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The Hanseatic League in England
Journal of Accountancy Volume 53 Issue 5 Article 6 5-1932 Herrings and the First Great Combine, Part II: The Hanseatic League in England Walter Mucklow Follow this and additional works at: https://egrove.olemiss.edu/jofa Part of the Accounting Commons Recommended Citation Mucklow, Walter (1932) "Herrings and the First Great Combine, Part II: The Hanseatic League in England," Journal of Accountancy: Vol. 53 : Iss. 5 , Article 6. Available at: https://egrove.olemiss.edu/jofa/vol53/iss5/6 This Article is brought to you for free and open access by the Archival Digital Accounting Collection at eGrove. It has been accepted for inclusion in Journal of Accountancy by an authorized editor of eGrove. For more information, please contact [email protected]. The Herrings and the First Great Combine PART II The Hanseatic League in England By Walter Mucklow The Site From the earliest times the German merchants had a depot behind Cannon street station, near the foot of the narrow Dow gate hill bordering the west side of the station. Apparently this neighborhood had for centuries been a centre of activities, for in few London streets have there been found more Roman remains than in Thames street, along a part of which ran the old Roman river wall, built on oak piles, overlaid by a stratum of chalk and stone and covered with hewn sandstone set in cement. In places this wall is twenty feet thick and some of the beams were 18 inches square. The Easterlings, as the early German merchants were called, first settled here and occupied the Hall of the Easterlings: later the merchants of Cologne held a part of Dowgate: and subse quently these two united, being then known as the “Merchants of Almaigne” and owned the “Dutch Guildhall.” The site was important, for in early times Dowgate was the only city gate opening to the river; therefore, it controlled foreign traffic and was of great value to the Germans in their efforts to govern this important business. -
Guildhall School Gold Medal 2020 Programme
Saturday 26 September 7pm Gold Medal 2020 Finalists Soohong Park Ben Tarlton Ke Ma Guildhall Symphony Orchestra Richard Farnes conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams am Vice Principal & Director of Music Jonathan Vaughan Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal 2020 Saturday 26 September, 7pm The Gold Medal, Guildhall School’s most prestigious award for musicians, was founded and endowed in 1915 by Sir H. Dixon Kimber Bt MA Guildhall Symphony Orchestra Finalists Richard Farnes conductor Soohong Park piano During adjudication, Junior Guildhall Rachmaninov Piano Concerto No 2 in violinist Leia Zhu performs Ravel’s C minor Op 18 Tzigane with pianist Kaoru Wada. Leia’s Ben Tarlton cello performance was recorded in January 2020. Elgar Cello Concerto in E minor Op 85 The presentation of the Gold Medal will Ke Ma piano take place after Leia’s performance. Tchaikovsky Piano Concerto No 1 in B-flat minor Op 23 The Jury Jonathan Vaughan Vice-Principal & Director of Music Richard Farnes Conductor Emma Bloxham Editor, BBC Radio 3 Nicholas Mathias Director, IMG Artists Performed live on Friday 25 September and recorded and produced live by Guildhall School’s Recording and Audio Visual department. Gold Medal winners -
Envy of Kings: the Guildhall of London and the Power of the Medieval Corporation Transcript
Envy of Kings: The Guildhall of London and the Power of the Medieval Corporation Transcript Date: Wednesday, 18 November 2015 - 6:00PM Location: Museum of London 18 November 2015 Envy of Kings: The Guildhall of London and the Power of the Medieval Corporation Professor Simon Thurley There are very few secular buildings in England that after 600 years are still used for broadly speaking their original purpose. This, ladies and gentlemen, is one of them. Although it was started in 1411, it incorporated parts of two previous guildhalls, the first one dating back to the 1120s. This first Guildhall probably looked a little like the great Hall of Oakham