone: Themes in Nineteenth-Century American Popular Song. Oxford: Oxford University Press. Fitzgerald, S.J. Adair. 1901. How to Make-Up. A Practical Guide for Amateurs and Beginners. London: Samuel French. Freud, Sigmund. 1985. “The Uncanny” (1919). In The Penguin Freud Library, Art and Literature, vol. 14. London: Penguin. Fullerton, John, ed. 1998. Celebrating 1895: The Centenary of Cinema. Sydney: John Libby. Gamage, A.W. 1890. Descriptive Lectures for the Complete Series of Coloured Lithographic Lantern Slides. London: A. W. Gamage. Gaudreault, André, ed. 1982. Cinema 1900–1906: An Analytical Study by the National Film Archive (London) and the International Federation of Film Archives, Analytical Filmography (fiction films). Vol. 2. Brussels: FIAF. [See also Holman, 1982]. 286 RESOURCES AND BIBLIOGRAPHY

———. 2000. The Diversity of Cinematographic Connections in the Intermedial Context of the Turn of the 20th Century. In Visual Delights: Essays on the Popular and Projected Image, ed. Simon Popple and Vanessa Toulmin, 8–15. Trowbridge: Flicks Books. Gauld, Alan. 1968. The Founders of Psychical Research. New York: Schocken Books. Glendinning, Andrew, ed. 1894. The Veil Lifted: Modern Developments of Spirit Photography. London: Whittaker & Co. Gray, Frank, ed. 1996. The Hove Pioneers and the Arrival of Cinema. Brighton: University of Brighton. [Essays by John Barnes, Ine van Dooren, Frank Gray and Martin Sopocy]. ———. 1998a. Williamson’s Attack on a China Mission. In Celebrating 1895, ed. John Fullerton, 203–211. Sydney: John Libbey. ———. 1998b. Robert Paul in 1896: Innovation, Success and Wonder. In Cinema at the Turn of the Century, ed. Claire Dupré de la Tour, André Gaudreault, and Roberta Pearson, 325–333. Quebec: Éditions Nota bene. ———. 1998c. Smith the Showman. Film History 10 (1): 8–20. ———. 1999. Smith Versus Melbourne-Cooper: History and Counter-History. Film History 11 (3): 246–261. ———. 2000. George Albert Smith’s Comedies of 1897. In Pimples, Pranks & Pratfalls, ed. Alan Burton and Laraine Porter, 17–23. Trowbridge: Flicks Books. ———. 2001. Mr Smith’s Visions and Transformations. In Visual Delights, Essays on the Popular and Projected Image, ed. Simon Popple and Vanessa Toulmin, 170–180. Trowbridge: Flicks Books. ———. 2002. Williamson’s Rescue Narratives. In Young and Innocent? The Cinema in Britain, 1896–1930, ed. Andrew Higson, 28–41. Exeter: University of Exeter Press. ———. 2008. Our Navy and Patriotic Entertainment in Brighton at the Start of the Boer War. In Early Cinema and the National, ed. Richard Abel et al., 79–89. New Barnet: John Libbey Publishing. ———. 2018a. The Vision Scene: Revelation and Remediation. In The Image in Early Cinema: Form and Material, ed. S. Curtis, P. Gauthier, T. Gunning, and J. Yumibe, 36–46. Bloomington, IN: Indiana University Press. ———. 2018b. Kinemacolor and Kodak: The Enterprise of Colour. In The Colour Fantastic: Chromatic Worlds of Silent Colour, ed. G. Fossati, V. Jackson, B. Lameris, E. Rongen-Kaynakçi, S. Street, and J. Yumibe, 145–159. Amsterdam: Amsterdam University Press. Gunning, Tom. 1990a. The Cinema of Attractions, Early Film, Its Spectator and the Avant-Garde. In Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser and Adam Barker. London: British Film Institute. ———. 1990b. Primitive Cinema: A Frame-up? Or the Trick’s on Us. In Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser and Adam Barker. London: British Film Institute. RESOURCES AND BIBLIOGRAPHY 287

