Guildhall School of Music & Drama Prospectus
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14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
Report Template
Committee: Date: Board of Governors of the Guildhall School 23 July 2018 of Music & Drama Subject: Principal’s Public Report Public Report of: The Principal For Information 1. Quality of learning and teaching environment The School has been rated Gold in the recent Teaching Excellence Framework (TEF3). This is testament to the commitment of all of our staff, both academic and administrative, who have worked extremely hard continuously to improve elements of our teaching and learning environment. In its statement about awarding Guildhall its highest possible rating, the Office for Students, noted that ‘continuation rates are consistent with the provider’s benchmark, that progression to highly skilled employment or further study is outstanding and that student satisfaction with academic support is exceptionally high and above the provider’s benchmark.’ The TEF panel noted the high contact hours and intensive one-to-one tuition Guildhall students receive, the personalised nature of learning, strong student representation and engagement, and outstanding physical and digital resources, as well as Guildhall’s strategic commitment to attracting students from diverse backgrounds. This award came in the same week that Guildhall was ranked as the UK’s top conservatoire in the Guardian’s University Guide 2019 for Music, and third among all UK higher education institutions for Music. We have now received confirmation of the success of our PIP bid to the City Corporation for £150K to support a new initiative within Production Arts. Our Multimedia Business Unit - Video Projection Mapping proposal was well received by the recent Resource and Allocation Sub Committee on July 5. The School continues to have critical success in the area of video mapping and live events and this funding will allow us to build on this success and transform our ability to offer more professional opportunities to students in these expanding areas of industry practice. -
The Hanseatic League in England
Journal of Accountancy Volume 53 Issue 5 Article 6 5-1932 Herrings and the First Great Combine, Part II: The Hanseatic League in England Walter Mucklow Follow this and additional works at: https://egrove.olemiss.edu/jofa Part of the Accounting Commons Recommended Citation Mucklow, Walter (1932) "Herrings and the First Great Combine, Part II: The Hanseatic League in England," Journal of Accountancy: Vol. 53 : Iss. 5 , Article 6. Available at: https://egrove.olemiss.edu/jofa/vol53/iss5/6 This Article is brought to you for free and open access by the Archival Digital Accounting Collection at eGrove. It has been accepted for inclusion in Journal of Accountancy by an authorized editor of eGrove. For more information, please contact [email protected]. The Herrings and the First Great Combine PART II The Hanseatic League in England By Walter Mucklow The Site From the earliest times the German merchants had a depot behind Cannon street station, near the foot of the narrow Dow gate hill bordering the west side of the station. Apparently this neighborhood had for centuries been a centre of activities, for in few London streets have there been found more Roman remains than in Thames street, along a part of which ran the old Roman river wall, built on oak piles, overlaid by a stratum of chalk and stone and covered with hewn sandstone set in cement. In places this wall is twenty feet thick and some of the beams were 18 inches square. The Easterlings, as the early German merchants were called, first settled here and occupied the Hall of the Easterlings: later the merchants of Cologne held a part of Dowgate: and subse quently these two united, being then known as the “Merchants of Almaigne” and owned the “Dutch Guildhall.” The site was important, for in early times Dowgate was the only city gate opening to the river; therefore, it controlled foreign traffic and was of great value to the Germans in their efforts to govern this important business. -
Jnetics Inaugural Fundraising Dinner Monday 16Th March 2020 WELCOME from OUR ABOUT JNETICS DINNER CHAIR and CHAIRMAN
Jnetics Inaugural Fundraising Dinner Monday 16th March 2020 WELCOME FROM OUR ABOUT JNETICS DINNER CHAIR AND CHAIRMAN Jnetics is the only cross-communal organisation dedicated to managing Welcome to Jnetics’ Inaugural Fundraising Dinner. We greatly and preventing Jewish genetic disorders (JGDs) in the UK. appreciate your support in choosing to be here tonight. We focus on genetic conditions that, although not exclusively Jewish, Our son Benjamin was diagnosed with cystic fibrosis – one of the have a significant impact on the lives and well-being of Jewish people. disorders we now screen for - when just a few days old. Despite two Our mission is to eliminate new cases of severe, recessive JGDs and to hours of medication and treatment each day – sometimes more - he was a improve the management and prevention of dominant hereditary cancers researcher at the Royal Brompton Hospital, London, a guest investigator at that disproportionally affect our community. Rockefeller University, New York, studied at Queens’ College, Cambridge and became a Doctor. He played tennis and golf and was an accomplished skier, Launched in 2017, our GENEius programme provides education and keen photographer and swimmer. He loved Judaism, music, travel and food. screening for recessive JGDs in schools, universities and elsewhere. Our He married his beloved Louise. aim is that JGD screening becomes standard practice – so erasing these But Benjamin died in 2005, aged just 26. conditions and saving many lives and avoidable tragedy. Benjamin’s hope was that nobody, ever again, would have to suffer – and die - from recessive genetic disorders like his. That no other family would have to go through the pain that we do. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
