DOCSLIB.ORG

Under-The-Radar Before You

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Under-The-Radar Before You For the road less travelled THE MOST BEAUTIFUL Under-the-Radar DESTINATIONS INEUROPE TO VISIT Before You Die FROM THE OWNER OF GLOBALGRASSHOPPER.COM BECKY MOORE & REGULAR CONTRIBUTOR BETH PINCHES BeautifulTHE MOST UNDER-THE-RADAR DESTINATIONS IN EUROPE TO VISIT BEFORE YOU DIE That beguiling continent bordered Ah Europe! by the Arctic Ocean to the north, the Atlantic Ocean to the west and the sparkling Mediterranean Sea to the south. Take a trip to Europe and you'll be guaranteed to be charmed by its photogenic beauty, unrivalled history and dazzling artistic and culinary diversity. Although knowing where to start can be a little overwhelming, especially if you want to avoid the crowds. Being fans of under-the-radar destinations we've put together a list of our favourite underrated destinations that often get lost in the shadows of their more famous neighbours. Hopefully we will inspire some of you intrepid travellers to take the road less travelled on your next European getaway- we promise you won't be disappointed! Becky Moore, owner of GlobalGrasshopper.com Photo by Porfirio / CC BY 2.0 a picturesque island filled with pastel-hued houses and fragrant PROCIDA, ITALY lemon groves This beautiful pastel coloured island located off the Bay of Naples is one of Italy’s true hidden “I left with the enthusiasm of a child who is gems. A soulful blend of sun-bleached streets going to see the curtain rise on some of the most and shady lemon groves, Procida makes a beautiful scenes of both nature and life.” wonderful place to soak up some real Italian Procida honours these creatives for whom spirit... and we don’t just mean Limoncello! Enjoy it was such an influence by hosting an annual delicious seafood at one of the many port side culture week and awarding the renowned ‘Elsa trattorias or sample the local dish ‘Insalata al Morante Literary Prize’. Each year it also holds the Limone’. Alternatively eavesdrop on old seaman ‘Miss Graziella’ contest, a beauty pageant with a swapping yarns in the picturesque harbour or traditional twist. A good starting point to explore just wander the little streets and soak up the the Procida is Cirraccio, from its main piazza you wonderful authentic atmosphere. can reach any point on the island within 1.5 km. From the Ciesa di San Antonio you can descend Procida has a rich cultural history extending the stone steps onto Pozzo Vechio Beach - a into the twentieth century where it has provided long stretch of sandy beach lush with plants and inspiration for a vanguard of artists, poets, caressed by the mistral winds that was made writers, photographers and film-makers. It famous by its appearance in Il Postino. If you walk also has a few claim to fames - it was the idyllic back through the square you can climb down to setting of the films ‘Il Postino’ and ‘The Talented the stunning Chiaia beach and soak up the lovely Mr Ripley’ as well as the novels ‘Arturo’s Island’ panoramic views over Corricella. by Elsa Morante and ‘Graziella’ by Alphonse de Lamartine who praised the island saying: Photo by CucombreLibre / CC BY 2.0 Procida continued... The Marina Corricella is a Procida must see - The fitter traveller can climb the rugged hill to this is where you can explore the sun-drenched the fortified centre ofTerra Murata, the highest terraces and colourful houses via the tangle of point on Procida, and take in the breathtaking stairways and passages hidden amongst them. views of The Bay of Naples. Whilst up there try In this peaceful oasis you can findboutique visiting the 16th century Abbey of San Michele shops to peruse and soak up the warm friendly with its many works of art and basement tour of atmosphere and then finish up by dining under the ancient burial ground. Don’t forget to sample the soft lights of the marina just metres away the island’s delicious cuisine, traditionally fish and from the sea. The island’s largest harbour the sea food. For a contemporary twist on traditional Marina Grande - where you disembark the ferry fayre visit Il Gazebo on Marina Grande, or sit on from Naples or Ischia - is busier but still worth the terrace of La Pergola and enjoy traditional a visit. From here you can be captivated by the dishes, handmade pasta and desserts under the charm of the typical pastel coloured houses shade of beautiful lemon trees. Accommodation and the imposing Palazzo Montefuso with its in Procida is both reasonably priced and varied. spectacular medieval battlements. You can get Try the unique boutique B&B Casa Bormioli, an eyeful of the baroque bell of Chiesa Santa decked out with objects collected by its well Maria Della Pieta and see the