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Starz' 'American Gods' Descends for Season 3
Starz' 'American Gods' Descends for Season 3 12.03.2020 Starz' American Gods, based on the best-selling novel by Neil Gaiman, prepare for their season-three return in the above trailer. Ahead of the trailer's debut, the American Gods' social channels hosted an event in which, much like when Game of Thrones' fans watched a block of ice melt, fans guessed when the car from the novel's Lakeside Clunker Raffle would fall through the ice. Once it did, the official season-three trailer was revealed. Starz will air a marathon of seasons one and two over the weekend of January 9 and 10, leading up to the premiere at 8 p.m. ET/PT that evening. The show will premiere internationally on Amazon Prime Video on Monday, Jan. 11. American Gods is the story of the war that is building between mythology's Old Gods, brought to America by immigration, and technology's New Gods. The story is told through the perspective of ex-con Shadow Moon (Ricky Whittle), who is recruited by the mysterious Mr. Wednesday (Ian McShane) to serve as a sort of body man. Shadow Moon soon learns that Mr. Wednesday has a lot of secrets, the biggest of which is that he is actually the Norse All-Father God Odin. Character poster of Shadow Moon for Starz' 'American Gods' season 3 The series also stars Emily Browning as Laura Moon, Yetide Badaki as Bilquis, Bruce Langley as Technical Boy, Omid Abtahi as Salim, Ashley Reys as Cordelia, Crispin Glover and Mr. World, Demore Barnes as Mr. -
Analisis Gaya Bahasa Lirik Lagu Pada Album Bedtime Stories Karya Jay Chou
ANALISIS GAYA BAHASA LIRIK LAGU PADA ALBUM BEDTIME STORIES KARYA JAY CHOU 周杰伦《床边故事》歌词修辞格分析 ( Zhōujiélún 《chuáng biān gùshì》 gēcí xiūcí gé fēnxī) SKRIPSI OLEH: SYADZA ULINA HURIYADI 150710047 PROGRAM STUDI BAHASA MANDARIN FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA 2019 Universitas Sumatera Utara i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara ANALISIS GAYA BAHASA LIRIK LAGU PADA ALBUM BEDTIME STORIES KARYA JAY CHOU 周杰伦《床边故事》歌词修辞格分析 ( Zhōujiélún 《chuáng biān gùshì》 gēcí xiūcí gé fēnxī) SYADZA ULINA HURIYADI 150710047 ABSTRAK Penelitian ini berjudul “Analisis Gaya Bahasa Lirik Lagu Pada Album Bedtime Stories Karya Jay Chou”. Penelitian ini bertujuan untuk mendeskripsikan jenis dan gaya bahasa yang dominan dalam lirik lagu pada album Bedtime Stories Karya Jay Chou.Adapun teori yang digunakan dalam penelitian ini yaitu teori stilistika oleh Nurgiantoro. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Data penelitian ini adalah lirik lagu pada album Bedtime Stories Karya Jay Chou. Sumber data penelitian ini adalah album Bedtime Stories Karya Jay Chou. Hasil penelitian ini terdapat 56 data yang menunjukkan (1) jenis gaya bahasa yang terdapat dalam lirik lagu pada album Bedtime Stories Karya Jay Chou berjumlah 13 jenis, Bǐyù 比喻, Bǐnǐ 比拟, niān lián拈连, Kuāzhāng 夸张, Fǎngcí仿词, Wǎnqū婉曲, duì'ǒu 对偶, Duìbǐ对比, Fǎnfù 反复, Shèwèn 设问, Fǎnwèn 反问 , Tònggǎn痛感, Jǐngcè 警策. (2) gaya bahasa yang dominan dalam lirik lagu pada album Bedtime Stories Karya Jay Chou yaitu jenis Bǐyù 比喻 dengan jumlah 32%. Kata kunci: gaya bahasa, jenis gaya bahasa, lirik lagu iv Universitas Sumatera Utara RHETORIC ANALYSIS OF SONG LYRICS ON BEDTIME STORIES ALBUM BY JAY CHOU 周杰伦《床边故事》歌词修辞格分析 ( Zhōujiélún 《chuáng biān gùshì》 gēcí xiūcí gé fēnxī) SYADZA ULINA HURIYADI 150710047 ABSTRACT The title of this research is “Rhetoric Analysis of Song Lyrics on Bedtime Stories Album by Jay Chou”. -
Dragon Magazine
May 1980 The Dragon feature a module, a special inclusion, or some other out-of-the- ordinary ingredient. It’s still a bargain when you stop to think that a regular commercial module, purchased separately, would cost even more than that—and for your three bucks, you’re getting a whole lot of magazine besides. It should be pointed out that subscribers can still get a year’s worth of TD for only $2 per issue. Hint, hint . And now, on to the good news. This month’s kaleidoscopic cover comes to us from the talented Darlene Pekul, and serves as your p, up and away in May! That’s the catch-phrase for first look at Jasmine, Darlene’s fantasy adventure strip, which issue #37 of The Dragon. In addition to going up in makes its debut in this issue. The story she’s unfolding promises to quality and content with still more new features this be a good one; stay tuned. month, TD has gone up in another way: the price. As observant subscribers, or those of you who bought Holding down the middle of the magazine is The Pit of The this issue in a store, will have already noticed, we’re now asking $3 Oracle, an AD&D game module created by Stephen Sullivan. It for TD. From now on, the magazine will cost that much whenever we was the second-place winner in the first International Dungeon Design Competition, and after looking it over and playing through it, we think you’ll understand why it placed so high. -
