Celiac Disease By: Alira Lika

Total Page:16

File Type:pdf, Size:1020Kb

Celiac Disease By: Alira Lika The Palos Print Summer Edition A Palos East Student Publication June 2021 Palos East has several staff members retiring this year. We asked them questions about their future plans and what they will miss about working at Palos East! Mrs. Cayer—33 years at District 118 What are you looking forward to in your retirement?: I am really looking forward to more traveling and golfing, but most of all, not having to get up at 6 AM anymore! I am also looking forward to being somewhere warm during the cold Illinois winters. Favorite East Memories: I will miss all the great friendships that I have made over the years and all the students I’ve helped, whether it was during Computer Club, Newspaper, the Mentor Program, in the Media Center, or just on a daily basis with technology issues. Every day I will miss seeing my 2 coffee break buddies – Mr. Doro and Ms. Teresa. You guys are the best ever!!!! I really loved working at Palos East and will miss it very much! Palos East is a great place not only for kids, but also for everyone!!!! Mrs. Healy—34 years at District 118 What are you looking forward to in your retirement?: I am looking forward to having time with my children and my husband!! Then, once both of our boys are off in college, traveling will be our priority!! Favorite East Memories: My favorite years at East were when I “looped” from kindergarten to first grade. It was amazing to teach the same students for two years! I will miss being around KIDS. After nearly 35 years, they still make me smile EVERYDAY!! Mr. Pedroza (“Mr. Doro”)—40 years at District 118 What are you looking forward to in your retirement?: I would like to do more fishing, work on my classic car, and go on vacations. I am also looking forward to getting up in the morning whenever I want. Favorite East Memories: Some favorite memories include when the school had a special day for me —“Doro’s Day,” and also when they had a baby shower for my wife and me. I also always enjoyed having coffee breaks with Mrs. Cayer, Ms. Teresa, and Mr. Keith. I will miss the great staff and students that make Palos East a great school. Mrs. Stewart—22 years at District 118 What are you looking forward to in your retirement?: My future will be devoted to remaining active and busy with family and friends, including trips to places my husband and I have always wanted to visit. My best retirement gift will be the arrival of our first granddaughter in July. We will certainly become frequent drivers and fliers to Baltimore to share her special moments as she learns about life. Finally, I plan to continue private therapy and supervision of graduate students in their training to become speech language pathologists. Favorite East Memories: My favorite memories include all the sweet, smiling faces of my Speech students. In most cases, they have taught me about perseverance and the special effort it takes to work on things that are hard. I especially loved how excited my students would get when we played games to celebrate accomplishments. Favorite games included “Mr. Mouth,” “Hot Hoops,” “Pizza Man,” “Tuggie,” and “Left, Right, Center”! I also loved participating in district sponsored events, especially One District, One Book, Cardinal Chase, and the Back to School Picnic. Palos East and Palos West have continually fostered a strong family feeling throughout the entire community which will be a treasured memory. Finally, my career as a school speech language pathologist was more fulfilling because I was supported by remarkably dedicated administrators, colleagues, classroom teachers, support staff, and parents. The past year like no other has strengthened each of us individually and all of us collectively. I will miss each of you! Farewell Palos East—You will be remembered fondly! Mrs. Tinman—13 years at District 118 What are you looking forward to in your retirement?: I am looking forward to living among the farms and hills of Wisconsin, and also walking on glorious beaches! Favorite East Memories: What I will miss most are the moments that inspired me to say, “Stop being adorable... you are out of control.” Summer Edition Swimming, Sunshine, and Summer! June 2021 By: Aukse Zemaityte Have you ever wondered about the different strokes in swimming? Well, I am here to tell you all about them! The four different strokes are breaststroke, freestyle, backstroke, and butterfly. First, the breaststroke is believed to be the oldest stroke. The first drawings of breaststroke can be found as cave paintings in southwestern Egypt. These paintings are believed to be made 5,500 to 10,000 years ago! Breaststroke