ancient tufa caves, travelled owners or the tranquil Tirreno Hotel dug centuries ago to shelter boats in stormy Residence, with its gorgeous sunny terrace and weather. flower laden balconies. Photo by Mario Fajt / CC BY 2.0 a peaceful and beautiful cluster of islands VIS ISLANDS, CROATIA untouched by time The small Croatian Islands of Vis were once mainland for work. Although the tourist industry is strictly out-of-bounds to tourists (due to their now fairly robust, the years of under population have importance as a naval base) and the island retains left the islands a calm oasis of unspoiled beauty a sleepy and slightly undiscovered air. These and they are still relatively quiet especially if you mysterious islands are now a draw for travellers avoid the five or six weeks of the summer holidays who are seeking a more peaceful seaside retreat when Italian tourists flock over for vacation! far away from the crowds. Steeped in history, the islands have been on the map since the 4th century At Vis Town, the oldest settlement on the island BC, playing host to both the Ancient Greeks and you can see the remnants of the walls that once the Romans before falling under the jurisdiction of surrounded the Greek colony of Issa and the Venice until the late 1700s. The strong links to the ruins of the Roman amphitheatre and necropolis. Italian city are reflected in the architecture of the Many of the town’s buildings date back to the Island’s two small towns, both of which nestle at 16th century with beautiful Italianate villas the foot of two large bays. A gentle rivalry thrives and churches flanking the narrow streets and between the historically gentrifiedVis Town and sunny squares. For an excellent insight into the the working class fishing village ofKomiza , with its complex history of the islands it’s worth visiting the terrifying tales of pirates and shipwrecks. Archaeological Museum in the centre of town. Vis Town is also an excellent place to sample some of Having been passed around a bit the Islands the gastronomical delights of the island. became part of the Kingdom of Yugoslavia in 1920 and formed an important part of the Yugoslav The food is characteristically simple, with natural partisan resistance during WW2. For years the ingredients and fresh fish delicately flavoured with Islands were cut off to foreign visitors and the citrus, bay leaves and other such Mediterranean ailing economy forced locals to move over to the seasonings. Photo by Miroslav Vajdic / CC BY 2.0 Vis Islands continued... Local specialities include fish stews and risottos Aside from the two towns travellers can explore and the delicious ‘komiška pogača’, a kind of expansive stretches of untouched beaches covered pizza stuffed with salted white fish and on the southern coast, the most popular are onions. To wash it down, indulge in some of the Stončica, Srebrna, Stinvia (pictured above) and famous ‘Vugava’ - a sweet and fruity white wine the protected nature reserve of Stinica. Try made from the local grapes. Try eating at Pojoda, scuba diving or snorkelling for a chance to view an award winning restaurant serving traditional the vibrant marine life under the surface of the dishes or the slightly pricier Villa Kaliopa which sea. There are also two more uninhabited islands is set in the romantic gardens of a 16th century reachable by boat - Host, where real peace mansion. seekers can rent out the four bed 19th century lighthouse as accommodation, and Kavnik with Kamiza is a picturesque fishing village from its magical Green Grotto. where you can take a boat trip to the uninhabited Bisevo and the wonderfully eerie Blue Grotto. If Wine connoisseurs can also book tastings at you visit between 11 and noon on a clear sunny one of the local vineyards through the tourist day you will witness the sunlight passing through information office in Vis Town. There are plenty an underwater opening and bathing the cave of hotels or holiday rentals available on the in a luminescent blue light. Further things to island and if its your sort of thing, you’ll find ayoga explore on Bisevo are the nine other caves dotted retreat at the peaceful Villa Vis. The unique around the coast - the peaceful coves perfect for accommodation boasts tranquil colour themed swimming and visiting the 11th century Church of rooms which look out across the bay. Sylvester. Photo by Jiuguang Wang / CC BY 2.0 a medieval canal side city and one of Europe’s GHENT, BELGIUM loveliest hidden gems The picturesque port city of Ghent in North what remained of the original building. In 1274 it West Belgium is a historical gem with a vibrant was handed over to the council of Flanders and arts scene and plenty of authentic medieval became the highest court in the country.
