COUNCIL DISTRICT No.13 APPROVAL for ACCELERATED
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CASH BOX (ISSN 0008-7289) Is Published Mississippi Mass Choir Weekly (Except Cbrishias Holidays) by Cash (LIBERTY) (MALACO) News 3 Box, 1 57 W
/i triean •"# m v? W Banehkind Jjki: CJiirll: Hosis Aijuj'/ersary Sped-j] STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT CftStt Vice President/General Manager FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEEJESKE New York Editor THE MUSIC TRADE MAGAZINE MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL RANDY CLARK, Assoc. Ed. (LA) INSIDE THE BQX BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) COVER STORY STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor American BandstandTurns 40! GFEGORY S COOPER-Gospe((Nashvte) American Bandstand, the seminal rock 'n' roll dance show that debuted CHART RESEARCH CHERRY URESTI (LA) in 1952, will celebrate its anniversary with a star-studded television RAYMOND BALLARD (LA) MIA TROY (LA) special this week. Host Dick Clark will be joined by over 200 enter- COREY BELL (LA) JOHN GILLEN (LA) tainers, both Hive” and on tape, for the festivities. A salute to Clark is JOHN COSSIBOOM (Nash) CHRIS BERKEY (Nash) also included. PRODUCTION —see page 8 JIM GONZALEZ Art Director CIRCULATION L.A. Retailers React To Riot Losses NINATREGUB, Manager CYNTHIA BANTA The world will not soon forget the horrendous riots that ripped L.A. PUBLICATION OFFICES apart last week, as many stores were destroyed by looting and arson. NEW YORK 157 W.57th Street (Suite 503) New Record retailers, mostly chains, were unfortunately included in the Yoik, NY 10019 Phone: (212) 586-2640 devastation. M.R. Martinez reports on the damage, and looks to the Fax: (212) 582-2571 HOLLYWOOD V future. -
Grand Funk #29 ~· NEVER LET HER GO ·~ Ddv I..D Ga:.Es 6; 541 48~ 54 Idr~~ CASEY's Cnast to COAS~ \
I-~. f -:·. ,.,-• • . FOR WEEK ENDINQ: March 8, 197 5 10700 Ventura Blvd. CYCLE NO. 7 51 PROGRAM 10 OF 13 .. /_·.·.-.": No. Hollywood, Ca. 91604 . Phone: (213) 980-9490 . SIDES: lA & lB PAGE NO. ---'1=--- RUNNING ELEMENT TIME .THEME . & OPENING OF PART . 1 .. '· · 4fo40 -. BEFORE THE NEXT TEARDROP FALLS - .Freddie Fender 4fo39 -:- ':FIRE -· Ohio Players · · · · 7:06 LOGO: CASEY 1 S COAST TO COAST ~-. ·.-.· . .. - C-1 2:00 • ,I I .. ·.· . '...... • ·, i _; : 9:06 . LOGO: :;.:AMERICAN TC)p 40 #38 - SUPERL'l'ATURAL THING PART I' Ben E. King #37 _: I GET .LIFTED - George McCrae 6:24 LOGO: HITS FROM COAST TO COAST .. •':. LOCAL INSERT: 2:00 17:30 LOGO: .ANERICAN TOP 40 #36 - EMMA - Hot Chocolate 4fo35 - PART OF THE PLAN - Dan Fogelberg #34 - I'VE BEEN THIS WAY BEFORE -Neil Diamond 28:48 LOGO: CASEY'S COAST TO COAST ------------~----+-- 28:50 LOCAL INSERT: C-3 2:10 31:00 LOGO: .AHERICAN TOP 40 ,,- #33 - HARRY TRUMAN - Chicago #32 - EMOTION - Helen Reddy 9:021 #31 - CHEVY VAN - Sammy Johns 40:00 LOGO: HITS FROM COAST TO COAST 40:02 LOCAL INSERT: C-4 2:00 42:02 LOGO: AMERICAN TOP 40 #30 - SOME KIND OF WONDERFUL - Grand Funk #29 ~· NEVER LET HER GO ·~ Ddv i..d Ga:.es 6; 541 48~ 54 IDr~~ CASEY'S CnAST TO COAS~ \ ~-:--:~-:+---+---------------·~--·~-~-··-~·--- 48:56 LOCAL INSERT: l----+---+------------•, .... -------~~--~~--~-~-- 50:56 LOGO: AMERICAN TOP 40 if28 - ONCE YOU GET STARTED - Rufus Featurning Chaka Khan #27 -(HEY WON'T YOU PLAY) ANOTHER SONEBODY DONE SOMEB:Jnv WRONG SONG - B.J. Thrnnas 58:32 THEME UP & UNDER W/TALK UNIT ENDING AT: 58:41 7: "_;;. