Sketches Awheel in Modern Iberia
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A Landscape Architectural Design Approach: the Restoration of the Angel Tower and the Cloister of the Cathedral of Cuenca
ISSN: 0214-8293 21 A landscape architectural design approach: The restoration of the Angel Tower and the Cloister of the Cathedral of Cuenca Joaquín Ibáñez Montoya | Maryan Álvarez-Builla Gómez Polytechnic University of Madrid Abstract This article aims to show the recent evolution of concepts such as Cultural Heritage, by offering a survey of the archi - tectural restoration project methodology of the Cuenca Cathedral. The Charters of Athens , from1931 and 1933, –the bases of modernity – converge today after almost a century of leading separate paths: land planning and cultural inter - pretation, space and time recuperate a meeting point, which should have never been lost. The article basically assesses the potential contemporary projects on heritage constructions can offer when studied as a landscape journey. In order to certify the transformations from the present context, the singular monument of Cuenca Cathedral is taken as a mo - del. Its stone materiality provides a memory of secular morphology and clear technical and social wealth. This model unfolds as a dialogue between Theory and Practice reflected on its conservation works. After thirty years of restoration experience on the building performed by the authors, the two last interventions are thoroughly commented in this ar - ticle revealing a new strategy in the architectural project performance. Keywords : architectural project, cultural heritage, landscape, cathedral, Cuenca. Resumen Este artículo trata de analizar la reciente evolución de los conceptos sobre intervención en el Patrimonio Cultural. Para ello utiliza como modelo el proyecto metodológico aplicado sobre las dos últimas actuaciones efectuadas en la Catedral de Cuenca. La Carta de Atenas , 1931, que estableció las bases de la modernidad sobre las dos trayectorias de espacio y tiempo, concuerdan hoy después de casi un siglo, recuperando su punto de encuentro. -
Recorder Use in Spanish Churches and Cathedrals in the Sixteenth and Early Seventeenth Centuries
Recebido em | Received 14/01/2018 Aceite em | Accepted 22/03/2019 nova série | new series 5/2 (2018), pp. 341-356 ISSN 2183-8410 http://rpm-ns.pt Recorder Use in Spanish Churches and Cathedrals in the Sixteenth and Early Seventeenth Centuries Julia Miller University of Antwerp Royal Conservatory of Antwerp [email protected] Resumo Os documentos do século XVI e início do século XVII que sobrevivem até hoje revelam informações muito dispersas no que concerne ao papel da flauta de bisel na prática de música sacra. Embora tivessem sido adquiridos vários conjuntos de flautas de bisel por instituições eclesiásticas ao longo desse período, coincidindo temporalmente com a representação na iconografia religiosa, grande parte das obras vocais sacras do século XVI não nos elucida sobre a utilização específica destes instrumentos. Dada a escassez de documentação com informação acerca do uso das flautas de bisel, várias questões persistem até à actualidade entre os músicos que procuram definir as suas escolhas informadas para a prática interpretativa. Este artigo apresenta alguns resultados da pesquisa sobre o papel assumido pelas flautas na prática musical sacra em catedrais e igrejas em Espanha, durante os séculos XVI e XVII. Através da síntese e análise dos dados arquivísticos relativamente à compra, reparação e posse de flautas de bisel, às características de alguns desses instrumentos, a contratação e actividade dos músicos que os tocavam, e detalhes da prática interpretativa que remetem especificamente para estes instrumentos. Este artigo aborda também o tópico do repertório disponível nas catedrais e igrejas espanholas que possuem registo da sua actividade e, especificamente, da música que integra as colecções para instrumentos de sopro. -
Canterbury Christ Church University's Repository of Research Outputs Http