Load more

Recommended publications
  • Sketches Awheel in Modern Iberia
    PUERTA DEL CASTILLO, CUENCA. SKETCHES AWHEEL IN MODERN IBERIA BY 'FANNY BULLOCK WORKMAN ' WILLIAM HUNTER WORKMAN Authors of " Algerian Memories " ^\'^ G. P. PUTNAM'S SONS NEW YORK LONDON 37 WEST TWENTY-THIRD STREET 24 BEDFORD STREET, STRAND St^e Knickerbocker ^ress •1897 Copyright, 1897 BY G. P. PUTNAM'S SONS Ube IRnfcfcerbocfiet pres9> mew ]QovI: In memory of the varied experiences of our many travels together, I affectionately dedicate my portion of this book to my husband, without whose skill in planning the long route, energy in following it out, and attention to details, our journey through the length and breadth of Spain would not have been possible. FANNY BULLOCK WORKMAN. To my wife, my companion on long journeys awheel in most of the countries of Europe, in Sicily and North Africa, and on tours afoot in the mountains of Norway, the Alps, Apennines, Pyrenees, and Atlas, whose courage, endurance, and enthusiasm, often under circumstances of hardship and sometimes of danger, have never failed, I affectionately dedicate my contribution to this volume. WILLIAM HUNTER WORKMAN. PREFACE. THE following pages are based upon ob- servations and experiences of the authors while on a tour through Spain in the spring and summer of 1895. The tour was made on bicycles, not to satisfy the spirit of adventure commonly ascribed to Americans, though something of adventure must be expected in a country like Spain, nor because there was any- thing novel to us in this mode of travel—the novelty had long since worn off—but as being the means of conveyance best adapted to our purpose, enabling us in entire independence of the usual hindrances of the traveller to pass through the country at leisure, stopping where and when we pleased.
    [Show full text]
  • A Landscape Architectural Design Approach: the Restoration of the Angel Tower and the Cloister of the Cathedral of Cuenca
    ISSN: 0214-8293 21 A landscape architectural design approach: The restoration of the Angel Tower and the Cloister of the Cathedral of Cuenca Joaquín Ibáñez Montoya | Maryan Álvarez-Builla Gómez Polytechnic University of Madrid Abstract This article aims to show the recent evolution of concepts such as Cultural Heritage, by offering a survey of the archi - tectural restoration project methodology of the Cuenca Cathedral. The Charters of Athens , from1931 and 1933, –the bases of modernity – converge today after almost a century of leading separate paths: land planning and cultural inter - pretation, space and time recuperate a meeting point, which should have never been lost. The article basically assesses the potential contemporary projects on heritage constructions can offer when studied as a landscape journey. In order to certify the transformations from the present context, the singular monument of Cuenca Cathedral is taken as a mo - del. Its stone materiality provides a memory of secular morphology and clear technical and social wealth. This model unfolds as a dialogue between Theory and Practice reflected on its conservation works. After thirty years of restoration experience on the building performed by the authors, the two last interventions are thoroughly commented in this ar - ticle revealing a new strategy in the architectural project performance. Keywords : architectural project, cultural heritage, landscape, cathedral, Cuenca. Resumen Este artículo trata de analizar la reciente evolución de los conceptos sobre intervención en el Patrimonio Cultural. Para ello utiliza como modelo el proyecto metodológico aplicado sobre las dos últimas actuaciones efectuadas en la Catedral de Cuenca. La Carta de Atenas , 1931, que estableció las bases de la modernidad sobre las dos trayectorias de espacio y tiempo, concuerdan hoy después de casi un siglo, recuperando su punto de encuentro.
