Recommended Science Fiction Novels
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BARRY N. MALZBERG Introduction by D
REVELATIONS A Paranoid Novel of Suspense BARRY N. MALZBERG Introduction by D. Harlan Wilson AP ANTI-OEDIPUS PRESS Revelations Copyright © 1972 by Barry N. Malzberg ISBN: 978-0-99-915354-3 Library of Congress Control Number: 2020934879 First published in the United States by Warner Paperback First Anti-Oedipal Paperback Edition: March 2020 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States by Anti-Oedipus Press, an imprint of Raw Dog Screaming Press. www.rawdogscreaming.com Introduction © 2020 by D. Harlan Wilson Afterword © 1976 by Barry N. Malzberg Afterword to an Afterword © 2019 by Barry N. Malzberg Cover Design by Matthew Revert www.matthewrevert.com Interior Layout by D. Harlan Wilson www.dharlanwilson.com Anti-Oedipus Press Grand Rapids, MI www.anti-oedipuspress.com SF SCHIZ FLOW PRAISE FOR THE WORK OF BARRY N. MALZBERG “There are possibly a dozen genius writers in the genre of the imaginative, and Barry Malzberg is at least eight of them. Malzberg makes what the rest of us do look like felonies!” —Harlan Ellison “Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.” —The Washington Post “One of the finest practitioners of science fiction.” —Harry Harrison “Barry N. Malzberg’s writing is unparalleled in its intensi- ty and in its apocalyptic sensibility. His detractors consider him bleakly monotonous and despairing, -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Cordelias Honor Pdf, Epub, Ebook
CORDELIAS HONOR PDF, EPUB, EBOOK Lois McMaster Bujold | 608 pages | 07 Sep 1999 | Baen Books | 9780671578282 | English | Riverdale, United States Cordelias Honor PDF Book She hooked the pole over a half-melted cabinet and dragged it into the open. Honor sets the stage by introducing the reader to Aral and Cordelia. Just arrived. Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasion ceremonial appearances required of the Lady Vorkosigan. Powell's Books. The best part of the book, for me, was the epilogue that featured none of the main characters and focused on the cost of war in a harsher degree than the rest of the book. I'm not sure why there are so many proliferating the pages of fiction. Cordelia is witty, snarky, and tough, with an innate sense of right and wrong and true grace under fire. But the crimes they hope to prevent in that future are imaginary. You either end up with the same old romance story just set in outer space, or a science fiction story with really bad romantic scenes. After an annoyingly manipulative scene involving her son's shoe, the princess is killed in crossfire, thus becoming a symbol of the capital-t Theme: patriarchal society harms women irreparably. While on survey, her crew is attacked by a band of Barrayans, led by none other than Aral Vorkosigan, aka The Butcher of Komarr. Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasional ceremonial appearances required of the Lady Vorkosigan. -
The Apocalypse Archive: American Literature and the Nuclear
THE APOCALYPSE ARCHIVE: AMERICAN LITERATURE AND THE NUCLEAR BOMB by Bradley J. Fest B. A. in English and Creative Writing, University of Arizona, Tucson, 2004 M. F. A. in Creative Writing, University of Pittsburgh, Pittsburgh, 2007 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Bradley J. Fest It was defended on 17 April 2013 and approved by Jonathan Arac, PhD, Andrew W. Mellon Professor of English Adam Lowenstein, PhD, Associate Professor of English and Film Studies Philip E. Smith, PhD, Associate Professor of English Terry Smith, PhD, Andrew W. Mellon Professor of Contemporary Art History and Theory Dissertation Director: Jonathan Arac, PhD, Andrew W. Mellon Professor of English ii Copyright © Bradley J. Fest 2013 iii THE APOCALYPSE ARCHIVE: AMERICAN LITERATURE AND THE NUCLEAR BOMB Bradley J. Fest, PhD University of Pittsburgh, 2013 This dissertation looks at global nuclear war as a trope that can be traced throughout twentieth century American literature. I argue that despite the non-event of nuclear exchange during the Cold War, the nuclear referent continues to shape American literary expression. Since the early 1990s the nuclear referent has dispersed into a multiplicity of disaster scenarios, producing a “second nuclear age.” If the atomic bomb once introduced the hypothesis “of a total and remainderless destruction of the archive,” today literature’s staged anticipation of catastrophe has become inseparable from the realities of global risk. -