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 1/17/2021 7PM through 1/17/2021 11P s: AirTime s: Runtime Schedule: Description 07:00:00p 00:00 Sunday, January 17, 2021 7PM 07:00:00p 04:27 PUSH IT / SALT-N-PEPA 07:04:27p 03:07 IT'S A SHAME / SPINNERS 07:07:34p 04:10 THE SWEETEST TABOO (SINGLE VERSION) / SADE 07:11:44p 04:08 ON BENDED KNEE (POP EDIT) / BOYZ II MEN 07:15:52p 03:14 LOVE OR LET ME BE LONELY / FRIENDS OF DISTINCTION 07:19:06p 03:51 ROCK STEADY / WHISPERS 07:22:57p 03:18 ONCE YOU GET STARTED / RUFUS 07:26:15p 04:01 FREEWAY OF LOVE (SINGLE) / ARETHA FRANKLIN 07:30:21p 03:30 STOP-SET 07:37:06p 03:40 LOVE HANGOVER / DIANA ROSS 07:40:46p 02:33 I'LL TUMBLE 4 YA / CULTURE CLUB 07:43:19p 04:10 DON'T LEAVE ME (RADIO EDIT) / BLACKSTREET 07:47:29p 03:50 BAD GIRLS / DONNA SUMMER 07:51:19p 03:30 STOP-SET 08:00:00p 00:00 Sunday, January 17, 2021 8PM 08:00:00p 04:41 I WANNA DANCE WITH SOMEBODY (WHO LOVES ME) / WHITNEY HOUSTON 08:04:41p 03:14 BE THANKFUL FOR WHAT YOU GOT / WILLIAM DE VAUGHN 08:07:55p 03:37 I CAN'T GO FOR THAT (NO CAN DO) / HALL & OATES 08:11:32p 04:38 I ADORE MI AMOR / COLOR ME BADD 08:16:10p 03:13 EVERYBODY PLAYS THE FOOL / MAIN INGREDIENT 08:19:23p 03:00 LET'S GO CRAZY (EDIT) / PRINCE 08:22:23p 04:00 THE HUSTLE / VAN MC COY & THE SOUL CITY SYMPHONY 08:26:23p 03:55 FORGET ME NOTS / PATRICE RUSHEN 08:30:23p 03:30 STOP-SET 08:37:08p 04:44 BOOGIE WONDERLAND / EARTH, WIND & FIRE 08:41:52p 03:14 WHEN SHE WAS MY GIRL / FOUR TOPS 08:45:06p 03:36 RIGHT HERE / HUMAN NATURE (RADIO MIX) / SWV 08:48:42p 02:37 WHERE IS THE LOVE / ROBERTA FLACK & DONNY HATHAWAY 08:51:19p 03:30 STOP-SET 09:00:00p 00:00 Sunday, January 17, 2021 9PM 09:00:00p 04:27 LET THE MUSIC PLAY / SHANNON 09:04:27p 02:44 THIS WILL BE (AN EVERLASTING LOVE) / NATALIE COLE 09:07:11p 03:32 KISS FROM A ROSE / SEAL 09:10:43p 03:46 I'M SO EXCITED / POINTER SISTERS 09:14:29p 03:17 LADIES NIGHT / KOOL & THE GANG 09:17:46p 03:52 JUST THE TWO OF US / GROVER WASHINGTON JR. -
“I See Myself As a Warrior”: Cultivating Youth Activist Narratives Through Projects of Social Justice
“I See Myself as a Warrior”: Cultivating Youth Activist Narratives through Projects of Social Justice Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Tamara T. Butler, B.S., M.A. Graduate Program in Education The Ohio State University 2014 Dissertation Committee Professor Valerie F. Kinloch, Advisor Professor Beverly J. Moss Professor Timothy J. San Pedro 1 Copyright by Tamara T. Butler 2014 i!! Abstract Informed by a critical multicultural framework, this research explores how youth raise awareness, critique inequitable structures, and engage in an array of social justice work. Two research major questions that guide this project are as follows: How do students create youth activist narratives using social justice experiences? What do students’ reflections about the narrative writing process reveal about why they engage in social justice work? In order to answer these questions, I used critical narrative inquiry as I entered a ninth-grade World Humanities classroom at Justice High School for a ten- month qualitative study. In the Humanities classroom, I focused on how students developed social justice projects on a variety of contemporary injustices (e.g., human sex trafficking, domestic violence, discrimination against LGBTQI youth, gentrification) and explored how youth came to understand, speak, and write about social inequities and injustices as well as how they position themselves as advocates, allies, and/or activists. Through thematic analysis of their Capstone Project, I analyzed how four girls used stories to engage in socially just activist practices. The narratives that emerged from this work can offer insight into how K-20 classrooms can foster partnerships that generate transformative, “activist” curricular engagements. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