    [Show full text]
  • Recorder Use in Spanish Churches and Cathedrals in the Sixteenth and Early Seventeenth Centuries
    Recebido em | Received 14/01/2018 Aceite em | Accepted 22/03/2019 nova série | new series 5/2 (2018), pp. 341-356 ISSN 2183-8410 http://rpm-ns.pt Recorder Use in Spanish Churches and Cathedrals in the Sixteenth and Early Seventeenth Centuries Julia Miller University of Antwerp Royal Conservatory of Antwerp [email protected] Resumo Os documentos do século XVI e início do século XVII que sobrevivem até hoje revelam informações muito dispersas no que concerne ao papel da flauta de bisel na prática de música sacra. Embora tivessem sido adquiridos vários conjuntos de flautas de bisel por instituições eclesiásticas ao longo desse período, coincidindo temporalmente com a representação na iconografia religiosa, grande parte das obras vocais sacras do século XVI não nos elucida sobre a utilização específica destes instrumentos. Dada a escassez de documentação com informação acerca do uso das flautas de bisel, várias questões persistem até à actualidade entre os músicos que procuram definir as suas escolhas informadas para a prática interpretativa. Este artigo apresenta alguns resultados da pesquisa sobre o papel assumido pelas flautas na prática musical sacra em catedrais e igrejas em Espanha, durante os séculos XVI e XVII. Através da síntese e análise dos dados arquivísticos relativamente à compra, reparação e posse de flautas de bisel, às características de alguns desses instrumentos, a contratação e actividade dos músicos que os tocavam, e detalhes da prática interpretativa que remetem especificamente para estes instrumentos. Este artigo aborda também o tópico do repertório disponível nas catedrais e igrejas espanholas que possuem registo da sua actividade e, especificamente, da música que integra as colecções para instrumentos de sopro.
    [Show full text]
  • Canterbury Christ Church University's Repository of Research Outputs Http
    Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Swadley, J. (2014) The Villancio in New Spain 1650-1750: morphology, significance and development. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] The Villancico in New Spain 1650–1750: Morphology, Significance and Development by John Swadley Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2014 Abstract ........................................................................................................................ 3 List of Abbreviations and Acronyms ............................................................................. 4 List of Figures ............................................................................................................... 5 Preface .........................................................................................................................
    [Show full text]
  • Via De La Plata
    Spain Spain Gothic Art Gothic Art EUROPEAN COMMUNITY European Regional Development Fund I TABLE OF CONTENTS SPANISH TOURIST INFORMATION UNITED STATES OF AMERICA Introduction 1 OFFICES ABROAD Los Angeles Tourist Office of Spain Gothic Art 2 CANADA. Toronto The three great cathedrals 8 8383 Wilshire Blvd, Suite 960 Tourist Office of Spain Beverly Hills, California 90211 A Tour 2 Bloor Street West Suite 3402 % 1(323) 658 71 88 Andalusia 14 Toronto, Ontario M4W 3E2 ) 1(323) 658 10 61 Aragon 20 % (1416) 961 31 31 www.okspain.org Asturias 24 ) Ireland (1416) 961 19 92 e-mail: [email protected] The Balearic Isles 26 United www.tourspain.toronto.on.ca Chicago The Canary Islands 27 Dublin e-mail: [email protected] Cantabria 28 Kingdom Tourist Office of Spain Castile-La Mancha 30 GREAT BRITAIN. London Water Tower Place, suite 915 East Castile and León 35 London Spanish Tourist Office 845 North Michigan Avenue Catalonia 45 PO BOX 4009 Chicago, Illinois 60 611 Murcian Region 49 London W1A 6NB % 1(312) 642 19 92 Valencian Region 50 % (44207) 486 80 77 ) 1(312) 642 98 17 Extremadura 53 Paris ) (44207) 486 80 34 www.okspain.org Galicia 56 www.tourspain.co.uk e-mail: [email protected] La Rioja 60 e-mail: [email protected] Miami Madrid 62 France Tourist Office of Spain Navarre 64 JAPAN. Tokyo 1221 Brickell Avenue Basque Country66Bay of Biscay Tourist Office of Spain Miami, Florida 33131 Daini Toranomon Denki % Glossary 70 1(305) 358 19 92 Bldg.6F. 3-1-10 ) 1(305) 358 82 23 General information 72 Toranomon.