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A Anglo-Boer War, 4, 220, 221, 227, Acres, Birt, 21, 46, 47, 53, 57, 120, 244, 246–248, 256 121 Animal Magnetism, 81, 82 Aladdin (pantomime), 88, 89 Animatographe, 55, 56, 58–60, 62, Aladdin and the Wonderful Lamp 63, 67 (Smith, 1899), 178, 203 Annabelle Butterfly Dance (Edison, Alhambra Music Hall (Brighton), 137 1894), 43, 44, 70n3, 125 Alhambra Theatre of Varieties Annabelle Serpentine Dance (Edison, (London), 55 1894), 43, 44 Ali Baba and the Forty Thieves Annabelle Sun Dance (Edison, 1894), (pantomime), 129, 203 44, 70n3 Ali Baba and the Forty Thieves/Ali Apparitions and Thought-Transference, Babas et les Quarante Voleurs Frank Podmore (book), 166n1 (Pathé, 1902), 275 Are You There? (Williamson, 1901), Allister, Ray, 25, 26 251 Ally Sloper (Smith, 1899), 177, Armand’ Ary (Edison, 1894), 43, 217–219, 236n10 69n3 Ally Sloper’s Half Holiday, Gilbert Arrival of a Train in a Station/A Dalzeil (periodical), 217, 236n10 Train Arriving at a Railway American Biograph, 137, 148n56, Station/Passenger Train (Smith, 186, 201, 202 1896/7), 119–121, 125, 126, American War Biograph, 228 129

1 Note: Page numbers followed by ‘n’ refer to notes.

Arrival of the Paris Express (Paul, Baucus, Joseph, 42, 43, 46, 52, 69, 1896), 61, 126 69n2, 173 Arrivée d’un train à La Ciotat Bayley, Blanche, 85, 86, 88, 89, 118, (Lumière, 1895), 126 129, 138 As Seen Through the Telescope (Smith, Bayley, Eva, 85–89, 129, 130, 138 1900), 13, 33, 94, 175, 193, Bayley, Florence, 86, 88, 129, 139 195–201, 207n22 Bayley, Laura, 3, 79, 85–90, 95, 120, As Seen Through the Telescope, 127, 134, 163, 165, 168n14, American title: The Professor and 199, 201 his Field Glass (Smith, 1900), 201 Beaching the Donovan at Warrior- The Astronomer’s Dream/La Lune à un Square (Smith, 1897), 139 Mètre (Méliès, 1898), 183, 184, Beauty and the Beast (pantomime), 89 203, 206n8, 206n10 Beheading the Chinese Prisoner (Lubin, At Last! That Awful Tooth (Smith, 1900), 227 1902), 33, 195 The Bells, Henry Irving (play), 160, Attack on a China Mission/Attack on a 162, 167n11 China Mission. Bluejackets to the Benett-Stanford, John, 220, 221, 270 Rescue (Williamson, 1900), 213, Bertoldi (Edison, 1894), 43, 69–70n3, 222 125 Attack on a Mission Station (Mitchell A Big Swallow (Williamson, 1901), 21, & Kenyon, 1900), 227, 237n18 251, 252 Audrey Wadowska, 36n12 Birch, Eugenius, 80, 87 Birmingham, 258 Black Diamond Express (Edison, B 1896), 126 Ball, Robert Stawell, 96, 99, 107n59, Blackburn, Douglas, 82, 83 107n61 Blacksmith’s Shop (Edison, 1893), 43, Bank Holiday at Brighton (Collings, 70n3 1896), 119, 120 Blue Beard (pantomime), 89, 129, 203 Bank Holiday at the Dyke, Brighton Blue Beard/Barbe-Bleue (Méliès, (Williamson, 1899), 219 1901), 203 Barber Shop (Edison, 1893), 43, 70n3 Boat Race (Acres/Paul, 1895), 47, Bardèche, Maurice, 22, 23 218, 219 Barnes, John, 20, 31–34, 36n12, 54, Bob the Fireman, or, Life in the Red 69n1, 72n24, 73n43, 74n46, Brigade (lantern series), 230 74n50, 74n54, 79, 94, 131, Bombardment of Taku Forts by the 145n23, 146n30, 166n5, 176, Allied Fleets (Edison, 1900), 227 184, 189, 205n1, 205n2, 221, Bottomore, Stephen, 26, 34, 36n11, 235n2 36n13, 37n14, 206n11 Bar Room (Edison, 1894), 43, 61, Bournemouth, 257, 258 69–70n3 The Boxer Rebellion, 4, 222, Bath, 24, 257 225–227, 229, 238n22 INDEX 295

