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Towards a Cultural Policy for Great Events P
B. García, Towards a Cultural Policy for Great Events p. 148 e) Government joint initiatives The previous points indicate how, up to year 2000, the approach of most Australian government bodies to support the cultural programme was rather vague and limited. To explain this, scholars such as Louw and Turner have pointed out at the conflict that took place in terms of ‘ownership’ of the Games (2000, pers. comm., 25 Aug). The Games had been awarded to the city of Sydney, so they were designed to be the responsibility of the state of NSW, and the federal government was to have only a secondary role in terms of decision-making and resource allowances. According to Louw and Turner, this led not only to a lack of coordination between state and federal bodies, but also to a certain sense of competition among different states which also wanted to benefit from the Games and had priorities and interests differing from the ones in Sydney and NSW. On some occasions, this led to a defensive posture on the part of SOCOG or NSW. This is best exemplified in their relationship with Queensland, a state very proactive and interested in taking part of the Olympic project which was not allowed a degree of participation as high as it would have expected. The low contributions of federal arts funding during the first three years of the Olympiad could also be understood as a measure to avoid conflicts among states. However, in preparation for the Olympic period, local, state and federal bodies joined their efforts in a common initiative that was to be one of the greatest catalysts for the promotion of the OAF. -
Marion Lee - Hair and Makeup Artist P: 0408 748 128 E: [email protected] Selected Credits 1 of 4 Pages
Marion Lee - Hair and Makeup Artist P: 0408 748 128 E: [email protected] Selected Credits 1 of 4 pages I enjoy learning and expanding my horizons in the industry and am committed to delivering professionalism, confidentially, flexibility and creativity on whatever work may come my way in any part of the world. I have full qualifications as a Hairdresser and Makeup Artist, hold a Diploma in Art and also have Management Experience and Training. References are available on request. Television - Series 2019 The Secrets She Keeps Network 10 H.O.D. Deb Lanser Makeup/Hair Main Cast: Laura Carmichael, Jessica De Gouw, Ryan Corr, Michael Dorman. 2018 Upright Foxtel H.O.D Fiona Rees Jones Makeup/Hair Main Cast: Tim Minchin, Milly Alcock, Daniel Lapaine, Ella Scott Lynch, Heather Mitchell. 2018 Wanted Series 3 Seven Network H.O.D Deb Lanser Makeup/Hair Main Cast: Rebecca Gibney, Geraldine Hakewill. 2018 Pine Gap ABC 1 H.O.D Fiona Rees Jones Makeup/Hair Main Cast: Tess Haubrich, Parker Sawyers, Jacqueline Mackenzie, Steve Toussaint, Stephen Curry, Lewis Fitz-Gerald, Mark Leonard Winter, Sachin Joab, Edwina Wren, Alice Keohavong, Simone Kessel, Jason Chong. 2017 Mystery Road: The Series ABC 1 H.O.D. John Logue Makeup/Hair Main Cast: Aaron Pederson, Judi Davis, Wayne Blair, Anthony Hayes, Deborah Mailman, Colin Friels,Tasia Zalar,Madeleine Madden, Aaron L. McGrath. 2017 GLITCH Series 2 ABC 1 H.O.D. John Logue Makeup/Hair Main Cast: Patrick Brammall, Genevieve O'Reilly, Emma Booth, Emily Barclay, Ned Dennehy, Sean Keenan, Hannah Monson, Roger Corser, John Leary, Aaron L. -
Year Play Author Director Cast Venue Dates Aust Premiere 1960 the Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jo
