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2014/2015 CONCERT SERIES

NEW DIRECTIONS IN MUSIC

SONG FOR NEW DIRECTIONS IN MUSIC ATHENE SOUNDSTREAMS.CA 1

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ADRIANNE The music world lost two luminaries in the likes of British Sir John SQUEEZEBOXOX Tavener and Jonathan Harvey, in 2013 and 2012 respectively. They could not have PIECZONKA: been more opposite as personalities and in their compositional aesthetics, yet both grappled with the universal yearning to reconcile humanity with the divine. In that BEYOND THE ARIA FEB 10, 2016 struggle for reconciliation, they have much in common with our other featured com- 8 PM poser, the very much alive Canadian . SEPT 29, 2015, 8 PM TRINITY-ST. PAUL’S KOERNER HALL, CENTRE Soundstreams and I have had close relationships with all three composers over the TELUS CENTRE years through commissions, performances, and personal appearances in our series. Twice we presented Sir and Christos Hatzis together on the same stage, and a projected visit to by Jonathan Harvey was the occasion for THE MUSIC OF STEVE the launch of 21 in 2011. That concert included both Harvey choral works JAMES REICH being performed tonight. MACMILLAN AT 80 Whatever the particular beliefs that each of these composers may have held, their PRESENTED IN PARTNERSHIP spiritual journeys eventually encompassed, in addition to Christianity, explorations WITH MASSEY HALL. MAR 8, 2016, 8 PM of Hinduism, Sanskrit writings, Buddhism, Greek Orthodoxy, Judaism, Islam, North TRINITY-ST. PAUL’S American Aboriginal languages and mythology, and more. CENTRE APR 14, 2016, 8 PM MASSEY HALL Though this quote from Nicholas Kenyon (Barbican Centre Managing Director, and former Director of the BBC Proms) is taken from a celebration of the life and music of Sir John Tavener I attended last June in Westminster Abbey, it has real resonance SPECIAL OPERA PRESENTATION for the whole of tonight’s program: “In his later years, [Tavener] became ever more interested in Hinduism, and metaphysical writings. Did this mean that he rejected his JULIE Subscribe before previous ways of interacting with the divine? Surely the opposite: he simply came to COMPOSED BY PHILIPPE feel that denominational religions were just part of a far greater universal hope, that BOESMANS | PRESENTED they pointed the way to the ultimate reconciliation of man IN PARTNERSHIP WITH May 30 and receive CANADIAN STAGE. with the divine.” an additional 5% NOV 17-29, 2015 Lawrence Cherney BLUMA APPEL Artistic Director THEATRE in savings!

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NEW DIRECTIONS IN MUSIC Soundstreams An International Centre for New Directions in Music

STAFF Led by Artistic Director Lawrence Cherney and Lawrence Cherney Executive Director Susan Worthington, Soundstreams ARTISTIC DIRECTOR is a Toronto-based music presenter that commissions, Susan Worthington develops, and showcases the work of contemporary EXECUTIVE DIRECTOR Canadian composers and their international counterparts. Sarah Baumann DIRECTOR OF MARKETING & These innovative collaborations are performed by EXTERNAL RELATIONS the finest artists from Canada and around the world, Kyle Brenders ARTISTIC ASSOCIATE and are presented in an annual concert series, our Salon 21 series at The Gardiner Museum, in national Ben Dietschi ASSOCIATE DIRECTOR and international tours, and through a variety of OF EXTERNAL RELATIONS education and outreach activities. To mark our 30th Caroline Hollway anniversary season in 2012/13, Soundstreams launched PRODUCTION MANAGER SoundMakers, an innovative website and iPad app Lindsay Marshall that invites music lovers to explore Soundstreams’ COMMUNICATIONS ASSOCIATE commissioned works, create new works of their own, Marie-Claude Valiquet and share them with the online community. ASSOCIATE PRODUCTION MANAGER

