Choral Spectacular: Celebrating 30 Years Tafelmusik Baroque Orchestra and Chamber Choir Directed by Ivars Taurins

Total Page:16

File Type:pdf, Size:1020Kb

Choral Spectacular: Celebrating 30 Years Tafelmusik Baroque Orchestra and Chamber Choir Directed by Ivars Taurins Choral Spectacular: Celebrating 30 Years Tafelmusik Baroque Orchestra and Chamber Choir Directed by Ivars Taurins Date + Times: Trinity-St. Paul’s Centre Thurs March 29 – Sat March 31 at 8 PM Sun April 1 at 3:30 PM George Weston Recital Hall, Toronto Centre for the Arts Tues March 27 at 8:00 PM Ticket Prices: Trinity St. Paul’s Centre: Regular $39 – $89 65+ $35 - $79 Ages 30 & Under $20 - $79 George Weston Recital Hall: Regular: $36 - $76, 65+: $29 - $69, Ages 30 & Under: $20 - $69 Venues: Trinity-St. Paul’s Centre, 427 Bloor Street West Toronto Centre for the Arts: 5040 Yonge Street (North York) Box Office: Trinity-St. Paul’s Centre: 416.964.6337 / www.tafelmusik.org Toronto Centre for the Arts: 1.855.985.2787 (ARTS) / www.ticketmaster.ca Website: www.tafelmusik.org / www.facebook.com/tafelmusik.org The Tafelmusik Chamber Choir celebrates its 30th anniversary March 27 to April 1, 2012 with Choral Spectacular, a concert exploring the power of words and music from the baroque and beyond, specially selected by Choir Director Ivars Taurins: songs of praise and penitence, of love and regret, of joy and celebration. Choral Spectacular includes music by baroque composers Bach, Handel, Charpentier and Rameau, alongside works by 20th and 21st century composers Francis Poulenc, Frank Martin, Morten Lauridsen, John Tavener, Eric Whitacre and James Rolfe, whose new work Garden was commissioned for this special occasion. For a complete programme listing, visit the Tafelmusik website. Founded in 1981, the Tafelmusik Chamber Choir is one of the jewels in Canada’s choral crown. Described as a contender for ―the best period-performance choir anywhere in the world‖ (The Globe and Mail), the 22-member choir has been under the direction of Ivars Taurins since its inception. Taurins conducts symphonic and choral repertoire with equal expertise. Founding director of the Tafelmusik Chamber Choir, he was also violist of the Tafelmusik Orchestra for its first 23 years. Under his direction, the choir has been praised for its clarity, nuance and brilliance. ―Celebrating the 30th anniversary of my collaboration with the remarkable singers of the Tafelmusik Chamber Choir, I continue to be fascinated with the fusion of words and music, and how these two elements, in the hands of a great composer, can be melded, moulded, and burnished to a wonderful lustre. I look forward to continuing to share this fascination for many years to come,‖ says Taurins. Over the years, Taurins and the choir have developed a quality of sound, intonation, word painting and colour that has enabled them to bring a freshness and directness to the music they perform. This was formally recognized in 1991, when the choir was awarded the Healey Willan Prize ―in recognition of the consistently high level of achievement by the choir and of its unique contribution to choral art in Canada.