DOCSLIB.ORG

The Year of the Goddess Yearly Inspiration | 2015 Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Year of the Goddess Yearly Inspiration | 2015 Issue A COLLECTION OF INSPIRING STORIES, POEMS AND ART WORK CREATED BY GODDESSES THE YEAR OF THE GODDESS YEARLY INSPIRATION | 2015 ISSUE WWW.NABALO.COM COPYRIGHT Copyright © 2015 by Iris Suurland All rights reserved. No part of this publication may be reproduced, distributed, or trans- mitted in any form or by any means, including photocopying, re- cording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncom- mercial uses permitted by copyright law. For permission requests, contact : Nabalo Stockholm, Sweden [email protected] www.nabalo.com i MAGIC The Goddess is Alive. Magic is afoot. — Z. Budapest ii EDITORS NOTE On a snowy December night in 2014 I was sitting the readers that have been supporting the Year at my desk drinking a glass of delicious organic of the Goddess. red wine and being in awe of all the amazing Since there are only 12 New Moons in a year and women I get to call my "Tribe". so many more amazing goddesses in my life I de- I was looking back on my year and writing down cided to create this Ebook. A collection of sto- what had made that year so epic, and I realized ries, artwork, poems and photography by women that I my year had been so incredible by all the from all over the world. I hope you enjoy reading inspiring women I had met. And in that moment I it as much as I enjoyed making it. felt the calling. I wanted to do a year long pro- Tonight, on a snowy evening in December of the ject called the Year of the Goddess. year 2015, while I am sipping my delicious or- On every New Moon in 2015 I shared one of ganic red wine, I again find myself in awe with life these amazing women and their stories on my and with all the amazing women I get to work website. Hoping that my readers would be just as and connect with. inspired by them as I am. The response to this This is for you, Goddesses. project has been warming my heart for a whole year and I am so grateful for both the writers and Love, Iris Founder of Nabalo iii 1 NEW MOON GODDESSES On every New Moon in 2015 I have shared with you one of the amazing women I cherish so deeply! Let me take you on a trip through 12 Moons and meet the New Moon Goddesses, read about their passions, how they see the world and what they thrive on. You better be ready to be inspired because they will rock your world! GODDESS “I believe every single woman is a Goddess. We are divine, miracu- lous and glorious. It’s who we are down to our core. You may need to rediscover and reclaim this part of yourself but it’s there just wait- ing for you to rock it.” - Alexandra Jaye Johnson v JANUARY - ALI wild |wīld| SCHUELER adjective 1 (of an animal or plant) living or growing in the natural envi- ronment; not domesticated or cultivated. • (of people) not civilized; barbarous. 2 uncontrolled or unrestrained, especially in pursuit of pleas- ure. • not based on sound reasoning or probability. So, I kind of have a “thing” for wildness. No, I don’t exactly mean a sexually inspired kind of “thing” (but a wild man or woman sure is sexy!) for wildness. I’m more-so talk- ing about my whole passion in life being centered around com- ing into more and more union with my wild feminine nature. To me, wildness is truth. It’s the core of our human existence, but we’ve come so, so far from it. 6 We live in boxes, are told to follow the all- way over the last decade) that women should american lifestyle, working our 9-5’s and not ask- stay at home all of the time, care for the house, ing questions. raise children, and live these neat, proper lives. Society is scared of wild. Wildness is not tame, it Of course this is a generalization, but like I stated doesn’t fit into boxes, and it’s not easy to under- — it’s been the overarching truth for many cul- stand or define. tures over time, the further we’ve gotten from out natural, wild state. We’ve come so far from our wild ancestry, we lit- erally have to re-learn how to be natural humans Wild women frighten most people. Think back to again. Because the truth is, wild is our natural hu- the witch trials, for example — those were wild man state of being. women, speaking their truth, expressing their sexuality, healing and nourishing with herbal Being the domesticated humans that we are remedies. People feared them for the power the now, it requires an unleashing and embracing to possessed — the power of being a fully embod- get back to our wildness, and speaking specifi- ied woman. cally for women — an unleashing and embracing of our wild feminine nature. What’s usually frightening for people about wild women, is that they are usually very hard to tame We’ve come so far from our wild feminine nature, or define. Wild women at their highest potential as women from such a young age are being are free, charismatic, expressive, confident, un- taught that their bodies are all wrong rather than wavering from their truth and beliefs, in love with honoring their uniqueness, to dissociate from themselves, in union with their feminine cycles, their natural cycles rather than embrace the sexual, spiritual, sacred, and generally don’t give beauty of their femininity, to chase men for valida- a fuck what people think — while simultaneously tion rather than falling in love with themselves being some of the most caring, compassionate, first, or