was the most common stroke in the very first competitive races in Europe, which was in the 19th century. The stroke was introduced to the Olympics for the very first time in 1904. There was only one race, which was the men's 440 yards distance race. Did you know that Captain Matthew Webb was the first man to ever swim the English Channel? He used the breaststroke, and he swam for 21 hours and 45 minutes! David Armbruster directed a study at the University of Iowa in which breaststroke swimmers were filmed underwater. In 1934, he discovered a way to make a swimmer faster by bringing your arms forward over the water. Next, a boy named Richmond Cavill invented the freestyle stroke by observing a boy from the Solomon Islands, Alick Wickham. They named the stroke the “Australian crawl.” Cavill and his brothers shared the Australian crawl, and it soon became a well-known stroke in New Zealand, England, and America. Some people call the freestyle stroke the “front crawl.” For freestyle swimming, the stroke requires using both arms and legs. The freestyle stroke was introduced to the Olympic games in 1896. Swimmers experimented with different varieties of the front crawl and breaststroke. The 50 yard freestyle is a popular event. In my opinion, freestyle is my favorite stroke because it is my fastest stroke. Then, the backstroke was first created by a poor swimmer who was tired from trying to crawl. When he turned on to his back, he realized he could keep some propulsion and breathe much easier. No one knows who that person was. I wonder if anyone had known that person! While we don’t know who invented it, we know that a swimmer named Harry Hebner made it famous. Backstroke is an interesting event because it is the only stroke in which the athlete starts in the water. Backstrokers hop into the water, and when the referee blows the first whistle, the swimmers must grab on to a bar on a starting block. Then, they put their feet on the wall, where there is an electrical timing pad. Lastly, when the referee blows the second whistle, they start swimming. After the front crawl, backstroke was the second stroke to be included in competitions. Backstroke was added in the Olympic Games at the Paris Olympics in 1900, and it was a 200m event for men. Summer Edition Swimming, Sunshine, and Summer! Continued June 2021 Finally, no one is sure who invented the butterfly stroke. Many people say it was Australian Sydney Cavill, German Erich Rademacher, or American Henry Myers. (For the record, the International Swimming Hall says it was Sydney Cavill.) In the late 1920s, Erich Rademacher was trying this style of stroke in races. Then in 1933, Henry Myers was racing this random new style at a YMCA in Brooklyn. When you swim butterfly, your hands go over the water and your head. Then, you bring them back together. While doing that, you must do a dolphin kick. In 1956, the butterfly stroke was first introduced at the Olympics in Melbourne, Australia, with the only butterfly events being the men's 200m Butterfly and women's 100m Butterfly. The best butterflier of all time is American swimmer Michael Phelps. Phelps broke his own 200m butterfly record seven times before Hungarian swimmer Kristof Milak broke the record in 2019. He won six Olympic gold medals in individual butterfly events (not including relays), and he has won a total of 28 Olympic medals, the most of any athlete ever! Wow, I wonder if anyone will ever be as good as Michael Phelps! No matter what stroke of swimming it is, swimming is still very fun! Be sure to check out the swimming events at the Tokyo Olympics this summer! By Rama Afsheh & Rama Jondi It’s June, school is out for the summer, and you are probably wondering what to do, now that you’re home. There are so many fun options! Summertime is a great time for outdoor games. A water balloon fight is fun to have in the summer, especially because it is going to be burning hot outside. You can also cool yourself down by going swimming or spraying yourself with the hose! Tag and Hide and Seek are also fun summertime games. What do you like to be when you play Hide and Seek? We love being the seeker. Another fun game is using chalk to play hopscotch. There are many ways to stay active in the summer. One way is by riding your bike. Summertime is also a perfect time to go hiking. Other ways you can keep your body moving include roller skating, riding your scooter, skateboarding, playing Frisbee, and jumping on a trampoline. YUM, what is that delicious smell? It is barbecue! Our favorite summer foods are chicken, hot dogs, and burgers.
Recommended publications
  • Template EUROVISION 2021
    Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom.
