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17 Nov. → 24 Déc. 2017 Édition
e édition festival dyonisien migrateur musiques — créations rencontres 17 nov. → 24 déc. 2017 Edito edito Petites et grandes histoires Tout récit est tissé de paroles, de silences, d’oublis, de souvenirs refabriqués, de fictions devenues légendes. Pour son édition 2017, Africolor fait une scène de ces fictions, imaginaires, petites et grandes histoires. Entre le temps fort consacré à Mé 67 et la jet-set imaginaire du coupé-décalé, entre le centenaire de Jean Rouch et le Pas de Côté consacré aux traditions inventées, le festival naviguera de souvenirs douloureux en fictions hilarantes, de récits des routes musicales en cérémonies aux ancêtres, entre vérités plurielles et créations enjaillées. Ce sont les artistes eux-mêmes qui seront les faiseurs d’histoires : Kar Kar pour nous faire écouter le lien entre Louisiane et Mali, Naïssam Jalal et Noura Mint Seymali, Abou Diarra et Mehdi Nassouli pour relier le Nord et le Sud de l’Afrique de l’Ouest ; Ann O’aro, Tao Ravao, Mounawar, Danyèl Waro et Absoir pour raconter les créolités de l’Océan Indien ; Jupiter et Lexxus Legal, Roberto Negro et Valentin Ceccaldi, pour nous conter les transes urbaines du Kinshasa d’aujourd’hui. Entre histoires d’exils et rencontres transatlantiques, Africolor fera aussi une place aux artistes arrivants, soudanais ou syriens, pour une grande soirée à la toute nouvelle MC93 avec la complicité d’Alsarah, la plus brooklynienne des soudanaises. Puis, comme un retour aux origines du festival, Malisadio sera le spectacle autour du Mali, de ses musiques et de sa société. Écrit par Vladimir Cagnolari et Vincent Lassalle, tout en rythmes et en humour, ce spectacle sur le Mali d’aujourd’hui sera un peu l’histoire d’Africolor, qui pour ses 28 ans est toujours farouchement dionysien et migrateur à la fois. -
Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
Harbourfront Centre Unveils Inaugural Habari Africa Festival Lineup – July
MEDIA RELEASE FOR IMMEDIATE RELEASE Harbourfront Centre unveils inaugural Habari Africa festival lineup – July 18–20 An unprecedented exploration of contemporary African arts and culture in the heart of Toronto’s waterfront TORONTO, ON (June 17, 2014) – From the African continent to the shores of Lake Ontario, Harbourfront Centre invites Toronto and its visitors to the inaugural Habari Africa festival, a multi- disciplinary music and arts festival that displays the rich and diverse culture of Africa from July 18-20. Habari Africa, which means “Hello Africa” in Swahili, will feature a mix of traditional, fusion and emerging music and dance styles performed by musicians based in Canada, as well as international touring groups. Through presentations and workshops that celebrate the uniqueness, wealth and diversity of African music, arts and culture, the Batuki Music Society will unravel and display an authentically African experience never before seen outside of the world’s second-largest continent. “Like the country’s landscape, African culture is large and diverse in ways that cannot be fully understood or appreciated until an individual has actually submersed oneself within it,” shares Nadine McNulty, artistic director of Batuki Music Society. “By drawing on various modern and ancient expressions of stories used across Africa, our hope is that we bring a truly authentic reflection of modern Africa to Toronto’s waterfront.” Be it the rhythm and variety of African music or the taste of exquisite African-inspired cuisine, the Habari Africa festival is a chance for people of all ages to experience a country and culture that is home to 15 per cent of the world’s population. -
COVID-19 Publications - Week 16 2021 972 Publications
