Colonialism, Nationalism, the Harem 19Th-20Th Centuries”
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THE AMERICAN UNIVERSITY in CAIRO School of Humanities And
1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one. Thank you for your patience, understanding and endless love. I am forever, indebted to you. I would like to thank my family and friends whose interest in the field and questions pushed me to find out more. Aziz, my brother, thank you for your questions and criticism, they only pushed me to be better at something I love to do. Zeina, we will explore this world of architecture together some day, thank you for listening and asking questions that only pushed me forward I love you. Alya’a and the Friday morning tours, best mornings of my adult life. Iman, thank you for listening to me ranting and complaining when I thought I’d never finish, thank you for pushing me. Salma, with me every step of the way, thank you for encouraging me always. Adham abu-elenin, thank you for your time and photography. -
Pax Britannica and the Anti-Systemic Movement of Viceroy Mehmet Ali Pasha of Egypt
PAX BRITANNICA AND THE ANTI-SYSTEMIC MOVEMENT OF VICEROY MEHMET ALI PASHA OF EGYPT A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY OKYANUS AKIN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF INTERNATIONAL RELATIONS DECEMBER 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Dr. Oktay Tanrısever Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. M. Fatih Tayfur Supervisor Examining Committee Members Prof. Dr. Hüseyin Bağcı (METU, IR) Assoc. Prof. Dr. M. Fatih Tayfur (METU, IR) Prof. Dr. Çınar Özen (Ankara Uni., IR) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Okyanus Akın Signature: iii ABSTRACT PAX BRITANNICA AND THE ANTI-SYSTEMIC MOVEMENT OF VICEROY MEHMET ALI PASHA OF EGYPT Akın, Okyanus M.S., Department of International Relations Supervisor: Assoc. Prof. Dr. M. Fatih Tayfur December 2019, 234 pages The Pax Britannica, as a system, defined the political-economy of the nineteenth century. -
Sudan, Imperialism, and the Mahdi's Holy
bria_29_3:Layout 1 3/14/2014 6:41 PM Page 6 bria_29_3:Layout 1 3/14/2014 6:41 PM Page 7 the rebels. Enraged mobs rioted in the Believing these victories proved city and killed about 50 Europeans. that Allah had blessed the jihad, huge SUDAN, IMPERIALISM, The French withdrew their fleet, but numbers of fighters from Arab tribes the British opened fire on Alexandria swarmed to the Mahdi. They joined AND THE MAHDI’SHOLYWAR and leveled many buildings. Later in his cause of liberating Sudan and DURING THE AGE OF IMPERIALISM, EUROPEAN POWERS SCRAMBLED TO DIVIDE UP the year, Britain sent 25,000 troops to bringing Islam to the entire world. AFRICA. IN SUDAN, HOWEVER, A MUSLIM RELIGIOUS FIGURE KNOWN AS THE MAHDI Egypt and easily defeated the rebel The worried Egyptian khedive and LED A SUCCESSFUL JIHAD (HOLY WAR) THAT FOR A TIME DROVE OUT THE BRITISH Egyptian army. Britain then returned British government decided to send AND EGYPTIANS. the government to the khedive, who Charles Gordon, the former governor- In the late 1800s, many European Ali established Sudan’s colonial now was little more than a British general of Sudan, to Khartoum. His nations tried to stake out pieces of capital at Khartoum, where the White puppet. Thus began the British occu- mission was to organize the evacua- Africa to colonize. In what is known and Blue Nile rivers join to form the pation of Egypt. tion of all Egyptian soldiers and gov- as the “scramble for Africa,” coun- main Nile River, which flows north to While these dramatic events were ernment personnel from Sudan. -
Adam Mestyan ARABIC THEATER in EARLY KHEDIVIAL CULTURE