    [Show full text]
  • Interpreting Sati: the Omplexc Relationship Between Gender and Power in India Cheyanne Cierpial Denison University
    Denison Journal of Religion Volume 14 Article 2 2015 Interpreting Sati: The omplexC Relationship Between Gender and Power In India Cheyanne Cierpial Denison University Follow this and additional works at: http://digitalcommons.denison.edu/religion Part of the Ethics in Religion Commons, and the Sociology of Religion Commons Recommended Citation Cierpial, Cheyanne (2015) "Interpreting Sati: The ompC lex Relationship Between Gender and Power In India," Denison Journal of Religion: Vol. 14 , Article 2. Available at: http://digitalcommons.denison.edu/religion/vol14/iss1/2 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Denison Journal of Religion by an authorized editor of Denison Digital Commons. Cierpial: Interpreting Sati: The Complex Relationship Between Gender and P INTERPRETING SATI: THE COMPLEX RELATIONSHIP BETWEEN GENDER AND POWER IN INDIA Interpreting Sati: The Complex Relationship Between Gender and Power In India Cheyanne Cierpial A recurring theme encountered in Hinduism is the significance of context sensitivity. In order to understand the religion, one must thoroughly examine and interpret the context surrounding a topic in Hinduism.1 Context sensitivity is nec- essary in understanding the role of gender and power in Indian society, as an exploration of patriarchal values, religious freedoms, and the daily ideologies as- sociated with both intertwine to create a complicated and elaborate relationship. The act of sati, or widow burning, is a place of intersection between these values and therefore requires in-depth scholarly consideration to come to a more fully adequate understanding. The controversy surrounding sati among religion schol- ars and feminist theorists reflects the difficulties in understanding the elaborate relationship between power and gender as well as the importance of context sen- sitivity in the study of women and gender in Hinduism.
    [Show full text]
  • Goleng Roop – a Cult of Feast Offering
    GOLENG ROOP- A CULT OF FEAST OFFERING * LHAM DORJI INTRODUCTION The people of kheng in Central Bhutan observe numerous festivals and rituals as a part their rich tradition. These serve as the context of folk practices in divination, offerings and beliefs in local deities. Roop is a traditional communal ritual of villages in the middle kheng under Nangkor Gewog, and is celebrated in the 12th month of Bhutanese calendar. The dates and exact modes of celebration vary from village to village. Roop literally mean 'together' because the community celebrates it collectively. The rituals involve kartshog or white offerings consisting of feast, libation and fumigation offerings to local protecting deities, gods and goddesses of seed and legendary founders of Bon. Absence of animal sacrifice confirms Roop as Bonkar practice. The villagers of Goleng celebrate Roop to worship deities, who in return provide them protection, happiness, good harvest and productive livestock. This account gives a short historical background of Goleng community and villages nearby that celebrate similar rituals. Then it describes Roop calendar, rite performers, categories of tshog (ritual offerings) and offering spaces. Lastly, it provides an account of festival, and roles and powers of Bonpo. * Researcher, The Centre for Bhutan Studies 24 Goleng Roop: A Cult of Feast Offering A SHORT BACKGROUND OF GOLENG Goleng is a village in Nangkor Gewog, located opposite to Yebilaptsa hospital, overlooking Mangdechu River. It is two hours walk up from the Tingtibi-Gomphu motor road head and is connected by a suspension bridge over Mangdechu. It is located at an elevation of 1120 meters above sea level.
    [Show full text]
  • The Felix Archive
    KEEP THE CAT FREE Founded 1949 [email protected] Felixonline.co.uk THE 2021 FELIX SEX Fill it SURVEY IS NOW OPEN out here FelixISSUE 1772 FRIDAY 21ST MAY 2021 Union Council vote not to condemn Shell exhibit COUNCIL VOTES NOT TO CONDEMN SHELL SCIENCE MUSEUM GREENWASHING By Calum Drysdale FELIX EXCLUSIVE EUROVISION he Union Council voted last week against rais- ing even the mildest objection to the funding Meritocracy is a myth - of an exhibition on carbon capture technolo- 2021 gy at the Science Museum by Shell, the fossil Engineering department VIEWING GUIDE fuel giant. T Calum Drysdale Editor in Chief The Council voted last Tuesday by a margin of 48 to 21 with 31 abstentions against a paper proposed by he Engineering Department has issued a course on DON’T MISS Ansh Bhatnagar, a physics masters student and long Tmicroagressions that it says is recommended to all term campaigner for Imperial to divest from fossil fuel staff and students. The course is 15 minutes long and OUR 6 PAGE investment. The paper would have required the sabbat- covers what microaggressions and microaffirmations PULLOUT WITH ical officers, students taking a year out of their studies to are as well as giving examples of harmful behaviours. work in paid leadership positions in the Union, to write The course was reported on in The Telegraph which ALL THE ACTS, A a letter to the Science Museum “Expressing the urgency described it as “a list of phrases to avoid on campus”. of the climate crisisand the need for all of us to step up The Telegraph also quoted Toby Young, the general sec- SWEEPSTAKE AND and take action” as well as “Expressing the Union’s dis- retary of the Free Speech Union, who said that “protec- approval of Shell’s sponsorship of this exhibition”.