cover themselves in toxic makeup rather and passionately loving characters you will ever than understanding that the skin they live in is meet. the most beautiful incarnation already. Wild woman is a breed that is few and far be- While the domestication applies to both women tween these days, but we’re making a resur- and men completely, women have been espe- gence. cially tamed over time. The word domesticate or domesticated, literally means “of the house” or My passion in life is finding more and more ways “belonging to the house”. If you think about the to unleash and embrace my wild feminine nature. way women have been tamed, there has been Not only is it my passion, but it’s my path in life. this overarching idea for such a long time (that’s And it’s not only my passion and path in life for just finally starting to be challenged in a bigger 7 myself, but I love to support other women in unleashing and embracing their wild feminine nature within their own lives and being, too. I feel most alive when I’m doing the things that make me feel wild — whether it’s swimming naked, dancing ecstatically, harvesting wild edibles and medicinals, making crazy passionate love, sitting in circle with my sisters, moving my body freely, eating healthful and nourishing foods, imbibing sacred elixirs, writing from my heart, or reading riveting literature. The beauty of our wildness is that what evokes the feeling of being wild and free for each woman is going to be different. So, what makes you feel wild, dear sister? Does the call of the wild speak to your heart and soul? The wild lives within us all, if we’ll only open to it. Ali is a writer and women’s embodiment mentor, helping women to “unleash and embrace their wild feminine nature". She is committed to the re-sacralization of the feminine across the globe. Her mission is pas- sionately providing women with experience- based tools that inspire life-changing awakening in the feminine, promoting emotional awareness, spiritual fulfillment, wild self-expression as well as a connection to our bodies and their natural cycles. She enjoys writing and video blogging weekly through her website WildWomanSpeaks.com and sharing inspiration with her Wild Woman Speaks community. 8 FEBRUARY - “Music gives a soul to the universe, wings to the mind, flight CAMILLE GIGLIO to the imagination, and life to everything. ” — Plato MUSIC IS UNIVERSAL LANGUAGE Music is something that pulses through us, and touches us all uniquely. We’ve all had those moments of getting lost in a song, beautiful music bringing a tear, listening to music while we drive - not just had them, but even daily - feeling like a song represents our personal life’s movie soundtrack. Music is a healing experience. Studies show that it effects mood, depression, and anxiety. I can imagine that whenever our ances- tors learned they could make beautiful sounds with their voices, it was immediately something treasured. And when two people combine their voices to make music, all the more powerful. 9 Music brings together cultures from all over the in love. Music can celebrate a loved one, it can planet, ties into sacred ceremonies throughout give people hope, and it can celebrate the birth time, is a key part of rituals from many different of a new being. It can be the soundtrack to creat- beliefs, and also very much enjoyed for pleasure. ing new life or to accompany a psychoactive ex- It is part of our ancestry and lineage. Think about perience. how many different styles and forms of music ex- What I’m getting at here, is that music can be ist, each one bursting out of a community bit by our direct connection to source, goddess, god, bit throughout herstory.
Load more

Recommended publications
  • CASH BOX (ISSN 0008-7289) Is Published Mississippi Mass Choir Weekly (Except Cbrishias Holidays) by Cash (LIBERTY) (MALACO) News 3 Box, 1 57 W
    /i triean •"# m v? W Banehkind Jjki: CJiirll: Hosis Aijuj'/ersary Sped-j] STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT CftStt Vice President/General Manager FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEEJESKE New York Editor THE MUSIC TRADE MAGAZINE MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL RANDY CLARK, Assoc. Ed. (LA) INSIDE THE BQX BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) COVER STORY STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor American BandstandTurns 40! GFEGORY S COOPER-Gospe((Nashvte) American Bandstand, the seminal rock 'n' roll dance show that debuted CHART RESEARCH CHERRY URESTI (LA) in 1952, will celebrate its anniversary with a star-studded television RAYMOND BALLARD (LA) MIA TROY (LA) special this week. Host Dick Clark will be joined by over 200 enter- COREY BELL (LA) JOHN GILLEN (LA) tainers, both Hive” and on tape, for the festivities. A salute to Clark is JOHN COSSIBOOM (Nash) CHRIS BERKEY (Nash) also included. PRODUCTION —see page 8 JIM GONZALEZ Art Director CIRCULATION L.A. Retailers React To Riot Losses NINATREGUB, Manager CYNTHIA BANTA The world will not soon forget the horrendous riots that ripped L.A. PUBLICATION OFFICES apart last week, as many stores were destroyed by looting and arson. NEW YORK 157 W.57th Street (Suite 503) New Record retailers, mostly chains, were unfortunately included in the Yoik, NY 10019 Phone: (212) 586-2640 devastation. M.R. Martinez reports on the damage, and looks to the Fax: (212) 582-2571 HOLLYWOOD V future.