Int. J. Middle East Stud. 46 (2014), 117–137 doi:10.1017/S0020743813001311 Adam Mestyan ARABIC THEATER IN EARLY KHEDIVIAL CULTURE, 1868–72: JAMES SANUA REVISITED Abstract This article revisits the official culture of the early khedivate through a microhistory of the first modern Egyptian theater in Arabic. Based on archival research, it aims at a recalibration of recent scholarship by showing khedivial culture as a complex framework of competing patriotisms. It analyzes the discourse about theater in the Arabic press, including the journalist Muhammad Unsi’s call for performances in Arabic in 1870. It shows that the realization of this idea was the theater group led by James Sanua between 1871 and 1872, which also performed Abd al-Fattah al-Misri’s tragedy. But the troupe was not an expression of subversive nationalism, as has been claimed by scholars. My historical reconstruction and my analysis of the content of Sanua’s comedies show loyalism toward the Khedive Ismail. Yet his form of contemporary satire was incompatible with elite cultural patriotism, which employed historicization as its dominant technique. This revision throws new light on a crucial moment of social change in the history of modern Egypt, when the ruler was expected to preside over the plural cultural bodies of the nation. In 2001, a heated debate occurred in the Egyptian press. The theater historian Sayyid Ali Ismail claimed that everything we know about what had been generally considered the first modern Egyptian theater in Arabic, led by James Sanua (1839–1912), derives from Sanua’s own writings, and that the pioneer of Egyptian theater was not Sanua but Muhammad Uthman Jalal (1829–98), a translator of French poetry and plays. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Egypt: the Evelopmed Nt of Youth As a Sociopolitical Concept and Force in Egypt, 1805-1923 Matthew Lb Air Parnell University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2016 Youth…Power…Egypt: The evelopmeD nt of Youth as a Sociopolitical Concept and Force in Egypt, 1805-1923 Matthew lB air Parnell University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the African History Commons, African Studies Commons, Near and Middle Eastern Studies Commons, and the Social History Commons Recommended Citation Parnell, Matthew Blair, "Youth…Power…Egypt: The eD velopment of Youth as a Sociopolitical Concept and Force in Egypt, 1805-1923" (2016). Theses and Dissertations. 1707. http://scholarworks.uark.edu/etd/1707 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Youth…Power…Egypt: The Development of Youth as a Sociopolitical Concept and Force in Egypt, 1805-1923 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History by Matthew B. Parnell University of North Carolina Wilmington Bachelor of Arts in History, 2002 University of North Carolina Wilmington Master of Arts in History, 2006 August 2016 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ____________________________________ Dr. Joel Gordon Dissertation Director ____________________________________ ____________________________________ Dr. Lisa Pollard Dr. Nikolay Antov Committee Member Committee Member ABSTRACT This study focuses on youth as a symbol, metaphor, and subject involved in processes related to Egypt’s modernization, colonialization, and liberation from the beginning of the nineteenth century through the 1919 Egyptian Revolution. -
Ahmad Urabi: Delegate of the People Social Mobilization in Egypt on the Eve of Colonial Rule Sean Lyngaas
The Fletcher School Online Journal for issues related to Southwest Asia and Islamic Civilization Spring 2011 Ahmad Urabi: Delegate of the People Social Mobilization in Egypt on the Eve of Colonial Rule Sean Lyngaas On June 11, 1882, the port of Alexandria Aside from these contributing factors, the revolt lay smoldering in rubble. At the urging of the would not have enjoyed such widespread support Egyptian viceroy, Tawfiq (r. 1879-1892), the among Egyptians without the emergence of a British had bombarded the city in an effort to political consciousness brought on by an extinguish an insurrectionist government headed intellectual class that found common cause with by Ahmad Urabi. Beneath the billows of smoke Urabi. Counter to the dismissive views of British were the charred remains of a once-proud city. officials, this was no mere mutiny by a group of Alexandria had embodied much of what brought officers in over their heads. Rather, it was Egypt to the fore in the nineteenth century: precisely because the openness to foreigners and commerce against the Urabi Revolt enjoyed Alexandria had backdrop of a modernizing infrastructure. Now support from a range of embodied much of this noble concept was in flames, and with it went societal strata that Britain what brought Egypt to the vision of participatory government that had felt the need to crush the the fore in the coalesced in the years prior to Alexandria’s movement to protect its immolation. interests. nineteenth century: The Urabi Revolt (1881-1882) saw the This paper will openness to foreigners Egyptian military capitalize on societal discontent, examine the three main and commerce against which had been brewing for decades, to usurp the components of the the backdrop of a Ottoman khedive. -