    [Show full text]
  • 2021 Country Profiles
    Eurovision Obsession Presents: ESC 2021 Country Profiles Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017. Semi-Final 2, Running Order 11 Grand Final Running Order 02 Australia Competing Broadcaster: Special Broadcasting Service (SBS) Debut: 2015 Best Finish: 2nd place (2016) Number of Entries: 6 Worst Finish: 20th place (2018) A Brief History: Australia made its debut in 2015 as a special guest marking the Contest's 60th Anniversary and over 30 years of SBS broadcasting ESC. It has since been one of the most successful countries, qualifying each year and earning four Top Ten finishes. Song Title: Technicolour Performing Artist: Montaigne [Jess Cerro] Composer(s): Jess Cerro, Dave Hammer Lyricist(s): Jess Cerro, Dave Hammer About the Performing Artist: Montaigne has built a reputation across her native Australia as a stunning performer, unique songwriter, and musical experimenter. She has released three albums to critical and commercial success; she performs across Australia at various music and art festivals.
    [Show full text]
  • I Måneskin Conquistano L'europa
    RadiocorriereTv SETTIMANALE DELLA RAI RADIOTELEVISIONE ITALIANA numero 21 - anno 90 24 maggio 2021 Reg. Trib. n. 673 del 16 dicembre 1997 Il rock non morirà mai foto: NPO/NOS/AVROTROS NATHAN REINDS NATHAN foto: NPO/NOS/AVROTROS I Måneskin conquistano l’Europa Nelle librerie Nelle librerie e store digitali e store digitali 2 TV RADIOCORRIERE 3 SONO VACCINATO Nelle librerie Non vi nascondo che mentre mi recavo all’Outlet di Valmontone un pizzico di tensione si poteva scorgere sul e store digitali mio volto, ma una volta arrivato nell’area dedicata alla somministrazione dei vaccini mi sono potuto rendere conto di persona che se le cose si vogliono fare, si possono fare e bene. L’ennesima dimostrazione di un Paese che se ha voglia di funzionare, funziona. Una sanità pubblica che invece di perdersi in inutili chiacchiere si è messa a disposizione dei cittadini. Sarà per quella disperazione che ormai ci attanaglia dopo quindici mesi passati tra clausura, cautele e mascherine, ma arrivare ed essere accolti in modo a dir poco perfetto rende il tutto più semplice. Tutto facile, dalla registrazione alla somministrazione del vaccino. Un percorso che fai in auto, senza scendere, con l’infermiere che ti inietta l’adenovirus che innescherà la reazione degli anticorpi. Tornato a casa, dopo qualche ora, sono comparse alcune linee di febbre, un leggero mal di testa, e poi tutto è tornato come prima, nella consapevolezza di aver fatto la cosa giusta. Forse dovevano pensarci prima. È vero, mancavano i vaccini, ma anche quando c’erano si è perso del tempo in inutili quanto patetici progetti che da sempre ottengono come principale risultato quello di paralizzare la sanità del nostro Paese.
    [Show full text]
  • There's a Common Misconception About Eurovision Songs
    First Half Second Half The Stats The Rest Hello, Rotterdam! After a year in storage, it’s time to dust off Europe’s most peculiar pop tradition and watch as singers from every corner of the continent come to do battle. As ever, we’ve compiled a full guide to the most bizarre, brilliant and boring things the contest has to offer... ////////////////////////////////// The First Half...............3-17 Cypriot Satan worshipping! Homemade Icelandic indie-disco! 80s movie montages and gigantic Russian dolls! Unusually for Eurovision, the first half features some of this year’s hot favourites, so you’ll want to be tuned in from the start. The Second Half.............19-33 Finnish nu-metal! Angels with Tourette’s! A Ukrainian folk- rave that sounds like Enya double-dropping and Flo Fucking Rida! Things start getting a little bit weirder here, especially if you’re a few drinks in, but we’re here to hold your hand. The Stats...................34-42 Diagrams, facts, information, theory. You want to impress your mates with absolutely useless knowledge about which sorts of things win? We’ve got everything you need... The Ones We Left Behind.....43-56 If you didn’t catch the semis, you’ll have missed some mad stuff fall by the wayside. To honour those who tripped at the first hurdle, we’ve kept their profiles here for posterity – so you’ll never need ask “Who was the Polish Bradley Walsh?” First Half Second Half The Stats The Rest Pt.1: At A Glance The Grand Final’s first half is filled with all your classic Saturday night Europop staples.