‖ Over the past 30 years, some 200 individual singers have sung with the Tafelmusik Chamber Choir. Teachers, architects, writers, a baker, a butler, a doctor and a drag queen have all been singers in the Tafelmusik Chamber Choir. Astronaut Julie Payette was a member of the choir from 1989-1992, and took a copy of Tafelmusik’s Messiah recording with her on the space shuttle Discovery in 1999. Among past choristers enjoying successful solo careers further afield are soprano Gillian Keith, mezzo-soprano Laura Pudwell, tenor Michael Colvin and baritone James Westman. In recent years the choir has expanded its programming to include occasional forays into the music of the 19th, 20th and 21st centuries, including premieres of works by Imant Raminsh, R. Murray Schafer, Omar Daniels, Chan Ka Nin, Paul Frehner, Christos Hatzis, Brian Cherney, Ruth Watson Henderson and most recently, James Rolfe. Rolfe compiled the lyrics for Garden from various translations of the Biblical text, The Song of Solomon. ―If I had to choose desert island words, The Song of Solomon would make the list: it is evergreen, sexy, and tasty to sing. Garden takes the form of a brief dialogue between the sexes. Men and women weave in and out, saucy and vivid, first wooing each other, then singing together. I am delighted to dedicate this new work to a wonderful choir whose singing I have known and loved for many years,‖ says Rolfe. The Tafelmusik Chamber Choir is also admired for its annual performances of Handel’s Messiah —―an almost superhuman achievement … one of the best Messiahs I have ever heard.‖ (Globe and Mail) — and Sing-Along Messiah. In December 2010, a live performance of Sing-Along Messiah was seen by 87,000 viewers when it was telecast nationally on Bravo! and garnered director Ivars Taurins a Gemini Award nomination. A DVD version of Sing-Along Messiah by Canada’s 90th Parallel Productions will be released on the newly-launched Tafelmusik Media label on April 24, 2012, and a CD recording of the complete Messiah will be released in the fall of 2012. -30- For media information or to arrange an interview, please contact: Luisa Trisi, Media Relations Manager, tel: 416 481‐1161 | e‐mail: [email protected] High‐resolution photos of the Tafelmusik Chamber Choir and Ivars Taurins are available for download in the Media Room at www.tafelmusik.org George Weston Recital Hall concerts supported by: March 29: March 30: March 31 & April 1 Tafelmusik season presenting sponsor: Tafelmusik gratefully acknowledges the support of its partners in government: Tafelmusik’s Season Radio Sponsor is The New CLASSICAL 96.3 FM. Tafelmusik’s Face the Musik programme is supported by TD Bank Group Tafelmusik Baroque Orchestra, led by Music Director Jeanne Lamon and founded in 1979, is one of the world’s leading period performance ensembles. This season, Music Director Jeanne Lamon celebrates 30 years of inspired leadership of Tafelmusik. Tafelmusik Media, the choir and orchestra’s multi-platform recording label, was launched in January 2012. The orchestra performs over 50 concerts a year at home in Toronto, tours extensively around the world, has released over 78 CDs and has received nine JUNO Awards and a Grammy Award nomination. Tafelmusik is the Baroque Orchestra-in-Residence at the Faculty of Music, University of Toronto and operates its annual Tafelmusik Baroque Summer Institute. The Tafelmusik Chamber Choir, specializing in baroque performance practice and vocal technique, was formed in 1981 to complement the Orchestra and celebrates its 30th anniversary this season. Tafelmusik’s touring activities this season include its 19th year as Orchestra-in-Residence in Irsee, Germany, a US tour with a return engagement at Carnegie Hall and the orchestra’s Australian debut. Canadian excursions include a residency at The Banff Centre, concerts in Ontario and performances by the Tafelmusik Chamber Choir with l’Orchestre Symphonique de Montréal at the inaugural concerts in its new hall. .
