Gareth Jones: Reviled and Forgotten
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Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J
STRATEGIC PERSPECTIVES 11 Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J. Lamb Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, Center for Technology and National Security Policy, Center for Transatlantic Security Studies, and Conflict Records Research Center. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the Unified Combatant Commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Kathleen Bailey presents evidence of forgeries to the press corps. Credit: The Washington Times Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference By Fletcher Schoen and Christopher J. Lamb Institute for National Strategic Studies Strategic Perspectives, No. 11 Series Editor: Nicholas Rostow National Defense University Press Washington, D.C. June 2012 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government. -
The Freeman April 1953
APRIL 20, 1953 Russians Are People Eugene Lyons Decline of the Rule of Law F. A. Hayek The Battle Against Print Flora Rheta Schreiber Red China's Secret Weapon Victor Lasky Santayana: Alien in the World Max Eastman The Reading Company at its huge coal terminal near Perth Amboy handles as much as 4,000,000 tons annually. Most of this coal is distributed to docks in New York City and Brooklyn in 10,000-ton barges. Three new tugs powered with Fairbanks-Morse Diesels and equipped throughout with F-M Generators, Pumps and Motors are setting new records for speed and economy in this important task. Fairbanks, Morse & Co., Chicago 5, Illinois FAIRBANKS·MORSE a name worth remembering when you want the best DIESEL AND DUAL FUEL ENGINES • DIESEL LOCOMOTIVES • RAIL CARS • ELECTRICAL MACHINERY PUMPS • SCALES • HOME WATER SERVICE EQUIPMENT • FARM MACHINERY • MAGNETOS THE A Fortnightly Our Contributors For VICTOR LASKY, well-known journalist and spe cialist on Communism, won national renown in Individualists 1950 as co-author of the best-selling Seeds of reeman Treason. He i's editor of Spadea Syndicates. Editor HENRY HAZLITT EUGENE LYONS is particularly equipped to know Managing Editor FLORENCE NORTON and understand the Russian people, being him self a native of Russia and having spent many years as a correspondent in Moscow. Author of a number of books about the Soviet Union, including a biography of Stalin, he is now Contents VOL. 3, NO. 15 APRIL 20, 1953 working on a book tentatively entitled "Our Secret Weapon: the Russian People." . Editorials FLORA RHETA SCHREIBER is exceptionally quali The Fortnight. -
Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett [email protected]
University of Missouri, St. Louis IRL @ UMSL Dissertations UMSL Graduate Works 1-20-2018 Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett [email protected] Follow this and additional works at: https://irl.umsl.edu/dissertation Part of the Comparative Politics Commons, and the International Relations Commons Recommended Citation Barrett, Ryan, "Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors" (2018). Dissertations. 725. https://irl.umsl.edu/dissertation/725 This Dissertation is brought to you for free and open access by the UMSL Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Dissertations by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Ukraine at the Crossroad in Post-Communist Europe: Policymaking and the Role of Foreign Actors Ryan Barrett M.A. Political Science, The University of Missouri - Saint Louis, 2015 M.A. International Relations, Webster University, 2010 B.A. International Studies, 2006 A Dissertation Submitted to the Graduate School at the The University of Missouri - Saint Louis in partial fulfillment of the requirements for the degree Doctor Philosophy in Political Science May 2018 Advisory Committee: Joyce Mushaben, Ph.D. Jeanne Wilson, PhD. Kenny Thomas, Ph.D. David Kimball, Ph.D. Contents Introduction 1 Chapter I. Policy Formulation 30 Chapter II. Reform Initiatives 84 Chapter III. Economic Policy 122 Chapter IV. Energy Policy 169 Chapter V. Security and Defense Policy 199 Conclusion 237 Appendix 246 Bibliography 248 To the Pat Tillman Foundation for graciously sponsoring this important research Introduction: Ukraine at a Crossroads Ukraine, like many European countries, has experienced a complex history and occupies a unique geographic position that places it in a peculiar situation be- tween its liberal future and communist past; it also finds itself tugged in two opposing directions by the gravitational forces of Russia and the West. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