    [Show full text]
  • Guida a Eurovision: Europe Shine a Light
    La prima volta dell’Eurovision Song Contest annullato L’edizione 2020 dell’Eurovision Song Contest non andrà in scena. Era in programma il 12, 14 e 16 maggio alla Ahoy Arena di Rotterdam, nei Paesi Bassi, ma la pandemia da Coronavirus che partendo dalla Cina ha coinvolto prima l’Italia, poi tutta Europa ed il resto del Mondo, ha portato l’EBU e la tv pubblica olandese all’unica decisione possibile: cancellare la manifestazione per quest’anno. Non è mai successo, nella storia del concorso, che sia saltata un'edizione, nemmeno quando problemi tecnici ed economici, in passato, ne avevano messo in forte dubbio lo svolgimento. Una decisione sofferta, ovviamente, perché i motori erano già caldi e la messa a punto dell’area, con la costruzione del palco, era ormai prossima; tanti i fan lasciati delusi. L’EBU ha spiegato che non sarebbe stato possibile mettere in pratica nessuna delle altre ipotesi: uno show da remoto, oltre a causare evidenti squilibri tecnici fra i vari paesi, non avrebbe avuto lo stesso appeal dell’evento, fortemente aggregativo. Per gli stessi motivi è stata scartata l’idea di andare in onda senza pubblico, mentre un rinvio a settembre o in un qualunque altro mese, oltre a dare meno tempo alla tv vincitrice per organizzare l’edizione 2021, non avrebbe comunque garantito lo svolgimento dell’evento vista l’evoluzione imprevedibile della pandemia. Allo stesso tempo, l’EBU ha dato parere favorevole alla designazione per l’Eurovision 2021 degli stessi interpreti scelti per il 2020: non tutte le emittenti hanno fatto questa scelta. Tutte le canzoni invece dovranno essere nuove, perché resta valida la regola per la quale i brani non devono essere stati pubblicati antecedentemente al 1° settembre dell’anno precedente all’edizione.
    [Show full text]
  • Italy's Rock Band Wins Eurovision
    ARAB TIMES, MONDAY, MAY 24, 2021 NEWS/FEATURES 13 People & Places TV Streaming rise Networks ‘bank’ on reboots, franchises By David Bauder and Lynn Elber verything old is new again on network television, Eand without apology. As the TV industry rushes into the future with streaming services, traditional broadcasters unveiled 2021-22 schedules that rely heavily on familiar series brands and reboots of decades-old shows. There’s even a two-fer based on “CSI: Crime Scene Investigation,” the Las Vegas-set forensics drama that dazzled viewers when it arrived in 2000. Get ready for “CSI: Vegas,” a CBS remake complete with original stars William Petersen and Jorja Fox and, in a sign of diversity progress, Black actor Paula Newsome as the lead investigator. The annual network tradition of wooing potential ad buyers with lavish New York City presentations of up- coming shows and their stars was reduced by COVID to a virtual presentation for the sec- ond year. But a deeper disruption came with the announcement that Discovery and Warner- Media plan to merge, adding yet another media behemoth with streaming services — Discovery+ and HBO Max Kimmel — to the fray that began with Netflix. The broadcast networks aren’t merely on the sidelines. Most are aligned with streaming services through their corporate owners, such as Disney’s ABC and Disney+, which means they’re both competing and cooperating. The strategy to double-down on standard network fare comes as lavish streamed shows including “The Crown” draw critical acclaim, Emmy Awards and subscribers. But it’s ad dollars that the networks need, and they’re uniquely positioned to provide the mass Maneskin from Italy celebrate with the trophy after winning the Grand Final of the Eurovision Song Contest at Ahoy arena in Rotterdam, Netherlands, May 22.