Year Play Author Director Cast Venue Dates Aust Premiere 1960 The Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jon Ewing, ENS 7/1/60-19/3/60 AP Guinea Gordon, Clarissa Kaye, Don Newland, Don Reid, Kylie Stewart, Anthony Wickert 1960 Orpheus Williams, Hayes Gordon David Crocker, Kevin Dalton, Gary ENS 31/3/60-2/7/60 AP Descending Tennesee Deacon, Jon Ewing, Lisle Harsant, Patricia Johnson, Patricia Jones, Clarissa Kaye, Sophie Krantz, Robin Lawlor, Reg Livermore, Marie Lorraine, Jerry Luke, Beverley McLeod, Frank Nolan, Jack Quinlan, Don Reid, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart 1960 The Drunkard Smith, W H Hayes Gordon Victoria Anoux, Lorraine Bayly, Anna 23/7/60-4/2/61 AP Berner, J. Brown, L. Celi, Roie Cook, Kevin Dalton, Gary Deacon, John Denison, Jon Ewing, Joanna Franklin, Patricia Johnson, Patricia Jones, J.J., Judy King, Robin Lawlor, Reg Livermore, Jerry Luke, Ron Owen, William Pringle, James Scullin, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart, Brian Young 1961 The Double Congreve, William Jon Ewing & Reg Victoria Anoux, Kevin Dalton, Jon Ewing, ENS 7/2/61-4/3/61 AP Dealer Livermore Mr. Henning, Patricia Johnson, Patricia Jones, Jan Kehoe, Reg Livermore, William Pringle, Les Shaw, Breck Stewart, Bryan Syron, Tony Wickert, Brian Young 1961 Miss Lonely Teichman, Howard Hayes Gordon Jan Avery, Henry Banister, Lorraine ENS 15/3/61-17/6/61 AP Hearts Bayly, Julie Collins, Roie Cook, John Dennis, Bettye Eister, Joan Franklin, Jone Hull, J.J., Patricia Jones, Reg Livermore, Anne -
NEWMEDIA 882 6PR Has Announced Channel Nine Journalist Oliver Peterson As Host of the Drive Program, 3Pm- Postal Address: 6Pm Monday to Friday
Volume 29. No 3 Jocks’ Journal February 1-14,2017 “Australia’s longest running radio industry publication” Perth LIVE with Oliver Peterson NEWMEDIA 882 6PR has announced Channel Nine journalist Oliver Peterson as host of the Drive program, 3pm- Postal Address: 6pm Monday to Friday. Oliver takes over from Brisbane Adam Shand who was on for 2 years. He joins the PO Box 2363 regular lineup that includes Steve Mills and Basil Mansfield BC Qld 4122 Zempilas on Breakfast, Gareth Parker for Mornings, Web Address: Simon Beaumont for Afternoons, Sportsday withKarl www.newmedia.com.au Langdon and Paul Hasleby and Chris Ilsley’s Perth Email: Tonight program. [email protected] Phone Contacts: Radio News The Hit Network has Julian ‘Jules’ Schiller, Triple Office: (07) 3422 1374 announced new local weekend M announcer, has been Mobile: 0407 750 694 breakfast shows to each appointed as ABC Radio’s metro city, from 7 - 9am on new Drive presenter in Saturdays. Ryan Jon and Tanya Adelaide. Hennessy will host Sydney’s Saturday breakfast in addition to co-hosting their weekday Comedians Em Rusciano and breakfast show on Canberra’s Harley Breen are the new hit104.7. Will McMahon and team on the 2DAY FM Sydney Woody Whitelaw will cook Editor & Assistant to breakfast show in 2017. Rove up Saturday breakfast down Publisher Editor McManus and Sam Frost will south. They will continue with Greg Anne-Marie move into a new national their Perth based weekday Newman James evening show from January 30. breakfast show - Heidi, Will Dwayne Jeffries is the new Also Jase Allen has been & Woody. -
Diasporas of Australian Cinema
Simpson Diasporas | of Australian Murawska Diasporas | Cinema Lambert of Australian Catherine Simpson Renata Murawska Anthony Lambert Cinema Diasporas of Australian Cinema of Australian Diasporas Catherine Simpson Diasporas of Australian Cinema is the first volume to Catherine Simpson teaches Film, Renata Murawska focus exclusively on diasporic hybridity and cultural Media, and convenes the Honours diversity in Australian film-making over the past program at Macquarie University, Anthony Lambert century. Topics include post-war documentaries Sydney. and migration, Asian-Australian subjectivity, cross- cultural romance, ‘wogsploitation’ comedy, and Renata Murawska lectures in Film, post-ethnic cinema. This collection also provides a Media and Public Relations at useful reference text for scholars of Australian film Macquarie University, Sydney. and cultural studies, with material on contemporary film-making and pre-World War II cinema. Containing Anthony Lambert is a lecturer in previously unpublished articles by some of the most Critical and Cultural Studies at recognised experts on Australian cinema, the book Macquarie University, Sydney. is a vital contribution to the burgeoning international interest in diasporic cinemas. ‘Bold and innovative... The essays in this book illustrate how the struggle for the redefinition and redeployment of these ideas, ideals and realities plays out on screen in a white-settler colony under erasure through difference.’ Professor Toby Miller, Department of Media and Cultural Studies at the University of -