    [Show full text]
  • The Chronology of Medival and Renaissance Architecture
    Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal.
    [Show full text]
  • Gothic Architecture in Spain: Invention and Imitation
    GOTHIC ARCHITECTURE IN SPAIN: INVENTION AND IMITATION Edited by: Tom Nickson Nicola Jennings COURTAULD Acknowledgements BOOKS Publication of this e-book was generously Gothic Architecture in Spain: Invention and Imitation ONLINE supported by Sackler Research Forum of The Edited by Tom Nickson and Nicola Jennings Courtauld Institute of Art and by the Office of Scientific and Cultural Affairs of the Spanish With contributions by: Embassy in London. Further funds came from the Colnaghi Foundation, which also sponsored the Tom Nickson conference from which these papers derive. The Henrik Karge editors are especially grateful to Dr Steven Brindle Javier Martínez de Aguirre and to the second anonymous reader (from Spain) Encarna Montero for their careful reviews of all the essays in this Amadeo Serra Desfilis collection. We also thank Andrew Cummings, Nicola Jennings who carefully copyedited all the texts, as well as Diana Olivares Alixe Bovey, Maria Mileeva and Grace Williams, Costanza Beltrami who supported this e-book at different stages of its Nicolás Menéndez González production. Begoña Alonso Ruiz ISBN 978-1-907485-12-1 Series Editor: Alixe Bovey Managing Editor: Maria Mileeva Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Vernon Square, Penton Rise, King’s Cross, London, WC1X 9EW © 2020, The Courtauld Institute of Art, London. Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world.
    [Show full text]
  • Discover Spain: Small Group Tour for Seniors | Odyssey Traveller
    Australia 1300 888 225 New Zealand 0800 440 055 [email protected] From $12,995 AUD Single Room $15,495 AUD Twin Room $12,995 AUD Prices valid until 30th December 2021 21 days Duration Spain Destination Level 1 - Introductory to Moderate Activity Discover Spain May 13 2022 to Jun 02 2022 Discover Spain: a small group tour for seniors Join Odyssey Traveller on this small group tour of Spain for seniors. In 21 days we immerse ourselves in the grand sights and rich history of Spain. This tour is book-ended by the biggest cities of Spain–starting in the capital of Madrid and ending in Barcelona–with stops in smaller but equally beautiful towns that are not normally included in other commercial Spanish tours. This three-week journey especially designed for senior travellers offers a variety of sights and experiences. Madrid is a modern metropolis that Discover Spain 25-Sep-2021 1/13 https://www.odysseytraveller.com.au Australia 1300 888 225 New Zealand 0800 440 055 [email protected] has preserved its historic neighbourhoods and buildings, and will serve as the perfect gateway on our three-week sojourn into Spain’s storied past. Near Madrid, we will visit the Valley of the Fallen in San Lorenzo de El Escorial, a sombre and at times controversial monument commissioned by Francisco Franco and where the people who died in the Spanish Civil War were laid to rest. We will visit the Roman monuments of Segovia and Cordoba, the Jewish Museum in Granada and Girona, and the Dali Theatre and Museum in Figueres.