    [Show full text]
  • ·ź· Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
    å¤å​ ¡​ ·康 音樂專輯 串行 (专辑 & 时间表) Hello Happiness https://zh.listvote.com/lists/music/albums/hello-happiness-60768892/songs The Platinum Collection https://zh.listvote.com/lists/music/albums/the-platinum-collection-7757411/songs I Feel for You https://zh.listvote.com/lists/music/albums/i-feel-for-you-16996280/songs Naughty https://zh.listvote.com/lists/music/albums/naughty-17062072/songs What Cha' Gonna Do for Me https://zh.listvote.com/lists/music/albums/what-cha%27-gonna-do-for-me-7991011/songs The Very Best of Rufus Featuring https://zh.listvote.com/lists/music/albums/the-very-best-of-rufus-featuring-chaka-khan- Chaka Khan 17030364/songs The Woman I Am https://zh.listvote.com/lists/music/albums/the-woman-i-am-7775487/songs Dance Classics of Chaka Khan https://zh.listvote.com/lists/music/albums/dance-classics-of-chaka-khan-5215048/songs Echoes of an Era https://zh.listvote.com/lists/music/albums/echoes-of-an-era-5332805/songs Funk This https://zh.listvote.com/lists/music/albums/funk-this-5509232/songs Chaka Khan https://zh.listvote.com/lists/music/albums/chaka-khan-5068265/songs Chaka https://zh.listvote.com/lists/music/albums/chaka-5068261/songs CK https://zh.listvote.com/lists/music/albums/ck-5012646/songs https://zh.listvote.com/lists/music/albums/live-%E2%80%93-stompin%27-at-the-savoy- Live – Stompin' at the Savoy 7618802/songs ClassiKhan https://zh.listvote.com/lists/music/albums/classikhan-5128056/songs Epiphany: The Best of Chaka Khan, https://zh.listvote.com/lists/music/albums/epiphany%3A-the-best-of-chaka-khan%2C- Vol.
    [Show full text]
  • I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality Michelle M. Allen Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Adult and Continuing Education Commons, Bilingual, Multilingual, and Multicultural Education Commons, Curriculum and Social Inquiry Commons, Gender and Sexuality Commons, Gender Equity in Education Commons, Inequality and Stratification Commons, Liberal Studies Commons, Race and Ethnicity Commons, and the Social and Cultural Anthropology Commons Recommended Citation Allen, Michelle M., "I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality" (2018). Electronic Theses and Dissertations. 1764. https://digitalcommons.georgiasouthern.edu/etd/1764 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. I, TOO, AM A WOMAN: AN EMANCIPATORY TEXT ON THE INTERSECTIONS OF RACE, GENDER, AND SEXUALITY by MICHELLE ALLEN (Under the Direction of Sabrina Ross) ABSTRACT This inquiry builds upon Black Feminism and Critical Race Feminist frameworks by exploring the juxtaposition between Black Women and Queer Black Women. It is also an exploration of the similarities between Queer Black Women and Black Women and how they interact with femininity and masculinity, patriarchy, and heteronormativity. Claiming digital space through podcasting, it honors the power of counter narratives by employing autoethnographical story telling.
    [Show full text]
  • November 22Nd 2010
    California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-22-2010 November 22nd 2010 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 22nd 2010" (2010). Coyote Chronicle (1984-). 10. https://scholarworks.lib.csusb.edu/coyote-chronicle/10 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Vol. XLIV, No. 8 THE INDEPENDENT STUDENT VOICE Monday, November 22 2010 OFCoyote CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO FOR 44 YEARS Chronicle www.coyotechronicle.comwww.coyotechronicle.com Supreme Court upholds decision in favor of undocumented students By ELVIA J. RODRIGUEZ Staff Writer The California Supreme Court ruled According to ABC 7 News, a group of that undocumented students have the right out of state University of California stu- to pay in-state tuition by ruling in favor of dents fi led the lawsuit in 2005. a state bill that affects 42,000 college stu- The lawsuit was placed because the dents on Monday, Nov. 15 students felt it was unfair for U.S. citi- The court unanimously voted and zens to be charged out of state tuition fees, found the California Assembly Bill (AB) while illegal immigrants paid in-state tu- 540 put into practice in 2001 does not vio- ition fees. late any state or federal laws. Michael Madrid, a CSUSB student, “Without this law, it would be the said he believes people who took the initia- end of my education,” said Leslie Duarte tive to qualify under the law should have an undocumented student from Riverside the right to in-state-tuition.