Tufts University the American Left And
TUFTS UNIVERSITY THE AMERICAN LEFT AND STALIN'S PURGES, 1936-38: FELLOW-TRAVELLERS AND THEIR ARGUMENTS UNDERGRADUATE HONORS THESIS DEPARTMENT OF HISTORY by SUSAN T. CAULFIELD DECEMBER 1979 CONTENTS Chapter I. INTRODUCTION 1 II. SHOW TRIALS AND PURGES IN THE SOVIET UNION, 1936-38 7 III. TYPOLOGY OF ARGUMENTS 24 IV. EXPLANATIONS .••.•• 64 V. EPILOGUE: THE NAZI-SOVIET PACT 88 SELECTED BIBLIOGRAPHY 95 I. INTRODUCTION In 1936, George Soule, an editor of the New Republic, described in that magazine the feelings of a traveller just returned from the Soviet Union: ••• After a week or so he begins to miss something. He misses the hope, the enthusiasm, the intellectual vigor, the ferment of change. In Russia people have the sense that something new and better is going to happen next week. And it usually does. The feeling is a little like the excitement that accompanied the first few weeks of the New Deal. But the Soviet New Deal has been going on longer, is proyiding more and more tangible results, and retains its vitality ..• For Soule, interest in the "Soviet New Deal" was an expression of dis- content with his own society; while not going so far as to advocate So- viet solutions to American problems, he regarded Soviet progress as proof that there existed solutions to those problems superior to those offered by the New Deal. When he and others on the American Left in the 1930's found the Soviet Union a source of inspiration, praised what they saw there, and spoke at times as if they had found utopia, the phenomenon was not a new one. -
The Causes of Ukrainian-Polish Ethnic Cleansing 1943 Author(S): Timothy Snyder Source: Past & Present, No
The Past and Present Society The Causes of Ukrainian-Polish Ethnic Cleansing 1943 Author(s): Timothy Snyder Source: Past & Present, No. 179 (May, 2003), pp. 197-234 Published by: Oxford University Press on behalf of The Past and Present Society Stable URL: http://www.jstor.org/stable/3600827 . Accessed: 05/01/2014 17:29 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Oxford University Press and The Past and Present Society are collaborating with JSTOR to digitize, preserve and extend access to Past &Present. http://www.jstor.org This content downloaded from 137.110.33.183 on Sun, 5 Jan 2014 17:29:27 PM All use subject to JSTOR Terms and Conditions THE CAUSES OF UKRAINIAN-POLISH ETHNIC CLEANSING 1943* Ethniccleansing hides in the shadow of the Holocaust. Even as horrorof Hitler'sFinal Solution motivates the study of other massatrocities, the totality of its exterminatory intention limits thevalue of the comparisons it elicits.Other policies of mass nationalviolence - the Turkish'massacre' of Armenians beginningin 1915, the Greco-Turkish'exchanges' of 1923, Stalin'sdeportation of nine Soviet nations beginning in 1935, Hitler'sexpulsion of Poles and Jewsfrom his enlargedReich after1939, and the forcedflight of Germans fromeastern Europein 1945 - havebeen retrievedfrom the margins of mili- tary and diplomatichistory. -
January Jones Opens up About Being a Single Celebrity Mom
January Jones Opens Up About Being a Single Celebrity Mom By Justin Thomas In a recent celebrity news from Red Magazine, Mad Men actress and proud single celebrity January Jones opened up about the only (little) man she needs in her life. That, of course, being her 5-year-old son, Xander. She has never revealed the identity of Xander’s father to the public, saying that that information is strictly the business of her son. Jones, 38, said something a lot of modern day single moms might need to hear: “It’s good to have strong women around a man. To teach him to respect women. He doesn’t have a male person in his life saying ‘don’t cry’ or ‘you throw like a girl.’ All those s—ty things dads accidentally do.” She went on to say, “I just don’t feel I need a partner. Do I want one? Maybe. But I don’t feel unhappy or lonely,”. This single celebrity is totally fine being alone! What are some ways to embrace your single lifestyle? Cupid’s Advice: It can sometimes be hard to walk in a single person’s shoes but it doesn’t always have to be. Here are some tips to help make the stride a little easier: 1. Single doesn’t mean alone: Keep family and friends close to you heart. Make sure you make and spend time with loved ones. Don’t underestimate the value of family and friendship and all of the love and support they offer. We all get by with a little help from our friends. -
