Aneks Raport

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Aneks Raport ANEKS RAPORT o obecności muzyki Andrzeja Panufnika w Polsce i na świecie opracowanie: dr Beata Bolesławska-Lewandowska Instytut Muzyki i Tańca Warszawa, 2015 Celem niniejszego Aneksu do Raportu jest prześledzenie obecności muzyki Andrzeja Panufnika w życiu muzycznym w roku 2014 – roku stulecia urodzin kompozytora. Raport pomyślany jest jako uzupełnienie danych zawartych w Raporcie o obecności muzyki Andrzeja Panufnika w latach 1991–2013 i ma na celu wykazanie, jak rok jubileuszowy wpłynął na obecność utworów kompozytora w życiu muzycznym Polski i świata. Raport podzielony jest na sekcje analogiczne do raportu obejmującego poprzednie lata. Zachowanie tego samego podziału pozwala w prosty sposób dokonać porównań w kolejnych działach dotyczących promocji i obecności utworów Andrzeja Panufnika w życiu muzycznym, refleksji naukowej oraz innych wydarzeniach czy inicjatywach związanych z postacią i twórczością kompozytora. Dane dotyczące wszystkich analizowanych wykonań utworów Andrzeja Panufnika (również większości kompozycji kameralnych) pochodzą przede wszystkim od jego wydawcy – londyńskiego Boosey & Hawkes. Częściowo uzupełniają je informacje od polskiego Zaiksu, jak również informacje od rodziny kompozytora, w szczególności jego żony Lady Camilli Panufnik, która aktywnie uczestniczyła w większości jubileuszowych koncertów i wydarzeń. Do Raportu dołączone zostały aneksy, w których podano szczegółowy wykaz wykonań utworów orkiestrowych (Aneks 1) oraz kameralnych (Aneks 2) Andrzeja Panufnika na świecie, z uwzględnieniem podziału na Polskę, Wielką Brytanię, Stany Zjednoczone i inne kraje świata. Warto dodać, że 100. rocznica urodzin Sir Andrzeja Panufnika (1914- 1991) obchodzona była w 2014 roku pod auspicjami UNESCO. 2 Autorka raportu wyraża serdeczne podziękowanie wszystkim, którzy przyczynili się do skompletowania informacji zawartych w niniejszym opracowaniu, w szczególności Lady Camilli Panufnik, Roxannie Panufnik, Jemowi Panufnik, Clare Hammond, Bognie Kowalskiej, Róży Światczyńskiej, Markowi Zwyrzykowskiemu, Agacie Kwiecińskiej i Michałowi Nowakowi, Michałowi Kubickiemu, Wacławowi Stawnemu, Katarzynie Świętochowskiej oraz – last but not least – Dyrektorowi Instytutu Muzyki i Tańca, Andrzejowi Kosowskiemu. Beata Bolesławska-Lewandowska 3 SPIS TREŚCI ANEKSU 1. Wykonania muzyki Andrzeja Panufnika..............................................................................................7 1.1. Muzyka orkiestrowa........................................................................................................7 Polska..............................................................................................................................................................7 Wielka Brytania.............................................................................................................................................20 Stany Zjednoczone........................................................................................................................................23 Inne kraje wiata............................................................................................................................................2! 1.2. Muzyka kameralna.........................................................................................................2# Polska............................................................................................................................................................2# Wielka Brytania.............................................................................................................................................$1 Stany Zjednoczone........................................................................................................................................$% Inne kraje wiata............................................................................................................................................$7 1.3. Warszawskie dzieci.......................................................................................................!0 2. Muzyka Andrzeja Panufnika w programach festiwali w Polsce i na świecie....................!2 2.1. Festiwale dedykowane w cało ci lu( w wi)kszo ci muzyce Andrzeja Panufnika...........!3 ,"i-ranci: Panu+nik/ Zar)(ski 0"aj/ 1rak2w3.................................................................................................!3 10. 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Utwory Andrzeja Panufnika na wy(ranyc6 innyc6 festiwalac6.......................................%$ Festiwal Witolda Dutos'awskie-o Ea;cuch @I 0stycze;Fluty, Warszawa3.....................................................%$ 22. Świ)tokrzyskie <ni Muzyki 0"arzec-kwiecie;/ 1ielce3...........................................................................%! @@GIII Warszawskie Spotkania Muzyczne 0"aj/ Warszawa3.........................................................................%% 2%. Mi)dzynarodowy Festiwal 1o"7ozytor2w 1rakowskich 0czerwiec, 1rak2w3.......................................%7 10. Festiwal Muzyki Polskiej 0li7iec, 1rak2w3...............................................................................................%H @G Detnia Fil6ar"onia 4*ukso8 0li7iec, Wi-ry I sier7ie;, Pieniny3..................................................................%# %. Mi)dzynarodowy Festiwal Muzyki 1a"erlanej 4Muzyka na szczytach8 0wrzesie;, Zako7ane3.................70 30 lat orkiestry Sin+onia GarsoJia 0lutyF-rudzie; 201$3..............................................................................70 56elten6a" FestiJal, Wielka Brytania 0li7iec)................................................................................................73 ,din(ur-6 International FestiJal/ Wielka Brytania 0sier7ie;3..........................................................................7$ Prestei-ne FestiJal/ Wielka Brytania 0sier7ie;3.............................................................................................7$ Stulecie urodzin Sir *ndrzeja Panu+nika na UniJersity o+ Sout6ern 5ali+ornia w Dos *n-eles, Stany Zjednoczone 07a?dziernik3............................................................................................................................7% 2.3. 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