Share, Reuse, Remix — Legally

NEWSLETTER http://creativecommons.org Issue No. 16 January – March 2010 A note from our CEO, Joi Ito:

When I last wrote in this space six months ago I said that Creative Commons had reached a thresh- old of adoption where we can now legitimately call CC a global standard. With your help, we’ve con- tinued to increase our reach and depth of impact. Two evocative examples from just the month of February: CC Egypt has published draft licenses for public discussion, while the state of Victoria in Australia has commited to using CC as the default licensing system for its public sector information.

I believe that education is the area in which CC can make the most immediate and beneficial im- pact as a global standard. The potential impact of digitally enabled education is huge; however, this potential will not be reached until teachers, companies, and institutions share and collaborate at a larger scale. CC provides the necessary legal and technical infrastructure for ensuring that educa- tional resources are not only accessible, but adaptable, interoperable, and discoverable.

We have many exciting initiatives in the open education space this year, addressing legal, policy, and technology issues, all imbued with a global vision. In support of this vision we’ve added Catherine Casserly to CC’s board of directors. Cathy, now a senior partner at The Carnegie Foundation for the Advancement of Teaching, is one of the most important figures in the Open Educational Resources (OER) movement as well as a supporter of CC from its beginning from her previous position as Di- rector of the Open Educational Resources Initiative at the William and Flora Hewlett Foundation.

We count on your continued support to build and promote the commons needed to foster creativity and innovation in education, science, and culture. Please keep in touch and spread the word.

Sincerely, Joi Ito Chief Executive Officer Creative Commons

Photo by Mizuka, CC BY 2.0 CC Newsletter — Issue No. 16 No. — Issue Newsletter CC

2 CC Newsletter — Issue No. 16 3 ------, creativecommons.org/weblog/en 2 try/20329 A Special Thanks to Lulu.com ThanksA Special to CommonsThe Creative gratefully acknowledges support on behalf Lulu.com of in the a form of $50,000 annual grant. five-year The grant is Communityfrom the Beal the Triangle Fund of executing on ourexecuting strengths and competen core cies, constantly streamline looking to for ways operations while empowering our vast interna educationtion of and our science activi core into messages, prototypes, designs, on feedback cific importantly, Most develop. they as initiatives and we’re whether on input your for asking be will we about say to something Have track. right the on listening! CC? We’re story:Full creativecommons.org/weblog/en tional mission and community, avoiding creep tempting. however theOver last been months six we’ve putting these thoughts plans into and action. Last sum mer the integrated team supporting we our inter experts of team core our with affiliates national our of two eliminating SanFrancisco, basedin three Berlin-based staff positions.the Over next monthsseveral most our of science team (Sci integra comprehensive our about nouncements are developments Exciting messaging. and ties enhanced and new to respect with horizon the on legal and technical tools as as well explanatory in development policy for support and materials education and science. More importantly be we’ll asking support for your and input, including spe try/2029 ence Commons) will move from Boston to San to Boston from move will Commons) ence with message operations and align to Francisco our integrating are we month, This also. core, our education Learn). as team CC (known heretofore In the be coming months making we’ll further an - - - , o Photo Joi by It CC BY 2.0 BY CC - -