Collective Whatcom Art Guild’S Staying Power, P.18
THE GRISTLE, P.6 *#*''$4+x} SKAGIT BALLOT, P.35 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. 03.yz.11 :: #12, v.06 :: !- Creative COLLECTIVE WHATCOM ART GUILD’S STAYING POWER, P.18 LUKAS NELSON: NOT YOUR AVERAGE MUSICIAN’S KID, P.20 }} FREE WILL: PROGNOSTICATION WITH PERSONALITY, P.30 COMMON GROUND: WHO CONTROLS OUR BROKEN BORDERS? P.8 34 34 cascadia FOOD Lauded pianist tickles 27 "--$&*#'..*) the ivories alongside the Whatcom B-BOARD Symphony Orchestra March 27 at A glance at what’s happening this week the Mount Baker Theatre 24 [03. .11] FILM FILM 2 ) .4 yz COMMUNITY 20 Nooksack Salmon Enhancement Celebration: 6-9pm, the Majestic MUSIC GET OUT Group Ride: 6pm, Boundary Bay Brewery 18 ART ART /#0-.4[03.y{.11] 16 ON STAGE Stealing Home: 7:30pm, Sehome High School STAGE STAGE Little Theatre Good, Bad, Ugly: 8pm, Upfront Theatre The Insane: 8:30pm, Honeymoon 14 The Project: 10pm, Upfront Theatre GET OUT GET OUT A Hiker’s Tale: 7:15pm, Fairhaven Runners FOOD 12 Wine Event: 6:30pm, Bellingham Cruise Terminal WORDS !-$4[03.y|.11] 8 ON STAGE Doc Holliday and the Angel of Mercy: 7:30pm, American Museum of Radio CURRENTS CURRENTS Stealing Home: 7:30pm, Sehome High School Little Theatre 6 Red, White and Tuna: 7:30pm, RiverBelle Dinner Theater, Mount Vernon VIEWS VIEWS Oklahoma: 8pm, Anacortes Community Theater Games Galore: 10pm, Upfront Theatre 4 DK & Morgan Standup Show: 11pm, iDiOM Theater MAIL MAIL -&./-*-# ./-channel the spirit DANCE 2 Dancing for Joy: 6pm and 8pm, Firehouse Per- of the Grateful Dead when they visit the forming Arts Center DO IT IT DO DO IT 2 MUSIC Mount Baker Theatre March 30. -
Book Review: the Harvest of Sorrow: Soviet Collectivization and the Terror-Famine Edward Cole Grand Valley State University
Grand Valley Review Volume 2 | Issue 2 Article 19 1987 Book Review: The Harvest of Sorrow: Soviet Collectivization and the Terror-Famine Edward Cole Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/gvr Recommended Citation Cole, Edward (1987) "Book Review: The Harvest of Sorrow: Soviet Collectivization and the Terror-Famine," Grand Valley Review: Vol. 2: Iss. 2, Article 19. Available at: http://scholarworks.gvsu.edu/gvr/vol2/iss2/19 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Grand Valley Review by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. 77 EDWARD COLE Conquest, phi viable task of l The Harvest of Sorrow: Soviet Collectivization genocidal crim the Ukraine, ~ and the Terror.. Famine one vast Belser to Communis Robert Conquest, The Harvest of Sorrow: Soviet Collectivization Ukrainians an< and the Terror-Famine. Oxford: University Press, 1986. famine of 193: How this ca source docume The weather had been beautiful, and the regime's project of liquidating small-scale seems impossil peasant agriculture in favor of the more productive collective farm was complete. But to the efforts l something was terribly wrong in the Ukraine, the breadbasket of the Soviet Union. obvious obstac Ivan Stadnyuk described it in retrospect: are now in a p< The early autumn of of 1932 in Kokhanivka was not the same as other autumns. The father o There were no pumpkins hanging their weary heads down the wattle fences to victors. Yet it • the street. -
JERI BAKER Hair Stylist IATSE 706
JERI BAKER Hair Stylist IATSE 706 FILM FATALE Personal Hair Stylist to Hillary Swank Director: Deon Taylor ANT-MAN AND THE WASP Department Head Director: Peyton Reed Cast: Hannah John-Karmen, Paul Rudd, Judy Greer DEN OF THEIVES Department Head; Personal Hair Stylist to Gerard Butler Director: Christian Gudegast Cast: Gerard Butler, Dawn Olivieri SUBURBICON Personal Hair Stylist to Julianne Moore Director: George Clooney SPIDER-MAN: HOMECOMING Department Head Director: Jon Watts Cast: Tom Holland, Michael Keaton, Marisa Tomei, Gwyneth Paltrow, Jon Favreau, Laura Harrier, Tyne Daley KEEP WATCHING Department Head Director: Sean Carter Cast: Bella Thorne GHOST IN THE SHELL