castle in Rutland built in the 1180s a rare surviving early hall and this is the fine reconstruction of it and its surroundings published by MoLAS in 2007. It was while this building was standing that the city's powers were crystallized and it won its treasured judicial and political privileges from the Crown as well as its first Mayor. I am not going to dwell on this tonight for the story that I want to focus on starts in 1298 as it was probably then that the idea to create a new civic centre was hatched. The initial impetus may have been to build a civic chapel but by 1330s there was also the intention to rebuild the Guildhall. This needed a wealthy sponsor and it is likely to have found it in Sir John Pulteney, a financier who, thanks to a shrewd financial nose, became one of the richest men in England. -
The Rise of Europe in the High Middle Ages: Reactions to Urban Economic Modernity 1050 - 1300
The Rise of Europe in The High Middle Ages: Reactions to Urban Economic Modernity 1050 - 1300 Dan Yamins History Club June 2013 Sunday, October 12, 14 Today: Strands that are common throughout Europe. Next time: Two Case Studies: Hanseatic League (Northern Europe) The Italian Maritime Republics (Southern Europe) Sunday, October 12, 14 Interrelated Themes During an “Age of Great Progress” Demographic: rise of cities and general population increase Socio-economic: Rise of the middle class, burghers and capitalism Commercial: intra-European land trade and European maritime powers Legal: Development of rights charters and challenge to feudal system Labor & production: Rise of guilds and craft specialization. The time during which Europe “took off” -- switching places with Asia / Middle East in terms of social dynamism. Development of Western modernity Sunday, October 12, 14 General population increase AREA 500 650 1000 1340 1450 For context: Greece/Balkans 5 3 5 6 4.5 Italy 4 2.5 5 10 7.3 Population levels of Europe during the Middle Ages can be Spain/Portugal 4 3.5 7 9 7 roughly categorized: Total - South 13 9 17 25 19 • 150–400 (Late Antiquity): population decline France/Low countries 5 3 6 19 12 • 400–1000 (Early Middle Ages): stable at a low level. British Isles 0.5 0.5 2 5 3 • 1000–1250 (High Middle Ages): population boom and Germany/Scandinavia 3.5 2 4 11.5 7.3 expansion. Total - West/Central 9 5.5 12 35.5 22.5 • 1250–1350 (Late Middle Ages): stable at a high level. Slavia. 5 3 • 1350–1420 (Late Middle Ages): steep decline (Black death) ---Russia 6 8 6 ---Poland/Lithuania 2 3 2 • 1420–1470 (Late Middle Ages): stable at a low level. -
M Pro Memorie
PRO MEMORIE PRO Inhoud Pro Memorie 16 (2014), aflevering1 Redactioneel 1 Artikelen Alain Wijffels De Vrede van Utrecht (1474) 3 Gustaaf van Nifterik Een onafhankelijke rechter onder graaf Willem van Oranje? 24 Marlies Eggermont De juridisering van het beroep van vroedvrouw: in stroomversnelling 39 Pro Memorie vanaf de negentiende eeuw Bruno Debaenst Keer op keer vermorzeld! Een industrieel arbeidsongeval uit 1894 64 P rechtshistorisch doorgelicht E.G.D. van Dongen Hollandsche IJzeren Spoorwegmaatschappij Morré. 75 Enige rechtsvergelijkende en rechtshistorische beschouwingen over de gevolgen van eigen schuld van de gelaedeerde voor de aansprakelijkheid voor Bijdragen tot de rechtsgeschiedenis der Nederlanden onrechtmatig handelen M Sebastiaan Als hamers op de Vlaamse nagel! De eerste Vlaamse juridische tijdschriften 101 Vandenbogaerde (1889-1935) P.L. Nève en Tuinman in de hof van Themis. Bij het overlijden van prof.mr. J.Th. de Smidt 121 C.M. Cappon (19 december 1923-17 februari 2013) jaargang 16 (2014) aflevering 1 Recensies M. Gubbels en C.J.H. Jansen (red.), Regio. Rechtshistorische opstellen aangeboden aan dr. P.P.J.L. van Peteghem (Georges Martyn) 130; Hans van Hall, Eijsden, een vrijheid met Luikse stadsrechten (Joseph Fleuren) 133; A.M.J.A. Berkvens, H.J.J.M. van der Bruggen en R.M.L.M. Magnée (red.), Rechtspraak in Roermond (Maarten van Boven) 136; Bram Delbecke, De lange schaduw van de grondwetgever (Bruno Debaenst) 140 Over de auteurs 143 16.1 (2014) Stichting tot uitgaaf der bronnen van het Oud-Vaderlandse Recht (ovr) Uitgeverij Verloren bv te Hilversum PM20141_omslag R9.indd 1 06-05-14 12:19 Aanleveren kopij Kopij kan in digitale vorm (tekst en illustraties) worden toegezonden aan: – dr. -
