DOCSLIB.ORG

Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017 Highly-Anticipated Fantasy Drama American Gods to Launch Exclusively on Amazon Prime Video in 2017 August 24, 2016 Neil Gaiman’s tale of mythological gods, starring Ricky Whittle, Ian McShane, Emily Browning., Kristin Chenoweth and Gillian Anderson, will launch on Prime Video in Germany, Austria, UK and Japan next year Along with access to thousands of popular movies and TV episodes through Prime Video, Prime members across the UK benefit from unlimited One-Day delivery on millions of products, access to over one million songs on Prime Music, 30-minute early access to Lightning Deals, one free pre-released book a month with Kindle First and unlimited photo storage with Prime Photos — all available for a monthly membership of £7.99/month or £79/year London, Wednesday 24th August 2016 – Amazon today announced that fantasy drama American Gods will launch exclusively for Prime members in Germany, Austria, UK and Japan in 2017. The drama is based on the award-winning novel by Neil Gaiman (The Sandman, Good Omens, Coraline), which has been translated into over 30 languages. Starring Ricky Whittle (The 100, Austenland) as protagonist ex-con Shadow Moon, Ian McShane (Deadwood, Pirates of the Caribbean) as Mr. Wednesday who enlists Shadow Moon as part of his cross-country mission, and Emily Browning (Sucker Punch, Legend) as Shadow’s wife, Laura Moon, American Gods also features Gillian Anderson (The X-Files) as Media, the mouthpiece for the New Gods. Joining Whittle, McShane, Browning and Anderson are Pablo Schreiber (13 Hours, Orange Is the New Black) as Mad Sweeney, Yetide Badaki (Aquarius, Masters of Sex) as Bilquis and a strong supporting cast including, recently announced, Kristin Chenoweth, as Easter. The drama uncovers a power struggle between the traditional gods of mythological roots from around the world and an upstart pantheon of gods whose behavior reflects society’s modern love of money, technology, media, celebrity and drugs. “Adapted from Neil Gaiman’s beloved novel, American Gods is one of the most ambitious new television series coming out in 2017,” says Brad Beale, Vice President of Worldwide Television Acquisition for Amazon. “It joins our roster of exciting, high-quality Original and exclusive shows for our Prime members including, this year, the highly anticipated The Grand Tour, Mr. Robot, Preacher, Lucifer and the return of The Man in the High Castle.” American Gods is produced by FremantleMedia North America. Bryan Fuller (Hannibal, Pushing Daisies, Heroes) and Michael Green (The River, Kings, Heroes) are writers and showrunners. David Slade (Hannibal, The Twilight Saga: Eclipse) is directing the pilot and additional episodes. FMNA’s Craig Cegielski and Stefanie Berk are executive producing the series along with Fuller, Green, Slade and Neil Gaiman. FremantleMedia International is distributing the series worldwide. - Ends - Media contacts Ffion Williams, Amazon Prime Video PR Manager [email protected] About Amazon Video Amazon Video is a premium on-demand entertainment service that offers customers the greatest choice in what to watch, and how to watch it. Amazon Video is the only service that provides all of the following: Prime Video: thousands of popular movies and TV episodes, to stream or download, including Amazon Originals and Exclusives like 2016 BAFTA winning Transparent, 2016 Golden Globe® winning Mozart in the Jungle, Ridley Scott produced The Man in the High Castle, cult comic book series Preacher, Parisian fashion drama The Collection, time-travel romance Outlander, 2016 Golden Globe® winning Mr Robot, Bosch, based on Michael Connelly’s best-selling books and all series of Ripper Street. Plus, must-see films like Macbeth, Legend, Paddington and The Imitation Game and more. Rent or Own: thousands of titles, including new-release movies and current TV shows available for on-demand rental or purchase for all Amazon customers. Instant Access: Instantly watch anytime, anywhere through the Amazon Video app on smart TVs, mobile devices, Amazon Fire TV, Fire TV Stick, and Fire tablets, on Xbox, PlayStation, Wii and Wii U, and through the web at www.amazon.co.uk/primevideo. Premium Features: Top features like 4K Ultra HD, High Dynamic Range (HDR) and mobile downloads for offline viewing. Prime Video is available at no extra cost to Amazon Prime members, who also benefit from unlimited One-Day Delivery on millions items, more than a million songs available to stream and download through Prime Music, unlimited photo storage in Amazon Drive, access to a million Kindle books to borrow, and 30-minutes early access to select Lightning Deals on www.amazon.co.uk. Amazon customers who are not already members can start a 30-day free trial of Amazon Prime by visiting www.amazon.co.uk/prime. Ffion Williams | Amazon.co.uk Ltd | Amazon Video UK PR Manager E [email protected] P 0203 680 0845 M 07747 768430.