NEW DIRECTIONS IN MUSIC Over the past three decades, Soundstreams BOARD OF DIRECTORS commissions have added more than 150 works Bernie Schiff, PRESIDENT to the musical repertoire worldwide, reflecting a Daniel Weinzweig, VICE PRESIDENT diverse variety of genres and cultural traditions. Jim Doherty, FCIS, FSA, TREASURER Soundstreams has also presented a number of Katherine Smalley, SECRETARY festivals and conferences such as the Northern John Ing Ellen Karp Encounters Festival, University Voices, Larry Smith Toronto Fanfare Project, and the Cool Drummings Grace Westcott percussion festival and conference, as well award- Norman Woo winning operas including Thomson Highway and Melissa Hui’s Cree opera Pimooteewin: The Journey, ADVISORY COMITTEE R. Murray Schafer’s site-specific operaThe Children’s Andrea Alexander Crusade, and ’s Airline Icarus. Lois Lilienstien Elaine Gold Hy Sarick Alan Convery

4 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 5 FOR ATHENE Patricia Rozario, soprano* David Fallis, conductor Elise Bradley, conductor Choir 21 Toronto Children’s Chorus Christopher Dawes, piano & organ Erica Goodman, harp

Thursday, April 16, 2015, at 8:00 pm Trinity-St. Paul’s Centre, 427 Bloor Street W.

PROGRAM Sir John Tavener Missa Brevis (2005) (1944-2013, England) North American premiere Toronto Children’s Chorus Christopher Dawes, organ Jonathan Harvey I Love the Lord (1976) (1939-2012, England) Choir 21 Jonathan Harvey The Angels (1994) (1939-2012, England) Choir 21 Christos Hatzis Psalm 91 (2008) (b. 1953, Greece) Choir 21 Proud to support Song Erica Goodman, harp INTERMISSION Vanraj Bhatia Six Seasons (1988) for Athene. (b. 1927, India) Patricia Rozario, soprano Christopher Dawes, piano Sir John Tavener Lament of the Mother of God (1989) (1944-2013, England) Patricia Rozario, soprano We are working together with Soundstreams Choir 21 Sir John Tavener (1982) to make a difference in our communities. (1944-2013, England) Elise Bradley, conductor Choir 21 Toronto Children’s Chorus Sir John Tavener (1993) (1944-2013, England) Patricia Rozario, soprano David Fallis, conductor Choir 21 Toronto Children’s Chorus

* Patricia Rozario’s appearance is generously supported by The British Council.

® The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. M05234 (0314) SOUNDSTREAMS.CA 7 PROGRAM NOTE By David Jaeger