American Gods, Myths, and Roadside Attractions
EN 3553.01 Major Authors Spring 2018 MWF 10:00-10:50 Mr. Price American Gods and American Roadside Attractions In the popular novel American Gods, Neil Gaiman offers the premise that we “create the gods.” He takes the notion from psychologist Carl Gustav Jung that by imagining gods, by bringing them into our culture, we fully create them. They take on an existence beyond that of our imagination. They become real. As a writer of fantasy, Gaiman can make that “becoming real” quite literal, as in the novel his gods wander through the American landscape. For us – and therefore as a literary metaphor – they become “real” in another sense. There are the gods we worship, such as the Odin brought to American shores by Leif Erickson and his contemporaries. There are things we worship, such as the television set that has been the altar and shrine of American households. There is the automobile and the highway. For this class I want to begin with Gaiman’s depiction of “the gods,” looking a bit at the novel’s central plot, but particularly at his incorporation of “forgotten gods,” figures of folklore, and such elements as flavor American culture. I plan to also look at a couple example American myths, big ones. I am including a couple pieces on the “frontier” and “melting pot” myths: Willa Cather’s My Antonia and a John Ford film, “The Man Who Shot Liberty Valance.” For America’s favorite twentieth century myth, “the business of America is business” (quote attributed to Calvin Coolidge), we will look at Sinclair Lewis’s Babbitt. -
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017 August 24, 2016 Neil Gaiman’s tale of mythological gods, starring Ricky Whittle, Ian McShane, Emily Browning., Kristin Chenoweth and Gillian Anderson, will launch on Prime Video in Germany, Austria, UK and Japan next year Along with access to thousands of popular movies and TV episodes through Prime Video, Prime members across the UK benefit from unlimited One-Day delivery on millions of products, access to over one million songs on Prime Music, 30-minute early access to Lightning Deals, one free pre-released book a month with Kindle First and unlimited photo storage with Prime Photos — all available for a monthly membership of £7.99/month or £79/year London, Wednesday 24th August 2016 – Amazon today announced that fantasy drama American Gods will launch exclusively for Prime members in Germany, Austria, UK and Japan in 2017. The drama is based on the award-winning novel by Neil Gaiman (The Sandman, Good Omens, Coraline), which has been translated into over 30 languages. Starring Ricky Whittle (The 100, Austenland) as protagonist ex-con Shadow Moon, Ian McShane (Deadwood, Pirates of the Caribbean) as Mr. Wednesday who enlists Shadow Moon as part of his cross-country mission, and Emily Browning (Sucker Punch, Legend) as Shadow’s wife, Laura Moon, American Gods also features Gillian Anderson (The X-Files) as Media, the mouthpiece for the New Gods. Joining Whittle, McShane, Browning and Anderson are Pablo Schreiber (13 Hours, Orange Is the New Black) as Mad Sweeney, Yetide Badaki (Aquarius, Masters of Sex) as Bilquis and a strong supporting cast including, recently announced, Kristin Chenoweth, as Easter. -
The Clash of Culture in Neil Gaiman's American Gods
LEXICON Volume 5, Number 2, October 2018, 139-151 The Clash of Culture in Neil Gaiman's American Gods Naya Fauzia Dzikrina*, Ahmad Munjid Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research aims to examine the portrayal of cultural clash in Neil Gaiman’s novel, American Gods. More specifically, this research aims to identify what cultures are clashing and why they clash, and also to understand how the situation of cultural clash affects the lives and attitudes of the characters. This research also explores how the novel relates to cases of cultural clash happening in the current American society. This research is conducted using the framework of several sociological theories to understand the different forms of effects of cultural clash. The main issue presented in the novel is the conflict between the old gods, who represent society’s traditional beliefs, and the new gods, who represent the shift of culture in modern America. This conflict symbolizes how the two ideals, tradition and modernity, are competing in the American society today. The challenges the old gods face can also be seen as a portrayal of the immigrant experience, where they experience effects of cultural clash also commonly experienced by immigrants: cultural displacement, identity crisis, and conflict. The main finding of this research is that a person or group who experiences cultural clash will face a struggle where they must compromise or negotiate their cultural identity in order to be part of their current community. This is done as a way to survive and thrive in their environment. Keywords: conflict, cultural clash, displacement, identity, modernity, tradition. -