Load more

Recommended publications
  • Starz' 'American Gods' Descends for Season 3
    Starz' 'American Gods' Descends for Season 3 12.03.2020 Starz' American Gods, based on the best-selling novel by Neil Gaiman, prepare for their season-three return in the above trailer. Ahead of the trailer's debut, the American Gods' social channels hosted an event in which, much like when Game of Thrones' fans watched a block of ice melt, fans guessed when the car from the novel's Lakeside Clunker Raffle would fall through the ice. Once it did, the official season-three trailer was revealed. Starz will air a marathon of seasons one and two over the weekend of January 9 and 10, leading up to the premiere at 8 p.m. ET/PT that evening. The show will premiere internationally on Amazon Prime Video on Monday, Jan. 11. American Gods is the story of the war that is building between mythology's Old Gods, brought to America by immigration, and technology's New Gods. The story is told through the perspective of ex-con Shadow Moon (Ricky Whittle), who is recruited by the mysterious Mr. Wednesday (Ian McShane) to serve as a sort of body man. Shadow Moon soon learns that Mr. Wednesday has a lot of secrets, the biggest of which is that he is actually the Norse All-Father God Odin. Character poster of Shadow Moon for Starz' 'American Gods' season 3 The series also stars Emily Browning as Laura Moon, Yetide Badaki as Bilquis, Bruce Langley as Technical Boy, Omid Abtahi as Salim, Ashley Reys as Cordelia, Crispin Glover and Mr. World, Demore Barnes as Mr.
    [Show full text]
  • Written and Directed by Madeleine Olnek
    Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in "​ Wild Nights With Emily​," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy "​ Wild Nights with Emily​." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W.
    [Show full text]
  • AGE Qualitative Summary
    AGE Qualitative Summary Age Gender Race 16 Male White (not Hispanic) 16 Male Black or African American (not Hispanic) 17 Male Black or African American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 18 Malel Blacklk or Africanf American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Female White (not Hispanic) 18 Female Asian, Asian Indian, or Pacific Islander 18 Male Asian, Asian Indian, or Pacific Islander 18 Female White (not Hispanic) 18 Female White (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 19 Male Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Female Native American or Alaskan Native 19 Female White (p(not Hispanic)) 19 Male Hispanic (unspecified) 19 Female Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female White (not Hispanic) 19 Male Hispanic/Latino – White 19 Male Hispanic/Latino – White 19 Male Native American or Alaskan Native 19 Female Other 19 Male Hispanic/Latino – White 19 Male Asian, Asian Indian, or Pacific Islander 20 Female White (not Hispanic) 20 Female Other 20 Female Black or African American (not Hispanic) 20 Male Other 20 Male Native American or Alaskan Native 21 Female Don’t want to respond 21 Female White (not Hispanic) 21 Female White (not Hispanic) 21 Male Asian, Asian Indian, or Pacific Islander 21 Female White (not
    [Show full text]
  • University of Alberta
    University of Alberta The Trick Question: Finding a Home for Tricksters in Indigenous Literary Nationalism by Kayleigh Cline A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in English Department of English and Film Studies ©Kayleigh Cline Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-90432-9 Our file Notre référence ISBN: 978-0-494-90432-9 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]
  • American Gods, Myths, and Roadside Attractions