Boxing Cats (Edison, 1894), 43, 70n3 Catterina: A Pathetic Story, Bamforth Boxing Kangaroo (Acres/Paul, 1895), (lantern series), 162 47 Changing Guard (Smith, 1897), 139 Boys Scrambling for Pennies Under the Charcuterie Mécanique (Lumière, West Pier (Collings, 1896), 64, 65 1896), 136 Bradford, 13, 191, 258 Charles Urban Trading Company, 12, Brasillach, Robert, 22, 23 203, 215 Breslau Fire Department in Action Cheltenham, 257 (Edison, 1900), 231 Children Paddling (Collings, 1896), Brighton, 4, 19, 39–69, 79, 115, 117, 65 153, 174, 214, 245, 270 Chinese Massacring Christians (Lubin, Brighton Aquarium, 49, 80, 84, 89, 1900), 227 95, 117, 122–123, 129, 153 A Christmas Dream/Rêve de Noël Brighton Sea-Going Electric Car (Méliès, 1900), 203 (Smith, 1897), 124–126 Church Parade at Portsmouth The British Journal Photographic (Collings?, 1896), 119–121 Almanac and Photographer’s Daily Cinderella (pantomime), 88, 167n14, Companion, 113, 234n1 203 British Mutoscope and Biograph Cinderella (Smith, 1898), 129, 154, Syndicate, 186 159, 162, 163, 168n14 The Broken Melody (Collings, 1896), Cinderella/Cendrillon, (Méliès, 1899), 125 129, 203 Buffalo Bill (Edison, 1894), 125 Cock Fight (Edison, 1894), 43, 70n3 Buffalo Bill’s Wild West, 69n2, 221 Collings, Esmé, 24, 25, 30, 31, Buy Your Own Cherries (Paul, 1904), 63–66, 68, 101, 103, 117, 254 120–123, 125, 138, 144n16, 174, 214, 270 Combat Naval en Grèce (Méliès, C 1897), 254 Caicedo (Edison, 1894), 43, 70n3, A Comic Costume Race (Paul, 1896), 125, 145n24 63 Calder’s Grand Coronation Concert Comic Face (Smith, 1897), 128, 179 and Cinematograph, 256 Comic Shoeblack (Acres/Paul, 1895), Carmencita (Edison, 1894), 43, 47 69–70n3, 125 The Conjuror (Smith, 1899), 178 Carpenter’s Shop (Acres/Paul, 1895), Constable, John, 65, 90 47, 261 Continental Commerce Company, 42, Carter, Sydney, 258–260, 265n26 44, 52, 69, 70n3, 173 Cash Book, G. A. Smith (ledger), 13, Conway Castle-Panoramic View of 31, 115–117, 129, 132, 141, Conway on the L. & N. W. 143, 145n25, 174–176, 189, Railway (British Mutoscope and 204, 205n2, 206n14, 215, 235n5 Biograph Syndicate, 1898), 186 296 INDEX

Cook, Florence, 153, 220, 221 Der Deitcher’s Dog (song), 136 A Corner in Wheat (Griffith, 1909), The Deserter (Williamson, 1903), 249 254 Desperate Poaching Affray (Haggar, Coronation of King Edward VII, 243 1903), 254 The Corsican Brothers (Smith, 1898), Devant, David, 55, 61, 73–74n45, 154, 156–160, 162 101, 141 The Corsican Brothers, Dion Boucicault Devant’s Hat Trick/D. Devant (Méliès, (play), 156, 162 1897), 141 The Corsican Brothers, Henry Irving The Diamond Jubilee-The Colonial (play), 157, 168n15 Premiers (Smith, 1897), 139 The Country Doctor (Griffith, 1909), Diary of a Nobody, George and 254 Weedon Grossmith (novel), 233 Cricket (Williamson, 1899), 218 Dick Whittington (pantomime), 89, Cycling in Hyde Park (Acres, 1896), 117–119 64, 120, 121 Dick Whittington (Smith, 1899), 120, The Czar in Paris (Collings, 1896), 123, 178 119–121 Dickson, William Kennedy Laurie, 24, 35n8, 42, 43, 47, 50, 52, 68, 71n20, 145n24, 148n56, 228 D Dorothy’s Dream (Smith, 1903), Daddy, Bamforth (lantern series), 162 201–205 Dalmeny to Dumfermline, Scotland, Dover, 274, 275 via the Firth of Forth Bridge (Warwick Trading Company, 1899), 187 E A Daring Daylight Burglary East Lynne (Harrison, 1902), 258, (Mottershaw, 1903), 254, 275 260, 263n15, 264n22 Darling, Alfred, 13, 24, 25, 30, 31, Eastman, George, 21, 24, 46, 236n7, 63, 69, 71n20, 79, 116, 117, 262n4 122, 174, 175, 187, 204, 205n1, Eating Sandwiches at Railway 207n22, 214, 235n2, 270, 271 Restaurant (Smith, 1899), 177 David Devant: The Egg Laying Man Edison, Thomas, 21, 24, 41–47, (Paul, 1896), 61, 73n45 50–53, 57, 58, 61, 69, 70n3, David Devant: The Mysterious Rabbit 71n20, 71n21, 81, 84, 92, 93, (Paul, 1896), 61, 73n45 101, 105n20, 106n43, 107n45, De Vries, Tjitte, 33, 36n12, 36n13 121, 124–126, 145n24, 173, 174, The Dear Boys Home for the Holidays 177, 182, 192, 201, 202, 206n8, (Williamson, 1903), 203 208n28, 227, 231, 234, 238n24 The Derby, 54, 55, 60, 61, 256 Empire Theatre (London), 62, 63, 65, The Derby (Acres/Paul, 1895), 47 169n15, 259 The Derby (Paul, 1896), 56, 60–62, The Engineers’ Shop at Nelson Dock 66, 124, 184 (Paul, 1896), 61 INDEX 297