SF Commentary 41-42
S F COMMENTARY 41/42 Brian De Palma (dir): GET TO KNOW YOUR RABBIT Bruce Gillespie: I MUST BE TALKING TO MY FRIENDS (86) . ■ (SFC 40) (96) Philip Dick (13, -18-19, 37, 45, 66, 80-82, 89- Bruce Gillespie (ed): S F COMMENTARY 30/31 (81, 91, 96-98) 95) Philip Dick: AUTOFAC (15) Dian Girard: EAT, DRINK AND BE MERRY (64) Philip Dick: FLOW MY TEARS THE POLICEMAN SAID Victor Gollancz Ltd (9-11, 73) (18-19) Paul Goodman (14). Gordon Dickson: THINGS WHICH ARE CAESAR'S (87) Giles Gordon (9) Thomas Disch (18, 54, 71, 81) John Gordon (75) Thomas Disch: EMANCIPATION (96) Betsey & David Gorman (95) Thomas Disch: THE RIGHT WAY TO FIGURE PLUMBING Granada Publishing (8) (7-8, 11) Gunter Grass: THE TIN DRUM (46) Thomas Disch: 334 (61-64, 71, 74) Thomas Gray: ELEGY WRITTEN IN A COUNTRY CHURCH Thomas Disch: THINGS LOST (87) YARD (19) Thomas Disch: A VACATION ON EARTH (8) Gene Hackman (86) Anatoliy Dneprov: THE ISLAND OF CRABS (15) Joe Haldeman: HERO (87) Stanley Donen (dir): SINGING IN THE RAIN (84- Joe Haldeman: POWER COMPLEX (87) 85) Knut Hamsun: MYSTERIES (83) John Donne (78) Carey Handfield (3, 8) Gardner Dozois: THE LAST DAY OF JULY (89) Lee Harding: FALLEN SPACEMAN (11) Gardner Dozois: A SPECIAL KIND OF MORNING (95- Lee Harding (ed): SPACE AGE NEWSLETTER (11) 96) Eric Harries-Harris (7) Eastercon 73 (47-54, 57-60, 82) Harry Harrison: BY THE FALLS (8) EAST LYNNE (80) Harry Harrison: MAKE ROOM! MAKE ROOM! (62) Heinz Edelman & George Dunning (dirs): YELLOW Harry Harrison: ONE STEP FROM EARTH (11) SUBMARINE (85) Harry Harrison & Brian Aldiss (eds): THE -
Novelist Neal Stephenson Once Again Proves He's the King of the Worlds by Steven Levy 08.18.08
Novelist Neal Stephenson Once Again Proves He's the King of t... http://www.wired.com/print/culture/art/magazine/16-09/mf_ste... << Back to Article WIRED MAGAZINE: 16.09 Novelist Neal Stephenson Once Again Proves He's the King of the Worlds By Steven Levy 08.18.08 Illustration: Nate Van Dyke Tonight's subject at the History Book Club: the Vikings. This is primo stuff for the men who gather once a month in Seattle to gab about some long-gone era or icon, from early Romans to Frederick the Great. You really can't beat tales of merciless Scandinavian pirate forays and bloody ninth-century clashes. To complement the evening's topic, one clubber is bringing mead. The dinner, of course, is meat cooked over fire. "Damp will be the weather, yet hot the pyre in my backyard," read the email invite, written by host Njall Mildew-Beard. That's Neal Stephenson, best-selling novelist, cult science fictionist, and literary channeler of the hacker mindset. For Stephenson, whose books mash up past, present, and future—and whose hotly awaited new work imagines an entire planet, with 7,000 years of its own history—the HBC is a way to mix background reading and socializing. "Neal was already doing the research," says computer graphics pioneer Alvy Ray Smith, who used to host the club until he moved from a house to a less convenient downtown apartment. "So why not read the books and talk about them, too?" With his shaved head and (mildewless) beard, Stephenson could cut something of an imposing figure. -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
SF Commentary 83
SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p. -
Top Left-Hand Corner
The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities
Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities by Anna Patricia Wilson A thesis submitted in conformity with the requirements for the degree of PhD in Medieval Studies Centre for Medieval Studies University of Toronto © Copyright by Anna Wilson 2015 ii Immature Pleasures: Affective Reading in Margery Kempe, Petrarch, Chaucer, and Modern Fan Communities Anna Patricia Wilson PhD Medieval Studies Centre for Medieval Studies University of Toronto 2015 Abstract This thesis explores the ideological significance of immaturity to several late medieval texts that focus on the conjunction between reading and feeling. Using examples from modern fanfiction to help theorize affective reception (that is, reading and response that privileges feeling), this thesis argues that approaching medieval texts with a ‘fannish