Update April 19 - April 25, 2021, Dr. Peter J. Lansberg MD, PhD Weekly COVID-19 Literature Update will keep you up-to-date with all recent PubMed publications categorized by relevant topics COVID-19 publications - Week 16 2021 972 Publications PubMed based Covid-19 weekly literature update For those interested in receiving weekly updates click here For questions and requests for topics to add send an e-mail [email protected] Reliable on-line resources for Covid 19 WHO Cochrane Daily dashbord BMJ Country Guidance The Lancet Travel restriction New England Journal of Medicine Covid Counter JAMA Covid forcasts Cell CDC Science AHA Oxford Universtiy Press ESC Cambridge Univeristy Press EMEA Springer Nature Evidence EPPI Elsevier Wikipedia Wiley Cardionerds - COVID-19 PLOS Genomic epidemiology LitCovid NIH-NLM Oxygenation Ventilation toolkit SSRN (Pre-prints) German (ICU) bed capacity COVID reference (Steinhauser Verlag) COVID-19 Projections tracker Retracted papers AAN - Neurology resources COVID-19 risk tools - Apps COVID-19 resources (Harvard) Web app for SARS-CoV2 mutations COVID-19 resources (McMasters) COVID-19 resources (NHLBI) COVID-19 resources (MEDSCAPE) COVID-19 Diabetes (JDRF) COVID-19 TELEMEDICINE (BMJ) Global Causes of death (Johns Hopkins) COVID-19 calculators (Medscap) Guidelines NICE Guidelines Covid-19 Korean CDC Covid-19 guidelines Flattening the curve - Korea IDSA COVID-19 Guidelines Airway Management Clinical Practice Guidelines (SIAARTI/EAMS, 2020) ESICM Ventilation Guidelines Performing Procedures on Patients With Known -
Purchase Orders for Amounts Greater Than US$ 100,000 Year 2018 Page
Purchase Orders for Amounts Greater than US$ 100,000 Year 2018 Unit PO Date PO ID Vendor Name Vendor Cntry Item Category Description USD Amount CAF01 31/12/2018 0000002098 MERCY CORPS CAF BUSINESS/ ADMINISTRATIVE SER 176,655 GRC01 31/12/2018 0000003263 KIMONAS SAXIONIS-X.SAXIONI OE GRC MEETING/TRAVEL/ FOOD SER 180,000 HQSMS 31/12/2018 0000045572 African Generator Company ZAF POWER GENERATORS 151,092 HQSMS 31/12/2018 0000045579 TOYOTA TSUSHO CORPORATION JPN 4x4 STATION WAGON 424,386 HQSMS 31/12/2018 0000045579 TOYOTA TSUSHO CORPORATION JPN SEDAN 295,411 HQSMS 31/12/2018 0000045586 African Generator Company ZAF WATER COOLED POWER GENERATORS 103,375 PAK01 31/12/2018 0000005890 Pakistan Poverty Alleviation Fund PAK BUSINESS/ ADMINISTRATIVE SER 375,803 ETH01 30/12/2018 0000007597 PHARMALAB PLC ETH MISC LABORATORY EQUIP/SUPPL 370,200 SSD01 29/12/2018 0000003813 THE MEDICAL EXPORT GROUP BV NLD MISC MEDICAL SUPPLIES 119,307 COD01 28/12/2018 0000007773 INTERNATIONAL DISPENSARY ASSOCIATION (ID NLD MISC DRUGS 312,679 COD01 28/12/2018 0000007774 EASTERN SURGICAL COMPANY IND MISC MEDICAL SUPPLIES 245,003 HQSMS 28/12/2018 0000045502 UltiSat Inc. USA NETWORK COMPONENTS / ACCESS 327,784 HQSMS 28/12/2018 0000045508 Farmingtons AUTOMOTIVE Gmbh DEU ARMOURED VEHICLES 2,429,511 HQSMS 28/12/2018 0000045517 TOTAL ACCESS TO ENERGY SOLUTIONS FRA LAMP/ LAMP COMPONENTS 1,085,400 HQSMS 28/12/2018 0000045518 TOTAL ACCESS TO ENERGY SOLUTIONS FRA LAMP/ LAMP COMPONENTS 317,602 HQSMS 28/12/2018 0000045522 O.K.I. GENERAL TRADING LLC ARE KITCHENWARE 105,072 HQSMS 28/12/2018 0000045523 KITCHEN ESSENTIALS IND KITCHENWARE 249,054 HQSMS 28/12/2018 0000045524 ICOM FRANCE FRA VHF EQUIPMENT 103,069 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN 4x4 DC PICK-UP 828,515 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN 4x4 STATION WAGON 3,389,504 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN MINIBUS 195,532 HQSMS 28/12/2018 0000045530 KITCHEN ESSENTIALS IND KITCHENWARE 809,453 HQSMS 28/12/2018 0000045540 ARB Corporation Ltd. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
Sudan: Colonialism, Independence, and Conflict
Sudan: Colonialism, Independence, and Conflict Overview Students will analyze the impact of colonization on Sudan including regional divisions, independence movements, and conflict. Students will understand the various economic, political, and societal factors that have led to wars in the region. Students will also learn that these conflicts have led to migration out of Sudan, exploring cultural and artistic production of Sudanese people in the diaspora. Students will learn that the effects of decolonization and ethnic conflict have been a push factor for African migration in the new wave of diaspora. Essential/Compelling Question(s) How has the legacy of colonization and imperialism impacted Sudan? How has conflict in Sudan affected the country’s politics, economy, and society? How are human rights affected in times of conflict? Grade(s) 9-12 Subject(s) World History North Carolina Essential Standards WH.8: Analyze global interdependence and shifts in power in terms of political, economic, social