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Swadley, J. (2014) The Villancio in New Spain 1650-1750: morphology, significance and development. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] The Villancico in New Spain 1650–1750: Morphology, Significance and Development by John Swadley Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2014 Abstract ........................................................................................................................ 3 List of Abbreviations and Acronyms ............................................................................. 4 List of Figures ............................................................................................................... 5 Preface ......................................................................................................................... -
Via De La Plata
Spain Spain Gothic Art Gothic Art EUROPEAN COMMUNITY European Regional Development Fund I TABLE OF CONTENTS SPANISH TOURIST INFORMATION UNITED STATES OF AMERICA Introduction 1 OFFICES ABROAD Los Angeles Tourist Office of Spain Gothic Art 2 CANADA. Toronto The three great cathedrals 8 8383 Wilshire Blvd, Suite 960 Tourist Office of Spain Beverly Hills, California 90211 A Tour 2 Bloor Street West Suite 3402 % 1(323) 658 71 88 Andalusia 14 Toronto, Ontario M4W 3E2 ) 1(323) 658 10 61 Aragon 20 % (1416) 961 31 31 www.okspain.org Asturias 24 ) Ireland (1416) 961 19 92 e-mail: [email protected] The Balearic Isles 26 United www.tourspain.toronto.on.ca Chicago The Canary Islands 27 Dublin e-mail: [email protected] Cantabria 28 Kingdom Tourist Office of Spain Castile-La Mancha 30 GREAT BRITAIN. London Water Tower Place, suite 915 East Castile and León 35 London Spanish Tourist Office 845 North Michigan Avenue Catalonia 45 PO BOX 4009 Chicago, Illinois 60 611 Murcian Region 49 London W1A 6NB % 1(312) 642 19 92 Valencian Region 50 % (44207) 486 80 77 ) 1(312) 642 98 17 Extremadura 53 Paris ) (44207) 486 80 34 www.okspain.org Galicia 56 www.tourspain.co.uk e-mail: [email protected] La Rioja 60 e-mail: [email protected] Miami Madrid 62 France Tourist Office of Spain Navarre 64 JAPAN. Tokyo 1221 Brickell Avenue Basque Country66Bay of Biscay Tourist Office of Spain Miami, Florida 33131 Daini Toranomon Denki % Glossary 70 1(305) 358 19 92 Bldg.6F. 3-1-10 ) 1(305) 358 82 23 General information 72 Toranomon. -
The Chronology of Medival and Renaissance Architecture
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
Gothic Architecture in Spain: Invention and Imitation
GOTHIC ARCHITECTURE IN SPAIN: INVENTION AND IMITATION Edited by: Tom Nickson Nicola Jennings COURTAULD Acknowledgements BOOKS Publication of this e-book was generously Gothic Architecture in Spain: Invention and Imitation ONLINE supported by Sackler Research Forum of The Edited by Tom Nickson and Nicola Jennings Courtauld Institute of Art and by the Office of Scientific and Cultural Affairs of the Spanish With contributions by: Embassy in London. Further funds came from the Colnaghi Foundation, which also sponsored the Tom Nickson conference from which these papers derive. The Henrik Karge editors are especially grateful to Dr Steven Brindle Javier Martínez de Aguirre and to the second anonymous reader (from Spain) Encarna Montero for their careful reviews of all the essays in this Amadeo Serra Desfilis collection. We also thank Andrew Cummings, Nicola Jennings who carefully copyedited all the texts, as well as Diana Olivares Alixe Bovey, Maria Mileeva and Grace Williams, Costanza Beltrami who supported this e-book at different stages of its Nicolás Menéndez González production. Begoña Alonso Ruiz ISBN 978-1-907485-12-1 Series Editor: Alixe Bovey Managing Editor: Maria Mileeva Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Vernon Square, Penton Rise, King’s Cross, London, WC1X 9EW © 2020, The Courtauld Institute of Art, London. Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world. -
Discover Spain: Small Group Tour for Seniors | Odyssey Traveller
Australia 1300 888 225 New Zealand 0800 440 055 [email protected] From $12,995 AUD Single Room $15,495 AUD Twin Room $12,995 AUD Prices valid until 30th December 2021 21 days Duration Spain Destination Level 1 - Introductory to Moderate Activity Discover Spain May 13 2022 to Jun 02 2022 Discover Spain: a small group tour for seniors Join Odyssey Traveller on this small group tour of Spain for seniors. In 21 days we immerse ourselves in the grand sights and rich history of Spain. This tour is book-ended by the biggest cities of Spain–starting in the capital of Madrid and ending in Barcelona–with stops in smaller but equally beautiful towns that are not normally included in other commercial Spanish tours. This three-week journey especially designed for senior travellers offers a variety of sights and experiences. Madrid is a