Cambridge University Press 978-1-108-47468-9 — City and Society
Cambridge University Press 978-1-108-47468-9 — City and Society in the Low Countries, 1100–1600 Edited by Bruno Blondé , Marc Boone , Anne-Laure Van Bruaene Index More Information 285 Index Aachen, 117 Eiermarkt, 59 , 61 Aalst, 29 , 35 , 109 , 234 , 240 elite, 71 , 73 , 76 , 110 , 169 , 198 gateway, 165 gateway, 14 , 29 , 38 , 43 , 44 , 55 , 56 , 57 , Aardenburg, 117 165 , 258 Abbenbroek, 150 market, 5 , 19 , 30 , 40 , 41 , 42 , 44 , 47 , 55 , Abundus, 224 59 , 81 , 85 , 87 , 156 , 205 , 218 , 250 administration, municipal, 99 – 101 , 107 , middling groups, 85 , 88 , 89 , 150 , 152 118 – 20 , 175 , 220 , 247 municipal government, 92 , 106 , 114 , chirograph, 99 – 100 154 , 196 , 217 , 247 agriculture, 4 , 7 , 13 , 26 , 29 , 33 , 34 , 37 , 38 , Our Lady, Chapter of, 179 43 , 47 , 62 , 78 , 218 , 256 Our Lady, Church of, 142 Aire- sur- la-Lys, 63 Our Lady, hospital of, 187 Alberghi, family, 76 population, 27 , 59 , 80 Albert I of Bavaria, 168 princely interaction, 11 , 56 , 107 , 112 , Alberti, Leon Battista, 206 113 , 114 , 119 aldermen’s house, 164 , 176 , 177 , 182 religion, 132 , 145 , 153 , 154 , 155 , 156 , Alkmaar, 88 , 179 157 , 158 alliance between towns, see league Saint Elisabeth, hospital of, 187 of towns Saint George, Church of, 153 almshouse, 18 , 89 , 164 , 175 Saint James, Church of, 153 Alva, duke of, 185 Saint James, parish of, 135 Amay, 165 schools, 222 , 225 , 228 , 232 , 237 , 243 Ameide, Wouter, 41 , 54 Stock exchange, 178 , 179 Amsterdam, 6 , 28 , 44 , 51 , 258 , 260 textile industry, 42 , 203 gateway, 14 , 29 , 38 -
London and Beyond Essays in Honour of Derek Keene
London and beyond Essays in honour of Derek Keene Edited by Matthew Davies and James A. Galloway London and beyond Essays in honour of Derek Keene London and beyond Essays in honour of Derek Keene Edited by Matthew Davies and James A. Galloway LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2012. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 44 5 (PDF edition) ISBN 978 1 905165 70 4 (hardback edition) Contents Preface vii List of contributors xi List of gures xv List of tables xvii I. Markets, hinterlands and environments 1. Feeding another city: provisioning Dublin in the later middle ages Margaret Murphy 2. Did peasants need markets and towns? e experience of late medieval England Christopher Dyer 3. e proliferation of markets revisited Richard Britnell 4. ‘Tempests of weather and great abundance of water’: the ooding of the Barking marshes in the later middle ages James A. Galloway II. Luxury, innovation and skill 5. A taste for the Orient? Cosmopolitan demand for ‘exotic’ durable consumables in late medieval Bruges Peter Stabel 6. Hartlib’s world Rob Ilie 7. Hiding in the forest … e Gilberts’ rural scientic instrument manufactory Anita McConnell v London and beyond III. Suburbs, neighbourhoods and communities 8. -
Painted Wood: History and Conservation
PART TWO Historical Perspectives 82 Support and Polychromy of Altarpieces from Brussels, Mechlin, and Antwerp Study, Comparison, and Restoration Myriam Serck-Dewaide , comprising painted and sculpted ele- ments (really pieces of liturgical furniture) had already appeared in Cgreat number by the middle of the fourteenth century in different regions. They functioned at this time as tabernacles,1 and cupboards for relics and for individual figures of saints and narrative scenes. Gilded archi- tectural elements, baldachins,2 and rhythmic colonnettes strictly compart- mentalized the space. The painted wings served to close these “cases,” revealing the figures to the faithful only on feast days. Altarpieces were popular throughout Europe in the fifteenth and sixteenth centuries. The regional workshops—for example, Germanic, Franco-Flemish, Spanish, and Italian—evolved differently, varying the