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EPARM 2017 Antwerp, 20-22 April The European Platform for Artistic Research in Music EPARM 2017 Antwerp, 20-22 April Staging Research from the laboratory to the stage and back again EUROPEAN PLATFORM FOR ARTISTIC RESEARCH IN MUSIC EPARM ANTWERP 2017 Please comment on social media: AEC - European Association of Conservatoires @AEConservatoire #EPARM2017 The AEC would like to express deep gratitude to the Royal Conservatoire in Antwerp for hosting and co-organizing the EPARM Conference 2017. The AEC team would also like to express special thanks to the members of the EPARM preparatory working group for their tremendous support in organizing the platform programme. @AEConservatoire AEC - European Association of Conservatoires #EPARM2017 EUROPEAN PLATFORM FOR ARTISTIC RESEARCH IN MUSIC EPARM ANTWERP 2017 Contents INTRODUCTION ..................................................................................................................................... 6 CONFERENCE PROGRAMME ................................................................................................................. 8 THURSDAY, 20th APRIL ....................................................................................................................... 13 Performance REVELATIONS .......................................................................................................... 13 Plenary Session I – First Keynote “Infinite Now” ...................................................................... 14 FRIDAY, 21th APRIL ............................................................................................................................. 17 Plenary Session II – Second Keynote: Presentation on the Performance Revelations ........ 17 Parallel Sessions I - 11:30 – 12:00 ............................................................................................... 20 A - Staging the stages: Research as a musical journey, by Charulata Mani .............. 20 B - Music in Disorder: Counterplay, Complexity and Collective Improvisation, by Klas Nervin ................................................................................................................................. 21 C - Performance Practice of Electroacoustic Music: A Practice-Based Exchange between Musicology and Performance, by Toro Peréz and Lucas Bennet ................ 23 Parallel Sessions II – 12.30 – 13.00 .............................................................................................. 25 A - Schubert Revisited, by Frank Havroy and Gunnar Flagstad .................................. 25 B - Empathic Creativity: A self-reflexive approach to post-free jazz composition, by Andrew Bain ......................................................................................................................... 26 C- Medializing Artistic Research in Afghanistan, by Markus Schlaffke ....................... 28 Parallel Sessions III - 13.00 – 13.30 ............................................................................................. 30 A - The Role of the Trans-spectator in De(s)Figuration. Mal Fünf - Participatory Art and the Politics of Spectatorship, by Laurentiu Beldean ............................................... 30 B - Musical Dialogues Decoded: Multi-Modal Methodologies in Improvisation Research, by Sebastian Trump ............................................................................................. 31 Parallel Sessions IV – 16.00 – 16.30 ............................................................................................. 33 A - Documenting and disseminating my Doppelgänger: Reflections on the “staging” of an improvised, interactive performance in both live and online contexts, by Stephen Emmerson ................................................................................................................... 33 B - All the world's a stage: artistic research and site-specific composition, by Hans Roels ............................................................................................................................................ 34 C- Context of music, by Knut Olaf Sunde ........................................................................... 36 Parallel Sessions V – 17.00 – 17.30 .............................................................................................. 38 @AEConservatoire AEC - European Association of Conservatoires #EPARM2017 EUROPEAN PLATFORM FOR ARTISTIC RESEARCH IN MUSIC EPARM ANTWERP 2017 A - Ethics, aesthetics, and audiences: Navigating music production and artistic research in operatic context, by Geoffroy Colson ........................................................... 38 B - Musical gestures in performance: a creative space in music making, by Kerstin Frodin .......................................................................................................................................... 39 C- The researching performer, by Marina Chiche ............................................................ 40 Parallel Sessions VI – 17.30 – 18.00 ............................................................................................. 42 A - The existence of artistic research in music production, by Adilia Yip ................ 42 B - A Personal Investigation into the Effects of the Study and Experience of Acting on Musical Performance, by Karin Schaupp ...................................................................... 43 C - Between Word and Music: GIBBERISH, by Shaya Feldman ....................................... 45 SATURDAY, 22th APRIL ....................................................................................................................... 47 Plenary Session IV – Third Keynote: Lecture Performance on the music of Paolo Litta (1871-1931) ..................................................................................................................................... 47 Parallel Sessions VII – 11.45 – 12.15 ............................................................................................ 50 A- A sound tasting Including the audience in research for new music instruments, by Tim Duerinck ............................................................................................... 50 B - Room for Interpretation: Musical Tempo amd Room Acoustics, by Sverker Jullander and Peter Sundkvist .............................................................................................. 51 C - Artistic Research as a demonstration of an Ecology of Practices: the Creative Laboratory of CORPoREAL, by Kathleen Coessens ........................................................... 53 Parallel Sessions VIII – 12.30 – 13.00 ........................................................................................... 55 A - Preparing cycles as a creative strategy, by Sarah Callis and Daniel-Ben Pienaar ...................................................................................................................................................... 55 B - Songs of the Forest – research, performance, book and workshops, by Magda Pucci ............................................................................................................................................. 56 C - Vexations: La Serie, by Adriano Castaldini ................................................................. 58 DOCUMENTS ......................................................................................................................................... 60 The AEC Council White Paper on Artistic Research ................................................................. 60 The Florence Principles on the Doctorate in the Arts by ELIA ............................................... 65 PRACTICAL INFORMATION ................................................................................................................. 73 Relevant Addresses and Numbers ................................................................................................ 73 Recommended Restaurants .......................................................................................................... 73 Recommended Hotels .................................................................................................................... 76 Travel Information ......................................................................................................................... 78 How to reach Antwerp from Brussels National Airport ................................................... 78 From Antwerp to Brussels Airport ........................................................................................ 79 @AEConservatoire AEC - European Association of Conservatoires #EPARM2017 EUROPEAN PLATFORM FOR ARTISTIC RESEARCH IN MUSIC EPARM ANTWERP 2017 How to go from Antwerpen-Centraal to the Royal Conservatoire ................................ 81 Information on Fee Payment ........................................................................................................ 82 ORGANISATION .................................................................................................................................... 84 EPARM Preparatory Working Group ............................................................................................. 84 AEC Office Team ............................................................................................................................ 84 Royal Conservatoire Antwerp Team ............................................................................................ 84 @AEConservatoire AEC - European
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