hermeneutics’ highlights how ideas of age and temporality structure relationships between reader and text across late medieval reading communities. In particular it examines how Margery Kempe, Petrarch, and Chaucer performed, resisted and played with the idea of immature reading in their texts. For each author, an immature relationship with texts becomes a space of inappropriate desires and emotional excess, ambivalence, anxiety, and subversive power. Although these authors moved in different intellectual communities, all interacted with a shared cultural ideology of immaturity and reading that emerged primarily from monastic theories of reading and worship from the twelfth to fourteenth centuries. This study argues for the centrality of a ‘fannish hermeneutics’ to this reading tradition in Chapters One and Two, and in Chapters Three and Four further argues Petrarch’s debt to this same tradition of affective piety. -
Emergence, AI and Intellectual Property
The Emergent1 Property2 Market3 Jon Crowcroft, University of Cambridge, Computer Laboratory Abstract The title of this piece is a somewhat heavy-handed word play. The property market I’m writing about is the market in Intellectual Property, which is broken in so many ways, evidenced by the existence of patent mountains and patent trolls, fighting over how many angles they can fit in the 360 degrees around the head of a pin, rather than actually innovating. (It is well known in creative tech circles that pausing to talk to the IP lawyers would never have led to the discovery of the Internet Protocol). The Emergent Property I’m referring to is the possibility that such a complex system could fairly suddenly exhibit some new behavior. In this article, I speculate that this new behavior could just be that the idea of property ceases to exist. The article is written somewhat derivatively after the 1960s SF style of writers such as Cyril Kornbluth, JG Ballard, and John Brunner. Any resemblance to their very creative output is entirely good luck rather than actual skill. 1 A good example of emergence is described in Stephenson’s Anathem book. Complex systems suddenly exhibit simple, powerful effects, fireflies flashing and synchronizing all together in phase, or a murmuration of starlings being common natural examples. Crystalisation. See also footnote 33. 2 Some people have proposed putting the UK’s Land Registry (the national record of property) on the blockchain. Blockchains, or distributed ledgers, are suitable for storing information you wish to remain immutable, in a decentralized way where you cannot find any single trustworthy third party. -
118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
118 Reviews of Books does, the book is a pleasure. He roots it in feminist, race, and sf scholarship, just as he grounds Butler in black American women’s writing traditions and sf tropes. Moreover, he stays focused on his literary argument and doesn’t get lost in the weeds of debates about agency, humanism, and the problematic legacy of the Enlightenment. Ultimately, Of Bodies, Communities, and Voices is indispensable for any Butler scholar, primarily because of the ways he connects so many of her work’s central concerns without reducing its complexity or variety. It will function more as a source of research than pedagogy, except maybe in upper-level classes centered on Butler. I recommend it not only to scholars of Butler but sf in general, especially in terms of afrofuturism, posthumanism, or any of Bast’s focal points (agency, bodies, community, voice). Biopunk SF in Liquid Modernity. Lars Schmeink. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool: Liverpool University Press, 2016. 288 pp. ISBN 978-1-78-138376-6. £75 hc. Reviewed by D. Harlan Wilson Biopunk is among the more recent sf subgenres to emerge from the virtual citadel of 1980s cyberpunk. There have been others—most prominently steampunk, but also splatterpunk, nanopunk, dieselpunk, bugpunk, even elfpunk and monkpunk—but biopunk narratives are perhaps the first truly authentic descendant of the cyberpunks, featuring gritty dystopian settings, beat characters, corporate terrorism, techno-pathology, and body invasion. Instead of hacking computers, however, biopunks hack DNA and operate in worlds where the processes and products of genetic engineering are brought to bear by various forms of mad scientism.