modern metropolis that Discover Spain 25-Sep-2021 1/13 https://www.odysseytraveller.com.au Australia 1300 888 225 New Zealand 0800 440 055 [email protected] has preserved its historic neighbourhoods and buildings, and will serve as the perfect gateway on our three-week sojourn into Spain’s storied past. Near Madrid, we will visit the Valley of the Fallen in San Lorenzo de El Escorial, a sombre and at times controversial monument commissioned by Francisco Franco and where the people who died in the Spanish Civil War were laid to rest. We will visit the Roman monuments of Segovia and Cordoba, the Jewish Museum in Granada and Girona, and the Dali Theatre and Museum in Figueres. -
Conserving the Authentic: Essays in Honour of Jukka Jokilehto
iCCroM Conservation studies 10 Conserving the authentic essays in honour of Jukka Jokilehto iCCroM Conservation studies 10 Conserving the authentic essays in honour of Jukka Jokilehto EditEd by Nicholas Stanley-Price and Joseph King Conserving the authentic: essays in honour of Jukka Jokilehto Edited by Nicholas Stanley-Price and Joseph King ICCROM Conservation Studies 10 ISBN 978-92-9077-220-0 © 2009 ICCROM International Centre for the Study of the Preservation and Restoration of Cultural Property Via di San Michele, 13 00153 Rome, Italy www.iccrom.org Designed by Maxtudio, Rome Printed by Ugo Quintily S.p.A. Front cover: from watercolours of Florence and Fiesole by Jukka Jokilehto (1964) Back cover: from a watercolour of San Francesco a Ripa, Rome by Bernard Feilden Contents Preface v NICHOLAS STANLEY-PRICE AND JOSEPH KING Foreword vi MOUNIR BOUCHENAKI List of contributors vii PART 1 - JUKKA THE MAN: AN APPRECIATION Jukka – an appreciation 1 1 PAUL PHILIPPOT Early days of the Architectural Conservation Course 2 of the Rome Centre (iCCROM) 3 MEHR AZAR SOHEIL From architectural conservation to urban conservation 3 and the World Heritage Convention: an appreciation 11 JOSEPH KING Jukka Jokilehto: an appreciation 15 4 †BERNARD FEILDEN Jukka in China: philosophy, personality and contributions 19 5 GUO ZHAN PART 2 - CONSERVATION OF BUILDINGS Alcune riflessioni, da parte italiana, sul restauro architettonico 27 6 GIOVANNI CARBONARA il rilievo e il restauro e i loro distinti ruoli potenzialmente 7 storiografici 37 PAOLO FANCELLI Conservation, -
The Hebrew Bible in Fifteenth-Century Spain Études Sur Le Judaïsme Médiéval
The Hebrew Bible in Fifteenth-Century Spain Études sur le Judaïsme Médiéval Fondées par Georges Vajda Dirigées par Paul B. Fenton TOME LIV The titles published in this series are listed at www.brill.nl/ejm The Hebrew Bible in Fifteenth-Century Spain Exegesis, Literature, Philosophy, and the Arts Edited by Jonathan Decter and Arturo Prats LEIDEN • bostoN 2012 This project has been made possible by the project Inteleg: The Intellectual and Material Legacies of Late Medieval Sephardic Judaism (principal investigator Esperanza Alfonso, CSIC), funded by the European Research Council. Library of Congress Cataloging-in-Publication Data The Hebrew Bible in fifteenth-century Spain : exegesis, literature, philosophy, and the arts / edited by Jonathan Decter and Arturo Prats. p. cm. — (Études sur le judaïsme médiéval ; t. 54) Proceedings of a conference held in Oct. 2008 in Madrid, Spain. Includes index. ISBN 978-90-04-23248-8 (hardback : alk. paper) — ISBN 978-90-04-23249-5 (e-book) 1. Bible. O.T.—Influence—Congresses. 2. Spain—Civilization—711–1516—Congresses. 3. Spain—Civilization—Jewish influences—Congresses. 4. Portugal—Civilization— To 1500—Congresses. 5. Iberian peninsula—Religion—Congresses. I. Decter, Jonathan P., 1971– II. Prats Oliván, Arturo. BS538.7.H43 2012 221.0946’09024—dc23 2012013367 ISSN 0169 815X ISBN 978 90 04 23248 8 (hardback) ISBN 978 90 04 23249 5 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
143A a Rirar C·Onvido El Amor (Juan