    EN 3553.01 Major Authors Spring 2018 MWF 10:00-10:50 Mr. Price American Gods and American Roadside Attractions In the popular novel American Gods, Neil Gaiman offers the premise that we “create the gods.” He takes the notion from psychologist Carl Gustav Jung that by imagining gods, by bringing them into our culture, we fully create them. They take on an existence beyond that of our imagination. They become real. As a writer of fantasy, Gaiman can make that “becoming real” quite literal, as in the novel his gods wander through the American landscape. For us – and therefore as a literary metaphor – they become “real” in another sense. There are the gods we worship, such as the Odin brought to American shores by Leif Erickson and his contemporaries. There are things we worship, such as the television set that has been the altar and shrine of American households. There is the automobile and the highway. For this class I want to begin with Gaiman’s depiction of “the gods,” looking a bit at the novel’s central plot, but particularly at his incorporation of “forgotten gods,” figures of folklore, and such elements as flavor American culture. I plan to also look at a couple example American myths, big ones. I am including a couple pieces on the “frontier” and “melting pot” myths: Willa Cather’s My Antonia and a John Ford film, “The Man Who Shot Liberty Valance.” For America’s favorite twentieth century myth, “the business of America is business” (quote attributed to Calvin Coolidge), we will look at Sinclair Lewis’s Babbitt.
    [Show full text]
  • CAST BIOGRAPHIES Season 2 RICKY WHITTLE
    CAST BIOGRAPHIES Season 2 RICKY WHITTLE (SHADOW MOON) Ricky Whittle was born in Oldham, near Manchester in the north of England. Growing up, Whittle excelled in various sports representing his country at youth level in football, rugby, American football and athletics. After being scouted by both Arsenal and Celtic Football Clubs, injuries forced him to pursue a law degree at Southampton University. It was here he began modeling, becoming the face of a Reebok campaign in 2000. Whittle left university to pursue an acting career and soon joined several action-packed seasons as bad boy Ryan Naysmith in Sky One’s “Dream Team.” Following that, Whittle quickly joined the U.K.’s hugely popular long-running drama, “Hollyoaks,” in which he played rookie cop Calvin Valentine to acclaim across 400+ episodes. In 2010, Whittle made the decision to relocate to California and, within months of settling in, booked the role of Captain George East in the romantic-comedy feature Austenland for Sony Pictures, which was produced by Twilight creator Stephanie Meyer. Additionally, he was soon cast in a major recurring role in VH1’s popular series, “Single Ladies.” Another major recurring role followed on The CW’s popular post-apocalyptic sci-fi series “The 100.” Whittle’s character, Lincoln, immediately became a fan-favorite character, so he was upped to a series regular. Simultaneously, Whittle also had a recurring arc as Daniel Zamora in ABC’s “Mistresses.” In 2016, after a vigorous casting process, Whittle won the coveted role of Shadow Moon in Starz’s “American Gods.” In 2017, Whittle was seen opposite Sanaa Lathan in the Netflix feature film Nappily Ever After, which is based on the novel of the same name by Trisha R.
    [Show full text]
  • NOTICE: the Copyright Law of the United States (Title 17, United States Code) Governs the Making of Reproductions of Copyrighted Material
    NOTICE: The copyright law of the United States (Title 17, United States Code) governs the making of reproductions of copyrighted material. One specified condition is that the reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses a reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. RESTRICTIONS: This student work may be read, quoted from, cited, for purposes of research. It may not be published in full except by permission of the author. Jacklight: Stories Table of Contents Jacklight ...................................................................................................................................... 3 The Bacchanal........................................................................................................................... 20 Wothan the Wanderer................................................................................................................ 32 Trickster Shop ........................................................................................................................... 47 Party Games .............................................................................................................................. 57 Coyote Story ............................................................................................................................. 88 2 Jacklight At thirteen, Mary discovered her first rune in a raven’s half-decayed remains.