CHOIR 21 Soprano Tenor Joanne Chapin Larry Beckwith Teri Dunn Robert Busiakiewicz Gisele Kulak Charles Davidson Julia Morson Robert Kinar Jennifer Taverner Mitchell Pady Emily Wall Bass Tonight’s concert celebrates the choral music to her voice. I wrote Mary of Egypt for her and Alto Neil Aronoff of English Sir John Tavener (1944– almost everything else that I wrote for soprano Diane English Bryan Martin 2013) in the manner that Soundstreams has for the next twenty years.” Of the four Tavener Valeria Kondrashov Marc Michalak often presented him: in the company of other works in tonight’s concert, Patricia Rozario Alison Roy Dann Mitton music with which he had certain affinities. The appears as the soloist in Lament of the Mother Christina Stelmacovich Paul Oros English choral tradition is represented, but also of God, and with the assembled forces in Song Loralie Vancourt John Pepper sounds from the East and from North America, for Athene. Graham Robinson both directions that interested Tavener. David Yung Tavener composed Lament of the Mother of Toronto held a special attraction for Tavener. God for solo soprano and a capella choir for When he visited here for the Canadian premiere the Norwich Festival of Contemporary Music of his Ikon of Light, at Soundstreams’ invitation in 1989. It uses an Orthodox Christian text for TORONTO CHILDREN’S CHORUS in 1995, he remarked that, “The light here has Holy Friday, marking the death of Christ on the Alexander Annosantini Xaneva Elorriaga George Andrew Lowe a particularly luminescent quality.” Tavener cross and the sorrows of His mother. Tavener Shira Aronson Summer Figueroa Athieng Majak and his wife Maryanna had come to Toronto wrote, “The Lament must be sung with an Sophie Atkin Fiona Fisher Jessica Nigli for a concert in the Encounters series, which ikon-like stillness and great purity. It grows in Ariel Brookes Lydia Frank Sandhya Persaud Soundstreams co-produced with CBC Radio’s Erin Case Barbora Frynta Nora Popescu network series Two New Hours. They had Paula Castillejo Elizabeth Frynta Annick Read* travelled for that concert at Grace Church Sherrie Cheng* Julie Frynta Kirsten Read on-the-Hill despite his fragile health, and with SONG FOR ATHENE Nicole Cheung Chloe Hung Jamie Rokin the cautious approval of his physician. Tavener WAS COMPOSED Mateja Clifford Vivien Illion Sofiya Sapeha associated luminescence with a wide range of SamBea Cochrane Lauren Kidd Daniel Sapienza values in his work, from a certain sonic sheen IN 1993 AND USES Aramea Copeman Molly Klebanoff Catherine Seto in his harmony and scoring, to representation Nate Dawes Adam Kline Henry Stevens of the spiritual in music. TEXTS FROM Cameron Devitt Alex Koukarina Alisha Suri AND THE ORTHODOX Rebecca Devitt Adela Lam Ania Suri Tavener returned in 2002 for a second Soundstreams production of his music at St. Sebastian Dumitrescu Daniel Leventis Lukas Urban FUNERAL SERVICE TO Michael’s Cathedral. This time he was in the Dean Ebona Georgia Lin Elise Ward-Krug company of the Bombay-born soprano Patricia HONOUR THE PASSING Jordan Edwards Teresa Lin Sabrina Wasserman* Rozario, whom Tavener met in 1991, and who OF TAVENER’S FRIEND, had subsequently become his muse. He wrote * Head Choristers 2014-2015 on his website, “Here was this Western- trained ATHENE HARIADES. singer who had a naturally rich Indian character