Due Spot a Referendum E Il Si Paghera Il No
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Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
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å¤å ¡ ·康 音樂專輯 串行 (专辑 & 时间表) Hello Happiness https://zh.listvote.com/lists/music/albums/hello-happiness-60768892/songs The Platinum Collection https://zh.listvote.com/lists/music/albums/the-platinum-collection-7757411/songs I Feel for You https://zh.listvote.com/lists/music/albums/i-feel-for-you-16996280/songs Naughty https://zh.listvote.com/lists/music/albums/naughty-17062072/songs What Cha' Gonna Do for Me https://zh.listvote.com/lists/music/albums/what-cha%27-gonna-do-for-me-7991011/songs The Very Best of Rufus Featuring https://zh.listvote.com/lists/music/albums/the-very-best-of-rufus-featuring-chaka-khan- Chaka Khan 17030364/songs The Woman I Am https://zh.listvote.com/lists/music/albums/the-woman-i-am-7775487/songs Dance Classics of Chaka Khan https://zh.listvote.com/lists/music/albums/dance-classics-of-chaka-khan-5215048/songs Echoes of an Era https://zh.listvote.com/lists/music/albums/echoes-of-an-era-5332805/songs Funk This https://zh.listvote.com/lists/music/albums/funk-this-5509232/songs Chaka Khan https://zh.listvote.com/lists/music/albums/chaka-khan-5068265/songs Chaka https://zh.listvote.com/lists/music/albums/chaka-5068261/songs CK https://zh.listvote.com/lists/music/albums/ck-5012646/songs https://zh.listvote.com/lists/music/albums/live-%E2%80%93-stompin%27-at-the-savoy- Live – Stompin' at the Savoy 7618802/songs ClassiKhan https://zh.listvote.com/lists/music/albums/classikhan-5128056/songs Epiphany: The Best of Chaka Khan, https://zh.listvote.com/lists/music/albums/epiphany%3A-the-best-of-chaka-khan%2C- Vol. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality Michelle M. Allen Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Adult and Continuing Education Commons, Bilingual, Multilingual, and Multicultural Education Commons, Curriculum and Social Inquiry Commons, Gender and Sexuality Commons, Gender Equity in Education Commons, Inequality and Stratification Commons, Liberal Studies Commons, Race and Ethnicity Commons, and the Social and Cultural Anthropology Commons Recommended Citation Allen, Michelle M., "I, Too, Am a Woman: an Emancipatory Text on the Intersections of Race, Gender, and Sexuality" (2018). Electronic Theses and Dissertations. 1764. https://digitalcommons.georgiasouthern.edu/etd/1764 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. I, TOO, AM A WOMAN: AN EMANCIPATORY TEXT ON THE INTERSECTIONS OF RACE, GENDER, AND SEXUALITY by MICHELLE ALLEN (Under the Direction of Sabrina Ross) ABSTRACT This inquiry builds upon Black Feminism and Critical Race Feminist frameworks by exploring the juxtaposition between Black Women and Queer Black Women. It is also an exploration of the similarities between Queer Black Women and Black Women and how they interact with femininity and masculinity, patriarchy, and heteronormativity. Claiming digital space through podcasting, it honors the power of counter narratives by employing autoethnographical story telling.