YARN EVENT and OTHER ARTS STORIES from REGIONAL AUSTRALIA © Regional Arts Australia 1998 (ISBN Number)
The Great YARN EVENT AND OTHER ARTS STORIES FROM REGIONAL AUSTRALIA © Regional Arts Australia 1998 (ISBN number) 1 McLaren Parade Port Adelaide SA 5015 Telephone: 08 8447 8910 Facsimile: 08 8447 8396 www.regionalarts.com.au Written by Philip Voysey and Malcolm McKinnon Project coordination by Malcolm McKinnon Design by Jo Pike at the South Australian Country Arts Trust Cover image: Mallacoota’s Easter Festival 1997, Sunset Ritual, Betka Beach Lagoon Photo: Lindy Bartholomew Development and production of this publication has been made possible through the Regional Arts Fund, a Commonwealth Government initiative through the Australia Council, its arts funding and advisory body. Production of the publication has also been supported by the South Australian Country Arts Trust. Advisory support has been provided by a project Reference Group comprising Ken Lloyd and Glynis Flower (South Australian Country Arts Trust), Chris Capper (Northern Territory Department of Arts & Museums), Stephen Anderson (Bachelor College), Andy Farrant (Country Arts Western Australia), Paul Jenkins (Arts Queensland), David Berker (Queensland Arts Council), Paul Holton (Arts Network East Gippsland), John Little and Rob McMurray (Victorian Arts Council), Maisy Stapleton (New South Wales Arts Council) and Bev Jefferson (Tasmanian Arts Council). Special thanks are extended to all of the groups, organisations and individuals who provided information and images relating to the project covered in the publication. REGIONAL Thanks are also extended to Su Hodge and to the Audience Development & Advocacy Division of the Australia Council for access to Miles Ahead - Arts Marketing That Works in Regional Australia, soon to be arts published by the Australia Council. AUSTRALIA This publication represents Regional Arts Australia’s first national advocacy initiative, designed to promote increased understanding of the nature of the arts in regional communities. -
Performing Arts and Regional Communities: the Case of Bunbury, Western Australia
Performing arts and regional communities: The case of Bunbury, Western Australia Robyn McCarron BADipEd (Macquarie), Grad Dip Intercult. Studies (WACAE), MA (Murdoch) This thesis is presented for the degree Doctor of Philosophy of Murdoch University 2004 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not been previously been submitted for a degree at any tertiary education institution. ………………………………………… Robyn Janelle McCarron i ii Abstract In Australia during the 1990s increased attention was paid to regional, rural and remote communities and, in terms of arts and culture, the establishment of regional arts umbrella organisations, at both national and state levels, stimulated interest in, and development of, the arts in those communities. Discourses around the notion of the civil society and the ways in which social and cultural capital can be acquired and transferred, have led to renewed interest in the economic and social functions of the voluntary, not-for-profit sector of Australian society. This thesis aims to advance the critical study of regional cultural development. It examines the role and function of the performing arts within regional communities through a case study of the city of Bunbury, Western Australia. Regional performing arts are often trivialised or marginalised by metropolitan practitioners, critics and academics, particularly as they are almost entirely, in Australia, a volunteer/amateur pursuit. However volunteer performing arts groups provide physical and social spaces that encourage networks of civil engagement that have implications for the functioning of the broader community; and, in the case of Bunbury, a degree of independence from the bureaucratic requirements of arts funding bodies. -
The Black List