English Mechanic, 13, 45–47, 51, Fox and Geese (Williamson, 1897), 214 73n45, 115 The Fraudulent Beggars (Williamson, Entrance to the West Pier (Paul, 1896), 1899), 216 61, 62 Friese-Greene, William, 20, 21, The Execution of Mary, Queen of Scots 23–26, 31, 34, 35n1, 35n3, (Edison, 1895), 182, 206n8 35n5, 63, 270, 272 Exhibition/Come Along, Do! (Paul, Fuller, Loïe, 44, 72n34 1898), 183, 206n8 Furniss, Harry, 227, 238n24

F G Falsely Accused (Hepworth, 1905), The Gambler’s Wife (Smith, 1899), 249, 254 178, 179 Fast Train (Edison, 1896), 126 Gaston Bachelard, The Poetics of Space, Faust and Mephistopheles (Smith, 232 1898), 154, 159, 163, 164, The Gay Shoe Clerk (Edison, 1903), 168n15 198, 201 Fighting the Fire (Edison, 1897), Gladstone, William Ewart, 93, 231 107n45 The Finish of Bridget McKeen (Edison, The Glories of the Heavens; or, A 1901), 202 Tour Through Space, 95, 97 Fire! (Williamson, 1901), 4, 21, 30, Going to the Fire (Edison, 1897), 231 213, 221, 229–234, 239n33, Graeco-Turkish War, film series (Méliès, 244, 253 1897), 141, 254 Fire Drills at Breslau, Germany Grandma’s Reading Glass (Smith, (Edison, 1900), 231 1900), 3, 13, 28, 30, 33, 36n12, Firemen-Departure of Fire Engine 36n13, 175, 193–198, 200, 201, (Lumière, 1897), 231 206n8, 207n22, 271 Firemen-Getting Ready (Lumière, Grandpa’s Reading Glass (American 1897), 231 Mutoscope & Biograph Firemen-Life Saving (Lumière, 1897), Company, 1902), 201 231 The Great Train Robbery (Griffith, Firemen-Playing at the Fire (Lumière, 1903), 254 1897), 231 The Great Train Robbery (Porter, Fire Rescue Scene (Edison, 1894), 231 1903), 22 Fireside Reminiscences (Porter, 1908), Green, Tom, 127–129, 134, 137, 250 146n30, 147n46, 155, 167n14, Fitzgerald, John Anster, 160 179, 189, 195, 199 Football match (Smith, 1897), 139, Gulliver’s Travels/Le Voyage de Gulliver 140, 259 à Lilliput et chez les Géants The Forbidden Lover (Williamson, (Méliès, 1902), 275 1899), 216 Gurney, Edmund, 79, 83, 105n14 298 INDEX