ably. As critical a provider of ably. infrastructure millionsthat and more depend upon, this is our responsibility. Sustainability is not only or first a financial issuethoughyour — will forwe ask continued support in funding the organization — but depends on staying focused on our goals, enth anniversary, and our in light of continued growth and mindful maturation, are ever we of can CC besthow ensure as that an organization increase continue to we our impact sustain Planning for SustainablePlanning for and Impact Strategic Commons Creative celebrated recently its sev Welcoming Cathy Casserly to the the to Casserly Cathy Welcoming Board Commons Creative Directors of Commons: Creative Joi of CEO Ito, From “The CommonsCreative board directorsof has elected CasserlyCathy as a new has Cathy member. been a foremost champion the of Open Educational Resourc for movement es (OER) a decade and Creative of Commons its since incep tion. She served as Director Open of Educational the at WilliamResources and Flora Initiative Hewlett Foundation. A year ago she joined The Carnegie Foundation for the Advancement of as Senior has Partner. Cathy Teaching become a great personal friend and invaluable men tor as I ramp up my involvement in CC’s open in CC’s astor I ramp involvement up my education strategy. It is a great honor for me to welcome Cathy to the Creative Commons board directors.” of story:Full http://creativecommons.org/weblog/ entry/20358 Creative Commons News Commons Creative Foundation. This substantial investment dem- ber Hal Abelson points us to Modeling a Para- onstrates Lulu’s commitment to participatory digm Shift: From Producer Innovation to User and culture and we are particularly grateful for it. Open Collaborative Innovation, an important new “Lulu works every day to solve the problems of paper by Carliss Y. Baldwin and Eric von Hippel. authors, educators, researchers and other con- In it they make the case for policy that does not tent creators,” said Bob Young, Lulu’s founder cripple the commons, and examine underlying and CEO. “We’re proud to support Creative theory. If you’re interested in the theoretical case Commons and its innovative solutions to this for the ascendancy of innovation and creativity particularly complex issue. Its goal is the same in the commons — and for policy that does not as ours; to encourage and enable creators to cripple the commons — read, or at least skim bring their works to the world.” these highly readable 29 pages.

Full story: http://creativecommons.org/weblog/ Full story: http://creativecommons.org/weblog/ entry/20110 entry/19891

Egyptian License Draft Open for CC@7: Wrap-up of Creative Public Discussion Commons’ 7th Birthday Round

The past year witnessed some major achieve- the World ments for Creative Commons in the Arab world. Highlights included Al Jazeera’s adoption of CC From a “Happy Birthday” rendition in Korean to BY for the world’s first broadcast-quality online apple schnapps in Reykjavik and a Free Culture repository and CC Jordan’s substantial efforts debate in Poland, Creative Commons’ seventh on the first Arabic license port. 2010 promises birthday was celebrated this month with original- more exciting developments for the rapidly- ity and cheerful camaraderie. The global parties growing CC community in the Arab world. kicked off in Beijing at the opening of “Remix and Today the legal team from CC Egypt, headed by Share”, a contemporary art exhibition featuring Hala Essalmawi, produced the first BY-NC-SA 60 acclaimed artists across the country. After- license draft adapted to Egyptian law. Thanks ward a discussion forum explored the event’s to the ongoing efforts of Hala and her team, theme, led by CC Project Leads and representa- supported by CC Jordan’s Rami Olwan and Ziad tives from Taiwan, Hong Kong, Australia, and Maraqa, the Egyptian draft is now ready for others in the Asia-Pacific region. The icing on the public discussion. The public discussion is an cake appeared literally later that evening when open forum where everyone — from lawyers to CC China Mainland volunteers threw a surprise CC active license users, from linguists to translators birthday party. “Happiness was seen on every- — is invited to contribute. one’s face,” the team recounts.

Read the whole story to find out how and learn Read about the worldwide celebration: http:// more: http://creativecommons.org/weblog/en- creativecommons.org/weblog/entry/19965 try/20415

Intellectual Backing for the CC Paradigm Shift

“Intellectual property rights grants can be used as the basis for licenses that help keep innovation

CC Newsletter — Issue No. 16 No. — Issue Newsletter CC open as well as keep it closed.” Our board mem-

4 CC Newsletter — Issue No. 16 5 - 8 Commons Attribution Only license BY). The (CC National Archives, a department responsible for “setting standards and supporting innovation in information and records management across the UK,” has realigned the terms and conditions accommodate this shift. to data.gov.uk of Data. online is “an point access of for gov gov.uk ernment-held non-personal data.” All content on the site is now available for reuse under CC This step expresses the UK’s commitment BY. to opening its data, as they work towards a Creative Commons model that is more open than their former Licenses. Click-Use their From post: “This is the first major steptowards the adoption of a non-transactional, Creative Commons style approach to licensing the re-use governmentof information.” story:Full http://creativecommons.org/weblog/ entry/2022 - - - - , CC BY 2.0 BY , CC n

