Faith, Fallout, and the Future: Post-Apocalyptic Science Fiction in the Early Postwar Era
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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Fantasy Illustrated Rose City Virtual Book Fair
To order The best way to order is by email at [email protected]. You can also call your order in at 425-750-4513. ● We take checks, money orders, PayPal and credit card via Square. ● If you want to pay by PayPal let me know and I will send you a PayPal invoice to pay from. ● If you want to pay by check or money order let me know so I can give you a final total to mail in. ● If you want to pay by credit card then give me a call and I can run your card over the phone. Fantasy Illustrated, P.O. Box 248, Silvana, WA 98287. Vintage hardcover and paperback science fiction and fantasy first editions. Pulp magazines. Always buying! www.fantasyillustrated.net Fantasy Illustrated Rose City Virtual Book Fair Greetings and welcome to our virtual book fair catalog consisting of selections which we have never offered on our website or anywhere on the internet. Here you will find our freshest stock ranging over many different genres of collecting; pulp magazines, Arkham House, science fiction first editions including presentation copies, illustrated books, pin-up and comic art. Almost something for everyone. You will find gems such as two signed Edger Rice Burroughs books, a signed Ursula K. Le Guinn and an ultra-rare signed association copy of A Canticle for Leibowitz by the reclusive Walter M. Miller, Jr. In addition to our specialties this list also offers 1st editions by Hemingway, Houdini, Thomas Pynchon, Hunter S. Thompson and others. For almost two thousand other items please check out our web site at www.fantasyillustrated.net -Thanks for looking. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Inhuman Power: Infrastructural Modernism and the Fiction of Social Form
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Natalie Amleshi University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Modern Literature Commons, and the Other History Commons Recommended Citation Amleshi, Natalie, "Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form" (2019). Publicly Accessible Penn Dissertations. 3442. https://repository.upenn.edu/edissertations/3442 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3442 For more information, please contact [email protected]. Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Abstract E.M. Forster’s imperative to “only connect” has long been read as modernist slogan for the rarefied depth of authentic interpersonal intimacy. Reframing the historical co-emergence of literary modernism and modern social science, this project tells a different story—not of connections between exceptional humans, but of connections between persons and environments. The prevailing canons of modernism have not yet grasped the internal complexity of early-twentieth-century debates regarding the interdependence of human and nonhuman agency. Early-twentieth-century sociologists like Émile Durkheim grounded both the autonomy of human culture and the disciplinary authority of sociology on the premise of species exceptionalism—the independence -
A Linguistic Discursive Analysis of Techno-Colonialism Through the Post-Cyberpunk Literature
International Journal of English Linguistics; Vol. 8, No. 6; 2018 ISSN 1923-869X E-ISSN 1923-8703 Published by Canadian Center of Science and Education A Linguistic Discursive Analysis of Techno-Colonialism Through the Post-cyberpunk Literature 1 2 1 1 1 Saba Zaidi , Mehwish Sahibzada , Saman Salah , Anisa Tul Mehdi & Durdana Rafique 1 English Department, SBK Women’s University, Quetta, Pakistan 2 English Department, Baluchistan University of Information Technology Engineering and Management Sciences, Quetta, Pakistan Correspondence: Mehwish Sahibzada, English Department, Baluchistan University of Information Technology Engineering and Management Sciences, Quetta, Pakistan. E-mail: [email protected] Received: June 15, 2018 Accepted: July 7, 2018 Online Published: July 29, 2018 doi:10.5539/ijel.v8n6p131 URL: https://doi.org/10.5539/ijel.v8n6p131 Abstract Technological advancement has made the world a complex arena of day to day transforming phenomenon. In such a complex and technologically progressive world nothing is static instead things have become technology oriented. The socio-historical phenomena like orientalism and imperialism are also not free from technological progress. Similarly, literature of the contemporary times has become Postmodernist for it now aims to represent the current human experiences. The quality of the Postmodernist literature is to represent and dismantle the socio-cultural constructions that use to perpetuate control and power. The objective of this research is twofold; it has projected the world of technological progress and innovation through the analysis of the selected Post-cyberpunk novel Accelerando (2005) by Charles Stross, The Windup Girl (2009) by Paolo Bacigalupi and The Rapture of the Nerds (2012) by Cory Doctorow and Charles Stross. -
Catalogue 14
CATALOGUE 14 CATALOGUE 14 4 E. Holly St., Suite 217, Pasadena, Ca 91103 · Tel. (626) 297-7700 · [email protected] www.WhitmoreRareBooks.com Books may be reserved by email: [email protected] and by phone: (626) 297-7700 We welcome collectors and dealers to come visit our library by appointment at: 4 E. Holly St., Suite 217, Pasadena, Ca 91103 For our complete inventory, including many first editions, signed books and other rare items, please visit our website at: www.WhitmoreRareBooks.com Follow us on social media! @WRareBooks @whitmorerarebooks whitmorerarebooks Catalogue 14 1. Audubon, John James The Birds of America, From Drawings Made in the United States and Their Territories. New York & Philadelphia: J. J. Audubon & J. B. Chevalier (Printed by E. G. Dorsey), 1840 - 1844. First Octavo Edition. A Very Good+ to Near Fine set in a solid contemporary binding. Dark brown, half-morocco over marbled boards, matching marbled end-papers and page edges. Pages measure 252 x 165 mm. A few of the inner hinges just starting to split, but bindings are generally holding well. Expert repairs to the inner hinges of volumes 6 and 7; front end paper of volume 7 cracked and secured. Light scattered foxing on some of the tissue guards and pages adjacent to the plates, although the plates themselves do not seem to be affected and are all in lovely shape. Complete with all 500 plates, each with its original tissue guard. Half-titles in volumes 2 - 7. List of subscribers moved forward in volume one, found at the end of the other volumes. -
Downloadhs4030 Social Science Fiction