Recommended publications
  • Maureen Batt, Soprano: Biography – May 2014 Noted by Opera Canada
    Maureen Batt, soprano: Biography – May 2014 Noted by Opera Canada as a “young, lovely and captivating soprano,” and by the Halifax Herald as being “enthusiastically at home on stage” and having an “endlessly energetic and animated interpretation,” Maureen Batt is an accomplished concert and opera artist. Maureen’s opera credits include Belinda, Dido and Aeneas (Purcell), Silvia, L’isola disabitata (Haydn), Lauretta, Gianni Schicchi (Puccini), Rosa, Il campanello (Donizetti), Polly, The Threepenny Opera/Die Dreigroschenoper (Weill), Morgana, Alcina (Händel), Nina, Chérubin (Massenet), Susanna, Le nozze di Figaro (Mozart), Eusebia, Die Freunde von Salamanka (Schubert), Jenny, La Dame Blanche (Boieldieu), Papagena, Die ZauberFlöte (Mozart), Zerlina, Don Giovanni (Mozart), Annina, La Traviata (Verdi), Despina, Così Fan tutte (Mozart), Laetitia, The Old Maid and the ThieF (Menotti), Serpina, The Maid Mistress (Pergolesi), Limonia, Ten Belles Without a Ring (Von Suppe), Miss Silverpeal, The Impresario (Mozart). As an actor, she has appeared in Theatre St. Thomas University’s productions of Measure For Measure, Oh, What a Lovely War, and Caucasian Chalk Circle. She filmed a TV pilot for a series called Oznaberg, which premiered in the 2011 Silverwave Film Festival, and has since aired on Rogers Television. Her selected concert and oratorio credits include Handel’s Messiah and Esther, Mozart’s Vesperae solennes de ConFessore and Exsultate Jubilate, Bach’s BWV 187 Es wartet alles auF dich, BWV 4 Christ lag in Todes Banden, and BWV 245 St. John Passion. Maureen’s formal training includes a Master of Music from the University of Toronto, a Bachelor of Music from Dalhousie University, and a Bachelor of Arts from St.
    [Show full text]
  • Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
    Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian ​ opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera.
    [Show full text]
  • Eve CV April 2021
    CURRICULUM VITAE Eve Egoyan, B.Mus., M.Mus., LRAM, ARAM, FRSC 135 Manning Avenue, Toronto, Ontario M6J 2K6 telephone: 416 603 4640 e-mail: [email protected] web: www.eveegoyan.com EDUCATION 1991 Master of Music: Piano Performance, University of Toronto Junior Fellow of Massey College 1988 Licentiate of the Royal Academy of Music, England 1985 Bachelor of Music: Piano Performance, University of Victoria AFFILIATIONS 2019 Associate of the Royal Academy of Music, London, England (ARAM) 2009 Fellow of the Royal Society of Canada (FRSC) OTHER TRAINING 1986-9 Royal Academy of Music, London, with Hamish Milne 1985-6 Hochschule der Künste, West Berlin, with Georg Sava 1981-5 Banff Centre of Fine Arts with György Sebök (summer masterclasses) AWARDS AND HONOURS 2019 Muriel Sherrin Award for music performance, Toronto Arts Foundation Associate of the Royal Academy of Music, London, England 2015 Selected as one of top 25 Canadian pianists of all time by the CBC Lois and Thomas Glenn Visiting Artist, University of Regina EVE EGOYAN: Curriculum Vitae (continued) 2014 “Eve Egoyan Exploratory Music Scholarship” offered to a student at the University of Victoria, B.C. 2012 Chalmers Arts Fellowship Member of the University of Victoria 50th Anniversary Honorary Cabinet 2011 “RETURNINGS” listed as the top pick for Classical CD’s of 2011 by Elissa Poole, Globe and Mail 2009 “Simple Lines of Enquiry” one of “2009: Ten Exceptional Recordings”, by Alex Ross, New Yorker Fellow of the Royal Society of Canada (FRSC) “CMC Ambassador” (one of 50 Canadian performers and conductors honoured by the Canadian Music Centre) 2007 Performance of Alvin Curran’s five-hour long Inner Cities at Glenn Gould Studio, Toronto, was selected as “Top 10 Live Performances in 2007”, David Fujino, Live Music Report 2002 K.M.