Arab Patriotism Therefore Demonstrates the Impure Construction of Nation-Ness in the Black Box of Culture
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION his book is a study of patriotism in the Egyptian province of the Otto- man Empire. What can we learn by re- examining Egypt’s nineteenth- Tcentury history, not as the tale of progress towards a sovereign nation- state but as the saga of an Ottoman province? What are the consequences of reframing a national narrative in an imperial context? I argue that the imperial context requires a new theory of national development. The imperial origins of patriotic ideas in provinces com- plicate standard accounts of how present- day nation-states came to be. Empires provide a fundamentally different structure of political power from that of national settings. The case of the Ottoman Empire is even more complex since the sultans were caliphs of Sunni Islam. Within the imperial system, the ideas and practices specific to provinces reveal the hidden architecture of the empire’s networks. By retelling Egypt’s nineteenth- century history as an Ottoman province, we follow the ways in which ideas, practices, and power struggles were enacted and consti- tuted through these networks and imperial hierarchies. In order to understand this complex story, we have to put aside the standard views of nationalism and religion. In the nineteenth- century Ottoman Empire, including the Egyptian province, two historical trajec- tories of political thought converged: Muslim concepts of just rule com- mingled with European notions of homeland framed by a centralizing imperial system. -
The History of Egypt Has Been Long and Wealthy, Due to the Flow of The
The history of Egypt has been long and wealthy, due to the flow of the Nile River with its fertile banks and delta, as well as the accomplishments of Egypt's native inhabitants and outside influence. Much of Egypt's ancient history was a mystery until the secrets of ancient Egyptian hieroglyphs were deciphered with the discovery and help of the Rosetta Stone. Among the Seven Wonders of the Ancient World, is the Great Pyramid of Giza. The Library of Alexandria was the only one of its kind for centuries. Human settlement in Egypt dates back to at least 40,000 BC with Aterian tool manufacturing.[citation needed] Ancient Egyptian civilization coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh of the First Dynasty, Narmer. Predominately native Egyptian rule lasted until the conquest by the Achaemenid Empire in the sixth century BC. In 332 BC, Macedonian ruler Alexander the Great conquered Egypt as he toppled the Achaemenids and established the Hellenistic Ptolemaic Kingdom, whose first ruler was one of Alexander's former generals, Ptolemy I Soter. The Ptolemies had to fight native rebellions and were involved in foreign and civil wars that led to the decline of the kingdom and its final annexation by Rome. The death of Cleopatra ended the nominal independence of Egypt resulting in Egypt becoming one of the provinces of the Roman Empire.[citation needed] Roman rule in Egypt (including Byzantine) lasted from 30 BC to 641 AD, with a brief interlude of control by the Sasanian Empire between 619–629, known as Sasanian Egypt.[1] After the Muslim conquest of Egypt, parts of Egypt became provinces of successive Caliphates and other Muslim dynasties: Rashidun Caliphate (632-661), Umayyad Caliphate (661–750), Abbasid Caliphate (750–909), Fatimid Caliphate (909–1171), Ayyubid Sultanate (1171–1260), and the Mamluk Sultanate (1250–1517). -
Khedive Ismàýïl and the Foundation of the Cairo