dimensions, space, perspective, lighting, and polychromy of the altarpieces (Skubiszewski 1989). Only altarpieces from the historic Brabant region3 are considered here—in particular, the sculpted parts of these Brabantine altarpieces. In the fifteenth century, Brabantine altarpieces evolved toward a more realis- tic expression and a more accentuated relief. Compositions were grouped in successive arrangement, presenting scenes of small characters, related as in a theatrical setting. Over time, the architecture changed, reducing in size, until eventually there was no more than a frame presenting scenes consecrated to the Virgin, to the lives of the saints, or to cycles of the infancy and Passion of Christ. This evolution progressed very slowly dur- ing the mid–sixteenth century, from late Gothic decoration to Renaissance motifs. From the second half of the fifteenth century, Brabantine altar- pieces became so successful that, in order to satisfy the demand, a division of labor became necessary. -
Forces of the Hanseatic League 13Th–15Th Centuries
Men-at-Arms Forces of the Hanseatic League 13th–15th Centuries %BWJE/JDPMMFr*MMVTUSBUFECZ(FSSZ4BN&NCMFUPO © Osprey Publishing • www.ospreypublishing.com Men-at-Arms . 494 Forces of the Hanseatic League 13th–15th Centuries David Nicolle . Illustrated by Gerry & Sam Embleton Series editor Martin Windrow © Osprey Publishing • www.ospreypublishing.com DAVID NICOLLE, born in 1944, worked in the BBC’s Arabic CONTENTS service for a number of years before gaining an MA from the School of Oriental and HISTORICAL BACKGROUND 3 African Studies, London, and a doctorate from Edinburgh r(FSNBOTBOE4MBWTmUIDFOUVSZ8FOEJTIBOE/PSUIFSO University. He has written $SVTBEFTmFNFSHFODFPGQPXFSGVMUPXOT-ÛCFDLm%BOJTI numerous books and articles FYQBOTJPO on medieval and Islamic warfare, and has been a prolific author of Osprey titles CHRONOLOGY 6 for many years. EVOLUTION OF THE HANSEATIC LEAGUE 8 r%BOJTI(FSNBOSJWBMSZmUIFUIDFOUVSZAQSPUP)BOTF-ÛCFDL GERRY EMBLETON has )BNCVSH0TOBCSÛDLmNBUVSJUZPGUIF-FBHVF$POGFEFSBUJPO been a leading illustrator PG$PMPHOF mPSHBOJ[BUJPOBOETUSVDUVSF and researcher of historical costume since the 1970s, and C C has illustrated and written LAND WARFARE, .1250– .1425 12 Osprey titles on a wide range r6SCBOTPDJFUZSVMJOHDMBTTFTmNJMJUJBTmNFSDIBOUTBOEBSUJTBOTm of subjects over more than 30 PSHBOJ[BUJPO years. He is an internationally r1SJODFMZBSNJFTLOJHIUTBOENJMJUJBmNFSDFOBSJFTJO)BOTFBUJD respected authority on 15th TFSWJDF and 18th century costumes in particular. He lives in r$SPTTCPXTBOEPUIFSXFBQPOT Switzerland, where since 1988 he has also -
Guildhall School Annual Report 2019/2020
gsmd.ac.uk Annual Report 2019/20 About us Welcome Guildhall School delivers world-leading professional Welcome to the Guildhall School training in music, drama and production arts, working of Music & Drama Annual Report in dynamic partnership with leading artists, companies for 2019/20. and ensembles. The School enjoys a unique historic We foster exploration, innovation role in the cultural life of the City and entrepreneurship among both of London, yet our perspective is staff and students, and seek to global and forward-looking. Our embed leading edge research into state of the art performance and the impact of the arts and the role teaching spaces, eminent staff and of artists in the 21st century. progressive curriculum attract students from over 60 countries to Our mission is to empower artists to realise their full potential; to The story of this year at Guildhall outstanding online productions I am immensely proud of the pursue their ambitions as the next School is a story of two halves: that have demonstrated superb accomplishments of the School generation of world-class artists. develop distinctive artistic citizens who enrich the lives of others and strong delivery on our strategic resourcefulness and ingenuity. community during the period make a positive impact in the world. objectives until March 2020, covered by this Annual Report – with subsequent disruption to By adapting to change with but I am not surprised. The arts gsmd.ac.uk the usual rhythm of the School energy and imagination, we have have come through many historical and rapid establishment of new created new ways of working challenges, and performing artists patterns of learning, teaching and which I believe will turn out to demonstrate incredible citizenship performance in the wake of the be evolutionary leaps for training in times of change, making all COVID-19 pandemic. -
