Metamorphoses
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Le Journal Intime D'hercule D'andré Dubois La Chartre. Typologie Et Réception Contemporaine Du Mythe D'hercule
Commission de Programme en langues et lettres françaises et romanes Le Journal intime d’Hercule d’André Dubois La Chartre. Typologie et réception contemporaine du mythe d’Hercule Alice GILSOUL Mémoire présenté pour l’obtention du grade de Master en langues et lettres françaises et romanes, sous la direction de Mme. Erica DURANTE et de M. Paul-Augustin DEPROOST Louvain-la-Neuve Juin 2017 2 Le Journal intime d’Hercule d’André Dubois La Chartre. Typologie et réception contemporaine du mythe d’Hercule 3 « Les mythes […] attendent que nous les incarnions. Qu’un seul homme au monde réponde à leur appel, Et ils nous offrent leur sève intacte » (Albert Camus, L’Eté). 4 Remerciements Je tiens à remercier Madame la Professeure Erica Durante et Monsieur le Professeur Paul-Augustin Deproost d’avoir accepté de diriger ce travail. Je remercie Madame Erica Durante qui, par son écoute, son exigence, ses précieux conseils et ses remarques m’a accompagnée et guidée tout au long de l’élaboration de ce présent mémoire. Mais je me dois surtout de la remercier pour la grande disponibilité dont elle a fait preuve lors de la rédaction de ce travail, prête à m’aiguiller et à m’écouter entre deux taxis à New-York. Je remercie également Monsieur Paul-Augustin Deproost pour ses conseils pertinents et ses suggestions qui ont aidé à l’amélioration de ce travail. Je le remercie aussi pour les premières adresses bibliographiques qu’il m’a fournies et qui ont servi d’amorce à ma recherche. Mes remerciements s’adressent également à mes anciens professeurs, Monsieur Yves Marchal et Madame Marie-Christine Rombaux, pour leurs relectures minutieuses et leurs corrections orthographiques. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Ovid Book 12.30110457.Pdf
METAMORPHOSES GLOSSARY AND INDEX The index that appeared in the print version of this title was intentionally removed from the eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that ap- pear in the print index are listed below. SINCE THIS index is not intended as a complete mythological dictionary, the explanations given here include only important information not readily available in the text itself. Names in parentheses are alternative Latin names, unless they are preceded by the abbreviation Gr.; Gr. indi- cates the name of the corresponding Greek divinity. The index includes cross-references for all alternative names. ACHAMENIDES. Former follower of Ulysses, rescued by Aeneas ACHELOUS. River god; rival of Hercules for the hand of Deianira ACHILLES. Greek hero of the Trojan War ACIS. Rival of the Cyclops, Polyphemus, for the hand of Galatea ACMON. Follower of Diomedes ACOETES. A faithful devotee of Bacchus ACTAEON ADONIS. Son of Myrrha, by her father Cinyras; loved by Venus AEACUS. King of Aegina; after death he became one of the three judges of the dead in the lower world AEGEUS. King of Athens; father of Theseus AENEAS. Trojan warrior; son of Anchises and Venus; sea-faring survivor of the Trojan War, he eventually landed in Latium, helped found Rome AESACUS. Son of Priam and a nymph AESCULAPIUS (Gr. Asclepius). God of medicine and healing; son of Apollo AESON. Father of Jason; made young again by Medea AGAMEMNON. King of Mycenae; commander-in-chief of the Greek forces in the Trojan War AGLAUROS AJAX. -
A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied -
ENGLISH HOME LANGUAGE GRADE 9 Reading a Myth: Persephone
ENGLISH HOME LANGUAGE GRADE 9 Reading a myth: Persephone MEMORANDUM 1. This myth explains the changing of the seasons. Which season is your favourite and why? Learners own response. Winter/Autumn/Spring/Summer✓ + reason.✓ 2. Myths are stories that explain natural occurrences and express beliefs about what is right and wrong. What natural occurrence does the bracketed paragraph explain? The paragraph relates to earthquakes and volcanos✓ that shake the earth’s core. It suggests that “fearful’ fire-breathing giants” presumably volcanos✓, heave and struggle to get free, which causes the earthquakes. ✓ 3. How do the Greeks explain how people fall in love? Eros (Cupid) the god of love✓, shoots people in the heart with a love-arrow✓ that makes them fall in love. 4. Who is Pluto? He is the “dark monarch” king of the underworld✓ otherwise known as hell. 5. A cause is an effect or action that produces a result. A result is called an effect. What effect does Eros’s arrow have on Pluto? Eros’s arrow fills Pluto’s heart with warm emotions. ✓He sees Persephone and immediately falls in love with her. ✓ 6. What is the result of Demeter’s anger at the land? The ground was no longer fertile. ✓ Nothing could grow anymore. Men and oxen worked to grow crops, but they could not. ✓ There was too much rain ✓ and too much sun✓, so the crops did not grow. The cattle died✓ due to starvation. All of mankind would die✓ of starvation. 7. How do the details that describe what happened to the earth explain natural occurrences? The paragraph suggests that drought✓ is caused by Demeter who is angry✓ with the land. -