    [Show full text]
  • Chapter 6: the Carceral Community
    “It’s a Lot of Good Men Behind Walls!”: Mass Incarceration and the Transformation of Romance in the United States Megan Comfort, University of California-San Francisco In press: Actes de la recherche en sciences sociales A discussion of the “social effects” or “collateral consequences” of the American model of mass incarceration on social and family life has emerged in recent years (Hagan and Dinovitzer 1999; Mauer and Chesney-Lind 2002; Pattillo, Weiman and Western 2004; Braman 2004). Keenly attuned to the poverty, unemployment, single-mother parenting, and other socio-economic burdens shouldered by those most affected by the United States’ punitive penal policies (see Tonry 1998: 3-30), researchers tend to position incarceration as the catalyst of these woes – that is, being sentenced to spend time in jail or prison is claimed to be the disruptive force that results in job loss, family disintegration, social ostracism, and the like. While punitive confinement does trigger an ever-increasing array of civil penalties such as disenfranchisement and restrictions on public welfare, housing, and educational benefits (Mele and Miller 2005), an in- depth analysis of women’s romantic relationships with prisoners demonstrates that correctional institutions can grant a surprising measure of control to these women in their dealings with men. Indeed, prisons can provide structures for enacting the gendered roles of nurturer and caregiver as well as substitute sites for domestic and conjugal life that, paradoxically, may be preferable to or easier to manage than the chaos and stress of the family home. This article primarily draws upon nine months of intensive fieldwork at northern California’s San Quentin State Prison, which currently houses upwards of 6,000 men and occupies four hundred and thirty-two acres of prime real-estate property in Marin County, an affluent area north of the San Francisco Bay.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • ARTICULATIONS of COLORISM in POPULAR MEDIA, 1982-2012 By
    THE PUBLICNESS OF THE PRIVATE: ARTICULATIONS OF COLORISM IN POPULAR MEDIA, 1982-2012 by NICOLA AMANDA CORBIN (Under the Direction of James F. Hamilton) ABSTRACT This dissertation examines the discursive production of colorism (intra-race gender and skin-color discrimination) in select popular media by using articulation as a theoretical and methodological foundation. Materials examined include Alice Walker’s (1983) nonfiction collection In Search of Our Mothers’ Gardens: Womanist Prose and accompanying literary reviews, a random sample of 133 issues of Essence magazine, and the promotional trailer for the documentary Dark Girls, the film’s official online promotional materials and sites, and corresponding online responses. The project concludes that a key way colorism is produced discursively is through the articulation of a black women’s historically produced politics of respectability within a broader opposition between the private and the public. This articulation inhibits the critical potential of some challenges that have been made to colorism. The study concludes by suggesting ways for progressive challenge to colorism. INDEX WORDS: Race, gender, black women, colorism, Essence, Dark Girls, articulation, respectability politics, human skin color, intra-race discrimination, magazines, documentary, feminist theory, articulation theory THE PUBLICNESS OF THE PRIVATE: ARTICULATIONS OF COLORISM IN POPULAR MEDIA, 1982-2012 by NICOLA AMANDA CORBIN B.A., Seton Hall University, 1999 M.A., New York University, 2003 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2013 © 2013 Nicola Amanda Corbin All Rights Reserved THE PUBLICNESS OF THE PRIVATE: ARTICULATIONS OF COLORISM IN POPULAR MEDIA by NICOLA AMANDA CORBIN Major Professor: James F.
    [Show full text]
  • COUNCIL DISTRICT No.13 APPROVAL for ACCELERATED
    COUNCIL DISTRICT No.13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-81) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A Future Street Acceptance. __ } B. Quitclaim of Easement(s). __ j C. Dedication of Easement(s). _ ~ D. Release of Restriction(s). ~ E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE Please return to Council Index Section, Room 395 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date ---- scheduled in Council. AFTER COUNCIL ACTION: __j Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. __j Other: Send copies of adopted report an9 ORIGINAL RESQLUTION to Land Development Group. Attention: Jeff Moore (Mail Stop 901 t and to Survey Division, Attention Jim Lantry (Mail Stop 904) far further processing PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles California To the Honorable Council Ofthe City of Los Angeles APR 14 1011 Honorable Members: C.