Ghosts – Or the (Nearly) Invisible
9 In this volume, ghost stories are studied in the context of their media, their place in history and geography. From prehistory to this day, we have been haunted by our memories, the past itself, by inklings of the future, by events playing outside our lives, and by ourselves. Hence the lure of ghost stories throughout history 9 Volume and presumably prehistory. Science has been a great destroyer of myth and superstition, but at the same time it has created new black boxes which we are ALPHALPH Approaches to Literary Phantasy filling with our ghostly imagination. In this book, literature from the Middle Ages to Oscar Wilde and Neil Gaiman, children’s stories, folklore and films, ranging from the Antarctic and Russia to Haiti, are covered and show the continuing presence of spectral phenomena. Maria Fleischhack / Elmar Schenkel (eds.) Elmar Schenkel (eds.) · Ghosts – or the (Nearly) Invisible / Ghosts – Maria Fleischhack lectures at Leipzig University with a focus on Victorian and Postmodern fiction and Shakespearean drama; special interest: Sherlock or the (Nearly) Invisible Holmes. Elmar Schenkel teaches English Literature at the University of Leipzig. He has Spectral Phenomena in Literature published on Wells, Conrad and Tolkien and the relations between science and the Media and literature. Maria Fleischhack ISBN 978-3-631-66566-4 Guy Tourlamain - 978-3-0353-9996-7 Downloaded from PubFactory at 09/23/2021 02:26:57PM via free access ALPH 09_266566_Fleischhack_gr_HCA5_Eng PLE.indd 1 28.06.16 KW 26 14:24 9 In this volume, ghost stories are studied in the context of their media, their place in history and geography. -
Coraline by Neil Gaiman
Children's Book and Media Review Volume 33 Issue 2 Article 5 2013 Coraline by Neil Gaiman Jameson Testi Follow this and additional works at: https://scholarsarchive.byu.edu/cbmr BYU ScholarsArchive Citation Testi, Jameson (2013) "Coraline by Neil Gaiman," Children's Book and Media Review: Vol. 33 : Iss. 2 , Article 5. Available at: https://scholarsarchive.byu.edu/cbmr/vol33/iss2/5 This Book Review is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Children's Book and Media Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Testi: Coraline by Neil Gaiman Author: Gaiman, Neil Title: Coraline Year of Publication: 2002 Publisher: HarperCollins ISBN: 9780380977789 # of pages: 163 Rating: Excellent Reading/Interest Level: Intermediate Keywords: Supernatural; Parents; Adventure; Novels Review: Coraline Jones always craved an adventure, though she never expected to find one inside her own house. A small door in her flat leads her to a new world with a house identical to her own, though everything is more picturesque. In the new world, she has caring parents, wonderful food, lots of adventures—all things she lacks in her normal life. Coraline visits the new world frequently, but soon discovers the place is full of dark and evil secrets. Her real parents go missing, a strange creature poses as her ‘Other Mother’, and she feels trapped inside a world where she is doomed to die. With her real parent’s lives on the line, Coraline must risk her life to save them and stop the Other Mother from continuing her wicked ways. -
Chapter 4: Theatricality
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 4: Theatricality §1 Boundaries In Imagination and Power: The Ideological Analysis of Theatre 想象與權力: 戲劇意識形態研 究 (2003), Zhou Ning is “concerned with the theatricality in the deep layers of the psychological structure of Chinese cultural character,” arguing that “the function of both [ritual and thought] lies in transcending the boundaries between reality 現實 and the fabricated 虛構, or confusing the two, through illusion.”1 During the Boxer Uprising peasants believed they were immune to bullets, which shows that getting carried away can have dire consequences: The Boxer Uprising (1900-1901) has many ties with theater; it didn’t distinguish the real 真 from the illusory 幻 . [The Boxers] gathered and rebelled while singing arias, they practiced martial arts as if playacting, they were possessed by characters from plays and their spreading of fire, going into battle, tricks and moves were all just like those staged in plays.2 “Popular music creates alternative universes, echoey soundscapes allowing the listener to drift outside the often-stressful realities of everyday life,” argues Witzleben in his article on Anita Mui.3 Throughout this study, the term performance has been instrumental in conceptualizing seemingly stable concepts, such as Chineseness, rock and femininity, as constantly renegotiated creations or articulations of normative or alternative universes. -
Accelerated Reader Book List