The Merchant Taylors Company of London, 1580- 1645
THE MERCHANT TAYLORS COMPANY OF LONDON, 1580- 1645 OLtTIc WITH SPECIAL REFERENCE TOOVERNMENT 2 THE UNIVERSITY OF LONDON THE MERCHANT TAYLORS COMPANY with special reference to gove and pol ics A dissertion submitted in candidacy for the degree of Doctor of Philosophy BY NIGEL VICTOR SLEIGH-JOHNSON June, 1989 University College, London 3 ABSTRACT During the period 1580-1645, the Merchant Taylors Company, one of the twelve major livery companies of London, assumed a central place in the social, financial, and political affairs of the capital. The archives of the Company, more varied and extensive than is often assumed, have allowed a detailed study of the nature and organisation of one of early modern London's major social organisations. That organisation embraced two highly distinct and autonomous bodies. The livery was closely-knit, select and oligarchic in its government, dominated by an elite of leading citizens and merchants devoted to the affairs of the livery company. The yeomanry was an organisation of immense social and industrial importance, responsible for the regulation and representation of a high proportion of all of London's freemen. Its parallel government was dominated by members of the handicraft, and investigation into the yeomanry's role and the attitudes of the livery governors allows critical reappraisal of the phenomenon known as the "decline of the guilds", and an assessment of the role of the livery companies in promoting social stability in later Elizabethan and Early Stuart London. The sixty-six years to 1645 represent a period of increasing corporate wealth, membership and influence, and the detailed examination of Company government and structure, coupled with a portrait of the livery company leadership from 1630, facilitates a reappraisal of political and religious developments in the capital. -
Reassessing English Alabaster Carving: Medieval Sculpture and Its
Reassessing English Alabaster Carving: Medieval Sculpture and its Contexts PhD, University of East Anglia, Art History and World Art Studies December, 2018 Lloyd de Beer 1 Abstract Alabaster sculptures in the form of panels for altarpieces or free standing images were one of the most significant artistic outputs of late medieval England, but they remain poorly understood. They have, moreover, featured only rarely in wider art-historical studies of the later European Middle Ages. On one hand this is a historiographical predicament. For ideological and aesthetic reasons, English alabaster was quarantined; it was seen as an isolated and provincial phenomenon by a series of scholars writing from the late nineteenth century onwards. The narrow picture they formed has remained firmly in place. On the other hand the destructive consequences of the English Reformation continue to obscure our view. Many hundreds of panels are broken or dispersed as a result of sixteenth-century iconoclasm, and there is little surviving documentary evidence to identify who made them or where they were made for. The central aim of this thesis is to reassess English alabasters by exploring them in their proper European contexts. Chapter One sets the scene by outlining the status and significance of English alabaster carving after the Reformation. From here the discussion moves on in Chapters Two and Three to explore the production of altarpieces and free-standing sculptures. Chapter Four builds on this approach by reuniting a single altarpiece, before zooming out to address the trade, reception and functions of Continental prints and sculptures circulating between England and the Low Countries.