and environmental changes and conflicts since the last half of the twentieth century. WH.H.8.3: Analyze the "new" balance of power and the search for peace and stability in terms of how each has influenced global interactions since the last half of the twentieth century (e.g., post WWII, Post Cold War, 1990s Globalization, New World Order, Global Achievements and Innovations). WH.8.6: Explain how liberal democracy, private enterprise and human rights movements have reshaped political, economic and social life in Africa, Asia, Latin America, Europe, the Soviet Union and the United States (e.g., U.N. Declaration of Human Rights, end of Cold War, apartheid, perestroika, glasnost, etc.). -
Incorporating Aghani Al-Banat Into a Western Popular Music Recording Project
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Haja: Incorporating Aghani Al-Banat into a Western Popular Music Recording Project An exegesis presented in partial fulfilment of the requirements for the degree Masters of Fine Arts at Massey University, Wellington New Zealand Jonathan Toogood 2018 Abstract The album ‘Haja’ is a cross-cultural collaboration based around recordings I made of female artists from Sudan who perform a traditional form of music called Aghani Al-Banat (girls songs). Working class in origin, Aghani Al-Banat is only performed and composed by women and is predominantly heard at wedding ceremonies in accompaniment of the traditional Sudanese bridal dance called the Subhia. After hearing this music at my own wedding in Khartoum, I returned there a year later to record with two separate Aghani Al- Banat groups including one that played at my wedding led by Gisma, a famous Ghanaya (woman who plays Aghani Al-Banat). This was done with the intention of merging this music with my own, being western contemporary pop and then embarking on a process of further collaboration with contemporary popular artists from New Zealand. This experiment was undertaken in order to determine from a purely musical perspective what, if any, were the unifying themes shared by the two different forms of music. Secondly, by juxtaposing the source material with that of the female artists from New Zealand I collaborated with, bring attention to the commonalities between the lives and the work of female artists from two entirely different parts of the world (both with major differences in history, culture, religion and government). -
The Nile Project Brings Together Musicians from the Many Countries
° The Nile ProjecT ° The Nile Project brings together musicians » from the many countries along the river’s banks, spreading cultural and environmental awareness WORDS SIMON BROUGHTON ne of the surprising things about the Nile in Aswan is how clean it “Although we all share the same river, most of these countries know very little is. The water is gloriously clear; you can swim in it and, they say, about each other,” says Ethiopian-American singer Meklit Hadero, one of the Oyou can even drink it. You’d never guess that this river has already instigators of the Nile Project. She explains how she was at an Ethiopian concert travelled 5,000km from its two sources in Ethiopia and Burundi before in Oakland, California and met Egyptian-born ethnomusicologist Mina Girgis. arriving here in Aswan. The reason is the Aswan High Dam: the vast “After the concert we were asking: ‘Why do we have to go to San Francisco? reservoir of Lake Nasser behind it acts as a giant filter. The ancient Egyptians Why do we have to be in diaspora to hear the music of our neighbours? How knew full well that the river came from far away, but it was useful for the can we bring the music of our neighbours to our neighbourhood?’” priests of the Philae temple to pretend they could control it. Control of the Working at Fekra on a two-week residency are 18 musicians from five river was power. That remains true today. countries – Egypt, North and South Sudan, Uganda and Ethiopia – introducing water Just across the water from Philae temple a colourful tent has been erected each other to their traditions and then creating new music for a public concert – the sort of thing used for weddings and celebrations in Egypt which, with a in Aswan and Cairo. -
Beats of the Antonov a Film by Hajooj Kuka