8 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 9 intensity as it climbs in tessitura, but without effects like tone clusters, thunder effects on anything sudden or melodramatic.” the harp, stomping of feet and aleatoric (chaotic) vocal lines, all are used to reveal the majesty COMPOSER BIOGRAPHIES Song for Athene was composed in 1993 and of this text.” uses texts from Hamlet and the Orthodox funeral service to honour the passing of Tavener’s By contrast, the setting of selected verses of friend, Athene Hariades. Tavener wrote, “Her Psalm 116 by the late English composer Jonathan inner and outer beauty was reflected in her love Harvey (1939–2012) in his I Love the Lord of acting, poetry, music, and of the Orthodox is for the most part relatively simple and Church.” The work was included memorably straightforward. Harvey said that his elderly in the funeral service of Diana, Princess of mother often asked him to read this Psalm, and Wales, in 1997. he wrote the music in 1976 for the Winchester Cathedral Choir, with her in mind. While mostly The earliest Tavener work on the concert is one simple and chant-like, the setting rises to an of his shortest, yet best known compositions, ecstatic climax, before resolving in a mood of The Lamb. This little gem, with familiar poetry confident acceptance. Sir John Tavener Vanraj Bhatia by William Blake, was composed in 1982 on the occasion of the third birthday of Tavener’s Harvey’s The Angels is a setting of a religious nephew, Simon. And Missa Brevis (2005), poem by John V. Taylor, who was Bishop of commissioned by Westminster Cathedral, sets Winchester while Harvey’s son was a chorister Sir John Kenneth Tavener was a young half-Greek actress who Vanraj Bhatia has had a long the Latin Mass with music for children’s voices. at Winchester Cathedral. Harvey’s composition, a British composer, known for was killed in a cycling accident and distinguished career that however, was written for the Choir of Kings his extensive output of religious and who was a close family spans over five decades and Toronto composer Christos Hatzis (b. 1953) College Cambridge in 1994 for the Service of works. The first work that friend of Tavener’s. The piece several genres of music, and recalled an image of Christ accompanying Lessons and Carols. brought him widespread attention, went on to great recognition is ranked as one of the most his disciples on the harp while singing the 91st (1966), was premiered when it was played during eminent Indian composers. Psalm, as his inspiration for his setting of that Distinguished Indian composer Vanraj Bhatia’s in 1968 by the the funeral of Diana, Princess With a firm initial grounding in same Psalm, choosing to set the text with voices song cycle, Six Seasons for soprano and piano, at their inaugural concert and of Wales, as her coffin was Indian classical ragas, Bhatia and harp. The Psalm begins with the lines, “He completes the tapestry of styles and cultures released on The Beatles’ Apple carried out of Westminster went on to study at the Royal who dwelleth in the secret place of the Most in the program. The six (originally Sanskrit) Records label. Although many Abbey, in August 1997, and Academy of Music in London High, shall abide under the shadow of the poems were compiled by an 11th century Bengali of his early works were inspired is now one of his best-known and the Paris Conservatory. Almighty.” Hatzis says he went to this secret scholar named Vidyakara, and translated from by the mystical aspects of works. Throughout his life After teaching at the Western place, “By having the harp play a simple tune Hindi to English by the composer. The poems Roman Catholicism, his interest Tavener suffered periodically Music Department at Delhi while the choristers whisper quietly the texts refer to the North Indian cycle of seasons and in tradition had led Tavener to from extreme ill health. In University, Bhatia returned of the opening line. Whispering, inhaling and according to Vanraj Bhatia (b. 1927), they are, believe that the Western Christian between he continued to write to his native Mumbai and exhaling and humming are the sounds that draw with the exception of Winter, essentially erotic. Church was a corrupted and pieces strongly influenced by has lived and worked there the listener inwards to this secret place that We hear them sung by Patricia Rozario. corrupting force. Following his Orthodoxy and by literature. ever since. He has written resides deep within us and makes our contact conversion to Orthodox Christianity Tavener was knighted in 2000 several pieces for choirs, voice, with the unseen world possible. Psalm 91 begins David Jaeger is a composer, producer and in 1977, Tavener produced a for his services to music and piano, chamber ensemble and and ends this way. In between, the music is like broadcaster based in Toronto. He was the slew of works heavily influenced won an Ivor Novello Award orchestra. Currently he is a series of windows opening and revealing some creator & Executive Producer of the long- by Orthodox liturgical texts, in 2010. He died in his home occupied with writing India’s hidden meaning of the text. Extreme textures, running CBC Radio Two contemporary music Russian and Greek writers in 2013, as one of the most first opera,Agni Varsha. registers, precarious vocal balances, sound series, Two New Hours. and themes, and the Orthodox popular British classical composers Bhatia was awarded the tone systems. Tavener wrote of the 20th and 21st centuries. President’s Gold Medal in Song for Athene in April 1993, 1988 and the Sangeet Natak commissioned by the BBC as a Academy Award in 1989. tribute to Athene Hariades,