    [Show full text]
  • The Clash of Culture in Neil Gaiman's American Gods
    LEXICON Volume 5, Number 2, October 2018, 139-151 The Clash of Culture in Neil Gaiman's American Gods Naya Fauzia Dzikrina*, Ahmad Munjid Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research aims to examine the portrayal of cultural clash in Neil Gaiman’s novel, American Gods. More specifically, this research aims to identify what cultures are clashing and why they clash, and also to understand how the situation of cultural clash affects the lives and attitudes of the characters. This research also explores how the novel relates to cases of cultural clash happening in the current American society. This research is conducted using the framework of several sociological theories to understand the different forms of effects of cultural clash. The main issue presented in the novel is the conflict between the old gods, who represent society’s traditional beliefs, and the new gods, who represent the shift of culture in modern America. This conflict symbolizes how the two ideals, tradition and modernity, are competing in the American society today. The challenges the old gods face can also be seen as a portrayal of the immigrant experience, where they experience effects of cultural clash also commonly experienced by immigrants: cultural displacement, identity crisis, and conflict. The main finding of this research is that a person or group who experiences cultural clash will face a struggle where they must compromise or negotiate their cultural identity in order to be part of their current community. This is done as a way to survive and thrive in their environment. Keywords: conflict, cultural clash, displacement, identity, modernity, tradition.
    [Show full text]
  • From Cynic to Believer: 'American Gods' Star Ricky Whittle Boasts
    From Cynic to Believer: ‘American Gods’ Star Ricky Whittle Boasts About Shadow Moon fanfest.com/2017/07/07/from-cynic-to-believer-american-gods-star-ricky-whittle-boasts-about-shadow-moon/ McKenzie Morrell July 8, 2017 From an outpouring of social media buzz to a 5-month long audition, Ricky Whittle clinched the coveted role of Shadow Moon in the small screen adaptation of Neil Gaiman’s best- selling book American God. The Starz series, which has talented showrunners such as Bryan Fuller and Michael Green at its helm, has eloquently entwined a new age tale of Ancient Deities that is surprisingly extremely relevant in present day America. This show, which is unlike anything on TV right now, runs circles around its predecessors which unfortunately have fallen short when trying to achieve this mind-bending concept. Whittle, well-known for his role on The CW’s The 100 as Lincoln, a Grounder with a heart of gold who ultimately met his untimely fate by sacrificing himself for the greater good, is captivating (and did we mention brooding?) in the role of Shadow. Fans of Whittle’s The 100 character were severely scorned last year following Lincoln’s death, and immediately threw Whittle’s name in the hat once the opportunity for the iconic American Gods role came into the picture. And the timing couldn’t be more perfect… Though his character on American Gods possesses similar traits to Whittle’s character on The 100, Shadow often finds himself in the midst of a world he can barely make sense of, but throughout the season goes from cynic to believer.
    [Show full text]
  • Optimedia U.S. Launches Content Power Ratings Report
    FINAL DRAFT OPTIMEDIA U.S. LAUNCHES CONTENT POWER RATINGS REPORT Media Industry’s First Multi-Media Ratings Report Measures Total Value of Television Shows Across All Platforms, Reveals Surprise Winners NEW YORK (March 4, 2008) - Optimedia International US Inc. (http://www.optimedia-us.com) a Publicis Groupe-owned communications planning and buying agency, has released its inaugural 2007 Content Power Ratings Report, a comprehensive quarterly ratings index that ranks the relative reach and power of the top 100 television programs, based on the number and quality of viewers across important digital and traditional media. Using data culled from the agency’s own primary research, as well as from Nielsen Media Research's NTI database, comScore's Media Metrix, E-Poll's FastTrack™, Keller Fay Group's TalkTrack, and Factiva, this comprehensive report ranks network and cable programs using four criteria: • Audience size across TV, Web and mobile properties • Audience Appeal – including awareness, core values, and quality • Interest —including PR mentions and word-of-mouth ‘buzz’ • Streaming – the extent to which the program is watched online The Content Power Ratings Report provides agencies, networks and advertisers with an independent assessment of a television program’s true commercial value and footprint. Optimedia plans to release the report quarterly. Antony Young, president of Optimedia US, said, “A television program today is far more than just ratings – Web presence, ability to drive word-of-mouth and engagement value are all factors