PhotoBrian by Giese UK Moves Towards Opening Towards UK Moves Data Government In a step towards openness, the UK has opened up its data to be interoperable with the Creative The UK government recently made a splash with its move towards opening government data. Now CC Australia’s Jessica Coates shares a promising government initiative in her home The Victoriancountry. Government has become the first Australian governmentto committo Commonsusing Creative as the default licens formation licensing model comprising Creative Commons and a tailored licences of for suite restricted materials.” story:Full http://creativecommons.org/weblog/ entry/20619 Victorian Government Commits to to Commits Government Victorian System Licensing as Default CC ing system for its public sector information (PSI). its Many of reports and other works will use which CC BY, she explains is becoming the preferred license for Australian PSI: “The com mitment is part the Government’s of response itsto Economic Development and Infrastruc ture Committee’s Inquiry into Improving Access Victorianto Public Sector Information and Data, which recommended the that Victorian Government adopt a “hybrid public sector in CC News in Government News CC CC News in Arts & Media

place to connect survivors with their family and loved ones. In all its good intention, this led to numerous websites that, in the words of Marc Fest of the Knight Foundation, became “silos” of information with no ability to interact. As La Stampa and Global Voices a result, Fest – who is VP of Communications Online Collaborate on Voci Globali – sent an impassioned plea to news organiza- tions to utilize an open-source Google app that Voci Globali is a new collaboration between was not only collecting similar information but Italian newspaper La Stampa and Global Voices releasing the data under a CC Attribution license Online that aims to expose Italian audiences to (CC BY). Read more about this and other efforts citizen media from around the world. GVO will employing the open ideals of Creative Commons assist in translating select international licensing to ensure a more efficient and long- into Italian, releasing the stories they publish term relief effort in Haiti: under a Creative Commons Attribution license. http://creativecommons.org/weblog/en- Full story: http://creativecommons.org/weblog/ try/20216, http://creativecommons.org/weblog/ entry/20765 entry/20350

CC Talks with Brooklyn Museum Daily Life in Iraq — New Footage at Al Jazeera Regarding openness and sharing, the Brooklyn Museum is an exemplary institution. They are Last year, Al Jazeera launched their Creative major contributors to the commons on Flickr, Commons Repository with 12 videos shot in license their online image collection under a CC Gaza under CC’s most open license, Attribution Attribution-NonCommerical license license, pro- only (CC BY). Since then, Al Jazeera’s collec- vide API access to this collection, and recently tion has grown, and their most recent footage ran a CC-licensed remix contest with Blondie’s includes videos documenting everyday life and Chris Stein. Needless to say, we were eager to culture in Iraq. Since all Al Jazeera CC reposi- catch up with Shelley Bernstein, Brooklyn Muse- tory videos are available via CC BY, you can edit, um’s Chief of Technology, and learn more about adapt, translate, remix or otherwise use them as how they are using our licenses to open up their long as you credit Al Jazeera. We’re delighted catalog of amazing work, shaping the role muse- to see such valuable and unique content being ums play in a digital age in the process. added to the commons!

Read the full interview: http://creativecommons. Full story: http://creativecommons.org/weblog/ org/weblog/entry/20496 entry/20183

CC Licenses and the Haiti Relief Effort

In the immediate aftermath of the 2010 Haiti

CC Newsletter — Issue No. 16 No. — Issue Newsletter CC earthquake a number of efforts were put in

6 CC Newsletter — Issue No. 16 7 , CC BY-SA 3.0 US BY-SA , CC m uide.co completewaveg by Nina Paley for herby film Sita Sings The Blues. Widely available for free online under a , Attribution-Share Alike Sita has garnered $55,000 an date, impressive to amount for a film that has spent nothing on promotion or advertising. story:Full http://creativecommons.org/weblog/ entry/19321 - - - - 7 Wall Street Journal on “Sita Sings Street Wall Blues”the andNumbers Profit An article posted November 23, 2009 The by Journal Street Wall reports on the profits made Gina Trapani and AdamGina Pash, Trapani editors Life at authored guide a new have Google to hacker, edition The of Complete A preview Guide Wave. available for is purchase now Google asto Wave and Pash collaborated Trapani a DRM-free PDF. using MediaWiki and are releasing its content under the Attribution-ShareAlike license. This means the book is compatible Wikipedia with and free share,to sell, and reproduce online. A full Japanese translation is already available. story:Full http://creativecommons.org/weblog/ entry/1901 “The Complete Guide to Google Google Guide to “The Complete license under CC Wave” ing artisticdebates the related over expression, In con money.” course) and (of law, copyright Copyright Criminals: PBS Criminals: Copyright Documentary on Sampling Criminals Copyright documentary is a new on the rise sampling, of specifically in hip-hop music, and the cultural and legal effectsit has caused. the Criminals site: Copyright From Web CriminalsCopyright examines and the creative commercial value musical of sampling, includ junction developmentcontest a the film’s with was held ccMixter at challenging community members sample to select from voice-overs the an to create originalfilmtrack. Winner Dermes’ track Sounds Sound that good is featured on the CriminalsCopyright as as well a compila DVD tion CD featuring the other entries. 12 top All the tracksof are available for free ccMixter at under Attribution-NonCommercial a CC license BY-NC). (CC story:Full http://creativecommons.org/weblog/ entry/20204 CC News in Education