COURSE CONTENT Course Code / Title : HS4030 Social Science Fiction Pre-requisites : HS1001 Person and Society HS2001 Classical Social Theory HS2002 Doing Social Research HS3001 Contemporary Social Theory HS3002 Understanding Social Statistics No. of AUs. : 4 Contact Hours : 52 Course Aims Sociologists of everyday life study how people create, share, and use aspects of popular culture. Sociologists are often interested in the significance of popular culture in terms of themes such as gender, sexuality, inequality, social problems, social relations, environmentalism, self and identity, economy, social control, and so on. However, sociology is dominated by the study of historical and contemporary lived reality, often in search of ‘truth.’ Science fiction as a genre often deals with the same themes, but through fictional and imaginative content, including futuristic or alternative visions of science and technology. Science fiction is simultaneously critical and innovative in its focus on lived reality. Its imaginative elements are often plausible within current scientific paradigms, and many genre writers explore the potential consequences of social, scientific, and technological changes in society. This course will deal critically with the intersection between social science theory and science fiction literature, thereby offering an alternative approach to the study of everyday life. Intended Learning Outcomes (ILO) By the end of this course, you should be able to: 1. Identify and discuss of the connections between science-fiction texts -
Libraries and Infonnation in Science Fiction
Libraries and infonnation in science fiction by Louise M. Goodall, B.A. A Master's Dissertation, submitted in partial fulfillment of the requirements for the award of Master of Arts degree of Loughborough University. September 1997 Supervisor: Mr Alan Poulter, B.A., M.Se. Department of Information and Library Studies © Louise M. Goodall, 1997 ABSTRACT Investigates the ways in which libraries and information are represented in science fiction. Establishes that science fiction is a particularly sensitive form of literature for reflecting the society in which it was produced, and that as such it may have insights into the library and information profession. Science fiction texts discussed were chosen as representative canonical examples. The texts used are : George Orwell's Nineteen Eighty-Four, William Gibson's Neuromancer, and Ray Bradbury's Fahrenheit 451. It concludes that SF omitts to represent libraries in most instances, but portrays information as a vital resource. , .!CI;:.s::o ~l.s ii t..... .:.;.: .... · =- . ..,1 i /'C!; 40 15 7--3-0···~1 t,·.' ~ No. ~ ·.~n:'';'"N;...:...~"..._".:.H_'''''''''''''_''\'''P'M'''''',''''' ' KobSI"Z.!>1 ACKNOWLEDGEMENTS I would like to thank Alan Poulter, my supervisor, for the help and guidance he has provided me with while writing this dissertation. Thank you also to Emma for her unfailing support, and to the rest of my family for their concern and interest. iii CONTENTS Page Abstract ii Acknowledgements iii Contents iv Introduction 1 Chapter 1 : Libraries and Information 4 References 12 Chapter 2 : Science Fiction 13 References 20 Chapter 3 : Control 22 References 39 Chapter 4 : Electronic Information 42 References 58 Chapter 5 : Preservation 60 References 76 Conclusion 78 Bibliography 80 iv INTRODUCTION The purpose of this study is to establish if, and in what ways, libraries and information are represented in science fiction. -
Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: to Be Announced
Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: To be announced Course Description The label “social science fiction,” initially coined by Isaac Asimov in 1953 as a broad category to describe narratives focusing on the effects of novel technologies and scientific advances on society, became a pejorative leveled at a new group of authors that rose to prominence during the sixties and seventies. These writers, who became associated with “New Wave” science fiction movement, differentiated themselves from their predecessors by consciously turning their backs on the pulpy adventure stories and tales of technological optimism of their predecessors in order to produce experimental, literary fiction. Rather than concerning themselves with “hard” science, social science fiction written by authors such as Ursula K. Le Guin and Samuel Delany focused on speculative societies (whether dystopian, alien, futuristic, etc.) and their effects on individual characters. In this junior tutorial you’ll receive a crash course in the groundbreaking science fiction of the sixties and seventies (with a few brief excursions to the eighties and nineties) through various mediums, including the experimental short stories, landmark novels, and innovative films that characterize the period. Responding to the social and political upheavals they were experiencing, each of our authors leverages particular sub-genres of science fiction to provide a pointed critique of their contemporary society. During the first eight weeks of the course, as a complement to the social science fiction we’ll be reading, students will familiarize themselves with various theoretical and critical methods that approach literature as a reflection of the social institutions from which it originates, including Marxist literary critique, queer theory, feminism, critical race theory, and postmodernism. -
Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2014 Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Julie R. Sanchez University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Sanchez, Julie R., "Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction" (2014). Anthropology Senior Theses. Paper 154. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/154 For more information, please contact [email protected]. Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Abstract This thesis analyzes the relationship between science fiction worlds and the worlds in which they are imagined. While this study is interdisciplinary, the central concept employed is Victor Turner’s theory of liminality. Science fiction worlds are liminal spaces; though they are cognitively or existentially linked to objective reality, the points of divergence reveal the boundaries of dominant cultural paradigms. The liminal worlds of science fiction are particularly hospitable to marginalized groups, such as racial, ethnic, and sexual minorities. Engaging with other worlds is method for theorizing alternate structures of reality. Drawing from Darko Suvin’s work on science fiction and utopia, I argue that imagining other worlds through science fiction world-building is a powerful tool for world-making. The thesis contains three case studies of 21st century American science fiction authors, all of whom eflectr trends in postmodern writing. John Scalzi’s critically acclaimed novels parody common science fiction tropes, simultaneously revealing and revising our understanding of the genre. His theory of Narrative in Redshirts is a powerful allegory for Bourdieu’s theory of doxa. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A.