    [Show full text]
  • Embodied Gods and Material Worship in Neil Gaiman's American Gods
    “Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods Veera Pohjalainen MA Thesis English, Language Specialist Path School of Languages and Humanities Faculty of Humanities University of Turku March 2020 The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. UNIVERSITY OF TURKU School of Languages and Translation Studies/ Faculty of Humanities POHJALAINEN, VEERA: “Think of us as symbols”: Embodied Gods and Material Worship in Neil Gaiman’s American Gods MA Thesis, 78 pp., appendices 7 pp. English, Language Specialist Path March 2020 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– This thesis analyzes the connection between beliefs and their material representation in Neil Gaiman’s novel American Gods (2001). The aim is to show how ideas and matter converge in the creation of gods and the material ways to worship them. Each god originates from nature or man-made innovations, and their embodiment represents the material origin of the belief. Believers then worship these gods, forming a bodily and emotional connection. The analysis demonstrates how technology and science are religious belief systems that resemble traditional religions and mythologies, in addition to how the deities that represent technoscience and contemporary innovations are comparable to traditional gods. Additionally, this thesis speculates what the prevailing paradigms and their gods are in the present-day America. The two primary frameworks this thesis utilizes are Pascal Boyer’s (2001) and Stewart Guthrie’s (1993) cognitive theories and a material theory of religion proposed by David Morgan (2010). The cognitive theories demonstrate how ideas of gods stem from nature by interpreting and discovering humanlike agencies, and the material theory of religion conceptualizes how religion’s material practices can be analyzed by focusing on body, feeling, and performance.
    [Show full text]
  • Here Walking Fossil Robert A
    The Anticipation Hugo Committee is pleased to provide a detailed list of nominees for the 2009 Science Fiction and Fantasy Achievement Awards (the Hugos), and the John W. Campbell Award for Best New Writer (Sponsored by Dell Magazines). Each category is delineated to five nominees, per the WSFS Constitution. Also provided are the number of ballots with nominations, the total number of nominations and the number of unique nominations in each category. Novel The Last Centurion John Ringo 8 Once Upon a Time Philip Pullman 10 Ballots 639; Nominations: 1990; Unique: 335 The Mirrored Heavens David Williams 8 in the North Slow Train to Arcturus Dave Freer 7 To Hie from Far Cilenia Karl Schroeder 9 Little Brother Cory Doctorow 129 Hunter’s Run Martin Dozois Abraham 7 Pinocchio Walter Jon Williams 9 Anathem Neal Stephenson 93 Inside Straight George R. R. Martin 7 Utere Nihill Non Extra John Scalzi 9 The Graveyard Book Neil Gaiman 82 The Ashes of Worlds Kevin J Anderson 7 Quiritationem Suis Saturn’s Children Charles Stross 74 Gentleman Takes Sarah A Hoyt 7 Harvest James Van Pelt 9 Zoe’s Tale John Scalzi 54 a Chance The Inferior Peadar O’Guilin 7 Cenotaxis Sean Williams 9 Matter Iain M. Banks 49 Staked J.F. Lewis 7 In the Forests of Jay Lake 8 Nation Terry Pratchett 46 Graceling Kristin Cashore 6 the Night An Autumn War Daniel Abraham 46 Small Favor Jim Butcher 6 Black Petals Michael Moorcock 8 Implied Spaces Walter Jon Williams 45 Emissaries From Adam-Troy Castro 6 Political Science by Walton (Bud) Simons 7 Pirate Sun Karl Schroeder 41 the Dead & Ian Tregillis Half a Crown Jo Walton 38 A World Too Near Kay Kenyon 6 Mystery Hill Alex Irvine 7 Valley of Day-Glo Nick Dichario 35 Slanted Jack Mark L.
    [Show full text]