The Shuttleworth Foundation on Search and Discovery for OER CC BY as Default and Commercial One of the issues that comes up repeatedly Enterprises in Education when talking about open educational resources (OER) is search and discovery. CC licenses pro- For those of you who don’t know Karien Be- vide the legal basis for sharing OER, but there’s zuidenhout, she is the Chief Operating Officer a large technical component to sharing, as well. at the Shuttleworth Foundation, one of the few Publishers want to make sure their work is vis- foundations that fund open education projects ible to users, and learners or educators need to and who have an open licensing policyfor their be able to find resources relevant to the subject grantees. A couple months ago, Jane Park of CC they’re interested in. Too often web scale search Learn (the division of CC dedicated to realizing engines don’t suffice; the amount of OER com- the full potential of the to support open pared to the entire web is small, so the infor- learning and open educational resources) had mation you’re actually looking for is lost in the the chance to interview Karien, based in South flood. We’ve created a resource, entitled “To- Africa, via Skype, to ask her about Shuttle- wards a Global Infrastructure For Sharing Learn- worth’s evolving default license (CC BY-SA to ing Resources” as a first step towards building CC BY), her personal stake in OER, and how the interoperability to make OER discoverable, she envisions us (CC Learn and Shuttleworth) but there is still much left to do. working together. She also gives insights into three innovative open education projects they Full story: http://creativecommons.org/weblog/ have a hand in: Siyavula, M4Lit, and Peer 2 Peer entry/20675 University (P2PU).

Read the full interview with Karien: “Python for Informatics” Open http://creativecommons.org/weblog/en- Textbook Remixed in 11 Days try/18906

Chuck Severance, clinical professor at the University of Michigan’s School of Information, U.S. Dept of Ed Funds Bookshare to recently published a new textbook in just 11 Make Open Textbooks Accessible days because he was able to remix an existing textbook. The book, Python for Informatics: Previously, the California Free Digital Text- Exploring Information, is currently being used books Initiative resulted in 16 open textbooks in his winter semester Networked Computing that were licensed under a Creative Commons course. The textbook is based on the openly license allowing derivation. These books can be licensed book Think Python: How to Think like a translated into other languages and otherwise Computer Scientist by Allen B. Downey. Python modified to accommodate a wider range of stu- for Informatics is available under a CC BY-SA dents. Recognizing the value, the U.S. Depart- license.Severance explains, “the book is a cool ment of Education’s Office of Special Education example of a situation where I’ve finally got to Programs has granted $100k to Bookshare, an the ‘remixing’ bit of the Open promise.” online library for people with print disabilities.

CC Newsletter — Issue No. 16 No. — Issue Newsletter CC Full story: http://creativecommons.org/weblog/ Full story: http://creativecommons.org/weblog/ entry/20559 entry/19362 8