ART AND EMPIRE: KHEDIVE ISMÀÝÏL AND THE FOUNDATION OF THE CAIRO OPERA HOUSE By Adam Mestyan Submitted to Central European University History Department In partial fulfilment of the requirements for the degree of Master of Arts Supervisor: Professor Nadia Al-Bagdadi Second Reader: Professor Istvan Rev CEU eTD Collection Budapest, Hungary 2007 ii STATEMENT OF COPYRIGHT Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection iii ABSTRACT This study describes the foundation of the Cairo Opera House (1869) and the creation of Aïda (1871) in the context of the opening ceremonies of the Suez Canal (1869). Doing so, the thesis introduces the concepts of political aesthetics and aesthetical politics as bridging principles between Opera Studies and Colonial Studies. The foundation event of the Cairo Opera is understood in the context of the “imperial set”. This concept is one of the theoretical results of the work: it defines the public visual expression of the imperial imagination of the Egyptian ruler, Khedive IsmÁÝÐl (1863-79). His cultural foundations are shown as serving the goal of political independence from the Ottomans and as means in the negotiation with the British and French colonial empires in a nineteenth-century Mediterranean culture. -
Egypt's Ottoman Past
“Remembering” Egypt’s Ottoman Past: Ottoman Consciousness in Egypt, 1841-1914 Dissertation Presented in the Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Doğa Öztürk, M.A. Graduate Program in History The Ohio State University 2020 Dissertation Committee Prof. Carter V. Findley, Advisor Prof. Jane Hathaway Prof. Scott Levi Copyrighted by Doğa Öztürk 2020 Abstract Scholarship on modern Egyptian history supports a narrative that depicts Egypt emerging as an independent political entity in the mid-19th century and steadily marching towards becoming a sovereign nation-state in the first decades of the 20th century. The Ottoman cultural context, within which Egypt operated at this time, is usually nowhere to be found in this story. This dissertation remedies this gap in the literature and “remembers” Egypt’s Ottoman past between 1841, when Mehmed Ali Pasha was granted the hereditary governorship of Egypt, and 1914, when Egypt’s remaining political ties to the Ottoman Empire were severed by the British Empire. Primarily based on a variety of sources produced in Arabic and Ottoman Turkish, it argues that even though the political ties between Istanbul and Cairo were weakening and a more distinct Egyptian identity was on the rise at this time, the Ottoman cultural consciousness continued to provide an important framework for the ruling and intellectual elite of Egypt, as well as the wider segments of the Egyptian public, until World War I. Taking a thematic approach to the subject, the dissertation demonstrates how the Ottoman imperial court culture provided a blueprint for the ruling elite in Egypt. -
Urban History Power and Music in Cairo
Urban History http://journals.cambridge.org/UHY Additional services for Urban History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Power and music in Cairo: Azbakiyya ADAM MESTYAN Urban History / Volume 40 / Special Issue 04 / November 2013, pp 681 - 704 DOI: 10.1017/S0963926813000229, Published online: 24 May 2013 Link to this article: http://journals.cambridge.org/abstract_S0963926813000229 How to cite this article: ADAM MESTYAN (2013). Power and music in Cairo: Azbakiyya. Urban History, 40, pp 681-704 doi:10.1017/S0963926813000229 Request Permissions : Click here Downloaded from http://journals.cambridge.org/UHY, by Username: mestyan, IP address: 140.247.19.70 on 30 Sep 2013 Urban History, 40, 4 (2013) C Cambridge University Press 2013 doi:10.1017/S0963926813000229 First published online 24 May 2013 PowerandmusicinCairo: Azbakiyya ADAM MESTYAN∗ Faculty of Oriental Studies, University of Oxford, Pusey Lane, Oxford, OX1 2LE, UK abstract: In this article, the origins of the modern metropolis are reconsidered, using the example of Cairo within its Ottoman and global context. I argue that Cairo’s Azbakiyya Garden served as a central ground for fashioning a dynastic capital throughout the nineteenth century. This argument sheds new light on the politics of Khedive Ismail, who introduced a new state representation through urban planning and music theatre. The social history of music in Azbakiyya proves that, instead of functioning as an example of colonial division, Cairo encompassed competing conceptions of class, taste and power. Introduction A.D. King recently raised the question of how ordinary citizens translate, accommodate or resist an aggressive, often colonial, urban planning policy.1 A shining example of the modern metropolis, Cairo is often thought to be the result of such a policy, which cut the city into two halves.