    [Show full text]
  • Conserving the Authentic: Essays in Honour of Jukka Jokilehto
    iCCroM Conservation studies 10 Conserving the authentic essays in honour of Jukka Jokilehto iCCroM Conservation studies 10 Conserving the authentic essays in honour of Jukka Jokilehto EditEd by Nicholas Stanley-Price and Joseph King Conserving the authentic: essays in honour of Jukka Jokilehto Edited by Nicholas Stanley-Price and Joseph King ICCROM Conservation Studies 10 ISBN 978-92-9077-220-0 © 2009 ICCROM International Centre for the Study of the Preservation and Restoration of Cultural Property Via di San Michele, 13 00153 Rome, Italy www.iccrom.org Designed by Maxtudio, Rome Printed by Ugo Quintily S.p.A. Front cover: from watercolours of Florence and Fiesole by Jukka Jokilehto (1964) Back cover: from a watercolour of San Francesco a Ripa, Rome by Bernard Feilden Contents Preface v NICHOLAS STANLEY-PRICE AND JOSEPH KING Foreword vi MOUNIR BOUCHENAKI List of contributors vii PART 1 - JUKKA THE MAN: AN APPRECIATION Jukka – an appreciation 1 1 PAUL PHILIPPOT Early days of the Architectural Conservation Course 2 of the Rome Centre (iCCROM) 3 MEHR AZAR SOHEIL From architectural conservation to urban conservation 3 and the World Heritage Convention: an appreciation 11 JOSEPH KING Jukka Jokilehto: an appreciation 15 4 †BERNARD FEILDEN Jukka in China: philosophy, personality and contributions 19 5 GUO ZHAN PART 2 - CONSERVATION OF BUILDINGS Alcune riflessioni, da parte italiana, sul restauro architettonico 27 6 GIOVANNI CARBONARA il rilievo e il restauro e i loro distinti ruoli potenzialmente 7 storiografici 37 PAOLO FANCELLI Conservation,
    [Show full text]
  • The Hebrew Bible in Fifteenth-Century Spain Études Sur Le Judaïsme Médiéval
    The Hebrew Bible in Fifteenth-Century Spain Études sur le Judaïsme Médiéval Fondées par Georges Vajda Dirigées par Paul B. Fenton TOME LIV The titles published in this series are listed at www.brill.nl/ejm The Hebrew Bible in Fifteenth-Century Spain Exegesis, Literature, Philosophy, and the Arts Edited by Jonathan Decter and Arturo Prats LEIDEN • bostoN 2012 This project has been made possible by the project Inteleg: The Intellectual and Material Legacies of Late Medieval Sephardic Judaism (principal investigator Esperanza Alfonso, CSIC), funded by the European Research Council. Library of Congress Cataloging-in-Publication Data The Hebrew Bible in fifteenth-century Spain : exegesis, literature, philosophy, and the arts / edited by Jonathan Decter and Arturo Prats. p. cm. — (Études sur le judaïsme médiéval ; t. 54) Proceedings of a conference held in Oct. 2008 in Madrid, Spain. Includes index. ISBN 978-90-04-23248-8 (hardback : alk. paper) — ISBN 978-90-04-23249-5 (e-book) 1. Bible. O.T.—Influence—Congresses. 2. Spain—Civilization—711–1516—Congresses. 3. Spain—Civilization—Jewish influences—Congresses. 4. Portugal—Civilization— To 1500—Congresses. 5. Iberian peninsula—Religion—Congresses. I. Decter, Jonathan P., 1971– II. Prats Oliván, Arturo. BS538.7.H43 2012 221.0946’09024—dc23 2012013367 ISSN 0169 815X ISBN 978 90 04 23248 8 (hardback) ISBN 978 90 04 23249 5 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher.