H How Bridget Made the Fire (American Hanging Out the Clothes/A comic Mutoscope & Biograph scene-The master, the mistress and Company, 1900), 202 maid (Smith, 1897), 94, Hull, 258, 259 127–132, 139, 140, 178, 192, Hunter, J. D. (Hunter, John Danby), 199 85–90, 101–103, 117–121, 123, The Haunted Castle/Le Château Hanté 129, 138–140, 179 (Méliès, 1897), 134, 141, Hypnotism, 80, 83, 84, 104 147n45, 215 The Haunted Picture Gallery (Smith, 1899), 178 J The Haverstraw Tunnel (American Jeffs, Waller, 258, 260 Mutoscope Company, 1897), Joan of Arc/Jeanne d’Arc (Méliès, 185, 186 1900), 203 Heise, William, 43, 50, 145n24 Hepworth, Cecil, 23, 29, 32, 68, 75n63, 173, 177, 185, 187, 188, K 190, 191, 234, 254, 272 Kinemacolor, 13, 20, 22, 23, 34, Hepworth, Thomas Craddock, 75n63, 35n5, 85, 201, 204, 261, 262, 228 265n32, 270–274, 276n2 Hercat (R. D. Chater), 101, 102 Kinetoscope, 41–54, 56–58, 60, 61, Hopwood, Henry, 26 68, 69, 84, 101, 173, 214 Horace Bank’s Pictorial Tours, 228 King Edward VII, 243, 263n17, A Horrible Fright, L. T. Meade (short 264n26 story), 192 Kiss in the Tunnel (Riley Brothers, c. Horse Shoeing (Edison, 1893), 43, 1898-1900), 191 70n3 The Kiss in the Tunnel (Smith, 1899), Horses Ploughing (Williamson, 1899), 3, 129, 173, 177, 180, 183–193, 219, 236n11 197, 206n8, 207n18, 224, 251 The House That Jack Built (Smith, 1900), 33, 36n12, 36n13, 193, 198, 200, 201 L Hove, 3, 6–8, 13, 19–21, 24, 25, 27, The Lady Barber, or, Comic Shaving 30, 31, 33, 66, 69, 79, 85, 90, (Smith, 1897), 127 93, 99, 106n43, 115, 120, 121, The Lady Slavey (play), 131 123–125, 135, 138, 139, 174, L’Affaire Dreyfus (Méliès, 1899), 254 191, 204, 213–216, 220–222, La Loupe de Grand-Maman (Pathé, 229, 232, 233, 235n5, 236n16, 1901), 201 261, 265n32, 270, 272 The Legacy (Smith, 1899), 180 Hove Camera Club, 21, 25, 68, 115, Les Frères Corse, Alexandre Dumas 117, 135, 142, 213, 262n2 (novel), 156 Hove Town Hall, 68, 117, 135, 137, Let Me Dream Again (Smith, 1900), 142 178, 193, 198–201 INDEX 299

Let Me Dream Again, Arthur Sullivan Making Sausages (Smith, 1897), 128, (song), 200 136–138, 143 Life of an American Fireman (Porter, Malden, B. J., 95–97, 99, 100 1903), 250 Marryat, Florence, 153, 154, 166n1 The Life of Charles Peace (Haggar, Mary Jane’s Mishap, or, Don’t Fool with 1905), 254 the Paraffin (Smith, 1903), 275 The Little Doctor and the Sick Kitten Maskelyne, Nevil, 101 (Smith, 1901), 33, 195, 197, 198 May Irwin Kiss/Kiss (Edison/Dickson, The Little Match Girl, Hans Christian 1896), 192 Andersen (short story), 249 McKernan, Luke, 34, 35n5, 174, The Little Match Seller (Williamson, 205n1, 270, 274 1902), 249, 250, 263n11, 275 Melbourne-Cooper, Arthur, 20, Local scene at Hastings (Smith, 1897), 33–34, 36n12, 36n13 139 Méliès, Georges, 22, 23, 27, 28, London After Dark, or The Policeman 73n45, 133–135, 141, 155, and his Lantern (Smith, 1902), 166n6, 169n15, 173, 177, 178, 275 182–184, 189, 195, 203, 206n8, Lord Roberts (Field Marshal Frederick 206n9, 206n10, 207n15, 213, Sleigh Roberts, 1st Earl Roberts), 215, 253, 254, 258–260, 247 264n22, 264n26, 272, 275 Love on the Pier/Interrupted love- Mesmerism, 3, 80, 82–84, 153, 155, making on Hastings Pier (Smith, 158 1897), 128, 139 The Mesmerist, or Body and Soul Low, Rachael, 20, 27, 29–34, 94, 194, (Smith, 1898), 85, 154, 155 205n4, 234, 256, 263n16, 276 The Miller and the Sweep (lantern Lumière, Auguste and Louis, 21, 53, reading), 132 55, 57, 62, 101, 114, 121, The Miller and the Sweep (Smith, 124–126, 136, 139, 141, 1897), 127, 128, 131–133, 147n53, 173, 174, 184, 217, 147n45, 217 220, 235n2, 272 Mohawk Minstrels, 59, 138 Mohawk Minstrels/Audience Leaving Pier Pavilion (Smith, 1897), 125, M 139 The Magic Box (Boulting, 1951), Moore & Burgess Minstrels, 101, 102 25 A Morning Alarm (Edison, 1897), Magic lantern, 3, 6, 8, 9, 13, 27, 31, 231 32, 46, 49, 53, 102, 113, 116, Moss’ Empire, 54, 259, 260 117, 142, 146n30, 154, Mr. and Mrs. J. D. Hunter and the baby 160–162, 181, 200, 201, 213, (Smith, 1897), 139 221, 229, 230, 238n24, 264n19 Mr Maskelyne Spinning Plates and Magnus Volk, 126, 236n7 Basins (Paul, 1896), 55, 63 Maguire & Baucus, 42 Mrs. Aubrey Le Blond (Elizabeth Maguire, Franck, 42 Hawkins-Whitshed), 243, 262n2 300 INDEX