Accelerated Reader Book List Picking a book to read? Check the Accelerated Reader quiz list below and choose a book that will count for credit in grade 7 or grade 8 at Quabbin Middle School. Please see your teacher if you have questions about any selection. The most recently added books/tests are denoted by the darkest blue background as shown here. Book Quiz No. Title Author Points Level 8451 EN 100 Questions and Answers About AIDS Ford, Michael Thomas 7.0 8.0 101453 EN 13 Little Blue Envelopes Johnson, Maureen 5.0 9.0 5976 EN 1984 Orwell, George 8.2 16.0 9201 EN 20,000 Leagues Under the Sea Clare, Andrea M. 4.3 2.0 523 EN 20,000 Leagues Under the Sea (Unabridged) Verne, Jules 10.0 28.0 6651 EN 24-Hour Genie, The McGinnis, Lila Sprague 4.1 2.0 593 EN 25 Cent Miracle, The Nelson, Theresa 7.1 8.0 59347 EN 5 Ways to Know About You Gravelle, Karen 8.3 5.0 8851 EN A.B.C. Murders, The Christie, Agatha 7.6 12.0 81642 EN Abduction! Kehret, Peg 4.7 6.0 6030 EN Abduction, The Newth, Mette 6.8 9.0 101 EN Abel's Island Steig, William 6.2 3.0 65575 EN Abhorsen Nix, Garth 6.6 16.0 11577 EN Absolutely Normal Chaos Creech, Sharon 4.7 7.0 5251 EN Acceptable Time, An L'Engle, Madeleine 7.5 15.0 5252 EN Ace Hits the Big Time Murphy, Barbara 5.1 6.0 5253 EN Acorn People, The Jones, Ron 7.0 2.0 8452 EN Across America on an Emigrant Train Murphy, Jim 7.5 4.0 102 EN Across Five Aprils Hunt, Irene 8.9 11.0 6901 EN Across the Grain Ferris, Jean 7.4 8.0 Across the Wide and Lonesome Prairie: The Oregon 17602 EN Gregory, Kristiana 5.5 4.0 Trail Diary.. -
Embodied Gods and Material Worship in Neil Gaiman's American Gods
“Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods Veera Pohjalainen MA Thesis English, Language Specialist Path School of Languages and Humanities Faculty of Humanities University of Turku March 2020 The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. UNIVERSITY OF TURKU School of Languages and Translation Studies/ Faculty of Humanities POHJALAINEN, VEERA: “Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods MA Thesis, 78 pp., appendices 7 pp. English, Language Specialist Path March 2020 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– This thesis analyzes the connection between beliefs and their material representation in Neil Gaiman’s novel American Gods (2001). The aim is to show how ideas and matter converge in the creation of gods and the material ways to worship them. Each god originates from nature or man-made innovations, and their embodiment represents the material origin of the belief. Believers then worship these gods, forming a bodily and emotional connection. The analysis demonstrates how technology and science are religious belief systems that resemble traditional religions and mythologies, in addition to how the deities that represent technoscience and contemporary innovations are comparable to traditional gods. Additionally, this thesis speculates what the prevailing paradigms and their gods are in the present-day America. The two primary frameworks this thesis utilizes are Pascal Boyer’s (2001) and Stewart Guthrie’s (1993) cognitive theories and a material theory of religion proposed by David Morgan (2010). The cognitive theories demonstrate how ideas of gods stem from nature by interpreting and discovering humanlike agencies, and the material theory of religion conceptualizes how religion’s material practices can be analyzed by focusing on body, feeling, and performance. -
BEFORE YOU START Prepare a Group Journal to Help You Record Group Discussions and Responses to the Text As You Work Through the Book
BEFORE YOU START Prepare a group journal to help you record group discussions and responses to the text as you work through the book. These notes refer to the edition illustrated by Chris Riddell but can also be used with Dave McKean’s original illustrations, with some minor adjustments. You could create a glossary of new vocabulary as you read the book – you may want to prepare a format for doing this. As you go through the book, ask the group to pick out words they are unfamiliar with or do not fully understand, such as velvet, muzzle, vermin, raggedy, embroidery, vivid, monstrous, anteroom, shovelled, commercials and rummaged. You could prepare photographs and video sources to bring these words to life and help the pupils use them in context. © Bloomsbury SESSION 1: CHAPTER 1 Focus: Predicting, Close Reading, Thinking Aloud and Summarising Share the front cover with the group. (Do not share the back cover at this point as it reveals some aspects of the plot you may wish to hold back while the children make predictions.) Ask the children to predict what the story could be about. Ask them to justify their responses, drawing out any connections they make to other stories. Record the children’s responses in the journal. Once you have recorded their predictions you can return to these as you read the book, comparing the children’s initial thoughts to how the story actually unfolds. –––––– © Bloomsbury Encourage the children to look in detail at the cover illustration and make connections between this text and other stories they know.