    [Show full text]
  • 143A a Rirar C·Onvido El Amor (Juan
    Index A lo guerra del cielo (Cristóbal Ga­ Amar sin conocer (Barbieri), 140b Balakirev, M. A., l 17b, l 19a, 120a, lán), 143a Anchicta, Juan de (1462- 1523), 6a, 121b, 122b, 123a, 124b, 125b, A rirar c·onvido el amor (Juan 8a, 9b, 13ab, 16b, 150b- 151a 126a, l 32ab Durango), l 43a Anes, Rodrigo, Oporto chantre Baldino, Justo, bishop of Ceuta, 5b Abraham. Gcrald, mistakes made (1329), 4b Barahona Vega, Clemente, l !Ob by, 117b, 125b Anglés, Higinio, 3b, 13ab Barbacci, Rodolfo, 88b, 92b, 93b, Academia Granados (Barcelona), Annapolis, Rimski-Korsakov at, 94b, !Olb 143b 127ab Barbieri, Francisco Asen jo, 6a, 9b, Accademia Filarmonica (Bologna), Annes, Joao, Oporto canon (1491), IOa, 139a- 141b, 151b Martines elected to, 27b 5b Barbosa, Ayres, classicist, 1la , Affonso (1509- 1540), cardinal, !Ob, Arabia, Pedro de, 46a 139b ! la Aracena Infanta, Aníbal, 90b Barbosa Machado, Diogo, 9b, IOa, Affonso V (1438- 1481), monarch, Aragonese royal chapel (Naples), 139b 5b, 8b members of, 148b--150a Barcelona, city trumpeter at (15th Agricola, Alcxander, 15la Aranda, Matheo de, 9a century), l 46a Águilar, Mariana (mother of Manuel Argote, Joaquín J., 87a Barnum, P. T., 120b, 121b del Pópulo García), 45b-46a Arredondo, Elvira, 92b Barreiros, Martim Vicente, 5a Aguirre y Loizaga, Josef de (father Arrieta Cañas, Luis, 89a Barriga, Juan Agustín, 90ab, 99b of José Morales), 47b-48a Arricta, Emilio, 140a Barriga, Pilar, 98b Alard, Dclphine, 89a, 91a Arteaga y Pereira, G., l 13a Barros, Joao de, 9b Alba, Antonio (fT 1896), 96a Artót, Alexandre, 92a Banholf Scnff, publisher, 108b Albéniz: Isaac, 113a- 1 l 5b; Laura, Arturo Napoleao & Miguéz, pub­ Barwick, Steven, 137a 113a lishers, 102a Bastos, Teresina, 104b Albero, Sebastián, 146a Asedio de Medina, 51h Beethoven, 93ab, 94b, IOlb Alexander VI, pope, 6b Asenjo Barbieri, Francisco, see Bar- Bcll, Aubrey F.
    [Show full text]
  • National Cathedrals Plan
    NATIONAL CATHEDRALS PLAN NATIONAL CATHEDRALS PLAN - REVISION Page 1 of 47 CONTENTS INTRODUCTION 3 OBJECTIVES AND METHOD OF THE PLAN REVIEW 4 1. BACKGROUND AND PRIOR STUDIES 6 1.1. Basic aspects 6 1.1.1. Timeline of the origin and development of the Plan 6 1.1.2. Gestation, Implementation and initial Objectives of the Plan 7 1.1.3. The Cathedrals Steering Plans 9 1.1.4. The Investment Programmes 12 1.1.5. Development of the Plan from 2004 up to 2009 18 1.1.6. Critical analysis of the Cathedrals Plan. 20 years in force 22 1.2. List of cathedrals 23 1.3. Risk Chart 26 2. METHODOLOGICAL ASPECTS 28 2.1. Intervention criteria 28 2.2. Operational method 30 2.3. Coordination of initiatives 32 2.4. Co-funding and co-responsibility 33 3. SCHEDULE OF ACTIONS 34 3.1. Scheduling criteria 34 3.2. Actions for protection and preventive conservation, conservation and restoration, documentation and research, training and accessibility of dissemination. 35 4. EXECUTION AND MONITORING 38 4.1. Economic/financial study 38 4.1.1. Economic impact of the Plan Proposals 38 4.1.2. Criteria 40 4.2. Plan fulfilment indicators 41 4.3. Oversight and Monitoring 41 4.4. Validity and Reviews of the Plan 42 ANNEX I - PROPOSED CONTENT TEMPLATE OF A CATHEDRAL STEERING PLAN43 NATIONAL CATHEDRALS PLAN - REVISION Page 2 of 47 INTRODUCTION The National Cultural Heritage Plans have been devised as instruments for the administration of Heritage serving to define an operational methodology and programme for initiatives with the aim of coordinating the involvement of the various public authority bodies associated with complex cultural assets.
    [Show full text]