Personal Hair Stylist to Scarlett Johansson Director: Rupert Saunders CAPTAIN AMERICA: CIVIL WAR Personal Hair Stylist to Scarlett Johansson Directors: Anthony Russo, Joe Russo CAPTAIN AMERICA: THE WINTER Personal Hair Stylist to Scarlett Johansson SOLDIER Directors: Anthony Russo, Joe Russo CHEF Personal Hair Stylist to Scarlett Johansson Director: Jon Favreau WISH I WAS HERE Department Head Director: Zach Braff Cast: Zach Braff, Kate Hudson, Ashley Greene, Josh Gad, Mandy Patinkin, Joey King DON JON Personal Hair Stylist to Scarlett Johansson Director: Joseph Gordon-Levitt THE MILTON AGENCY Jeri Baker 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 4 WE BOUGHT A ZOO Assistant Department Head Director: Cameron Crowe Cast: Thomas Haden Church, Elle Fanning BUTTER Assistant Department Head Director: Jim Field Smith Cast: Hugh Jackman, Alicia Silverstone, Ty Burrell SUPER 8 Assistant Department Head Director: J.J. Abrams Cast: Kyle Chandler, Jessica Tuck PEEP WORLD Department Head Director: Barry W. -
Little Russia: Patterns in Migration, Settlement, and the Articulation of Ethnic Identity Among Portland's Volga Germans
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Spring 6-12-2018 Little Russia: Patterns in Migration, Settlement, and the Articulation of Ethnic Identity Among Portland's Volga Germans Heather Ann Viets Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons Let us know how access to this document benefits ou.y Recommended Citation Viets, Heather Ann, "Little Russia: Patterns in Migration, Settlement, and the Articulation of Ethnic Identity Among Portland's Volga Germans" (2018). Dissertations and Theses. Paper 4440. https://doi.org/10.15760/etd.6324 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Little Russia: Patterns in Migration, Settlement, and the Articulation of Ethnic Identity Among Portland’s Volga Germans by Heather Ann Viets A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Katrine Barber, Chair Marc Rodriguez Tim Garrison Portland State University 2018 © 2018 Heather Ann Viets Abstract The Volga Germans assert a particular ethnic identity to articulate their complex history as a multinational community even in the absence of traditional practices in language, religious piety, and communal lifestyle. Across multiple migrations and settlements from the eighteenth to the twentieth centuries, the Volga Germans’ self- constructed group identity served historically as a tool with which to navigate uncertain politics of belonging. -
Reflections on the Meaning of Stalinism Paul Le Blanc
C Abstract: C R R I More than six decades after Joseph Stalin’s death, personal and political I S connections and reactions continue to animate scholars and activists. S I While Stalin and others (including anti-Communists) have proclaimed I Reflections on S S him as the “chosen vessel” of Lenin and in the Bolshevik cause, some & agree with Georg Lukács that under Stalin “Leninism, in which the & spirit of Marx lived, was converted into its diametrical opposite.” The C C R fact remains that Stalin, the Soviet Union, and the mainstream of the R I Communist movement were shaped by incredibly difficult circumstances I the Meaning of T T I and terrible pressures. These yielded a murderous dictatorship and I Q a corruption of the Communist mainstream. The Stalinist political Q U framework, however, is neither a metaphysical “Evil” nor as an inevitable U E E outcome of revolutionary communism. It represents, instead, a set of Stalinism / human developments that can be analyzed, arising and disintegrating / within specific historical contexts. While Stalinism is inconsistent with Volume 3 / Volume 3 / Issue 1 the original revolutionary impulses from which it emerged, positive Issue 1 elements of the original impulses can be seen to have persisted among people within that framework. In different historical contexts, bubbling- up out of the Stalinist tradition are revolutionary-democratic and humanistic qualities consistent with the original revolutionary impulses. Keywords: Paul Le Blanc Stalin; Stalinism; Communism; USSR; Marxism Joseph Stalin did not go for the term “Stalinism,” preferring to speak of Marxism and Leninism and especially Marxism-Leninism to define his political orientation.1 To utilize the term “Stalinism” generally suggests a critical political stance toward Stalin.