Index A lo guerra del cielo (Cristóbal Ga Amar sin conocer (Barbieri), 140b Balakirev, M. A., l 17b, l 19a, 120a, lán), 143a Anchicta, Juan de (1462- 1523), 6a, 121b, 122b, 123a, 124b, 125b, A rirar c·onvido el amor (Juan 8a, 9b, 13ab, 16b, 150b- 151a 126a, l 32ab Durango), l 43a Anes, Rodrigo, Oporto chantre Baldino, Justo, bishop of Ceuta, 5b Abraham. Gcrald, mistakes made (1329), 4b Barahona Vega, Clemente, l !Ob by, 117b, 125b Anglés, Higinio, 3b, 13ab Barbacci, Rodolfo, 88b, 92b, 93b, Academia Granados (Barcelona), Annapolis, Rimski-Korsakov at, 94b, !Olb 143b 127ab Barbieri, Francisco Asen jo, 6a, 9b, Accademia Filarmonica (Bologna), Annes, Joao, Oporto canon (1491), IOa, 139a- 141b, 151b Martines elected to, 27b 5b Barbosa, Ayres, classicist, 1la , Affonso (1509- 1540), cardinal, !Ob, Arabia, Pedro de, 46a 139b ! la Aracena Infanta, Aníbal, 90b Barbosa Machado, Diogo, 9b, IOa, Affonso V (1438- 1481), monarch, Aragonese royal chapel (Naples), 139b 5b, 8b members of, 148b--150a Barcelona, city trumpeter at (15th Agricola, Alcxander, 15la Aranda, Matheo de, 9a century), l 46a Águilar, Mariana (mother of Manuel Argote, Joaquín J., 87a Barnum, P. T., 120b, 121b del Pópulo García), 45b-46a Arredondo, Elvira, 92b Barreiros, Martim Vicente, 5a Aguirre y Loizaga, Josef de (father Arrieta Cañas, Luis, 89a Barriga, Juan Agustín, 90ab, 99b of José Morales), 47b-48a Arricta, Emilio, 140a Barriga, Pilar, 98b Alard, Dclphine, 89a, 91a Arteaga y Pereira, G., l 13a Barros, Joao de, 9b Alba, Antonio (fT 1896), 96a Artót, Alexandre, 92a Banholf Scnff, publisher, 108b Albéniz: Isaac, 113a- 1 l 5b; Laura, Arturo Napoleao & Miguéz, pub Barwick, Steven, 137a 113a lishers, 102a Bastos, Teresina, 104b Albero, Sebastián, 146a Asedio de Medina, 51h Beethoven, 93ab, 94b, IOlb Alexander VI, pope, 6b Asenjo Barbieri, Francisco, see Bar- Bcll, Aubrey F. -
National Cathedrals Plan
NATIONAL CATHEDRALS PLAN NATIONAL CATHEDRALS PLAN - REVISION Page 1 of 47 CONTENTS INTRODUCTION 3 OBJECTIVES AND METHOD OF THE PLAN REVIEW 4 1. BACKGROUND AND PRIOR STUDIES 6 1.1. Basic aspects 6 1.1.1. Timeline of the origin and development of the Plan 6 1.1.2. Gestation, Implementation and initial Objectives of the Plan 7 1.1.3. The Cathedrals Steering Plans 9 1.1.4. The Investment Programmes 12 1.1.5. Development of the Plan from 2004 up to 2009 18 1.1.6. Critical analysis of the Cathedrals Plan. 20 years in force 22 1.2. List of cathedrals 23 1.3. Risk Chart 26 2. METHODOLOGICAL ASPECTS 28 2.1. Intervention criteria 28 2.2. Operational method 30 2.3. Coordination of initiatives 32 2.4. Co-funding and co-responsibility 33 3. SCHEDULE OF ACTIONS 34 3.1. Scheduling criteria 34 3.2. Actions for protection and preventive conservation, conservation and restoration, documentation and research, training and accessibility of dissemination. 35 4. EXECUTION AND MONITORING 38 4.1. Economic/financial study 38 4.1.1. Economic impact of the Plan Proposals 38 4.1.2. Criteria 40 4.2. Plan fulfilment indicators 41 4.3. Oversight and Monitoring 41 4.4. Validity and Reviews of the Plan 42 ANNEX I - PROPOSED CONTENT TEMPLATE OF A CATHEDRAL STEERING PLAN43 NATIONAL CATHEDRALS PLAN - REVISION Page 2 of 47 INTRODUCTION The National Cultural Heritage Plans have been devised as instruments for the administration of Heritage serving to define an operational methodology and programme for initiatives with the aim of coordinating the involvement of the various public authority bodies associated with complex cultural assets. -
Chapter 1 Final 6-24
MASS FOR EIGHT VOICES IN D MAJOR BY JOSÉ DE NEBRA BLASCO A CRITICAL EDITION A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY JAVIER JOSÉ MENDOZA DISSERTATION ADVISOR: DR. MURRAY STEIB BALL STATE UNIVERSITY MUNCIE, IN JULY 2017 ACKNOWLEDGEMENTS This project has been made possible through the kind and generous support of colleagues, family, and friends. A transcription of the José de Nebra’s Mass for Eight Voices would not have been possible if not for the hospitality of archivists, Luis Herrera (who recently passed away before I was able to share my completed work with him) and Alejandro Conde of the Archivo Histórico Arquidiocesano de Guatemala (AHAG). The expertise of Omar Morales Abríl was also extremely valuable during my first visit to the archive at Guatemala City Cathedral. Many thanks to Archbishop Oscar Julio Vian Morales of the Archdiocese of Santiago de Guatemala for granting me permission to enter the archive to study, photograph, and publish my findings on the works of José de Nebra. From the initial stages of the conception of this project and dissertation my advisors and mentors in the area of musicology were very encouraging. Dr. Pohly’s encouragement from the outset as I completed my first research trip to Guatemala before even arriving on campus at Ball State University is much appreciated. Dr. Steib’s tireless editorial suggestions and revisions have been an immense help. His expertise in the area of eighteenth-century music and archival research has been a valuable asset in this process.