CC Newsletter — Issue No. 16 9 , CC BY-SA 3.0 BY-SA , CC . Talis GroupTalis Ltd / - - - - -

zine focuses on data sharing and includes an article by Kaitlin Thaney, Program Manager for Science. Last October, Kaitlin joined Jordan Hatcher, Leigh Dodds andHeath Tom to give a four hour tutorial titled “Legal and Social Frameworks for Sharing Data on the Web” at the International Semantic Conference Web (ISWC). The tutorial covered the legal and social issues commonly found in data publish ing, using the Linked Data Cloud as a leading example of how copyright restrictions, complex licenses and lack clarity of can quickly exacer problemsbate for data sharing efforts. Story:Full http://sciencecommons.org/weblog/ archives/2010/02/05/data-sharing-on-the-web Data Sharing on the Web on Sharing the Data The February Nodalities maga issue Talis’ of MichiganView Releases Remote Remote Releases MichiganView Waiver underSensing Data CC0 is makingMichiganView available its all of more Gigabytesthanand 93 Landsat NAIP of 5 and 7, imagery data in the public domain using the new Commons. Creative provided by The Waiver CC0 consortiumMichiganView makes available aerial photography imagery and satellite Michigan of the As publicto the Web. for part free over of the consortium, AmericaView MichiganView supports access and use these of imagery col lections through education, workforce develop ment, and research. (pronounced CC0 CC-Zero) rights any waives in a dataset, ensuring all that the datasetof without anyone is available to encumbrance kind. any of story:Full http://sciencecommons.org/weblog/ archives/2010/01/29/michiganview-releases- remote-sensing-data-under-cc0-waiver/ CC News in Science News CC creativecommons.org

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This newsletter is licensed under http://creativecommons.org/licenses/by/3.0/ — please Editing share and remix! Allison Domicone

Creative Commons was built with and is sustained by the Art Direction generous support of organizations including the Center for Alex Roberts the Public Domain, Google, the John D. and Catherine T. MacArthur Foundation, the Mozilla Foundation, Omidyar Network, Red Hat, and the William and Flora Hewlett Foun- dation, as well as members of the public. CC Newsletter — Issue No. 16 No. — Issue Newsletter CC