10 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 11 COMPOSER BIOGRAPHIES GUEST ARTIST BIOGRAPHIES

Jonathan Harvey Christos Hatzis WE ARE GLAD Patricia Rozario, Choir 21 Toronto Children’s Chorus YOU’RE HERE! soprano Welcome to Jonathan Harvey was a British Christos Hatzis’s music is all fi rst-time Patricia Rozario was born in Initiated by Soundstreams The Toronto Children’s composer, whose extensive inspired by Christian spirituality, Soundstreams Bombay and studied at the Artistic Director Lawrence Chorus, now in its eighth musical oeuvre focused on particularly his Byzantine concert-goers. Guildhall School of Music, and Cherney and established in season under Artistic Director electronic music, fusing heritage, and the Canadian the National Opera Studio. She 2010, Choir 21 is a preeminent Elise Bradley, has won many traditional instruments, electro- Inuit culture. He was born in has enjoyed a wide-ranging group of up to 24 exceptional competitions and represented acoustic sound sources, and his Greece, and received music Let us know what career in opera, concert work, singers selected by Director Toronto on many international Buddhist-inspired aesthetic. instruction at the Hellenic you thought at recording and broadcasting. David Fallis for their ability and national tours since its He gained doctorates from the Conservatory. He continued st [email protected] Patricia’s unique voice and to perform 21 century choral founding in 1978. This year, universities of Glasgow and his musical studies in the artistry has inspired over 15 of music. The ensemble has been the Chorus is honoured to be Cambridge, was a Harkness United States, first at the Stay in touch by the world’s leading composers heard in many Soundstreams performing with Soundstreams Fellow at Princeton, and Eastman School of Music, subscribing to our to write for her, notably Arvo concerts, performing music and the Toronto Symphony Professor of Music at both earning his Bachelors and Pärt and Sir John Tavener, by Jonathan Harvey, Arvo Orchestra, and will be touring e-mail list at Sussex University, and Stanford Masters in Music, and at the who alone wrote over 30 works Pärt, R. Murray Schafer, to Russia and the Baltics in the University. His works are now State University of New York, soundstreams.ca for her. She has performed James Rolfe, Gilles Tremblay, summer. TCC is internationally in constant demand from a host earning his PhD. Hailed as with many world-renowned Marlos Nobre, and Sir John recognized, not only for the of international organizations, “one of the most important conductors, and sung opera Tavener, among others. They consistently high standard of and his music is extensively composers in Canada” by all over the world. Patricia have created world premiere its performances and recordings, played and toured by major International Musician, he was awarded the OBE in the performances of music by but also for its uniquely ensembles of our time. In 2007 is now an internationally New Year’s Honours in 2001, James Rolfe, Christopher challenging and eclectic treble he was awarded the Giga-Hertz renowned composer, and the the Asian Women’s Award Butterfield and Riho Maimets. repertoire that spans diverse Prize for a lifetime’s work in recipient of many awards: Jean for Achievement in the Arts The ensemble has performed cultures, languages, traditions electronic music. In 2009 he A. Chalmers National Music in 2002 and the Pravasi for other leading contemporary and musical genres. Its latest was received the Prince Pierre Award, Jules Léger Prize for Bharatiya Samman Award in music organizations, including CD, Sounzscapes: From Our of Monaco Prize in Musical New Chamber Music, and two January 2013. She received a Continuum Contemporary Lands was named “Outstanding Composition, and the Charles Juno Awards. He is currently fellowship of the Royal College Music, Art of Time Ensemble, Choral Recording” by Choral Cros Grand Prix du Président a Professor of Music at the of Music in 2014. Toronto Symphony Canada in May 2014. for a lifetime’s work, becoming . Orchestra, and at the Toronto the first British composer to International Film Festival. receive this coveted honour.

