RESOURCES aND BIBlIOGRaPHY ARCHIVES, LIBRaRIES & MUSEUmS Barnes Collection, St Ives, Cornwall, England. Barnes Collection, Hove Museum & Art Gallery, Brighton & Hove, England. [concentrates on South Coast of England film-makers and film companies] Brighton Library, Brighton & Hove, England. British Film Institute National Film Library, London, England. [within Special Collections at the BFI is found G. A. Smith’s Cash Book and the Tom Williamson Collection] British Library Newspaper Library, London, England. Charles Urban Collection, National Science & Media Museum, Bradford, England. Hove Reference Library, Brighton & Hove, England. Library of Congress, Washington, USA. Museum of Modern Art, New York, USA. The National Archives, Kew, England. National Park Service, Edison National Historic Site, West Orange, New Jersey. Available online through the site, Thomas A. Edison Papers (Rutgers, the State University of New Jersey. South Archive South East, University of Brighton, Brighton & Hove, England. University of Brighton Library, St Peter’s House, Brighton & Hove, England. FIlm CaTalOGUES Paul, Robert. 1898. Animated Photograph Films, List No. 15. London. [London: BFI Library] © The Author(s) 2019 279 F. Gray, The Brighton School and the Birth of British Film, https://doi.org/10.1007/978-3-030-17505-4 280 RESOURCES AND BIBLIOGRAPHY ———. 1901. Animatograph Films—Robert Paul; Cameras, Projectors & Accessories. London. [Paris: La Cinématheque Française] We Put the World Before you by means of The Bioscope and Urban Films. 1903. London: Charles Urban Trading Company. [New York: Museum of Modern Art; Media History Digital Library] Urban Film Catalogue. 1905. London: Charles Urban Trading Company. Republished in, Stephen Herbert. 2000. A History of Early Film, Volume 1. London: Routledge. The Descriptive List of New Film Subjects. 1898. London: Warwick Trading Company. [London: BFI Library] Warwick Trading Company Catalogue and Supplementary List No. 1. November, 1899. [London: Science Museum] Warwick Trading Company Catalogue. September, 1900. London. [New York: Museum of Modern Art] Warwick Trading Company Catalogue, Supplement No. 1. November/December, 1900. London. [New York: Museum of Modern Art] Warwick Trading Company Catalogue. April, 1901. London. [London: BFI Library] Warwick Trading Company Catalogue Supplement. 1901. London. [London: BFI Library] Blue Book of ‘Warwick’ and ‘Star’—Selected Film Subjects. 1901. London: Warwick Trading Company. [London: BFI Library] Williamson’s Kinematograph Films, Revised to Sept., 1899. 1899. Hove: Emery Press. [Brighton: Screen Archive South East] Williamson’s Kinematograph Films, Revised to Sept., 1902. 1902. Hove. [Brighton: Screen Archive South East] Williamson’s Kinematograph Films, Supplementary List, December 1903. 1903. Hove. [Brighton: Screen Archive South East] Programme of Kinematograph Entertainments. 1908. Hove: Williamson Kinematograph Co. [Brighton: Screen Archive South East]. NEWSPaPERS aND PERIODICalS Argus [Brighton]—Morning edition of the Evening Argus Bath Chronicle and Weekly Gazette Birmingham Daily Gazette Bradford Daily Telegraph Bournemouth Guardian Brighton Examiner Brighton Gazette & Sussex Telegraph Brighton Herald RESOURCES AND BIBLIOGRAPHY 281 Brighton & Hove Guardian Brighton Society Daily Graphic Dover Express Edinburgh Evening News Evening Argus [Brighton] Folkestone Herald Gloucestershire Echo Hampshire Advertiser Hastings and St Leonards Observer Hove Echo Hull Daily Mail Nottingham Evening Post South Wales Daily News Stonehaven Journal Surrey Mirror Sussex Daily News Thanet Advertiser The Times Western Daily Press Western Morning News Ally Sloper’s Half Holiday Amateur Photographer The Bioscope Black and White Budget The British Journal of Photography The Century Magazine Chambers’ Journal The Economist The English Mechanic and World of Science The Era The Illustrated London News Kinematograph & Lantern Weekly Kinematograph Weekly The King Optical Magic Lantern Journal and Photographic Enlarger Pearson’s Magazine The Photographic Dealer The Pharmaceutical Journal Punch The Showman The Strand 282 RESOURCES AND BIBLIOGRAPHY BOOKS aND ARTIClES Adland, David. 1994. Brighton’s Music Halls. Towcester: Baron Birch for Quotes. Adriaensens, Vito, and Steven Jacobs. 2015. The Sculptor’s Dream: Tableaux Vivants and Living Statues in the Films of Méliès and Saturn. Early Popular Visual Culture 13 (1): 41–65. Allister, Ray. 1948. Friese-Greene. Close-Up of an Inventor. London: Marshland Publications. Andersen, Hans. 1902. Fairy Tales from Hans Andersen. London: Wells Gardner, Darton & Co. Arthur Melbourne-Cooper: Discussion. 