    [Show full text]
  • Csecs / Scedhs & Neasecs 2017
    CSECS / SCEDHS & NEASECS 2017 “from Cosmopolitans to Cosmopolitanisms” « Des Cosmopolites aux cosmopolitismes » PROGRAM / PROGRAMME The Program at a Glance / Le programme en un coup d’œil **Unless otherwise noted, all events will take place at the Chelsea Hotel, 33 Gerrard Street West **Sauf indication contraire, tous les événements auront lieu à l'hôtel Chelsea, 33 Gerrard Street West WEDNESDAY, OCTOBER 18 / MERCREDI 18 OCTOBRE 5:30-8:30 / 17h30-20h30 Reception / Réception Registration / Inscription Sponsored by The Lewis Walpole Library / Avec le soutien de la bibliothèque Lewis Walpole Arts and Letters Club, 14 Elm Street TBA CSECS Executive Meeting / Réunion du comité exécutif de la SCEDHS THURSDAY, OCTOBER 19 / JEUDI 19 OCTOBRE 8:30–4:45 / 9h30–16h45 Registration & Book Exhibits / Inscription & Exposition de livres 8:30–10:00 / 8h30–10h Sessions / Séances 10:30–12 / 10h30–12h Sessions / Séances 12:00–1:15 / 12h–13h15 Lunch / Déjeuner 12:00–1:15 / 12h–13h15 Graduate Student Roundtable 1 / Table ronde des étudiants de deuxième et troisième cycles 1 1:15–2:45 / 13h15–14h45 Gardiner Museum Tour 1, 18thc Porcelain Collections / Visite du musée Gardiner 1, collections de porcelaines du 18e siècle 1:15–2:45 / 13h15–14h45 Sessions / Séances 3:15–4 :45 / 15h15–16h45 Sessions / Séances 4:45–6:15 /16h45–18h15 Plenary Lecture / Conférence plénière, Sophie Wahnich, Chelsea Hotel The Program at a Glance / Le programme en un coup d'œil 8:00 / 20h Dido and Aeneas / Aeneas and Dido (Purcell, 1687 / Rolfe, 2007) Trinity-St Paul’s Centre, 427 Bloor
    [Show full text]
  • Pages, V.1 (Duck Soup (New ®1.4-FINAL))
    Duck Soup § Clark Winslow Ross for Bass Trombone and Piano Commissioned by Kenneth Knowles through the assistance of The Newfoundland and Labrador Arts Council ©1994 (®2002) 2 DUCK SOUP (1994) CLARK WINSLOW ROSS Composed in 1994 at the request of trombonist Ken Knowles and funded by the Newfoundland and Labrador Arts Council, Duck Soup was conceived as a virtuosic piece for bass trombone and piano combining elements of play, jazz, and mystery. The title, taken from the Marx brothers movie of the same name, is meant to reflect the more lighthearted aspects of the work, but is also a reference to Ken Knowles’ avid hobby of bird-watching,. At times, I also had the music of jazz musician Charlie Parker, known as ‘the bird,’ in mind while composing this, although there are no overt references to his music; just an occasional foray into a more “jazzy” feel in some sections. Another composer about whom the same can be said was Olivier Messiaen, whose used bird songs in his music extensively. Again, no specific Messiaen elements or bird songs exist in this work, only occasional moments when such elements are hinted at. Duck Soup was revised in 2002 for a reading organized by the Canadian Music Centre. It was premiered in February of 1994 by Ken Knowles and Kristina Szutor. BIOGRAPHY Clark Winslow Ross is Associate Professor at Memorial University of Newfoundland's School of Music, where he teaches composition, theory, electronic music, orchestration, and classical guitar. He is one of Canada’s more active composers, with over 20 commissions and many performances of his works throughout Canada, in England, and the United States since moving to Newfoundland in the fall of 1992.
    [Show full text]
  • 2013: Other Events
    Asian Heritage Month The Month of May is May is Asian Heritage Month. This acknowledges the long and rich history of Asian Canadians and their contributions to Canada. It also provides an opportunity for Canadians across the country to reflect on and celebrate the contributions of Canadians of Asian heritage to the growth and prosperity of Canada. In December 2001, the Senate adopted a motion proposed by Senator Vivienne Poy to officially designate May as Asian Heritage Month in Canada. In May 2002, the Government of Canada signed an official declaration to designate May as Asian Heritage Month. Events taking place in Toronto during Asian Heritage Month These events are not part of Asian Heritage Month Festival, nor are they funded by the Government of Canada through the Department of Canadian Heritage. 1. Textile Museum, Toronto: SHINE Exhibition Date: March 27th to September 2nd, 2013 Venue: Textile Museum of Canada, 55 Centre Avenue, Toronto Presented by: Textile Museum of Canada Description: For highlights, please go to http://www.vmacch.ca/Museums/TextileMuseum/textile.html 2. Embracing Our Art: An Exhibition of Local Asian Canadian Artists Dates and Time: May 1 -June 30, 2013 (The Cheng Yu Tung East Asian Library, Mon. - Thu. 9:00 am - 7:00 pm, Fri. 9:00 am - 6:00 pm; the Robarts Library, Mon. - Thu. 8:30 am - 11:00 pm, Sat. and Sun. 10:00 am - 5:00 pm) Venue: The Cheng Yu Tung East Asian Library & the Robarts Library (first floor exhibition area), University of Toronto, 130 St. George Street, Toronto, M5S 1A5 Presented by: The Cheng Yu Tung East Asian Library Description: In order to celebrate the Asian Heritage Month in Toronto, the Cheng Yu Tung East Asian Library (University of Toronto) has invited 25 local Asian Canadian artists to showcase their art works in the library.