Jennifer Pike Violin Sir Andrew Davis
SUPER AUDIO CD SibeliusViolin Concerto Karelia Suite • Finlandia • Valse triste Andante festivo • Valse lyrique The Swan of Tuonela Jennifer Pike violin Bergen Philharmonic Orchestra Sir Andrew Davis AKG Images, London Images, AKG Jean Sibelius, at his house, Ainola, in Järvenpää, near Helsinki, 1907 Jean Sibelius (1865 – 1957) Concerto for Violin and Orchestra, Op. 47* 31:55 in D minor • in d-Moll • en ré mineur 1 I Allegro moderato – [Cadenza] – Tempo I – Molto moderato e tranquillo – Largamente – Allegro molto – Moderato assai – [Cadenza] – Allegro moderato – Allegro molto vivace 15:46 2 II Adagio di molto 8:16 3 III Allegro, ma non tanto 7:44 Karelia Suite, Op. 11 15:51 for Orchestra from music to historical tableaux on the history of Karelia 4 I Intermezzo. Moderato – Meno – Più moderato 4:03 5 II Ballade. Tempo di menuetto – Un poco più lento 7:13 Hege Sellevåg cor anglais 6 III Alla marcia. Moderato – Poco largamente 4:27 3 7 The Swan of Tuonela, Op. 22 No. 2 8:16 (Tuonelan joutsen) from the Lemminkäinen Legends after the Finnish national epic Kalevala compiled by Elias Lönnrot (1802 – 1884) Hege Sellevåg cor anglais Jonathan Aasgaard cello Andante molto sostenuto – Meno moderato – Tempo I 8 Valse lyrique, Op. 96a 4:09 Work originally for solo piano, ‘Syringa’ (Lilac), orchestrated by the composer Poco moderato – Stretto e poco a poco più – Tempo I 9 Valse triste, Op. 44 No. 1 5:03 from the incidental music to the drama Kuolema (Death) by Arvid Järnefelt (1861 – 1932) Lento – Poco risoluto – Più risoluto e mosso – Stretto – Lento assai 4 10 Andante festivo, JS 34b 4:06 Work originally for string quartet, arranged by the composer for strings and timpani ad libitum 11 Finlandia, Op. -
Guildhall School Gold Medal 2020 Programme
Saturday 26 September 7pm Gold Medal 2020 Finalists Soohong Park Ben Tarlton Ke Ma Guildhall Symphony Orchestra Richard Farnes conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams am Vice Principal & Director of Music Jonathan Vaughan Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal 2020 Saturday 26 September, 7pm The Gold Medal, Guildhall School’s most prestigious award for musicians, was founded and endowed in 1915 by Sir H. Dixon Kimber Bt MA Guildhall Symphony Orchestra Finalists Richard Farnes conductor Soohong Park piano During adjudication, Junior Guildhall Rachmaninov Piano Concerto No 2 in violinist Leia Zhu performs Ravel’s C minor Op 18 Tzigane with pianist Kaoru Wada. Leia’s Ben Tarlton cello performance was recorded in January 2020. Elgar Cello Concerto in E minor Op 85 The presentation of the Gold Medal will Ke Ma piano take place after Leia’s performance. Tchaikovsky Piano Concerto No 1 in B-flat minor Op 23 The Jury Jonathan Vaughan Vice-Principal & Director of Music Richard Farnes Conductor Emma Bloxham Editor, BBC Radio 3 Nicholas Mathias Director, IMG Artists Performed live on Friday 25 September and recorded and produced live by Guildhall School’s Recording and Audio Visual department. Gold Medal winners -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Annual Review 2019-20
Annual Review 2019/2020 Prince Consort Road London SW7 2BS United Kingdom +44(0)20 7591 4300 [email protected] www.rcm.ac.uk /royalcollegeofmusic @RCMLondon /RCMLondon @RCMLondon RCMLondon weibo.com/RCMLondon Patron Her Majesty The Queen President His Royal Highness The Prince of Wales Chairman Lord Black of Brentwood Director Professor Colin Lawson CBE, MA (Oxon), MA, PhD, DMus, FRCM, FRNCM, FLCM, HonRAM The Royal College of Music is a registered charity. No 309268 Printed by Park Lane Press on FSC® certified paper, using fully sustainable, vegetable oil-based inks, power from 100% renewable resources and waterless printing technology. Print production systems registered to ISO 14001, ISO 9001 and over 97% of waste is recycled. Photo credits: Sheila Burnett (page 28); Chris Christodoulou (pages 12, 14, 26, 38 and 44); Adam Ferguson (page 24); and Phil Rowley (pages 4, 6, 8, 10, 16, 20, 26, 30, 32, 34, 36 and 42). All details correct at time of going to print. Design by www.splashofpaint.com CONTENTS Chairman’s Welcome 5 Director’s Message 7 Celebrating Success 9 Pioneering Research 11 Performance and Partnerships 13 Honouring International Talent 15 Promoting Digital Innovation 17 Celebrating Our Heritage 19 Forging Bright Futures 21 Global Alumni Community 23 Supporting Talent 25 Widening Access: RCM Junior Department 27 Widening Access: RCM Sparks 29 Investing in Our Facilities 31 Legacies 33 Our Generous Supporters 35 More Music Campaign 37 2019/2020 in Numbers 38 Thank You to Our Supporters 40 Student Numbers 43 Finances 45 Council and Directorate 46 ROYAL COLLEGE OF MUSIC / ANNUAL REVIEW 2019/2020 3 CHAIRMAN’S WELCOME I am extremely proud that the Royal College of Music (RCM) remains true to its founding principles of access, excellence and advocacy for music education. -
Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”.