Multiples, 10, 54, 72n23, 246, 252 Our Glorious Empire; a Pictorial and Musical Ride A., B. & C. (Williamson, Dioramic Tour through John 1899), 220 Bull’s Dominions, 97 Our New Errand Boy (Williamson, 1905), 217 N Natural Color Kinematograph Company, 35n5, 272 P Neil Campbell, the ‘Aeronaut,’ 93, 97 Pandora Gallery (Brighton), 56–59, Nellie Green, 129, 199 61, 62, 72n34, 84, 101, 135, New Century Animated Pictures 235n2 Company, 258 Pantomime, 3, 8, 66, 67, 85, 87–90, Newport, 259, 260 95, 113, 117–121, 123, 127, The Night Before Christmas (American 129, 154, 160, 167n14, 203, 204 Mutoscope Company, 1897), 164 Paris Congress, 272 The Night Before Christmas, Clement Passengers Disembarking from Rothesay Moore (poem), 163, 169n16 Pier (Paul, 1896), 63 A Nightmare/Le Cauchemar (Méliès, Paul, Robert, 4, 21, 22, 41, 42, 46, 1897), 141 47, 50, 53–69, 72n24, 73n39, North American Animated Photo 73n44, 73n45, 74n46, 101, 115, Company, 259, 265n28 117, 119, 124, 126, 138, 139, Norton, Charles Goodwin, 231 145n26, 176, 177, 183, 184, Nottingham, 259 192, 220, 231, 250, 254, 258, Nursery Rhymes (Smith, 1902), 275 265n26, 270, 272 Performing Bears (Acres/Paul, 1895), 47 O Phonograph, 42, 48, 49, 51, 52, The Old Chorister (Williamson, 1904), 71n20, 71n21, 81, 92, 93, 250, 263n11 106n43 The Old Maid’s Valentine (Smith, Photographing a Ghost (Smith, 1898), 1900), 33, 36n12, 36n13, 180 154, 156, 164 On Brighton Beach/Party Landing Pickpocket Arrest (Acres/Paul, 1895), from a Boat on Brighton Beach 47 (Paul, 1896), 61, 62, 74n46 Pier Pavilion Theatre, Hastings & On the Roofs/Sur les Toits (Méliès, St. Leonards Pier, 101, 125, 1897), 141 138 Optical Magic Lantern Journal and Poole’s Myriorama, 100 Photographic Enlarger (OMLJ), Poole’s Royal Myriorama, 228 13, 23, 113, 115, 137, 140, 141, Porter, Edwin, 22, 28, 147n53, 202, 222 239n33, 250, 254 Ora Pro Nobis (Paul, 1901), 258, The Portsmouth Express (Smith, 1897), 265n26 125, 126 INDEX 301

Portsmouth Ferry (Collings, 1896), Rêve et Réalité (Zecca, 1902), 201 119, 120 Ring-a-ring of Roses (Williamson, Prince of Wales’s Royal Theatre 1897), 214 (Southampton), 118 Robin Hood (pantomime), 66, 89 Prince Ranjitsinjhi, 218, 269 Robinson Crusoe (pantomime), 88, 89, Princess Maud’s Wedding (Paul, 203 1896), 55, 63, 73n44, 124 Robinson Crusoe/Les Aventures de Pringle, Ralph, 259, 260, 265n28 Robinson Crusoé (Méliès, 1902), The Prodigal Son/L’Enfant prodigue 203, 275 (Pathé, 1901), 257, 258, Robinson, Henry Peach, 161 263–264n19 Rotha, Paul, 22, 23 Rough Sea (Collings, 1896), 61, 119, 120 Q Rough Sea at Hastings (Smith, The Queen’s Jubilee-Passing of the 1896/7), 121 Colonial troops (Smith, 1897), Rough Sea at Ramsgate (Paul, 1896), 139 61 Queen Victoria’s Diamond Jubilee Royal Astronomical Society (RAS), 96, Procession-Queen’s Carriage 97, 99 (Smith, 1897), 124 Royal Society of Arts, 272