    [Show full text]
  • Girlhood and the Feminist Imaginary in Twentieth-Century Transatlantic Women’S Literature
    GIRLHOOD AND THE FEMINIST IMAGINARY IN TWENTIETH-CENTURY TRANSATLANTIC WOMEN’S LITERATURE By Tracy Wendt Lemaster A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 09/27/12 The dissertation is approved by the following members of the Final Oral Committee: Susan S. Friedman, Professor, English and Gender and Women’s Studies Thomas Schaub, Professor, English Jeffrey Steele, Professor, English Ellen Samuels, Assistant Professor, Gender and Women’s Studies Julie D’Acci, Professor, Gender and Women’s Studies © Copyright by Tracy Wendt Lemaster 2012 All Rights Reserved i Table of Contents Acknowledgements ii Dissertation Abstract iii Introduction The Girl and the Woman Writer 1 Chapter One Girls’ Studies and Third Wave Feminism in Virginia Woolf’s 35 A Room of One’s Own and The Waves Chapter Two Othering the Girl: Agency, Madness, and Puberty in Simone de 82 Beauvoir’s The Second Sex Chapter Three Celie’s Psychodrama: Neuroscience, Teenage Cognition, and the 133 Epistolary Form in Alice Walker’s The Color Purple Chapter Four Girlhood Biopolitics in Sapphire’s Push: Obesity, Sexual Arousal, 173 and HIV Infection Works Cited 218 ii Acknowledgements I am so grateful to the many people who have helped me write this dissertation throughout the years. Foremost, I want to thank my advisor, Susan Friedman, for believing in this project’s focus on the relatively new, developing subfield field of Girls’ Studies, and for having the confidence in me to create literary dialogues with its interdisciplinary research.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • GW Resume 6-14B
    George Whitty ! ! 310-488-9068 [email protected] PO Box 1975 Lake Arrowhead, CA 92352 Profile! I am a musician, producer, mix engineer, instructor and clinician, with extensive professional experience as a keyboardist with Herbie Hancock, David Sanborn, Carlos Santana, Celine Dion, Chaka Khan, the Brecker Brothers, Richard Bona, and a number of other artists, producing and mixing several Grammy- winning CDs for these artists as well. I have also earned a pair of Emmy nominations for my TV scoring and am well known in the music industry for my expertise as a computer-based music producer. Over the last 20 years I have been an instructor in a wide variety of settings, including private instruction from Norway to Japan, workshops and clinics around the world, and master classes at the Berklee College of Music. Over the last 2 years I have developed and produced an extensive series of online video instruction (currently more than 70 lessons) covering improvisation, production, arranging, mixing and more. In the classroom, I take great pleasure in sharing what I’ve learned, inspiring energy, optimism and confidence, and I consider my ability to distill the intangibles of music into teachable principles to be one of my greatest strengths as an instructor. An extensive collection of the music I’ve made, videos of live !performances, 60+ film cues, and more information can be found at my website: www.gwhitty.com Experience KEYBOARDIST - VARIOUS — 1992-PRESENT • THIRD RAIL - Completed 2nd European tour with my trio Third Rail in June 2014. Released a live CD from our European tour, Dec.
    [Show full text]
  • The Oxford Democrat
    The Oxford Democrat. NUMBER 29. VOLUME 79. SOUTH PARIS, MAINE, TUESDAY, JULY 16, 1912. side hi· arm. •ο like what might have bap ΤΗ· Soft Answer. one of us believe that. Freckle·. 0'More'· and, catching exactly on every lorry you seem so terribly disappointed, an old who drove d. ρλκκ, Repairs the Burn. shook him to that I most tell 70a. There m darky THE does my father refer to yon The man was his impatiently. pened you AMONG FABMERS. "Why but It was all right back in a email town on Evert buainee· man, in making oat "Terence! Have you loat your Then see that things could be the solitary Auctioneer, constantly as being of fine perceptions and as the as he could you'll ^Tbkkt :he annual balance iheet which ie to uncle, like boy on- the uliore where the late Sen- Licensed " eenses?" she cried. "Didn't yoo different from what you bars Y(retain MAINS. SPKKD and honor? Because are. killed ta very THE PLOW." •how the or loaa on bueine·· for you possibly be. He was almoet the season. In SOCTH PARIS, profit derstand wbat the child said? Look always tortured yourself with think- ator Daniel had spent .be τ ear a certain amount for de- Freckles. Why does the Bird Woman back without him. If you know Moderate. allow· go wbat she haa!" weather the senator, who was Term) work and at her face! See ing." good preciation in the value of his equipment leave ber precious stay where Frecklos Is, they'd give big In Corrwpoa<ienoe on practical agricultural topics I he said.
    [Show full text]