    [Show full text]
  • ESC2021 Country Profiles.Xlsx
    Eurovision Obsession Presents: ESC 2021 Country Profiles Cyprus Competing Broadcaster: Cyprus Broadcasting Corporation (CyBC) Debut: 1981 Best Finish: 2nd (2018) Number of Entries: 37 Worst Finish: Last (1986) A Brief History: Cyprus has had moderate success, finishing in the Top Ten ten times including reaching a new high, second place, in 2018. Cyprus holds the record for most entries without a victory, hitting 36 in 2019. Song Title: El Diablo [The Devil] Performing Artist: Elena Tsagrinou Composer(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa Lyricist(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa About the Performing Artist: After competing on Greece Got Talent , Tsagrinou became the new lead singer of the band OtherView. Her success with the band led to coaching on the show Just the 2 of Us as well as voicing characters in Greek dubs of animated movies. She has been solo Semi-Final 1, Running Order 08 Grand Final Running Order 01 Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017.
    [Show full text]
  • Europack Full 2021.Pdf
    WELCOME Bienvenidos/as Eurovision-Spain tiene mucho que celebrar este 2021, nuestro recién cumplido 20º aniversario, el nuevo diseño de la web y APP, la celebración de la quinta PrePartyES y, especialmente, y el regreso de Eurovisión a nuestras vidas. Para que puedas disfrutarlo como merece la ocasión, he aquí nuestro tradicional Europack, con toda la información del festival de Róterdam que culminará el próximo sábado 22 de mayo y disfrutaremos juntos desde la primera jornada de ensayos del día 8. A ti, querido lector, gracias por seguir ahí un año más, una edición más. LITUANIA 01 LITHUANIA SF 1 DISCOTEQUE THE ROOP LETRA | LYRIC Okay, I feel the rhythm My body’s shaking, heart is Something’s going on here breaking The music flows through my veins Have to let it go It’s taking over me, it’s slowly I need to get up and put my kicking in hands up My eyes are blinking and I don’t There’s no one here and I don’t know what is happening care I can’t control it, don’t wanna end it I feel it’s safe to dance alone There’s no one here and I don’t care Let’s discoteque right at my I feel it’s safe to dance alone (dance home alone) It is okay to dance alone Dance alone (dance alone), dance Dance alone, dance alone (alone) alone (dance alone) Dance alone (alone), dance alone Dance alone (dance alone), dance (alone) alone (dance alone) I got the moves, it’s gonna blow Dance alone (dance alone), dance Dance alone, dance alone alone Dance alone, dance alone Let’s discoteque right at my home Let’s discoteque right at my It is okay to dance alone home
    [Show full text]
  • Italian Rockers Maneskin Win Pandemic-Defying Eurovision
    Established 1961 11 Lifestyle Feature Monday, May 24, 2021 Italian rockers Maneskin win pandemic-defying Eurovision talian rock foursome Maneskin won the Eurovision Song Contest in Rotterdam on Saturday in a glammed- Iup message of hope for a world emerging from the coronavirus pandemic. As the tournament returned after a year off because of the virus, the high-kicking, lederhosen- wearing Italians beat off stiff competition from France and Switzerland with their song “Zitti e Buoni”. Italy’s third Eurovision win and its first since 1990 came after a nailbit- ing end to the kitschy competition, which went ahead amid strict protocols including mass testing and an audience lim- ited to 3,500 people. The theme of this year’s Eurovision was “Open Up”, and the Dutch government-backed coronavirus restrictions could be a model for mass events such as Euro 2020 and the Tokyo Olympics. Maneskin, featuring three men and one woman, said the whole evening of stomping songs and flamboyant costumes would bring cheer after more than a year of COVID-19. “We think that the whole event was a relief”, singer Damiano David said after showering his bandmates with champagne during a press conference. “It was really incredible, the whole event, this Eurovision is going to be a lighthouse.” Bassist Victoria De Angelis said their victory “could be a message of hope” to Italy, which was one of the countries in Europe hardest hit by the virus. “We’re honored to be bringing it back after 31 years,” she said of the Eurovision title, which means Italy is due to host next year.
    [Show full text]