    [Show full text]
  • 2014 TAC Annual Report FINAL.Indd
    2014 Annual Report 200-26 Grand Trunk Crescent Toronto, Ontario M5J 3A9 www.torontoartscouncil.org 416.392.6800 Table of Contents 1. About Toronto Arts Council: Our Vision and Mandate ............................................... 3 2. Letter from the Chair and President ............................................................. 4 3. Letter from the Director & CEO .................................................................5 4. Toronto Arts Council Board of Directors and Staff .................................................. 6 5. Toronto Arts Council Committees .............................................................. 7 6. Impact of Grants ........................................................................... 8 7. TAC Online .............................................................................. 10 8. Spotlight on the Toronto Arts Foundation ........................................................ 11 9. 2014 Allocation Summary of Grants and Awards .................................................. 12 10. Recipients Listing: Organizations .............................................................. 14 11. Recipients Listing: Individual Artists ............................................................ 18 12. Auditor’s Report .......................................................................... 20 13. Financial Statements ........................................................................21 Toronto Arts Council Annual Report 2014 | 1 2 | Toronto Arts Council Annual Report 2013 Art connects individuals
    [Show full text]
  • Mexico's Tambuco Percussion Ensemble and Voices
    Soundstreams presents THE MUSIC OF JAMES MACMILLAN March 8, 2016 at 8:00 pm, Trinity-St. Paul’s Centre Scotland’s pre-eminent composer conducts his own choral masterpiece Seven Last Words from the Cross, plus works by R. Murray Schafer, James Rolfe, and Knut Nystedt. Thursday, February 4 // Toronto – Soundstreams continues its 2015/16 season this March with a visit from Scotland’s most celebrated composer and conductor, Sir James MacMillan. The Music of James MacMillan on March 8 at Trinity-St. Paul’s Centre features MacMillan conducting Choir 21 and the Virtuoso String Orchestra, and will include choral works by MacMillan, Canadian composers R. Murray Schafer and James Rolfe, and Norway’s Knut Nystedt. Audiences across Ontario will also have the opportunity to experience this exceptional program at engagements in Kingston and Kitchener on March 4 and 6. One of today’s most successful composers, Sir James MacMillan is also internationally active as a conductor, having served as Composer/Conductor for the BBC Philharmonic from 2000 to 2009. Emotionally potent, rhythmically thrilling, and richly reflective of his Catholic faith, Celtic cultural roots, and outspoken political conscience, MacMillan’s choral music has won worldwide critical and popular acclaim. In this concert, he conducts his own 1993 cantata Seven Last Words from the Cross. Combining dramatic narrative with spiritual meditation, this spellbinding sequence of seven adagio movements, inspired by the four gospel accounts of the Crucifixion, is justly regarded as one of his masterpieces. Also featured is his The Gallant Weaver, a tranquil piece based on a poem by Robert Burns, rich in Scottish flavor and evocative of Celtic folk music.