10 CC Newsletter — Issue No. 16 11 / - / / ; / / / - / - BY; / BY; BY-SA; / BY-SA; BY; Fr Antunesí/ BY; BY; Eimobergís/ BY; BY; Wolfgang/ BY; BY; m-louisí/ BY; http:// BY; foxypar4ís/ BY; “Fort St. BY; Shiraz/ BY; Chakeraís BY; martijn.munnekeís/ BY; BY; Rick/ BY; Harrisí “O Canada” BY-SA; woinaryís/ BY-SA; “Mt.Fuji from BY-SA; MichaelTylerís/ BY-SA; “jerusalem- BY; jurvetsonís/ BY; “Kinderdijk” BY, rickycliphotoís/ BY, http://www. BY; Andrew®ís/ BY; “Great Pyramid of / BY-SA, lepiaf.geoís “Linen, BY; Joe/ BY; Shlabotnikís “El Morro” BY-SA; L Gnomeís/ BY-SA; “Maidenís Tower” / and http://www.flickr.com/photos/ BY-SA; Vlad/ BY-SA; & Marina Butskyís Image BY-SA; Mark/ BY-SA; Heardís “Statue of Liberty” BY-SA; dearbarbieís/ BY-SA; “Piran” http://www.flickr. BY-SA; hellochrisí/ BY-SA; “The Ubiquitous Jeepney” BY; Wolfgang/ BY; Staudtís “Luxembourg Neumünster BY-SA; Mendhakís/ BY-SA; http://www.flickr.com/photos/ BY-SA; An/ BY-SA; en Alainís “Tikal - tempel van de zon” BY, Redverís/ BY, “Bonn - German flag” http://www.flickr.com/ BY-SA; Sailor9 BY-SA; Coruscantís “Postcard Shot...” http://www.flickr.com/ BY, galileo55ís/ BY, “2009-06-06 028 D-Day Ceremony American Cemetery” BY-SA; Abby/ BY-SA; Lanesí“rust and turquoise texture for layer” http://www. BY; ThisParticularGreg/ BY; ës “Taipei 101” http://www.flickr.com/photos/thisparticu BY-SA; Bradley/ BY-SA; Jonesí “Statue outside of Viking Museum” http://www.flickr. BY; az1172ís/ BY; “London Bridge Tower Mapping” Tone http://www.flickr.com/photos/ BY-SA; Sebastian/ BY-SA; Bergmannís “Fontana di Trevi” http://www.flickr.com/photos/ BY; Ze.Valdiís/ BY; “Mosque Skopje” http://www.flickr.com/photos/ze_valdi/4174211089 BY; {Australia}/ BY; wilf2ís “Sydney Opera House night” by http://www.flickr.com/photos/ BY-SA; Hyougushiís/ BY-SA; “Mt. Fuji (Gotemba Route)” http://www.flickr.com/photos/hyou BY; celestehís/ BY; “The little mermaid” http://www.flickr.com/photos/celesteh/1245049240 BY; timo_w2sí/ BY; “Helsinki Cathedral” http://www.flickr.com/photos/timo_w2s/4219354919 BY, Glen/ BY, Bowmanís “malta-222” http://www.flickr.com/photos/glenbowman/243432505 BY, Ruben/ BY, Lagunaís “P3080138” http://www.flickr.com/photos/rlaguna/2325826275 BY; amanderson2ís/ BY; “One of the 40,000 items in the Gold Museum Bogota” http://www.flickr.com/ BY; Horia/ BY; Varlanís “Bran Castle as seen from the south side” http://www.flickr.com/photos/horiavar BY; Just/ BY; chaosí “Tuatara” http://www.flickr.com/photos/7326810@N08/3649565690 BY-SA; Dumbledadís/ BY-SA; “34 of 365: Me and my Richard Baxter Easter Island Head outtake” http://www.flickr. BY; jimwís/ BY; “aqualuna” http://www.flickr.com/photos/jimwinstead/376276592 BY; Marfisí/ BY; “Ho Chi Minh Statuevor dem Rathaus in Saigon” http://www.flickr.com/photos/marfis75/400814342 BY, studiosmithís/ BY, “Canonsburg Temporama Plate 02” http://www.flickr.com/photos/studiosmith/2538933343 / BY-SA, yeowatzupís “Intramuros, Manila, Phillipines” http://www.flickr.com/photos/yeowatzup/181766632 BY; Félixxxís/ BY; “Old Tbilisi: Avlabar” http://www.flickr.com/photos/felix-khachatrian/3120893878 BY-SA; Jian.Blancoís/ BY-SA; “El Madrid de los Austrias” http://www.flickr.com/photos/juanblanco/3063557132 BY; Bruce/ BY; Tutenís “No. 84 M Castle Hill (Budapest), page 296, 1000 Places See To Before Die” You http://www.flickr.com/ BY; Hamner/ BY; Fotosí”DSCF6669” http://www.flickr.com/photos/jonathan_hamner/3385842982 BY; voobieís/ BY; “Wonder of the World - The Mahal Taj (1630 A.D.) Agra, India” http://www.flickr.com/photos/vinish/961853348 BY; zkvrevís/ BY; “Oborishte Park, Sofia, Bulgaria” http://www.flickr.com/photos/paracon/4186542869 BY; Hector/ BY; Garciaís “The Great Wall” http://www.flickr.com/photos/hectorgarcia/60970568 BY-SA; j27í/ BY-SA; “Nelson Mandela Square, Sandton, South Africa” http://www.flickr.com/photos/j27/468274039 / BY-SA, Sami Keinanenís “vesuvius pizza, napoli” http://www.flickr.com/photos/sami73/283987724 BY, cvanderís/ BY, “Gold museum in Bogota” http://www.flickr.com/photos/cvander/3738762243 BY; einalemís/ BY; “Macchu