POV Community Engagement & Education DISCUSSION GUIDE Beats of the Antonov A Film by hajooj kuka www.pbs.org/pov LETTER FROM THE FILMMAKER I am from Sudan. I live between Nuba Mountains in Sudan and Nairobi, Kenya, but I have always stayed abreast of events in Sudan—the mass atrocities, the civil war—and wanted to make sense out of it all. Initially, I wished that a Sudanese person I trusted would actually relate what’s happening there. But Sudanese media is just not covering these events well, and there are always rumors that the news out of the West is fabricated. Indeed, a lot of the clips I saw coming out of the area seemed very shallow. They portrayed people simply as victims. I wanted to give my people a voice. I’m a filmmaker and I have the energy, so I decided to go to Sudan my - self. Initially, my goal was to make a film focused on the atrocities tak - ing place since the country separated into Sudan and South Sudan in 2011. Because of my previous campaign work, in the Sudanese elections of 2010, I had access to the camps where new Sudanese refugees arrive every day. But when I went there, I discovered that this story was more nuanced than even I had expected. These people are so much more than just victims. They have a strong identity and they really know who they are and why they’re Filmmaker hajooj kuka. fighting and why all these things are happening to them. They have Photo courtesy of hajooj kuka a surprising amount of hope, and they believe their lives are actu - ally going to become better. -
World Music Festival Chicago
The Garifuna Collective perform Sunday, September 22, in Humboldt Park as part of the Global Peace Picnic. JEREMYLEWIS The Reader’s guide to World Music Festival Chicago Its 18 free concerts, spread out over 17 venues, provide us with dozens of opportunities to get to know our neighbors better—both across the street and around the globe. ll SEPTEMBER - CHICAOREADER35 Ethiopian singer Mahmoud Ahmed (in white) performs at Pritzker Pavilion during the 2015 World Music Festival. PATRICKLPYSZKA he World Music Festival is Chica- shrinking since founder Michael Orlove and (they appear as part of a Millennium Park Of course, the World Music Festival can’t go’s best music festival. You can his sta were laid o in 2011. It declined from Latinx showcase called ¡Súbelo!, which can stop the federal government’s campaign of enjoy it without dealing with tens 52 shows to 41 in 2012, then dropped to 36 mean “enjoy!” or “turn it up!”). Other acts cruelty against immigrants, refugees, asy- of thousands of people at once, in 2014. This year it consists of just 18, down carry forward antique traditions more or less lum seekers, and Black and Brown people in or being immobilized by a sweaty from 21 last year. But as the WMF has gotten undiluted: they include many performers at general. But because the WMF encourages Tshoulder- to-shoulder crowd. The WMF lasts smaller, it’s also weaned itself of a disappoint- Ragamala, the marathon of Indian classical curiosity, empathy, and connection, it stands 17 days, so you won’t miss it all if you get ing dependence on local acts that Chicagoans music that opens the festival, and the Yandong in symbolic opposition to a regime that po- sick on the wrong weekend. -
Experiencing Rhythm: Contemporary Malagasy Music and Identity
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Experiencing Rhythm: Contemporary Malagasy Music and Identity by Jenny Fuhr Thesis for the degree of Doctor of Philosophy November 2010 ii UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Doctor of Philosophy EXPERIENCING RHYTHM: CONTEMPORARY MALAGASY MUSIC AND IDENTITY by Jenny Fuhr My thesis is about experiences of ‘rhythm’ in ‘Contemporary Malagasy Music’ (Randrianary 2001), a field that has hardly been researched. I argue for the importance of integrating musical practices into ethnomusicological research. Despite an on-going debate on the need for a more performative approach, only very few scholars have put this aim into action (Baily 2008). Most music research so far, particularly studies on African music, are marked by prevailing and dominating Western discourses on and approaches to music with musical notation remaining the main analytical tool.