1995. KINtop 4: 177–189 [Features Contributions by John Barnes and Tony Fletcher to the 1994 article and de Vries’ response]. Arthur Melbourne-Cooper: Discussion Continued. 1996. KINtop 5: 177–189 [Features Gray’s Response to de Vries’ 1994 article, pp. 178–180; de Vries’ Criticism of Gray’s Analysis, pp. 181–183, and Further Responses from Geoffrey Donaldson and Anthony Slide]. Assael, Brenda. 2006. Art or Indecency? Tableaux Vivants on the London Stage and the Failure of Late Victorian Moral Reform. Journal of British Studies 45 (4): 744–758. Bachelard, Gaston. 1969. The Poetics of Space. Boston, MA: Beacon Press. Bailey, Peter. 1986. Introduction: Making Sense of Music Hall. In Music Hall: The Business of Pleasure, ed. Peter Bailey. Milton Keynes: Open University Press. Bakhtin, Mikhail. 1984. Rabelais and His World. Bloomington, IN: Indiana University Press. Bardèche, Maurice, and Robert Brasillach. 1938. History of the Film. London: George Allen & Unwin. Barnes, John. 1982. Pioneers of Cinematography in Brighton—1897. In Cinema: 1900–1906: An Analytical Study by the National Film Archive (London) and the International Federation of Film Archives, ed. Roger Holman (Compiler), 93–99. Brussels: FIAF. ———. 1983. The Rise of the Cinema in Great Britain, The Beginnings of the Cinema in England 1894–1901, Volume Two 1897. Exeter: University of Exeter Press, 1996; first pub.: London: Bishopsgate Press. ———. 1990. Classification of Magic Lantern Slides for Cataloguing and Documentation. In Magic Images: The Art of Hand-Painted and Photographic Lantern Slides, ed. Dennis Crompton, David Henry, and Stephen Herbert. London: Magic Lantern Society of Great Britain. ———. 1992. Filming the Boer War, The Beginnings of the Cinema in England 1894–1901, Volume Four: 1899. Exeter: University of Exeter Press, 1996; first pub.: London: Bishopsgate Press. RESOURCES AND BIBLIOGRAPHY 283 ———. 1996. Pioneers of the British Film, The Beginnings of the Cinema in England 1894–1901, Volume Three: 1898. Exeter: University of Exeter Press; first pub.: London: Bishopsgate Press, 1988). [The first edition of 1988 was dated mis- takenly as 1983]. ———. 1997. The Beginnings of the Cinema in England 1894–1901, Volume Five: 1900. Exeter: University of Exeter Press. ———. 1998. The Beginnings of the Cinema in England 1894–1901, Volume One: 1894–1896, 2nd ed. Exeter: University of Exeter Press; 1st edn. London: David & Charles, 1976. Barnouw, Erik. 1981. The Magician and the Cinema. Oxford: Oxford University Press. Bedding, T., ed. 1898. The British Journal Photographic Almanac and Photographer’s Daily Companion, 1898. London: Henry Greenwood. Beevers, David, ed. 1995. Brighton Revealed Through Artist’s Eyes c.1760–c.1960. Brighton: Royal Pavilion, Art Gallery and Museums. Benson, John, and Gareth Shaw, eds. 1992. The Evolution of Retail Systems, c. 1800–1914. Leicester: Leicester University Press. Bettelheim, Bruno. 1978. The Uses of Enchantment, The Meanings and Importance of Fairy Tales. London: Peregrine. Bidgoli, Hossein, ed. 2010. The Handbook of Technology Management: Supply Chain Management, Marketing and Advertising, and Global Management. Vol. 2. Hoboken: John Wiley. Booth, Charles. 1889–1903. Life and Labour of the People in London. Vol. 17. London: Macmillan. Booth, Michael. 1991. Theatre in the Victorian Age. Cambridge: Cambridge University Press. Bordwell, David. 1985. Narration in the Fiction Film. London: Methuen Press. Bordwell, David, and Kristin Thompson. 2002. Film History: An Introduction, 1st ed., 1994; 2nd ed. New York, NY: McGraw-Hill. Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge. Bottomore, Stephen. 1990. Shots in the Dark: The Real Origins of Film Editing. In Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser and Adam Barker. London: British Film Institute. ———. 1998. Book Reviews, ‘A History of the Victorian Cinema: The Barnes Project’. Film History 10 (1): 108–111. ———. 2002. Smith Versus Melbourne-Cooper: An End to the Dispute. Film History 14 (1): 57–73. Brewster, David. 1834. Letters on Natural Magic Addressed to Sir Walter Scott. London: John Murray. 284 RESOURCES AND BIBLIOGRAPHY Brewster, Ben, and Lea Jacobs. 1997. Theatre to Cinema. Oxford: Oxford University Press. Brown, Harold. 1967. Notes on Film Identification by the Examination of Film Copies. London: British Film Institute. Brown, Richard. 1998. ‘England Is Not Big Enough…’ American Rivalry in the Early English Film Business: The Case of “Warwick v Urban”, 1903. Film History 10 (1): 21–34. ———. 2004. New Century Pictures: Regional Enterprise in Early British Film Exhibition. In The Lost World of Mitchell & Kenyon: Edwardian Britain on Film, ed. Vanessa Toulmin, Simon Popple, and Patrick Russell, 69–82. London: British Film Institute. Brown, Simon. 2016. Cecil Hepworth