R S A Railway Collision (Paul, 1901), 258, St. Ann’s Well Gardens/St Ann’s Well 265n26 and Wild Garden/St Ann’s Well Ramsaye, Terry, 22, 107n49 and Gardens, 90–94 Red Riding Hood (pantomime), 129, Sadoul, Georges, 20, 27–34, 35n7, 203 35n8, 68, 107n49, 213, 254, Red Riding Hood/Le Petit Chaperon 255, 269 Rouge (Méliès, 1901), 129, 203 Sandow (Edison, 1894), 43, 125 The Reminiscences of the Two Old Sports Santa Claus (Smith, 1898), 154, 159, (Smith, 1899), 177, 179, 180, 162–165, 166n5, 167n13, 197–199 169n16, 175, 182, 183 Remorse - A Tragedy in 5 Scenes The Sausage Machine (American (Williamson, 1903), 249 Mutoscope Company, 1897), Repas de bébé (Lumière, 1895), 139 136, 137 The Rescue (John Millais, 1855), 229 Scene on Hastings Beach (Smith, Rescued by Rover (Hepworth, 1905), 1897), 139 234, 254 Scrooge, or, Marley’s Ghost (Paul, A Reservist, Before the War, and After 1901), 250 the War (Williamson, 1902), 244, The Sculptor’s Dream, 118, 119 247, 254 Sing a Song of Sixpence, 130 302 INDEX

The Sign Writer (Smith, 1898), 178 Sopocy, Martin, 20, 25, 32–33, 68, Sleeping Beauty/La Belle au Bois 234n1, 235n2, 238n18, 239n33, Dormant (Pathé, 1902), 275 263n13 Sloper’s Visit to Brighton-Bathing Southwick, 24, 124, 126, 208n29, 272 (Williamson, 1899), 218 Spring Cleaning (Williamson, 1902), Sloper’s Visit to Brighton-Chucked Out 275 (Williamson, 1899), 218 The Star of Bethlehem, Frederic Sloper’s Visit to Brighton-Donkey Weatherley (poem), 250, 263n11 Riding (Williamson, 1899), 218 Starting for the Fire (Edison, 1897), Smith, Dorothy, 165, 197, 198 231 Smith, George Albert, 3–9, 12, 13, The Stolen Body, H. G. Wells (short 19–34, 35n5, 35n7, 35n8, story), 158 36n12, 36n13, 41, 45, 46, Stolen by Gypsies (Edison, 1905), 234 68–69, 79–104, 105n14, Stolen by Gipsies: The Rescue (John 105n15, 107–108n64, 113–143, Bagnold Burgess, 1875), 234 145n25, 146n30, 146n37, Stonehaven, 256 153–165, 166–167n6, 167n8, Stop Thief! (Williamson, 1901), 28, 167n13, 167–168n14, 36n12, 251 168–169n15, 169n16, 173–205, Struwwelpeter (Heinrich Hoffmann, 205n2, 205n4, 206n8, 206n10, 1845), 202 207n18, 207n22, 208n28, Supply chains, 9, 10, 116, 273, 274, 208n29, 213–221, 224, 232, 276 235n5, 250–253, 256, 261, Svengali and Trilby (Natural Color 264n26, 265n32, 269–276, Kinematograph Company, 1911), 276n2 85 Smith, Harold Norman, 86, 165, 195, 198 Smith’s lantern lectures, 102, 113, T 117, 122, 123 Talbot, Frederick, 20–23, 31, 34 Society for Psychical Research (SPR), Tea in the garden-a family party 79, 83, 84, 91, 105n14, 105n15, (Smith, 1897), 139 154, 155, 158, 159, 166n1, Teasing the Gardener/L’Arroseur arose 167n10 (Lumière, 1895), 217 Soldiers and Sailors Families Terry, Ellen, 124, 125, 168n15, 269 Association, 247 Theatre Royal (Brighton), 56, 66, The Soldier’s Courtship (Paul, 1896), 119, 120, 139 55, 75n59, 139, 192 Theatrograph, 54, 59, 66, 73n45, 115 The Soldier’s Return (Williamson, Thought-reading, 82, 104, 158 1902), 4, 244, 254–260, 274 Thought-transference, 82, 83, 158, The Soldier’s Return, Robert Burns 159, 166n1 (ballad), 246 Through the Looking-Glass, and What Sons of the Empire’, Gordon & Co., Alice Found There, Lewis Carroll 228 (book), 203 INDEX 303