Picchu” http://www.flickr.com/photos/einalem/2343480254 ) http://www.flickr.com/photos/butsky/305156189 m BY; Bert/ BY; Kís “Lisboa / Lisbon / Lissabon” http://www.flickr.com/photos/22746515@N02/4355153923 BY; Eric-Pís/ BY; “Athens - Parthenon” http://www.flickr.com/photos/eric-p/3471531962 BY-SA; OzMarkís/ BY-SA; “The Durians, Singapore” http://www.flickr.com/photos/ozmark17/3410903063 BY; Tomislav/ BY; Medakís “iCommons Summit 2007 venues and Dubrovnik” http://www.flickr.com/photos/tomislavmedak/441300884 BY-SA; Random/ BY-SA; Fotosí “Bagpipe busker” http://www.flickr.com/photos/mistyanddavid/2927042354 / BY SA; krebsmaus07ís “Saladin Monument” http://www.flickr.com/photos/koadla/3902965385 BY-SA; Trodelís/ BY-SA; “Buddhist temple - Ayutthaya, Thailand” http://www.flickr.com/photos/trodel/3801975670 BY-SA; Nagesh/ BY-SA; Kamathís “Schönbrunn Palace” http://www.flickr.com/photos/nagesh_kamath/3002472569 BY; Bruno/ BY; Girinís “Entering the Fortress” http://www.flickr.com/photos/brunogirin/2200656344 . This remixed image incorporates the following works (with their respective authors, titles and CC generic 2.0 licenses): Woody1778aís “COOL FRIDGE h http://www.butsky.co : “Open: (CC)ool inside” © 2009 lairaja. Some Rights Reserved. Except when otherwise noted, this work is licensed under http://creativecommons.org/licenses/ UggBoy ( have fundoing it )ís “The Palace of Culture and Science in Warsaw - Poland - Early 2010 - Wonderful and atmospheric! Enjoy more!:)” http://www.flickr.com/ photos/uggboy/4327377768 flickr.com/photos/abbylanes/3346280502 “Geghard klooster” http://www.flickr.com/photos/martijnmunneke/3039856283 MatthewBY; Blackís “Grand Place” http://www.flickr.com/photos/matthewblack/409716179 photos/sailor_coruscant/3884061874 http://www.flickr.com/photos/rickharris/1621085453 com/photos/dumbledad/3019783779 by-sa/3.0/p MAGNETS the ultimate!!” http://www.flickr.com/photos/woodysworld1778/1471581776 Cover wibbles/71164098 http://www.flickr.com/photos/lgnome/2704434618 http://www.flickr.com/photos/hellochris/86769917 http://www.flickr.com/photos/joeshlabotnik/3255002040 lan/4277530076 “Switzerland Luzern” http://www.flickr.com/photos/franciscoantunes/1207053430 largreg/217576335 az1172/2373835633 mendhak/3734292313 #11329 ( com/photos/dearbarbie/1622507570 www.flickr.com/photos/m-louis/2260318660 “107_0742” http://www.flickr.com/photos/eimoberg/215072292 Texture” http://www.flickr.com/photos/ajawin/2242358989 photos/amanderson/4155800774 cvander/3738761071 mcostís “Prague castle” http://www.flickr.com/photos/mocost/3762138339 flickr.com/photos/rickycliphoto/2071634924 photos/savannahgrandfather/366953108 informatiqueísBY-SA; “St. Patrickís Cathedral is the largest church in Ireland” http://www.flickr.com/photos/infomatique/3130941717 IMG_1122.JPG” http://www.flickr.com/photos/lonelyplanetexchange/2461340168 sebastian_bergmann/1437655697 Nashigahara(Fuji-Yoshida)” http://www.flickr.com/photos/woinary/3493577806 gushi/2964031890 und Johanneskirche” http://www.flickr.com/photos/wolfgangstaudt/2232281937 BY-SA; Tom Ravenscroftís Tom BY-SA; “Former Worldís Tallest Building The Petronas Towers” http://www.flickr.com/photos/43391993@N03/4174893122 Elmo; Valletta, Malta” http://www.flickr.com/photos/foxypar4/3231131955 Michael McCartyís “Aztec Calendar at the Anthropology Museum in Mexico City” http://www.flickr.com/photos/k6mmc/2176537668 http://www.flickr.com/photos/jurvetson/2716030714 “New entrance to Emirís Palace” http://www.flickr.com/photos/shirazc/130085354 com/photos/bljfour/3922663073 http://www.flickr.com/photos/heardsy/2007458336 BY-SA BY; AlexBY; E. Proimosí “Catedral de la Inmaculada Concepcion, Cuenca, Ecuador” http://www.flickr.com/photos/proimos/3964966114 Kufu and Sphinx” http://www.flickr.com/photos/waldenpond/4237758518 Staudtís“Brandenburger Tor” http://www.flickr.com/photos/wolfgangstaudt/564171359/in/photostream photos/redvers/2452251951 http://www.flickr.com/photos/reisverhalen/2073323 BY; kimdokhacísBY; “La tour Eiffel” http://www.flickr.com/photos/kimdokhac/3527926739 http://www.flickr.com/photos/arrighi/3631569612