    [Show full text]
  • March Composer Concert
    STUDENT COMPOSER CONCERT New works by composers from the University of Toronto, Faculty of Music Tuesday, March 19 @ 7:00pm Walter Hall, Edward Johnson Building University of Toronto PROGRAMME Hajime Sonata for Alto Saxophone and Piano Paul Kawabe (b.1997) I. Largo II. Allegro III. Andante Marco Wong - Alto Saxophone Stephen Clarke - Piano STARDUST Alex Allsopp (b.1998) Jack Gagner - Trombone Joseph Distefano - Trombone Bien Carandang - Bass Trombone Vivian Kwok - Piano Una Voce Elizabeth Legierski Elizabeth Legierski - Voice Sonata for Cello and Piano Evan Tanovich Else Sather - Cello Evan Tanovich - Piano Fireflies Michael Maevskiy (b.1997) Erika Wood, Hannah Mazurek - Soprano Annika Telenius, Mara Bowman - Alto Katharine Petkovski, Olivia Guselle - Alto Benjamin Gabbay, Kevin Mulligan - Tenor Kai Leung, Tristan Zaba - Bass Michael Maevskiy - Conductor Loučeni Emma Colette Moss (b.1999) Anika France-Forget - Soprano David John Walter Walsh - Tenor Emma Colette Moss - Piano Moonlit Clouds Michael Nunes (b.2000) Hannah Corbett - Violin Matthew Chan - Piano Desperation for Repose Adrian Punzalan (b. 1998) Adrian Punzalan - Piano INTERMISSION Sonata for Cello and Piano Julian Cruz (b.1998) Adagio – Allegro - Adagio Adagio Vivo Julian Cruz - Piano Brendan Rogers - Cello Multi-celled Organism Crescenzo DiCecco (b.1997) Crescenzo DiCecco – Piano Adam Kaleta - Marimba Ben Rosistan - Alto Saxophone Ester-ruth Teel - Organ Samuel Demets- Tenor Saxophone Ricci Ebron – Flute String Quartet No. 1 Jahred R. Warkentin I: Viola Feature II: Cello Feature Thea Coburn - Violin Justin Azerrad - Violin Shreya Jha - Viola Christopher Chan - Cello Two Robert Frost Songs Ricardo Ferro (b.2000) Come In A Dream Pang Abigail Sinclair - Voice Maria Fedyushina - Piano Echo, I.
    [Show full text]
  • Download the TSO Commissions History
    Commissions Première Composer Title They do not shimmer like the dry grasses on the hills, or January 16, 2019 Emilie LeBel the leaves on the trees March 10, 2018 Gary Kulesha Double Concerto January 25, 2018 John Estacio Trumpet Concerto [co-commission] In Excelsis Gloria (After the Huron Carol): Sesquie for December 12, 2017 John McPherson Canada’s 150th [co-commmission] The Talk of the Town: Sesquie for Canada’s 150th December 6, 2017 Andrew Ager [co-commission] December 5, 2017 Laura Pettigrew Dòchas: Sesquie for Canada’s 150th [co-commission] November 25, 2017 Abigail Richardson-Schulte Sesquie for Canada’s 150th (interim title) [co-commission] Just Keep Paddling: Sesquie for Canada’s 150th November 23, 2017 Tobin Stokes [co-commission] November 11, 2017 Jordan Pal Sesquie for Canada’s 150th (interim title) [co-commission] November 9, 2017 Julien Bilodeau Sesquie for Canada’s 150th (interim title) [co-commission] November 3, 2017 Daniel Janke Small Song: Sesquie for Canada’s 150th [co-commission] October 21, 2017 Nicolas Gilbert UP!: Sesquie for Canada’s 150th [co-commission] Howard Shore/text by October 19, 2017 New Work for Mezzo-soprano and Orchestra Elizabeth Cottnoir October 19, 2017 John Abram Start: Sesquie for Canada’s 150th [co-commission] October 7, 2017 Eliot Britton Adizokan October 7, 2017 Carmen Braden Blood Echo: Sesquie for Canada’s 150th [co-commission] October 3, 2017 Darren Fung Toboggan!: Sesquie for Canada’s 150th [co-commission] Buzzer Beater: Sesquie for Canada’s 150th September 28, 2017 Jared Miller [co-commission]
    [Show full text]
  • Soundstreamscatalogue Lowr