Tipsy, Topsy, Turvey (Smith, 1897), V 128, 137, 143, 148n61, 178 The Vanishing Lady/Escamotage d’une Traffic by the clock tower at Westminster Dame chez Robert-Houdin (Smith, 1897), 139 (Méliès, 1896), 134, 135, 141, Trilby Death Scene (Edison, 1895), 58, 166n6, 182, 206n8 84, 105n20 Verne, Jules, 97, 107–108n64, 259 Trilby, George Du Maurier (novel), Victoria Hall (Brighton), 56, 58–63, 58, 84, 155 73n39, 126 A Trip to the Moon/Voyage dans la View From an Engine Front-Ilfracombe Lune (Méliès, 1902), 22, 203, Incline (Hepworth, 1898), 187 258–260, 264n22, 265n28 View From an Engine Front-Through Twenty Thousand Leagues Under Mortehoe (Hepworth, 1898), 187 the Sea; a Romantic and View From an Engine Front-Train Startling Trip with Jules Verne, Leaving Tunnel (Hepworth, 97, 103 1899), 185, 188 The Twins’ Tea Party (Paul, 1896), 55, Vision scene, 155, 157, 159–165, 75n59 167n11, 199, 250 Twixt Two Worlds (Eglinton, 1886) Volk, Magnus, 51, 71n20, 145n26 (book), 156 Two Little Waifs (Williamson, 1905), 36n12, 233, 234 W Two Naughty Boys Sprinkling the Wadowska, Audrey, 33, 36n12 “Spoons” (Williamson, 1899), Wait till Jack Comes Home 217 (Williamson, 1903), 248 Two Naughty Boys Teasing the Cobbler Warren, Low, 23–26, 31, 35n1 (Williamson, 1899), 217 Warwick Trading Company (WTC), Two Naughty Boys Upsetting the 9, 12, 13, 23, 69, 145n23, “Spoons” (Williamson, 1899), 166n5, 166n6, 167n14, 217 169n15, 173–180, 184, 185, Two Old Sports’ Game of Nap (Smith, 187–190, 192, 199, 201–203, 1900), 180 205n4, 206n6, 207n18, Two Old Sports’ Political Discussion 208n28, 208n29, 215, 216, (Smith, 1900), 180 220, 227, 229, 231, 260, 264n22, 264n26 Washing the Sweep (Williamson, 1899), U 216, 217 Uncle Tom’s Cabin (Griffith, 1903), Wearie Willie (Smith, 1897), 128 254 West Pier (Brighton), 48–50, 57, 61, Urban, Charles, 9, 13, 23, 25, 34, 62, 64, 65, 68, 71n14, 73n43, 35n5, 69, 173, 174, 203, 205n1, 80, 87, 95, 228, 235n2 252, 262, 264n26, 270, West, T. J., 203, 257, 258, 260, 272–275 264n19, 264n22, 274, 275 304 INDEX

West’s Imperial Coronascope, 257, Wood, Lesley, 23, 25, 26, 30, 264n22 263n15 Whitford, Annabelle, 44 A Workman’s Paradise (Williamson, Williamson, James, 3–9, 12, 13, 1902), 252, 258 19–34, 35n8, 41, 45, 46, 68–69, Wrestling Dog (Edison, 1894), 43, 79, 94, 114, 115, 117, 134, 135, 69n3 137, 141–143, 174, 203, 206n8, Wrestling Match/Wrestling Scene 213–234, 235n2, 235n5, (Edison, 1894), 43, 70n3 236n16, 237–238n18, 238n22, 239n33, 239n34, 241–262, 262n2, 262n8, 263n16, 264n19, X 265n32, 269–276 X-Ray, 8, 58, 68, 135, 147n47, Williamson Kinematograph Company, 147n48, 214 214, 243 The X Rays (Smith, 1897), 128, Winner, Septimus, 136 129, 133–135, 137, 147n46, Wolff, Philipp, 134, 140, 141, 143 155, 164, 165, 167n13, Wonders of the Deep/Kingdom of the 183 Fairies/Le Royaume des Fées The X Rays/Les Rayons X (Méliès, (Méliès, 1903), 203 1898), 134, 135