2018: Aiaa-Space-Report
AIAA TEAM SPACE TRANSPORTATION DESIGN COMPETITION TEAM PERSEPHONE Submitted By: Chelsea Dalton Ashley Miller Ryan Decker Sahil Pathan Layne Droppers Joshua Prentice Zach Harmon Andrew Townsend Nicholas Malone Nicholas Wijaya Iowa State University Department of Aerospace Engineering May 10, 2018 TEAM PERSEPHONE Page I Iowa State University: Persephone Design Team Chelsea Dalton Ryan Decker Layne Droppers Zachary Harmon Trajectory & Propulsion Communications & Power Team Lead Thermal Systems AIAA ID #908154 AIAA ID #906791 AIAA ID #532184 AIAA ID #921129 Nicholas Malone Ashley Miller Sahil Pathan Joshua Prentice Orbit Design Science Science Science AIAA ID #921128 AIAA ID #922108 AIAA ID #761247 AIAA ID #922104 Andrew Townsend Nicholas Wijaya Structures & CAD Trajectory & Propulsion AIAA ID #820259 AIAA ID #644893 TEAM PERSEPHONE Page II Contents 1 Introduction & Problem Background2 1.1 Motivation & Background......................................2 1.2 Mission Definition..........................................3 2 Mission Overview 5 2.1 Trade Study Tools..........................................5 2.2 Mission Architecture.........................................6 2.3 Planetary Protection.........................................6 3 Science 8 3.1 Observations of Interest.......................................8 3.2 Goals.................................................9 3.3 Instrumentation............................................ 10 3.3.1 Visible and Infrared Imaging|Ralph............................ 11 3.3.2 Radio Science Subsystem................................. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Thomas Hart Benton MS Text
Thomas Hart Benton: Painter of Everyday America Thomas Hart Benton was born in Missouri in 1889. Throughout his long life he made thousands of drawings and paintings. He was inspired by his experiences of America. As a boy his mother took Tom, his two sisters, and his brother to visit her family in Texas. He traveled with his father, who was running for US Congress. When his father won, the Bentons lived in Washington DC. They came home to Missouri in the summers, where young Tom had a pony, took care of a cow, and picked strawberries. Thomas Hart Benton, 1925, Self Portrait, oil on canvas Collection of the artist;‘s daughter, Jessie Benton Lyman. (It was on the cover of Time magazine, December 24, 1934 Tom's first job was as a newspaper artist in Joplin, Missouri. He studied art in Chicago, Illinois, then in Paris, and finally in New York, New York. During World War I, Benton served in the Navy in Norfolk, Virginia. He created camouflage paint designs for Navy ships. After the war, Benton returned to New York City where he taught art. There he met and married his wife, Rita. The Benton family lived most of the year in New York, and spent their summers on an island off Thomas Hart Benton, 1943, July Hay, egg tempera and oil on the coast of masonite, 38” x 26.7/8” Massachusetts. Metropolitan Museum of Art, New York The death of his father was a shock to Benton. He started to take long walks in the Catskill Mountains of New York. -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
Greek Mythology and Medical and Psychiatric Terminology
HISTORY OF PSYCHIATRY Greek mythology and medical and psychiatric terminology Loukas Athanasiadis A great number of terms in modern psychiatry, Narcissus gave his name to narcissism (ex medicine and related disciplines originate from treme self-love based on an idealised self-image). the Greek, including pathology, schizophrenia, He was a young man extremely proud of his ophthalmology, gynaecology, anatomy, pharma beauty and indifferent to the emotions of those cology, biology, hepatology, homeopathy, allo who fell in love with him. A goddess cursed him pathy and many others. There are also many to feel what it is to love and get nothing in return. terms that originate from figures from ancient He subsequently fell in love with his own image Greek mythology (or the Greek words related to when he saw his reflection in the water of a those figures) and I think that it might be fountain, and believed that this image belonged interesting to take a look at some of them. to a spirit. Every time he tried to embrace the Psyche means 'soul' in Greek and she gave her image it disappeared and appeared without names to terms like psychiatry (medicine of the saying a word. At the end the desperate soul), psychology, etc. Psyche was a mortal girl Narcissus died and was turned into a flower that with whom Eros ('love', he gave his name to still bears his name. erotomania, etc.) fell in love. Eros's mother Echo was a very attractive young nymph who Aphrodite had forbidden him to see mortal girls. always wanted to have the last word. -
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them.