12 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 13 Agnus Dei CHORAL TEXTS Agnus Dei, qui tollis peccata mundi, Lamb of God, who take away the sins of the miserere nobis. world, have mercy on us. Agnus Dei, qui tollis peccata mundi, Lamb of God, who take away the sins of the miserere nobis. world, have mercy on us. John Tavener Agnus Dei, qui tollis peccata mundi, Lamb of God, who take away the sins of the Missa Brevis (2005) dona nobis pacem. world, grant us peace. Kyrie Kyrie eleison. Lord, have mercy. Christe eleison. Christ, have mercy. Jonathan Harvey Kyrie eleison. Lord, have mercy. I Love the Lord (1976) Words from Psalm 116, vv. 1 - 4, 7 - 9 Gloria I love the Lord, because he hath heard my voice and my supplications. Gloria in excelsis Deo. Glory be to God on high, Because he hath inclined his ear unto me, therefore will I call upon him as long as I live. Et in terra pax hominibus bonae voluntatis. and on earth peace, good will towards men. The sorrows of death compassed me, and the pains of Hell got hold upon me: I found Laudamus te. Benedicimus te. We praise thee, we bless thee, trouble and sorrow. Adoramus te. Glorificamus te. we worship thee, we glorify thee, Then called I upon the name of the Lord; O Lord I beseech thee, deliver my soul. Gratias agimus tibi propter magnam we give thanks to thee for thy great glory, Return unto thy rest, O my soul; the Lord hath dealt bountifully with thee. gloriam tuam. O Lord God, heavenly King, God the Father For thou hast delivered my soul from death, mine eyes from tears, and my feet from falling. Domine Deus, Rex caelestis, Deus Pater Almighty. I will walk before the Lord in the land of the living. omnipotens. O Lord, the only-begotten Son, Jesus Christ; I love the Lord. Domine Fili unigenite, Jesu Christe. O Lord God, Lamb of God, Son of the Father, Domine Deus, Agnus Dei, Filius Patris. that takest away the sins of the world, Jonathan Harvey Qui tollis peccata mundi, miserere nobis. have mercy upon us. The Angels (1994) Qui tollis peccata mundi, suscipe Thou that takest away the sins of the world, Words by John V. Taylor deprecationem nostram. receive our prayer. Should you hear them singing among stars Their melody strides not from bar to bar, Qui sedes ad dexteram Patris, miserere Thou that sittest at the right hand of God or whispering secrets of a wiser world, but, like a painting, hands there entire, nobis. the Father, have mercy upon us. do not imagine ardent, fledgling children; one chord of limitless communication. Quoniam tu solus Sanctus. Tu solus Dominus. For thou only art holy; thou only art they are intelligences old as sunrise You have heard it in the rhythms of the hills, Tu solus Altissimus, Jesu Christe. the Lord; that never learnt right from left, before the spiralling turn of dance, the fall or words, Cum Sancto Spiritu, in gloria Dei Patris. thou only, O Christ, with the Holy , from after, the touch of fingers at the rare, right moment, Amen. art most high in the glory of God the Father. knowing but one direction, into God, and these were holy, holy. Amen. but one duration, now. Sancto Sanctus, Sanctus, Sanctus, Holy, holy, holy Christos Hatzis Dominus Deus Sabaoth. Lord God of Hosts. Psalm 91 (2008) Heaven and earth are full of your glory. Pleni sunt coeli et terra gloria tua. 1 He that dwelleth in the secret place of the Most High Hosanna in excelsis. Hosanna in the highest. [he] shall abide under the shadow of the Almighty. Blessed is he who comes Benedictus qui venit 2 I will say of the Lord, in the name of the Lord. in nomine Domini. He is my refuge and my fortress: Hosanna in excelsis. Hosanna in the highest. my God; in him will I trust. 3 Surely he shall deliver thee from the snare of the fowler, and from the noisome pestilence. 4 He shall cover thee with his feathers, and under his wings shalt thou trust: (Cont.) his truth shall be thy shield and buckler. (Cont.)