The Black Li Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer or director of photography on a total of 674 screen productions. Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for The shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN AUSTRALIA Black Li! roles COVER PHOTOGRAPHY: (left to right) 1. Fat Pizza 2. Nana (on location) 3. Jacob (Murray Lui on location) Photographer: Sam Oster 4. Director Beck Cole & DOP Warwick Thornton on location in Tasmania for First Australians Photographer: Ricky Mainard Screen Australia GPO Box 3984 Sydney NSW 2001 Australia Tel: +61 2 8113 5800 © Screen Australia June 2010. Amended August 2014. Design by Alison White Designs Pty Limited Printed by No Time To Lose This information is to be used as a guide only and is of a general nature. Screen Australia has undertaken all reasonable measures to ensure its accuracy and specifically disclaims any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly of the use and application of any of the contents. The Black List: Film and TV projects since 1970 with -
Tales from Coathanger City – Ten Years of Tom Brock Lectures Contents
Tales from Coathanger City A dapper Tom Brock, aged 37, at Redfern Oval Ten Years of Tom Brock Lectures Edited by Richard Cashman University of Technology, Sydney Tales from Coathanger City Ten Years of Tom Brock Lectures Edited by Richard Cashman University of Technology, Sydney Published by the Australian Society for Sports History and the Tom Brock Bequest Committee Published by the Australian Society for Sports History and the Tom Brock Bequest Committee Sydney, 2010 © Tom Brock Bequest Committee and individual authors This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced without written permission of the publisher. Images provided by Ian Heads, Terry Williams and individual authors. ISBN: 978-0-7334-2899-9 Design and layout: UNSW Design Studio Printer: Graphitype Front cover illustration: Grapple tackles have long been part of rugby league. Newtown player Dick Townsend is tackling (or grappling) Wests’ centre Peter Burns in the 1918 City Cup Final, which was won by Western Suburbs (Terry Williams). -ii- Tales from Coathanger City – Ten Years of Tom Brock Lectures Contents Thomas George Brock (1929–97) 1 The Tom Brock Bequest 4 Whither the Squirrel Grip? 6 A Decade of Lectures on the ‘Greatest Game of All’ Andrew Moore Tom Brock lectures 1999 to 2008 1 Jimmy Devereux’s Yorkshire Pudding: Reflections on the 21 Origins of Rugby League in New South Wales and Queensland Andrew Moore (1999) 2 Gang-gangs at One O’Clock … and Other Flights of Fancy: 45 A Personal Journey through Rugby League Ian Heads OAM (2000) 3 Sydney: Heart of Rugby League 61 Alex Buzo (2001) 4. -
The Kennedy Miller Method: a Half-Century of Australian Screen Production
The Kennedy Miller Method: A Half-Century of Australian Screen Production A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy James Robert Douglas BA(Hon) – The University of Melbourne GradDip – The University of Melbourne School of Media and Communication College of Design and Social Context RMIT University October 2019 i Candidate Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. I acknowledge the support I have received for my research through the provision of an Australian Government Research Training Program Scholarship. I also certify that elements of Chapter 2 have previously been published as: Douglas, James. “Leaving home: Kennedy Miller in Melbourne.” Senses of Cinema 85 (December 2017): 1-1, http://sensesofcinema.com/2017/screening- melbourne/kennedy-miller-in-melbourne/. James Douglas October 25, 2019 ii Acknowledgements I would like to express sincere gratitude to my supervisors Associate Professor Adrian Danks and Dr. Stephen Gaunson for their advice and support throughout my candidature, and to Dr. Ramon Lobato for helping to guide my project in its concluding stages. Thank you to Senior Curator Gayle Lake, Senior Collection Reference Officer Siobhan Dee, and Collection Reference Officer Sean Bridgeman at the National Film and Sound Archive for granting me access to invaluable archival materials.