    LAWRENCE CHERNEY Artistic Director Directeur Artistique CHRIS LORWAY Executive Director Directeur Général JORGE AYALA Digital Community Manager Gestion des Communications Numériques SARAH BAUMANN Director of Marketing & P.R. STAFF Directrice, Marketing et Relations Publiques KYLE BRENDERS Artistic Associate Adjoint Artistique AMBER EBERT Outreach Programs Manager Gestion des Programmes de Diffusion CHRISTINA NIEDERWANGER Director of Development Directrice du Développement CAITLIN WELD Associate Producer Productrice Adjointe Lawrence Cherney, ARTISTIC DIRECTOR NEW DIRECTIONS IN MUSIC JORGE AYALA Digital Community Manager Gestion des Communications Numériques SARAH BAUMANN Director of Marketing & P.R. Directrice, Marketing et Relations Publiques SOUNDSTREAMS CATALOGUE KYLE BRENDERS Artistic Associate Commissioned Works Adjoint Artistique 1982-2012 AMBER EBERT Outreach Programs Manager Gestion des Programmes de Diffusion CHRISTINA NIEDERWANGER NEW DIRECTIONS IN MUSIC Director of Development Directrice du Développement CAITLIN WELD Associate Producer Productrice Adjointe PREFACE The works in this catalogue represent thirty years The catalogue’s purpose is not to sell the works it lists of commissions by Soundstreams, an organization but to promote them. Many of these compositions have dedicated to the creation and performance of new been heard only once; we seek to begin remedying that musical compositions. Naturally, each individual work situation by opening a dialogue about them, so please included here embodies its composer’s distinct voice feel free to contact us at Soundstreams. We are proud to and style; yet taken as a whole, the collection also present this unique compendium of musical excellence, reflects the particular aesthetic of Soundstreams and we invite you to help us bring these remarkable Artistic Director Lawrence Cherney. Listen to several works to the much wider audience that they deserve.
    [Show full text]
  • NORTHERN WINDS Globe and Mail for His “Effortless Virtuosity” in Contemporary Music, He Has Given the Performance of Several Masterpieces
    572248 bk NW 10/31/08 1:21 PM Page 5 Simon Docking Toronto Wind Orchestra WIND BAND CLASSICS Australian-born pianist Simon Docking has performed both as a soloist and chamber Toronto Wind Orchestra was founded in 1994 by Dr Mark Hopkins, assisted by Tony Gomes, with a mission to give musician throughout North America, as well as in Australia, New Zealand, Malaysia and professional performances of rare and unusual wind repertoire. In 1999 Tony Gomes assumed the position of Music Europe. He studied piano in Australia with Ransford Elsley, and holds a doctorate in piano Director of the ensemble. Toronto Wind Orchestra includes some of Toronto’s finest freelance performers who performance from SUNY Stony Brook, where he worked with Gilbert Kalish, and upon work in musical theatre, orchestras and the many chamber ensembles that make the Toronto music scene so vibrant graduation was awarded New York State’s Thayer Fellowship for the Arts. Praised by the and exciting. The Toronto Wind Orchestra has given Toronto premières of at least a dozen major works, and revived NORTHERN WINDS Globe and Mail for his “effortless virtuosity” in contemporary music, he has given the performance of several masterpieces. Since its inception, Canadian music has been central to Toronto Wind premières of dozens of new pieces, and collaborated with many composers from around Orchestra programming. Over the past dozen years, Toronto Wind Orchestra concerts have included Canadian wind the world, including Anne Boyd, Andrew Ford, Elliott Gyger, Matthew Hindson, Peter ensemble pieces such as Allan Bell’s From a Chaos to the Birth of a Dancing Star, Phil Nimmons’ Riverscape, Messiaen • Applebaum • Colgrass Sculthorpe and Ian Shanahan (Australia), Daniel Koontz, Eric Moe, Ralph Shapey and Michael Colgrass’ Old Churches, Oscar Peterson’s Place St.
    [Show full text]