14 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 15 5 Thou shalt not be afraid for the terror by night; Return till the body from the heels to the horns, is shaken up nor for the arrow that flieth by day; On the dripping horns, moss-strands have got stuck 6 nor for the pestilence that walketh in darkness; On the eyelashes the water drops tup, tup, tup. nor for the destruction that wasteth at noonday. Seen through the drop, the fly appears grotesque, 7 A thousand shall fall at thy side, And the buffaloes thus frightened, into the water duck. and ten thousand at thy right hand; 3. MONSOON (JULY-AUGUST) but it shall not come nigh thee. Zara, zara, zara- the drops fall 8 Only with thine eyes shalt thou behold Zara, zara, zara - on the damsel’s body, the raindrops fall. and see the reward of the wicked. On the hair-curls little drops little drops of silver cling. 9 Because thou hast made the Lord, which is my refuge, On the smooth cheeks- silver threads of water slide. even the Most High, thy habitation; The heat in her body is cooled by the rain, 10 there shall no evil befall thee, The thirst in his eyes are quenched by the rain. neither shall any plague come nigh thy dwelling. Zara, zara, zara the drops fall. 11 For he shall give his angels charge over thee, Zara, zara, zara - on the damsel’s body the rain drops fall. to keep thee in all thy ways. 4. AUTUMN (SEPTEMBER-OCTOBER) 12 They shall bear thee up in their hands, The juice of sugarcane has dribbled abundantly lest thou dash thy foot against a stone. Sweetening the pathways in the fields. 13 Thou shalt tread upon the lion and adder: The wind has advanced quite jubilantly the young lion and the dragon shalt thou trample under feet. Carrying with both hands the orange dust like a saffron flag in the sky. 14 Because he hath set his love upon me, therefore will I deliver him: Heavy with grain are the ears of barley. I will set him on high, because he hath known my name. Leaden and bowed by the flocks of parrots. 15 He shall call upon me, and I will answer him: Keeping time with water hoes and furrows. I will be with him in trouble; Little fish do running gavottes, nonchalantly. I will deliver him, and honor him. How cool is the mud that borders the water and clings to it deliciously. 16 With long life will I satisfy him, and show him my salvation. 5. HARVEST (NOVEMBER-DECEMBER) Festivity has a hoe now and it is the home of clay, Vanraj Bhatia New harvest has been gathered now, and that’s fresh rice brought today. Six Seasons (1988) The heavy pestle pounds the new rice - again and again. 1. SPRING (MARCH-APRIL) The mortar stone with fragrance abounds of newly pounded grain. Nights are shorter as days get longer, The shower of happiness on every face for the new rice brought today. And the cold sips away with the blanket in the morning, Falling and rising, rising and falling, Now, moist is the wind and moist the courtyard stone, The pellets all at once, dance along with the anklets Lethargic are the limbs while much remains undone. that are caught in the ray of the sun And yet, the tesu flower gets redder by the day, While the bangles and the anklets go khanana, khanana, khan. Aroused by the sight of little buds awakening. 6. WINTER (JANUARY-FEBRUARY) Now equal is the Sun, equal the shadow, Winter’s cold has caught grandma in her grip. Equal is the body in a well measured flow. A grip so severe, each bone in her body is frozen and stiff. But the mind is where the body is, where desire is, A razai now covers her cotton vest And that is the seat of the new awakening. A burning stove she holds to her chest. 2. SUMMER (MAY-JUNE) Speaking is out of the question as no word can she possibly utter, In the pond sit water buffalos chewing the cud, Her mouth is in constant flutter. Desiring sleep but constantly awakened and fed up, Her elbows ache clutching her knees together, On the border of the eyes is the humming of the flies. Her hands cannot move, just numbed by the weather. At the turn of the head the flies that have fled It’s sad to see her so suffer….and yet! She misses her greatest pleasure, (Cont.) Which is to talk and constantly jabber.

16 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 17 John Tavener Woe is me, my child! Lament of the Mother of God (1989) Release me from agony and take me with Thee, O my Son and God. Woe is me, my Child! Let me also descend with Thee, O Master, into Hell. I see Thee, dearest and beloved Child, Leave me not to live alone, hanging upon the cross, for I cannot bear to look upon Thee, my sweet Light. and my heart is bitterly wounded. But in Thy love, speak some word to Thy handmaiden. Woe is me, my child! Woe is me, my Child! Dost thou change my grief to gladness by Thy Resurrection? I wish to take my son down from the wood Rise, O God, and judge the Earth! and to hold Him in my arms Rise, O God, and judge the Earth! as once I held Him when He was a little child; But alas, there is no-one to give Him to me. Woe is me, my Child.

Woe is me, my Child! John Tavener I see Thee bruised and wounded, The Lamb (1982) without glory, stripped upon the cross. Little Lamb, who made thee? O my Child, and my heart burns. Dost thou know who made thee? Gave thee life, and bid thee feed Woe is me, my Child! By the stream and o’er the mead; In my arms, I hold Thee as a corpse, Gave thee clothing of delight, O loving Lord, who has brought the dead back to life; Softest clothing, woolly, bright; Grievously is my heart wounded, Gave thee such a tender voice, and I long to die with Thee, Making all the vales rejoice? for I cannot bear to look upon Thee lifeless and without breath. Little Lamb, who made thee? Dost thou know who made thee? Woe is me, my Child!

I reflect, O Master: how never again shall I hear Thy voice. Little Lamb, I’ll tell thee, Never again shall Thy handmaiden see the beauty of Thy face Little Lamb, I’ll tell thee: as in the past, for Thou, my Son, He is called by thy name, hast sunk down before mine eyes. For he calls himself a Lamb. He is meek, and he is mild; Woe is me, my child! He became a little child. Where dost thou go, my Child? I, a child, and thou a lamb, Why dost thou run so swiftly? We are called by his name. Is there another wedding in Cana, Little Lamb, God bless thee! and are thou hastening there to turn the water into wine? Little Lamb, God bless thee! Shall I go with thee, my child, or shall I wait for thee? John Tavener Speak some word to me, O Word; Song for Athene (1993) Do not pass me by in silence. Alleluia. May flights of angels sing thee to thy rest. Thou hast preserved my virginity, Alleluia. Remember me, O Lord, when you come into your kingdom. and thou art my Son and God. Alleluia. Give rest, O Lord, to your handmaid who has fallen asleep. Alleluia. The Choir of Saints have found the well-spring of life and door of paradise. Alleluia. Life: a shadow and a dream. (Cont.) Alleluia. Come, enjoy rewards and crowns I have prepared for you.

18 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 19 ARTIST Q&A NOW is proud to PATRICIA ROZARIO, SOPRANO support soundstreams’ 2014/2015 season Born in Bombay, and Western-trained, Patricia my Hindi was pretty rusty, and the music was Rozario has been hailed by Gramophone as “a extremely atonal and difficult. Bhatia admitted voice of liquid gold.” We caught up with Patricia gleefully that he had made it deliberately difficult to find out about her inspirations, and her because he felt professional musicians should relationship with Tavener. be put to the test! Next was a commission for Bhatia to write a Song Cycle for soprano and Soundstreams: When did you know you piano. He translated Sanskrit texts to English wanted to be a singer? and wrote Six Seasons, a delightful work that Patricia Rozario: I have always loved singing and captures the unique moods and gentle rhythms from the age of six or seven, my mother taught us of the Indian seasons, with Monsoon and Harvest solo and pieces in two and three-part part as the two extra seasons which clearly mark the harmony. My mother was a soprano and played Indian calendar. the piano beautifully, and my father was a tenor. SS: What is your favourite part about SS: You’ve stated that you were drawn to performing a piece of music that was Tavener because of how deeply spiritual composed specifically for you? his music was. What do you believe is the PR: It is a very thrilling experience, and it is connection between music and spirituality? a very great honour, but with it comes a great PR: Music is a universal language that touches sense of responsibility to learn and perform the the heart of the listener. Sometimes, even if you piece as the composer would like to hear it. It is don’t understand a particular style of music, very useful to be able to rehearse and discuss the it can still move you to experience great joy music with the living composer and often do the or sadness, raise the listener to the heights of first performance in their presence. I was very ecstasy or the depths of sorrow. lucky to have John Tavener say I was his voice and that he heard my voice in his mind when he SS: Like many Tavener pieces, Six Seasons by composed! Arvo Pärt once told my husband, Vanraj Bhatia was composed specifically for “One day I would like to write for this voice.” you. What can you tell us about this piece and Two years later, he contacted me to work its composition? on Como Anhela la Cierva for soprano and PR: I was introduced to the music of Vanraj orchestra, which I then performed over 16 times Bhatia when I had to prepare a piece called all over Europe and in the UK. #thiNkfree Kinguri Valli (The Toy Seller) for performances at London’s Southbank Centre and also in Mumbai. To read more, visit soundstreams.ca NOWtOrONtO.cOm The text was in Hindi, which was a challenge as 20 2014-2015 CONCERT SERIES SOUNDSTREAMS.CA 21 THANK YOU TO OUR DONORS THANK YOU TO OUR PARTNERS

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